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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The More I See You
Non classifié
278
Piano & claviers
Piano seul
128
Piano, Voix et Guitare
87
Instruments en Do
42
Piano Facile
40
Piano, Voix
38
Orgue
7
1 Piano, 4 mains
7
Piano grosses notes
6
Accordéon
1
+ 4 instrumentations
Retracter
Guitares
Guitare
29
Guitare notes et tablatures
19
Ligne De Mélodie, (Paroles) et Accords
9
2 Guitares (duo)
4
4 Guitares (Quatuor)
4
3 Guitares (trio)
2
Ukulele
2
Ensemble de guitares
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
53
Chorale 3 parties
22
Chorale TTBB
11
Chorale 2 parties
8
Chorale SSAA
6
Voix haute
3
Voix Alto, Piano
3
Chorale Unison
2
Voix seule
2
Chorale
2
Voix duo
1
Voix moyenne, Piano
1
Voix Soprano, Piano
1
Voix duo, Piano
1
+ 9 instrumentations
Retracter
Vents
2 Flûtes traversières (duo)
17
Hautbois (partie séparée)
14
Clarinette
13
Quatuor de Saxophones: 4 saxophones
13
Flûte traversière et Piano
12
Saxophone (partie séparée)
11
Flûte, Hautbois, Clarinette, Basson
11
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
Hautbois, Piano (duo)
10
2 Saxophones (duo)
9
Clarinette et Piano
9
Flûte et Guitare
8
Saxophone Alto et Piano
8
Saxophone Baryton, Piano
7
Saxophone Soprano et Piano
7
Flûte à bec Soprano
6
Saxophone Tenor et Piano
6
Saxophone, Clarinette (duo)
5
Flûte traversière
5
Cor anglais, Piano
5
Ensemble de Flûtes
5
Saxophone Alto
5
Flûte à bec Tenor
4
Clarinette, Violon (duo)
4
Flûte à bec Alto
4
Clarinette, Trompette (duo)
4
Saxophone Tenor
4
Ensemble de Clarinettes
4
2 Clarinettes (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
Quatuor de Clarinettes: 4 clarinettes
3
Clarinette, Guitare (duo)
3
Flûte, Alto (duo)
2
Clarinette et Alto
2
Ensemble de saxophones
2
Flûte, Trompette (duo)
2
2 Hautbois (duo)
2
Flûte, Clarinette (duo)
2
Clarinette Basse, Piano
2
Hautbois, Clarinette (duo)
2
3 Saxophones (trio)
1
Quatuor de Flûtes : 4 flûtes
1
Ensemble De Flûte à bec
1
Hautbois, Guitare (duo)
1
Flûte à Bec
1
Saxophone
1
Saxophone et Orgue
1
Flûte et Trio à cordes
1
Flûte à bec Alto, Piano
1
Flûte à bec Soprano, Piano
1
Cor Anglais
1
Flûte, Violon, Piano
1
+ 47 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
20
Quatuor de cuivres: 4 trombones
13
Trombone et Piano
10
Trompette, Piano
6
Cor et Piano
6
Cor anglais, Piano
5
Tuba
5
Cor
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Tuba et Piano
4
Trompette
4
Trombone
4
Quatuor de Cuivres
3
Trompette (partie séparée)
3
Trompette, Trombone (duo)
3
Euphonium, Piano (duo)
3
2 Tubas (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Trompettes (duo)
1
Ensemble de Trombones
1
Trombone (partie séparée)
1
Cor Anglais
1
+ 17 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
41
Violon, Violoncelle (duo)
12
Violon
12
Violoncelle
12
Violon et Piano
10
Violoncelle, Piano
8
Alto, Piano
7
2 Violons (duo)
7
Alto seul
5
Contre Basse
5
2 Violoncelles (duo)
5
Harpe
5
Trio à Cordes: violon, alto, violoncelle
5
Contrebasse, Piano (duo)
4
2 Altos (duo)
3
Violon, Alto (duo)
2
Trio à Cordes: 3 violoncelles
2
Trio à Cordes: 2 violons, violoncelle
2
Alto (partie séparée)
1
Trio à Cordes: 2 violons, alto
1
Trio à cordes: 3 violins
1
4 Violoncelles
1
Contrebasse (partie séparée)
1
Harpe, Voix
1
+ 19 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
19
Orchestre
15
Ensemble de cuivres
13
Orchestre de chambre
12
Ensemble Jazz
9
Orchestre à Cordes
8
Ensemble de Percussions
5
Jazz combo
3
Cloches
2
Batterie
1
Percussion
1
+ 6 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vendeurs (tous)
Musicnotes
Note4Piano
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Vous avez sélectionné:
The More I See You
Chorale TTBB
Partitions à imprimer
11 partitions trouvées
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1
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Make You Feel My Love
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Chorale TTBB
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DÉBUTANT
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Bob Dylan
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Alexander Koller
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Make You Feel My Love
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Alexander Koller
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.1035850 By Bob Dylan. By Bob Dylan. Arranged by Alexander Koller. A Cappella,Pop. Octavo. 5 pages. Alexander Kol...
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Choral Choir (TTBB) - Level 1 - SKU: A0.1035850 By Bob Dylan. By Bob Dylan. Arranged by Alexander Koller. A Cappella,Pop. Octavo. 5 pages. Alexander Koller #6905687. Published by Alexander Koller (A0.1035850). This is a four-part a cappella arrangement in the barbershop style (for male voices). The arrangement follows the Adele version more closely than the Bob Dylan version, but leaves out some of her stylizations. It should be fine for barbershop contests.There are already several barbershop arrangements of the song. My goal was to write one that is accessible for beginning barbershoppers, but still has some fun moments and a musical development that supports the story. I have tried to maintain the quiet and introspective mood of the original, while still giving you the opportunity for some musical contrasts.The back half (which you can't see in the preview) has the third verse as a lead solo and the fourth verse as a lead-tenor duet, with the other parts singing doo-doo accompaniment. The second bridge (the storms are raging) has a higher tessitura and musical intensity than the first one.The arrangement is for male voices. It should also work for a mixed quartet with a male bass. If you want to sing it with four high voices, please get in touch and I'll see if I can make it more accessible to you.If you choose to sing this arrangement, I would love to hear about your experiences at akoller@gmail.com; your feedback will make me a better arranger.
$1.99
I Know Where I've Been
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Marc Shaiman
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Theodore Hicks
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I Know Where I've Been
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Theo Hicks Music
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.512649 Composed by Marc Shaiman. Arranged by Theodore Hicks. Contemporary. Octavo. 10 pages. Theo Hicks Music #4...
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Choral Choir (TTBB) - Level 4 - SKU: A0.512649 Composed by Marc Shaiman. Arranged by Theodore Hicks. Contemporary. Octavo. 10 pages. Theo Hicks Music #4628551. Published by Theo Hicks Music (A0.512649). The powerful ballad from the musical Hairspray. This arrangement was originally premiered by the 2018 Silver Medalist Quartet Signature. This piece works well for small ensemble (quartet minimum) or a large choir. This song is contestable in Barbershop Harmony Society contests, Sweet Adeline's International contests, and Harmony Incorporated contests.You can see a performance of this arrangement on the Barbershop Harmony Society's YouTube channel.For more information or arrangement titles from Theodore Hicks, visit www.theohicksmusic.com.LIKE Theo Hicks Music on Facebook at https://www.facebook.com/theohicksmusic/Learning Tracks for this arrangement can be purchased through Kohl Kitzmiller at www.kksounds.com. For more information on Signature Quartet, visit https://www.facebook.com/SignatureQt/
$4.00
I Have Nothing
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Whitney Houston
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Theodore Hicks
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I Have Nothing
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Theo Hicks Music
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.512669 By Whitney Houston. By David Babyface Foster and Linda Thompson-Jenner. Arranged by Theodore Hicks. Conte...
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Choral Choir (TTBB) - Level 4 - SKU: A0.512669 By Whitney Houston. By David Babyface Foster and Linda Thompson-Jenner. Arranged by Theodore Hicks. Contemporary,Pop. Octavo. 9 pages. Theo Hicks Music #6009433. Published by Theo Hicks Music (A0.512669). This iconic ballad was featured in the movie The Bodyguard with a powerful performance by Whitney Houston. This arrangement was originally premiered by the 2019 International Quartet Champion, Signature. This piece works well for small ensemble (quartet minimum) or a large choir. This song is contestable in Barbershop Harmony Society contests, Sweet Adeline's International contests, and Harmony Incorporated contests.You can see a performance of this arrangement on the Barbershop Harmony Society's YouTube channel.For more information or arrangement titles from Theodore Hicks, visit www.theohicksmusic.com.LIKE Theo Hicks Music on Facebook at https://www.facebook.com/theohicksmusic/For more information on Signature Quartet, visit https://www.facebook.com/SignatureQt/
$4.00
I Love To See You Smile
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Chorale TTBB
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FACILE
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Randy Newman
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Matt Astle
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I Love To See You Smile
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Matt Astle Music
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SheetMusicPlus
TTBB Chorus,Voice - Level 2 - SKU: A0.1470865 By Randy Newman. By Randy Newman. Arranged by Matt Astle. A Cappella,Barbershop,Film/TV. Barbershop Quarte...
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TTBB Chorus,Voice - Level 2 - SKU: A0.1470865 By Randy Newman. By Randy Newman. Arranged by Matt Astle. A Cappella,Barbershop,Film/TV. Barbershop Quartet. 6 pages. Matt Astle Music #1048491. Published by Matt Astle Music (A0.1470865). Randy Newman and barbershop were made for each other. This gem from the movie Parenthood hits all the right notes, and will be an easy but impressive learn for any barbershop ensemble.In this quartet version, one purchase entitles you to four copies for the quartet.Learning tracks available at mattastlemusic.com.Additional voicings and ensemble editions also available on SheetMusicPlus.com.More information and custom arrangements available at mattastlemusic.com.
$12.99
I Love To See You Smile
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Chorale TTBB
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FACILE
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Randy Newman
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Matt Astle
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I Love To See You Smile
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Matt Astle Music
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1470861 By Randy Newman. By Randy Newman. Arranged by Matt Astle. A Cappella,Barbershop,Film/TV. 6 p...
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Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1470861 By Randy Newman. By Randy Newman. Arranged by Matt Astle. A Cappella,Barbershop,Film/TV. 6 pages. Matt Astle Music #1048489. Published by Matt Astle Music (A0.1470861). Randy Newman and barbershop were made for each other. This gem from the movie Parenthood hits all the right notes, and will be an easy but impressive learn for any barbershop ensemble.In this chorus version, each copy is sold separately, with a minimum of 10 copies. Learning tracks available at mattastlemusic.com.Additional voicings and ensemble editions also available on SheetMusicPlus.com.More information and custom arrangements available at mattastlemusic.com.
$1.99
I'll Cover You - Reprise
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Comédie Musicale
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Original Broadway Cast Recordi
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Pax Ressler
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I'll Cover You - Reprise
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Pax Ressler
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.1147331 By Original Broadway Cast Recording. By Jonathan D. Larson. Arranged by Pax Ressler. Broadway,Musical/Sh...
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Choral Choir (TTBB) - Level 4 - SKU: A0.1147331 By Original Broadway Cast Recording. By Jonathan D. Larson. Arranged by Pax Ressler. Broadway,Musical/Show. Octavo. 31 pages. Pax Ressler #747537. Published by Pax Ressler (A0.1147331). This is a 3-minute advanced intermediate arrangement of I'll Cover You (Reprise) (from RENT) for a soloist, TTBB Chorus, piano, two violins, electric bass and drum set. Pax Ressler (they/she) is a Philadelphia-based theatre and music artist composing and arranging soul-stirring choral music for ensembles across the United States and beyond. To see more of Pax's work, search “Pax Ressler†on Sheet Music Direct, Sheet Music Plus, or on their website, paxressler.com.
$1.99
I'm All Alone
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Chorale TTBB
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INTERMÉDIAIRE
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Jack Coale and Frank Anderson,
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Donald A
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I'm All Alone
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Donald A Mills
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.928932 Composed by Jack Coale and Frank Anderson, 1922. Arranged by Donald A. Mills. A Cappella,Classical,Contem...
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Choral Choir (TTBB) - Level 3 - SKU: A0.928932 Composed by Jack Coale and Frank Anderson, 1922. Arranged by Donald A. Mills. A Cappella,Classical,Contemporary. Octavo. 3 pages. Donald A Mills #18903. Published by Donald A Mills (A0.928932). This piece is a TTBB a cappella balled at an intermediate difficulty level for barbershop or non-barbershop performances. It's a song about loneliness, written for men's quartet or men's chorus in a cappella form. Your men's group will love singing this oldie and your audience will love hearing it. Experience a new tag and a completely new arrangement. Try it...you'll like it! Type in my name...Donald A. Mills...into the search box to see more of my arrangements and compositions.
$2.49
I Wonder As I Wander
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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John Jacob Niles
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Aaron Lee
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I Wonder As I Wander
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J. Aaron Lee
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.726699 Composed by John Jacob Niles. Arranged by Aaron Lee. 20th Century,Christmas,Contemporary,Praise & Worship...
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Choral Choir (TTBB) - Level 4 - SKU: A0.726699 Composed by John Jacob Niles. Arranged by Aaron Lee. 20th Century,Christmas,Contemporary,Praise & Worship,Sacred. Octavo. 9 pages. J. Aaron Lee #334739. Published by J. Aaron Lee (A0.726699). This arrangement of the classic Christmas carol, I Wonder as I Wander is written for TTBB men's chorus and presents a moderate challenge. Multiple dramatic key changes lead into an ending with lush extended harmonies. This arrangement seeks to capture the wonder and awe presented in the lyrics of this wonderful Christmas carol. For more music from Aaron Lee, you can visit www.musicoflee.com.
$2.49
The Water Is Wide
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Chorale TTBB
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FACILE
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Vince Peterson
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The Water Is Wide
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Personage Press, LLC
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.882300 Composed by Vince Peterson. A Cappella,Contemporary,Folk,Wedding. Octavo. 5 pages. Personage Press, LLC #...
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Choral Choir (TTBB) - Level 2 - SKU: A0.882300 Composed by Vince Peterson. A Cappella,Contemporary,Folk,Wedding. Octavo. 5 pages. Personage Press, LLC #6424317. Published by Personage Press, LLC (A0.882300). Vince Peterson's arrangement of the beloved O Waly Waly tune begins simply, in unison, before opening up into a soft reharmonization full of suspensions. As the energy builds and recedes, the final two verses offer a new, more optimistic take on the song: Love is the center of all we see... no matter what, I'll stay with you. Wordless interludes enhance the atmosphere of this a cappella gem.
$54.00
Africa
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Chorale TTBB
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INTERMÉDIAIRE
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Rock
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Toto
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Jonathan Kilhams
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Africa
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Jonathan Kilhams
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.943040 By Toto. By David Paich, Jeff Porcaro, Prince Lamont Board Priese, and Robin Dimaggio. Arranged by Jonath...
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Choral Choir (TTBB) - Level 3 - SKU: A0.943040 By Toto. By David Paich, Jeff Porcaro, Prince Lamont Board Priese, and Robin Dimaggio. Arranged by Jonathan Kilhams. Pop,Rock. Octavo. 18 pages. Jonathan Kilhams #4797945. Published by Jonathan Kilhams (A0.943040). About the pieceAfrica is a song by the American rock band Toto. It was included on their 1982 album Toto IV, and released as a single on September 30, 1982. It reached number one on the US Billboard Hot 100 chart on February 5, 1983 (the band's only number one there), and number three on the UK Singles Chart the same month.The initial idea and words for the song came from David Paich. Jeff Porcaro explains the idea behind the song: a white boy is trying to write a song on Africa, but since he's never been there, he can only tell what he's seen on TV or remembers in the past.Paich said: At the beginning of the '80s I watched a late night documentary on TV about all the terrible death and suffering of the people in Africa. It both moved and appalled me, and the pictures just wouldn't leave my head. I tried to imagine how I'd feel about if I was there and what I'd do.In 2015, Paich explained the song is about a man's love of a continent, Africa, rather than just a personal romance. In 2018, Paich explained the song is about a person flying in to meet a lonely missionary. As a child, Paich attended a Catholic school. Several of the teachers had done missionary work in Africa, and this became the inspiration behind the line I bless the rains down in Africa.About the arrangementI have tried to keep as much of the original material used by Toto as possible, within the confines of a male voice choir arrangement. The arrangement is for TTBB and piano and can include sound effects made by the choir at the beginning to imitate rain and a thunderstorm. A bongo/djembe drum can be played through the choruses to add more of an African percussive feel. My thanks must go to Gareth Giles who helped create the piano part for this arrangement.Duration: 4 minsAdditional Parts & Social MediaIf you require any additional learning parts or rehearsal tracks then please contact me directly through www.jonathankilhams.com. I am also on Facebook, Twitter and Instagram so please let me know if your choir are planning to sing my arrangement - it is always nice to know where in the world it is being performed. Facebook: @johnnykilhamsmusicTwitter: @Johnny_KilhamsInstagram: @johnnykilhamsmusic
$5.00
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