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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Their First Time
Non classifié
390
Piano & claviers
Piano seul
114
Piano, Voix
69
Piano Facile
61
Piano, Voix et Guitare
28
Instruments en Do
17
Orgue
8
2 Pianos, 4 mains
6
Accompagnement Piano
5
Piano Trio: piano, violon, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
3
1 Piano, 4 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
2 Pianos, 8 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
21
Guitare
19
Piano, Guitare (duo)
6
Ligne De Mélodie, (Paroles) et Accords
5
2 Guitares (duo)
4
Basse electrique
4
3 Guitares (trio)
3
Paroles et Accords
2
Mandoline
2
Dulcimer
1
Ensemble de guitares
1
4 Guitares (Quatuor)
1
Banjo
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
72
Chorale 3 parties
12
Chorale TTBB
10
Chorale SSAA
8
Chorale Unison
6
Chorale 2 parties
6
Voix Soprano, Piano
6
Voix duo, Piano
3
Voix haute
1
Voix duo
1
+ 5 instrumentations
Retracter
Vents
2 Saxophones (duo)
47
Flûte traversière et Piano
41
Clarinette et Piano
36
Quatuor de Saxophones: 4 saxophones
32
Hautbois, Piano (duo)
29
2 Flûtes traversières (duo)
28
Clarinette
28
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
25
Saxophone Alto et Piano
24
Saxophone, Clarinette (duo)
23
Quintette de Saxophone: 5 saxophones
21
2 Clarinettes (duo)
20
Saxophone Alto
20
Quatuor de Clarinettes: 4 clarinettes
18
Clarinette, Violon (duo)
16
Hautbois (partie séparée)
15
Flûte, Hautbois, Clarinette, Basson
15
Clarinette, Trompette (duo)
14
Ensemble de Clarinettes
12
2 Hautbois (duo)
11
Saxophone Soprano et Piano
11
Flûte, Clarinette (duo)
10
Saxophone Baryton, Piano
10
Saxophone Tenor et Piano
10
Flûte, Saxophone (duo)
9
Flûte, Violon
9
Clarinette et Alto
8
Hautbois, Basson (duo)
8
Cor anglais, Piano
8
Flûte traversière
8
Hautbois, Clarinette (duo)
8
Ensemble de saxophones
8
Flûte, Alto (duo)
7
Hautbois, Flûte
7
Ensemble de Flûtes
7
Quintette de Flûte : 5 flûtes
6
Quatuor de Flûtes : 4 flûtes
6
Quintette de Clarinettes: 5 clarinettes
6
3 Saxophones (trio)
5
Flûte, Trompette (duo)
5
Clarinette Basse, Piano
5
Saxophone Tenor
4
Flûte à bec Soprano
4
Saxophone (partie séparée)
3
Cor Anglais
2
3 Flûtes à bec (trio)
2
Ensemble à vent
2
Piccolo, Piano
2
2 Flûte à bec (duo)
2
Clarinette, Violoncelle (duo)
2
Flute (partie séparée)
2
Clarinette, Basson (duo)
2
Trio de Flûtes: 3 flûtes
2
Flûte, Violoncelle
2
Hautbois, Violoncelle
2
Flûte irlandaise
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte à bec Alto, Basse continue
1
Flûte et Guitare
1
Clarinette, Alto et Piano (trio)
1
Flûte, Hautbois, Basson
1
Flûte à bec Alto
1
Hautbois, Guitare (duo)
1
Hautbois, violon (duo)
1
Hautbois et alto (duo)
1
Ensemble De Flûte à bec
1
Quatuor de Flûtes à bec
1
Flûte à Bec, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
+ 64 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
34
Trompette, Piano
31
Quatuor de Cuivres : 2 trompettes, trombone, tuba
29
Cor et Piano
25
Trompette, Saxophone (duo)
16
Trombone et Piano
15
Euphonium, Piano (duo)
11
Trompette, Trombone (duo)
11
2 Trompettes (duo)
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
2 Trombones (duo)
9
Trompette
9
Cor anglais, Piano
8
Ensemble de Trombones
7
Ensemble de Trompettes
7
Cor
7
Tuba
6
Quatuor de cuivres: 4 trombones
4
Quatuor de Cuivres
4
Quatuor de cuivres: 4 cors
3
3 Trombones (trio)
3
Trombone
3
Cor Anglais
2
Trompette (partie séparée)
2
Quatuor de cuivres: 4 trompettes
2
Tuba et Piano
2
4 Tubas
1
Tuba et Orgue
1
2 Tubas (duo)
1
Ensemble de Cors
1
2 Euphoniums et 2 Tubas
1
+ 26 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
54
Alto, Piano
44
Violon et Piano
40
Violoncelle, Piano
30
Violon, Violoncelle (duo)
27
Harpe
19
Violon
17
2 Violoncelles (duo)
12
Violoncelle
10
Violon, Alto (duo)
10
2 Violons (duo)
10
2 Altos (duo)
10
Trio à Cordes: 2 violons, violoncelle
7
Trio à Cordes: violon, alto, violoncelle
6
Alto seul
5
4 Violoncelles
5
Ensemble de Violons
5
Ensemble d'Altos
3
Harpe, Trombone (duo)
2
Violon (partie séparée)
2
Alto, Violoncelle (duo)
2
Alto (partie séparée)
2
Contrebasse, Piano (duo)
2
Quatuor à cordes : 4 altos
2
Quatuor à cordes: 4 violons
2
Violon, Clarinette, Piano (trio)
1
Violoncelle, Contrebasse (duo)
1
Violoncelle, Orchestre
1
Violon, Basson (duo)
1
Trio à Cordes: 3 violoncelles
1
Piano Trio: Violon, Alto, Piano
1
Trio à cordes: 3 violins
1
Trio à cordes: 3 altos
1
Contre Basse
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe, Voix
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
122
Orchestre à Cordes
33
Orchestre
27
Ensemble Jazz
19
Jazz combo
14
Ensemble de cuivres
14
Orchestre de chambre
12
Ensemble de Percussions
3
2 Xylophones
2
Fanfare
2
Marimba
1
Orchestre, Violon
1
Batterie
1
Piano et Orchestre
1
+ 9 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Note4Piano
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Vous avez sélectionné:
Their First Time
Chorale TTBB
Partitions à imprimer
10 partitions trouvées
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1
Time For Livin'
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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The Association
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Larry Wright
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for assistance
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Time For Livin'
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Larry Wright
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 4 - SKU: A0.1372326 By The Association. By Donald Addrisi and Richard Addrisi. Arranged by Larry Wright. A Cappella,B...
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Choral Choir,Choral (TTBB) - Level 4 - SKU: A0.1372326 By The Association. By Donald Addrisi and Richard Addrisi. Arranged by Larry Wright. A Cappella,Barbershop. 4 pages. Larry Wright #956623. Published by Larry Wright (A0.1372326). A MEN'S 4-part high, a cappella, energy barbershop arrangement of this great tune recorded by the 60's Britsh rock group called The Association. It's a fun, but challenging piece.Check out the audio demos (FREE i minute sample... as well as $2 full-length demo.IMPORTANT NOTE: By FIRST purchasing the combo of this song from my website store <www.larrywrightmusic.com>, you'll not only be getting the EXCELLENT part-predominant, vocal learning trax, but also be able to purchase the sheet music from the SMP website store for their lowest $1.89/$1.99 per-copy price,.... NOT the currently posted much higher $14.25 per-copy price. PLUS, you also get to select a second COMBO of your choice from my website store for FREE!!!! Of course, you'll still need to pay SMP (or the publisher who controls the song licensing) the song per-copy fees for your second COMBO.NOTE: if the SMP per-copy price is anything more than $1.99, DON'T PAY IT!!!! Email me <larry@larrywrightmusic.com> for assistance. NOTE: SMP requires a minimum 10-copy purchase to combat cheating. Sorry quartets!Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the EXCELLENT part-predominant vocal learning trax.
$1.99
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Brisbane Ladies (Augathella Station)
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Chorale TTBB
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DÉBUTANT
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Traditional
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Sandra Milliken
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Brisbane Ladies
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Sandra Milliken
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.774723 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 13 pages. Sandra Milliken #3863...
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Choral Choir (TTBB) - Level 1 - SKU: A0.774723 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 13 pages. Sandra Milliken #3863765. Published by Sandra Milliken (A0.774723). Brisbane Ladies, sometimes known as Augathella Station, is an Australian folk song based on an English naval song titled Spanish Ladies. The song probably dates from the time of the War of the First Coalition (1793-96) when the Royal Navy carried supplies to Spain in support of that country’s resistance to revolutionary France. It then probably gained further popularity during the later Peninsular War when British soldiers were transported to Spain to assist rebels fighting against the French occupation by the forces of Napoleon.Spanish Ladies is a tale of British naval personnel sailing north from Spain and along the English Channel to their home port. Due to its popularity, several variants of Spanish Ladies later appeared in various parts of the world. American whalers sang a version called Yankee Whalermen. In Newfoundland it appeared as We’ll Rant and We’ll Roar. Special lyrics were written to the tune for the Bluenose, a famous Canadian sailing ship plying out of Nova Scotia. In Australia, around 1880, another set of lyrics appeared, written by Saul Mendelsohn who was a storekeeper in the small Queensland town of Nanango. Brisbane Ladies tells about the drovers who bring the herds of cattle overland from western Queensland to the markets in Brisbane. There the drovers spend most of their money and time with the ladies before setting out for home in search of the next herd of cattle for market. The places mentioned in Brisbane Ladies are mostly small towns along the stock route that stretched some 750 kilometres north-west of Brisbane towards the small town of Augathella, on the banks of the Warrego River. Augathella, at that time, marked the convergence of three major bullock tracks from Morven, Tambo and Charleville.
$2.20
Please Come Home For Christmas
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Willie Nelson
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Dom Finetti
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Please Come Home For Christmas
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Dom Finetti
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SheetMusicPlus
Voice (TTBB) - Level 4 - SKU: A0.1398842 By Willie Nelson. By Charles Brown and Gene Redd. Arranged by Dom Finetti. A Cappella,Barbershop,Blues,Christma...
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Voice (TTBB) - Level 4 - SKU: A0.1398842 By Willie Nelson. By Charles Brown and Gene Redd. Arranged by Dom Finetti. A Cappella,Barbershop,Blues,Christmas,Holiday. Barbershop Quartet. 8 pages. Dom Finetti #982117. Published by Dom Finetti (A0.1398842). Whether you're looking for a unique addition to your holiday show repertoire or want to raise some eyebrows on the contest stage with a Christmas-themed tune that is surprisingly fit for a Barbershop contest, look no further than this 4-part a cappella take on the Gene Redd & Charles Brown classic, Please, Come Home For Christmas.While you've likely heard a number of different artists share their take on this song over the years, this arrangement is mostly inspired by the iconic recording by Grammy Award-winning rock band, THE EAGLES. Be warned, the melody line for this chart isn't for the faint of heart and Bass singers will have a great time driving the tempo from their very first word. Fans of Blues songs like Drown In My Own Tears and Love Me will feel right at home, but in all honesy this tune pleases any crowd!
$12.99
A Bridge Between an Ocean
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Quinn McMath
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A Bridge Between an Ocean
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Quinn McMath
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.888994 Composed by Quinn McMath. 20th Century,Contemporary. Octavo. 16 pages. Quinn McMath #6130747. Published b...
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Choral Choir (TTBB) - Level 4 - SKU: A0.888994 Composed by Quinn McMath. 20th Century,Contemporary. Octavo. 16 pages. Quinn McMath #6130747. Published by Quinn McMath (A0.888994). 6.75 x 10.5 inchesA Bridge Between an Ocean is an experimental contemporary piece that deals with the elusive and sometimes damaging transition away from childhood. The premise behind the piece is that the first tenor represents a boy realizing that his childhood is fleeting away. The other sections represent his collective internal self in the form of past, present, and future, offering consoling words towards the boy. This piece is to be driven with passion and emotion, as the premise is something most listeners will find connections to in their own lives. A Bridge Between an Ocean is a great piece for an advanced men's group and would work well in any classical contemporary performance setting. This piece may also be appropriate for advanced high school and collegiate level groups. It is suggested that a pianist sit in rehearsals (not for performance) to help the members of the choir learn their parts.
$3.50
What Wondrous Love Is This - TTBB Ensemble
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Chorale TTBB
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INTERMÉDIAIRE
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American Folk Hymn
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Mark R Lewis
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What Wondrous Love Is This - T
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Mark R Lewis
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1213360 Composed by American Folk Hymn. Arranged by Mark R Lewis. A Cappella,Folk,Religious,Sacred,Traditional. ...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1213360 Composed by American Folk Hymn. Arranged by Mark R Lewis. A Cappella,Folk,Religious,Sacred,Traditional. Octavo. 12 pages. Mark R Lewis #810545. Published by Mark R Lewis (A0.1213360). What Wondrous Love Is This is an American folk hymn that became popular during the early 1800s. It was first published in 1811 in the various hymnbooks that came out during the Second Great Awakening with various lyricists credited. Many publications attributed the song's tune to The Ballad of Captain Kidd, a popular, though much older, song and tune at the time. Earlier versions of the text are slightly different, but as with many folk tunes, it is difficult to tell which transcriptions are regional variants and which are errors by the transcriber.This arrangement of the tune by Mark Lewis is for a cappella TTBB Ensemble. All four voice parts are featured for a verse with different accompaniment each time. There are key changes to better place the melody in the ranges of each voice and there are moving notes in many background voices through most of the piece. As with many of Mark's arrangements, the outer voices will be pushed towards the extremes of their ranges even though the notes and rhythms are not incredibly difficult. Most intermediate choirs should enjoy performing this piece.
$1.99
There But For Fortune
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Chorale TTBB
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FACILE
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Contemporain
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Phil Ochs
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Bob Eggers
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There But For Fortune
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ROBERT J EGGERS
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.940457 Composed by Phil Ochs. Arranged by Bob Eggers. Contemporary. Octavo. 9 pages. ROBERT J EGGERS #5305751. P...
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Choral Choir (TTBB) - Level 2 - SKU: A0.940457 Composed by Phil Ochs. Arranged by Bob Eggers. Contemporary. Octavo. 9 pages. ROBERT J EGGERS #5305751. Published by ROBERT J EGGERS (A0.940457). There But For Fortune is a powerful song coming out of the peace and love decade, the 1960's whose verses examine first a prisoner, a hobo and a country devastated by war. Peter, Paul and Mary did a wonderful rendition of the song in 6/8 time creating a lilting and driving version, adding a bridge which expanded the themes of the original poem and offered a melodic variation. This arrangement is based on that rendition, and features a powerful duet and a dramatic conclusion that will have your audiences on their feet.Level of difficulty: easy to moderate. Duration 3:40Learning Tracks available for all voice parts. Contact me for details: reggersusa@yahoo.com
$12.99
The Leaves of the Fall
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Chorale TTBB
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FACILE
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John van Gulik
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John van Gulik
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The Leaves of the Fall
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John van Gulik
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1244630 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Historic,Holiday,Patriotic. Octavo. 27...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1244630 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Historic,Holiday,Patriotic. Octavo. 27 pages. John van Gulik #839583. Published by John van Gulik (A0.1244630). A moving remembrance of the young lives sacrificed in the First and Second World Wars defending our freedom. This is a setting to an original text by John van Gulik arranged for men's choir.The leaves on the ground are all broken and grayTheir color has gone taking glory awayOnset of winter will bury them allSuch is the season, the season of fall  Leaves of autumn, leaves of the fall  Millions of discarded parts of us all  Time will forget them, forget them it will  And yet they have fallen... The season of fallThe dead all all gone, we remember them stillLives given freely, buried under a hillResting in fields where the red poppies growMarkings are fading for those down belowCold sleeping life lays under the snowSlumbering gently while winter winds blowWaiting for springtime to finally comeMelting the cover, at last feel the sunVisions of future beyond paths of warHope that the world will see it no moreThe dead are not gone, just sleeping awayTo rise once again on that last dayLess now remembered except once a yearMemories are fading to soon disappearResting and waiting beneath the sodForgotten by living but still known to GodFor additional parts, accompaniment track, or other arrangements, contact me at vangulik.john@gmail.com or visit my website at https://jvgmusiconline.com.
$2.00
Horizon
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Chorale TTBB
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INTERMÉDIAIRE
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Shelton Ridge Love
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and she has been there since
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Horizon
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Shelton Ridge Love
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1200843 By Shelton Ridge Love. By Shelton Ridge Love. Contemporary,Sacred,Spiritual. Octavo. 19 pages. Shelton R...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1200843 By Shelton Ridge Love. By Shelton Ridge Love. Contemporary,Sacred,Spiritual. Octavo. 19 pages. Shelton Ridge Love #799497. Published by Shelton Ridge Love (A0.1200843). For TTBB Chorus, Piano and optional Violin (Violin part included with the score)2022 holds a significant milestone for my family. This year, my grandmother, Bobbie Kay Turner, celebrates her ninetieth birthday. In planning for the celebration, I was stumped about what to give her. I wanted it to be unique, something no one else would think of. Finally, I had the idea to compose a new song. I contacted my friend, James, and he was immediately on board. In fact, he had the first draft of a new poem back to me within the day!  When my grandmother (“Mimi†to her grandkids) was 36 years old, she and my grandfather moved to Cayman Brac, Cayman Islands with their six children to serve as missionaries; and she has been there since. So, when I think of Mimi, I can’t help but think of the many times I’ve sat and watched the ocean with her. Knowing this, James created a text that depicts life as a ship’s journey across the sea. Throughout the song, you will catch snippets of my grandmother’s favorite hymn Amazing Grace which, like Horizon, is a song about a journey. My grandmother has lived a full, long life and continues to joyfully live each day. James’s beautiful lyrics perfectly capture her journey, particularly the final stanza. Mimi is known for being full of energy and abounding in love for those around her, and she never stops telling anyone who will listen about the divine light of an eternal home. –    Shelton, October 18, 2022.
$2.25
Star in the East - TTBB Ensemble
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Chorale TTBB
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INTERMÉDIAIRE
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American Folk Hymn
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Mark R Lewis
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Star in the East - TTBB Ensemb
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Mark R Lewis
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1045085 Composed by American Folk Hymn. Arranged by Mark R Lewis. Christmas,Folk,Holiday,Sacred,Traditional. Oct...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1045085 Composed by American Folk Hymn. Arranged by Mark R Lewis. Christmas,Folk,Holiday,Sacred,Traditional. Octavo. 41 pages. Mark R Lewis #649649. Published by Mark R Lewis (A0.1045085). The tune for Star in the East first appears in print in The Southern Harmony collection, but is well attested as an American Folk Hymn. The lyrics are partially anonymous but most published versions include verses that seem to have been added by the arranger of that version. This Epiphany song has similar themes to We Three Kings but is definitely a refreshing change from that well known tune. This fun arrangement by Mark R Lewis is for Baritone soloist, TTB choir, a woodwind instrument, and bass instrument. Included is sheet music for C, Bb, and Eb instruments and a bass line which can be played by many different bass instruments depending on what the group has available. The instrumentalists can transpose their parts to different octaves for ease of playing if necessary. The Baritone soloist should be a well experienced intermediate singer and the bass line is very active at times, but the choir and woodwind parts should be performable by most intermediate groups. Also available for Baritone solo w/ SATB ensemble. Vocal Range: f minor Baritone solo - 1 1/2 octaves (Bb2 to F4) Tenor 1 - 1+ octaves (Eb3 to F4) Tenor 2 - 1 octave (C3 to C4) Bass - 1+ octaves (F2 to Gb3) Instrument Range: Clarinet - max 3 1/2 octaves (F3 to A5) can be smaller if octaves are transposed Bass instrument - 1 1/2 octaves (F2 to C4).
$1.99
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