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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
This Hell
Non classifié
679
Piano & claviers
Piano seul
629
Piano, Voix et Guitare
398
Piano, Voix
248
Piano Facile
196
Instruments en Do
52
1 Piano, 4 mains
38
Orgue
28
Piano Quatuor: piano, violon, alto, violoncelle
28
Accordéon
26
Piano grosses notes
19
Instrument seul et Orgue
3
Piano Trio: piano, violon, violoncelle
2
2 Pianos, 4 mains
2
Accompagnement Piano
1
2 Pianos, 8 mains
1
Accordéon, Voix
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano (partie séparée)
1
Ligne De Mélodie, Piano
1
+ 14 instrumentations
Retracter
Guitares
Guitare notes et tablatures
123
Ligne De Mélodie, (Paroles) et Accords
78
Basse electrique
44
Ukulele
38
Guitare
34
2 Guitares (duo)
9
Mandoline
6
Piano, Guitare (duo)
6
Banjo
5
Dulcimer
5
Guitare (partie séparée)
2
Paroles et Accords
2
Dobro
1
Ukulele Baryton
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
229
Chorale 3 parties
72
Pack Instrumental pour Chorale
49
Chorale TTBB
47
Chorale SSAA
40
Chorale 2 parties
34
Chorale Unison
23
Voix seule
15
Chorale SSATB
4
Voix Soprano, Piano
4
Voix haute
2
Chorale SSATTB
2
Voix duo
1
Chorale SSAATB
1
Voix Tenor, Piano
1
Chorale SSAATTBB
1
Soli, choeur mixte et accompagnement
1
Voix duo, Piano
1
+ 13 instrumentations
Retracter
Vents
Clarinette
88
Flûte traversière
87
Saxophone
70
Quatuor de Saxophones: 4 saxophones
62
Saxophone (partie séparée)
58
Saxophone Alto
57
Saxophone Tenor
56
Flûte, Hautbois, Clarinette, Basson
34
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
30
Hautbois (partie séparée)
26
Flûte traversière et Piano
24
2 Saxophones (duo)
23
Clarinette et Piano
20
Saxophone Soprano
17
Hautbois, Piano (duo)
16
2 Flûtes traversières (duo)
16
Flûte à Bec
16
Quintette de Saxophone: 5 saxophones
15
2 Flûte à bec (duo)
14
Saxophone Alto et Piano
14
Hautbois
13
2 Clarinettes (duo)
12
Clarinette (partie séparée)
12
Quatuor de Clarinettes: 4 clarinettes
11
Ensemble de Clarinettes
11
Saxophone Tenor et Piano
10
Quintette de Clarinettes: 5 clarinettes
10
Ensemble de Flûtes
7
Quatuor de Flûtes : 4 flûtes
7
Flute (partie séparée)
6
2 Hautbois (duo)
6
Flûte, Clarinette (duo)
6
Flûte à bec Soprano
5
Hautbois, Clarinette (duo)
5
Flûte, Hautbois (duo)
4
Ocarina
4
Saxophone Soprano et Piano
4
Flûte à bec Alto
3
Ensemble de saxophones
3
Saxophone, Clarinette (duo)
3
Flûte et Guitare
3
3 Saxophones (trio)
2
Instruments en Mib
2
Flûte à bec Alto, Piano
2
Quintette de Flûte : 5 flûtes
2
Harmonica
2
Clarinette, Violon (duo)
2
Clarinette et Alto
1
2 Clarinettes, Piano
1
Quatuor de Flûtes à bec
1
Flûte, Hautbois, Piano (trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Saxophone et Orgue
1
Flûte, Clarinette et Basson
1
Flûte, Saxophone (duo)
1
Clarinette, Violoncelle (duo)
1
Hautbois, Flûte
1
2 Flûtes traversières, Piano
1
Flûte, Violon
1
Trio de Flûtes: 3 flûtes
1
Cor Anglais
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, trompette et piano
1
Saxophone Baryton, Piano
1
Flûte, Clarinette, Piano (trio)
1
+ 60 instrumentations
Retracter
Cuivres
Trompette
85
Trombone
75
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
48
Quatuor de Cuivres : 2 trompettes, trombone, tuba
45
Trompette (partie séparée)
44
Cor
32
Trombone (partie séparée)
26
Tuba
25
Cor et Piano
21
Trompette, Piano
20
Euphonium
19
Trombone et Piano
15
2 Trompettes (duo)
13
2 Trombones (duo)
11
2 Cors (duo)
7
2 Euphoniums et 2 Tubas
7
2 Tubas (duo)
6
Trompette, Trombone (duo)
6
3 Trompettes (trio)
6
Tuba et Piano
5
Cor (partie séparée)
4
Trompette, Cor (duo)
4
Quatuor de Cuivres
4
Bass Clef Instruments
3
Trompette, Saxophone (duo)
3
Instruments en Sib
2
Tuba et Orgue
2
Euphonium, Piano (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Cor et Orgue
1
Quatuor de cuivres: 4 cors
1
Trompette, Violoncelle et Piano
1
Cor Anglais
1
Ensemble de Trombones
1
3 Trombones (trio)
1
Cor et Harpe
1
Tuba (partie séparée)
1
+ 32 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
157
Violon et Piano
70
Violon
56
Violoncelle, Piano
52
Alto, Piano
52
Violoncelle
49
Alto seul
30
Harpe
25
Violon, Violoncelle (duo)
22
Trio à Cordes: violon, alto, violoncelle
20
Contrebasse, Piano (duo)
18
2 Violons (duo)
17
Quintette à cordes: 2 violons, alto, violoncelle, basse
13
Contre Basse
12
2 Violoncelles (duo)
12
2 Altos (duo)
9
Alto (partie séparée)
7
Violon, Alto (duo)
7
2 Contrebasses (duo)
7
Trio à Cordes: 2 violons, violoncelle
7
Violon (partie séparée)
6
4 Violoncelles
3
Contrebasse (partie séparée)
2
Violoncelle , Guitare (duo)
2
Harpe, Flûte (duo)
2
Alto, Violoncelle (duo)
2
Violon, Guitare (duo)
2
Violon, Clarinette, Piano (trio)
1
Quatuor à cordes : 4 altos
1
Violoncelle, Contrebasse (duo)
1
2 Harpes (duo)
1
Trio à Cordes: 2 violons, alto
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
243
Fanfare
75
Batterie
47
Orchestre
29
Ensemble Jazz
28
Orchestre à Cordes
19
Cloches
15
Ensemble de cuivres
14
Orchestre de chambre
10
Ensemble de Percussions
5
Jazz combo
5
Percussion (partie séparée)
2
Batterie (partie séparée)
2
Xylophone
2
Orchestre, Violon
1
Piano et Orchestre
1
Marimba
1
+ 12 instrumentations
Retracter
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
This Hell
Chorale TTBB
Partitions à imprimer
47 partitions trouvées
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1
26
This Hell
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Rina Sawayama
#
Michael Betteridge
#
This Hell
#
The Sunday Boys
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1281504 By Rina Sawayama. By Lauren Amber Aquilina, Paul Epworth, Rina Sawayama, and Vic Jamieson. Arranged by M...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1281504 By Rina Sawayama. By Lauren Amber Aquilina, Paul Epworth, Rina Sawayama, and Vic Jamieson. Arranged by Michael Betteridge. 21st Century,Pop. Octavo. 18 pages. The Sunday Boys #859795. Published by The Sunday Boys (A0.1281504). A four part lower voice and piano arrangement of this glammy and country pop inspired song, celebrating community and love in a sometimes hellish world. Arranged by Michael Betteridge for The Sunday Boys.
$1.99
Highway To Hell
#
Chorale TTBB
#
FACILE
#
AC/DC
#
Laura E
#
Highway To Hell
#
Laura E. A. Morrell
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.817983 By AC/DC. By Angus Young, Bon Scott, Malcolm Young, and Ronald Belford Scott. Arranged by Laura E. A. Mor...
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Choral Choir (TTBB) - Level 2 - SKU: A0.817983 By AC/DC. By Angus Young, Bon Scott, Malcolm Young, and Ronald Belford Scott. Arranged by Laura E. A. Morrell. A Cappella. Octavo. 11 pages. Laura E. A. Morrell #6290949. Published by Laura E. A. Morrell (A0.817983). This Rock anthem is a arranged into a short and simple a cappella score, ideal for beginners and community choirs. Would sound great as a quartet or full choir. I recommend adding a drummer or body percussion to really ROCK this number!For further resources such as rehearsal notes and tracks please visit www.LMorrellMusic.co.uk.
$3.50
Hell No! A Song of Protest for Mens Choir
#
Chorale TTBB
#
AVANCÉ
#
Contemporain
#
Jazz
#
James Nathaniel Holland
#
Hell No! A Song of Protest for
#
James Nathaniel Holland
#
SheetMusicPlus
Choral Choir (TTBB) - Level 5 - SKU: A0.730177 Composed by James Nathaniel Holland. Contemporary,Jazz. Octavo. 9 pages. James Nathaniel Holland #2035975...
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Choral Choir (TTBB) - Level 5 - SKU: A0.730177 Composed by James Nathaniel Holland. Contemporary,Jazz. Octavo. 9 pages. James Nathaniel Holland #2035975. Published by James Nathaniel Holland (A0.730177). Raise your voices with this powerful piece for men's choir (Counter tenor, Tenor 1, Tenor 2, Baritone and Bass). In fugue form, each voice enters and weaves its way melodically to the end. Early American music sounding, great for an encore.
$3.99
This Is Me
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Contemporain
#
Benj Pasek and Justin Paul
#
Shelton Ridge Love
#
I am bruised
#
This Is Me
#
Shelton Ridge Love
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.779366 Composed by Benj Pasek and Justin Paul. Arranged by Shelton Ridge Love. Contemporary. Octavo. 12 pages. S...
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Choral Choir (TTBB) - Level 3 - SKU: A0.779366 Composed by Benj Pasek and Justin Paul. Arranged by Shelton Ridge Love. Contemporary. Octavo. 12 pages. Shelton Ridge Love #4593251. Published by Shelton Ridge Love (A0.779366). I am not a stranger to the dark.Hide away, they say, ’cause we don’t want your broken parts. I grew up in a very conservative, religious environment. My family, churches, and the Christian schools I attended always taught me that being gay was a sin. I hid that part of myself from everyone and fought so hard to make it go away. I didn’t want God to hate me. I didn’t want my sin to isolate me from my family or send me to hell. When the sharpest words wanna cut me down,I’m gonna send a flood, gonna drown them out.I am brave; I am bruised; I am who I’m meant to be.This is me. It took a long time for me to make the words of this song my own. Coming out was a long and often difficult process. But the day that same-sex marriage was legalized in South Carolina, I finally decided to come out publically on social media. I thought about that moment when I first heard this song-the moment that I was able to unashamedly tell the world: THIS IS ME! - Shelton
$1.99
When Cockle Shells Turn Silver Bells from "Cowboy Songs of the American Southwest" [TTBB]
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Traditional
#
Laurie Betts Hughes
#
When Cockle Shells Turn Silver
#
Dandelion Music Press
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.891196 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octav...
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Choral Choir (TTBB) - Level 3 - SKU: A0.891196 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 5 pages. Dandelion Music Press #3103605. Published by Dandelion Music Press (A0.891196). Movement four of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
Hello Mudduh, Hello Fadduh! (A Letter From Camp)
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Allan Sherman
#
Tom Gentry
#
Hello Mudduh, Hello Fadduh!
#
Tom Gentry
#
SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1379907 By Allan Sherman. By Allan Sherman and Lou Busch. Arranged by Tom Gentry. A Cappella,Barbershop,C...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1379907 By Allan Sherman. By Allan Sherman and Lou Busch. Arranged by Tom Gentry. A Cappella,Barbershop,Comedy. 4 pages. Tom Gentry #964614. Published by Tom Gentry (A0.1379907). Both you and your audiences will enjoy camping out with this timeless hit from Allan Sherman!
$4.50
Hört der Engel helle Lieder
#
Chorale TTBB
#
FACILE
#
Pascal Martiné
#
Hört der Engel helle Lied
#
Schott Music - Digital
#
SheetMusicPlus
TTBB chorus a cappella - easy to intermediate - SKU: S9.Q52683 Arranged by Pascal Martiné. This edition: choir book. Downloadable. Schott Music - Dig...
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TTBB chorus a cappella - easy to intermediate - SKU: S9.Q52683 Arranged by Pascal Martiné. This edition: choir book. Downloadable. Schott Music - Digital #Q52683. Published by Schott Music - Digital (S9.Q52683). German.
$1.99
Hello World
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Pop musique
#
Aloe Blacc
#
Pax Ressler
#
Hello World
#
Pax Ressler
#
SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1350483 By Aloe Blacc. By Adam Schmalholz, Antonina Armato, Egbert Nathaniel Dawkins Iii, and Timothy Jam...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1350483 By Aloe Blacc. By Adam Schmalholz, Antonina Armato, Egbert Nathaniel Dawkins Iii, and Timothy James Price. Arranged by Pax Ressler. Pop. 49 pages. Pax Ressler #935292. Published by Pax Ressler (A0.1350483). This is an intermediate arrangement of “Hello World“ (as performed by Aloe Blacc) for TTBB chorus, keyboard, keyboard II (one hand), violin I, violin II, acoustic guitar, electric bass and drum set. Full score, piano/vocal and parts are included.Pax Ressler (they/she) is a Philadelphia-based theatre and music artist composing and arranging soul-stirring choral music for ensembles across the United States and beyond. To see more of Pax's work, search “Pax Ressler†on Sheet Music Direct, Sheet Music Plus, or visit their website, paxressler.com.
$1.99
Hello
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Pop musique
#
Adele
#
Pakk Hui
#
Hello
#
Pakk Hui
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.888593 By Adele. By Adele Adkins and Greg Kurstin. Arranged by Pakk Hui. Pop. Octavo. 14 pages. Pakk Hui #574332...
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Choral Choir (TTBB) - Level 3 - SKU: A0.888593 By Adele. By Adele Adkins and Greg Kurstin. Arranged by Pakk Hui. Pop. Octavo. 14 pages. Pakk Hui #5743321. Published by Pakk Hui (A0.888593). Hello by Adele for TTBB men's chorus with piano accompaniment. This is a power pop ballad arranged to showcase the lush sounds of a chorus. Conductor score and band parts available separately.
$4.95
Hello
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Film/TV
#
Lionel Richie
#
John Trent Wallace
#
Hello
#
TS3
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.964093 By Lionel Richie. By Lionel Richie. Arranged by John Trent Wallace. Film/TV. Octavo. 13 pages. TS3 #53615...
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Choral Choir (TTBB) - Level 3 - SKU: A0.964093 By Lionel Richie. By Lionel Richie. Arranged by John Trent Wallace. Film/TV. Octavo. 13 pages. TS3 #5361513. Published by TS3 (A0.964093). Lionel Richie - Male Choral (TTBB)As part of John Trent Wallace's Modern Classics for Men, this arrangement brings the emotive sound of male voices to this Lionel Richie classic.Ideally suited to male chorus, college and students looking to bring a timeless classic to their audiences.
$2.10
Hello There
#
Chorale TTBB
#
FACILE
#
Cheap Trick
#
Jeff Tincher
#
Hello There
#
Jeff Tincher
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1287498 By Cheap Trick. By Rick Nielsen. Arranged by Jeff Tincher. Contemporary,Rock. 6 pages. Jeff Tinch...
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Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1287498 By Cheap Trick. By Rick Nielsen. Arranged by Jeff Tincher. Contemporary,Rock. 6 pages. Jeff Tincher #878520. Published by Jeff Tincher (A0.1287498). Here is a short song to start your performances with. In the original key from Cheap Trick's In Color LP, this is the song that they still use in their concerts to start off their shows. Duration = 1:35. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$1.99
Good-Bye Broadway, Hello France!
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Chorale TTBB
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INTERMÉDIAIRE
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Billy Baskette
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Jay Krumbholz
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Good-Bye Broadway, Hello Franc
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Bentwood Arrangements
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.603426 Composed by Billy Baskette. Arranged by Jay Krumbholz. A Cappella,Patriotic. Octavo. 4 pages. Bentwood Ar...
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Choral Choir (TTBB) - Level 3 - SKU: A0.603426 Composed by Billy Baskette. Arranged by Jay Krumbholz. A Cappella,Patriotic. Octavo. 4 pages. Bentwood Arrangements #212623. Published by Bentwood Arrangements (A0.603426). This song has been arranged for TTBB (barbershop) voices.
$2.25
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Heaven Can Wait
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Meat Loaf
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Don Staffin
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Heaven Can Wait
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Don Staffin
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 4 - SKU: A0.1367838 By Meat Loaf. By Jim Steinman. Arranged by Don Staffin. A Cappella,Barbershop,Contemporary,Pop,Ro...
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Choral Choir,Choral (TTBB) - Level 4 - SKU: A0.1367838 By Meat Loaf. By Jim Steinman. Arranged by Don Staffin. A Cappella,Barbershop,Contemporary,Pop,Rock. 18 pages. Don Staffin #952214. Published by Don Staffin (A0.1367838). This beautiful ballad was released on Meatloaf's debut albut, Bat Out of Hell. Arranged for TTBB a cappella with solo, this version is sure to please audiences of all types. Also available SATB.
$2.99
Wiener Blut
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Chorale TTBB
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INTERMÉDIAIRE
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Classique
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Johann Strauss Jr
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B
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Wiener Blut
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Edition Cranz GmbH - Digital
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SheetMusicPlus
TTBB chorus and piano - intermediate - SKU: S9.Q1240 Walzer Frau Sonne lacht zum Fenster hell herein. Composed by Johann Strauss Jr. Arranged by ...
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TTBB chorus and piano - intermediate - SKU: S9.Q1240 Walzer Frau Sonne lacht zum Fenster hell herein. Composed by Johann Strauss Jr. Arranged by B. Friese. This edition: score. Downloadable, Score. Op. 354. Duration 9 minutes. Edition Cranz GmbH - Digital #Q1240. Published by Edition Cranz GmbH - Digital (S9.Q1240). German.
$13.99
Wiener Blut
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Chorale TTBB
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INTERMÉDIAIRE
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Classique
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Johann Strauss Jr
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B
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Wiener Blut
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Edition Cranz GmbH - Digital
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SheetMusicPlus
TTBB chorus and piano - intermediate - SKU: S9.Q1239 Walzer Frau Sonne lacht zum Fenster hell herein. Composed by Johann Strauss Jr. Arranged by ...
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TTBB chorus and piano - intermediate - SKU: S9.Q1239 Walzer Frau Sonne lacht zum Fenster hell herein. Composed by Johann Strauss Jr. Arranged by B. Friese. This edition: choral part. Downloadable, Choral part. Op. 354. Duration 9 minutes. Edition Cranz GmbH - Digital #Q1239. Published by Edition Cranz GmbH - Digital (S9.Q1239). German.
$3.99
Wiener Blut
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Chorale TTBB
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INTERMÉDIAIRE
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Classique
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Johann Strauss Jr
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B
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Wiener Blut
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Edition Cranz GmbH - Digital
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SheetMusicPlus
TTBB chorus and piano - intermediate - SKU: S9.Q8495 Walzer Frau Sonne lacht zum Fenster hell herein. Composed by Johann Strauss Jr. Arranged by ...
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TTBB chorus and piano - intermediate - SKU: S9.Q8495 Walzer Frau Sonne lacht zum Fenster hell herein. Composed by Johann Strauss Jr. Arranged by B. Friese. This edition: choral part. Downloadable, Choral part. Op. 354. Duration 9 minutes. Edition Cranz GmbH - Digital #Q8495. Published by Edition Cranz GmbH - Digital (S9.Q8495). German.
$3.99
Wiener Blut
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Chorale TTBB
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INTERMÉDIAIRE
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Classique
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B
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Wiener Blut
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Edition Cranz
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SheetMusicPlus
TTBB chorus and piano - intermediate - Digital Download Walzer \"Frau Sonne lacht zum Fenster hell herein\". Composed by Johann Strauss Jr. (...
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TTBB chorus and piano - intermediate - Digital Download Walzer \"Frau Sonne lacht zum Fenster hell herein\". Composed by Johann Strauss Jr. (1825- 1899). Arranged by B. Friese. This edition: choral part. Downloadable, choral part. Op. 354. Duration 9 minutes. Edition Cranz #Q8494. Published by Edition Cranz
$3.99
Wiener Blut
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Chorale TTBB
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INTERMÉDIAIRE
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Classique
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B
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Wiener Blut
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Edition Cranz
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SheetMusicPlus
Walzer \"Frau Sonne lacht zum Fenster hell herein\". Composed by Johann Strauss Jr. (1825- 1899). Arranged by B. Friese. This edition: choral p...
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Walzer \"Frau Sonne lacht zum Fenster hell herein\". Composed by Johann Strauss Jr. (1825- 1899). Arranged by B. Friese. This edition: choral part. Downloadable, choral part. Op. 354. Duration 9 minutes. Edition Cranz #Q8493. Published by Edition Cranz
$3.99
Cowboy Songs of the American Southwest [TTBB]
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Chorale TTBB
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INTERMÉDIAIRE
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Traditional
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Laurie Betts Hughes
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Cowboy Songs of the American S
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.891193 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octav...
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Choral Choir (TTBB) - Level 3 - SKU: A0.891193 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 24 pages. Dandelion Music Press #3103597. Published by Dandelion Music Press (A0.891193). This fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$4.20
I'm Sad and I'm Lonely, from "Cowboy Songs of the American Southwest" [TTBB]
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Chorale TTBB
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INTERMÉDIAIRE
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Traditional
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Laurie Betts Hughes
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I'm Sad and I'm Lonely, from &
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.891194 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octav...
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Choral Choir (TTBB) - Level 3 - SKU: A0.891194 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 6 pages. Dandelion Music Press #3103603. Published by Dandelion Music Press (A0.891194). Movement two of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
What Shall He Have That Killed the Deer?
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Chorale TTBB
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FACILE
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Contemporain
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Robert Chamberlin
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What Shall He Have That Killed
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Robert Chamberlin
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.917261 Composed by Robert Chamberlin. Contemporary. Octavo. 5 pages. Robert Chamberlin #4780825. Published by Ro...
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Choral Choir (TTBB) - Level 2 - SKU: A0.917261 Composed by Robert Chamberlin. Contemporary. Octavo. 5 pages. Robert Chamberlin #4780825. Published by Robert Chamberlin (A0.917261). This is arrangement is for two tenors and two basses. It was written to be used in a production of Shakespeare's As You Like It. It can also be done with a larger ensemble as a concert piece. The score calls for a conch shell tuned to the pitch A. If a conch shell is not available, any horn that can produce an A (any octave) will work.
$2.00
Love Runs Out
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Chorale TTBB
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AVANCÉ
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OneRepublic
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Shelley Gray
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Love Runs Out
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Shelley Gray
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SheetMusicPlus
Choral Choir (TTBB) - Level 5 - SKU: A0.828179 By OneRepublic. By Andrew Brown, Brent Kutzle, Eddie Fisher, Ryan Tedder, and Zachary Filkins. Arranged b...
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Choral Choir (TTBB) - Level 5 - SKU: A0.828179 By OneRepublic. By Andrew Brown, Brent Kutzle, Eddie Fisher, Ryan Tedder, and Zachary Filkins. Arranged by Shelley Gray. A Cappella. Octavo. 6 pages. Shelley Gray #5375769. Published by Shelley Gray (A0.828179). An a cappella arrangement for female quartet or larger vocal ensemble.This is a fantastic song, a real toe-tapper with attitude!
$2.99
She'll Be Comin' Round The Mountain
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Brad Meader
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She'll Be Comin' Round The Mou
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Brad Meader
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.927217 Arranged by Brad Meader. A Cappella,Children,Folk,Jazz,Traditional. Octavo. 2 pages. Brad Meader #3547593...
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Choral Choir (TTBB) - Level 4 - SKU: A0.927217 Arranged by Brad Meader. A Cappella,Children,Folk,Jazz,Traditional. Octavo. 2 pages. Brad Meader #3547593. Published by Brad Meader (A0.927217). An all-male (TTBB with divisi) a cappella arrangement of the Traditional Song She'll Be Comin' Round The Mountain. Though arranged in a contemporary a cappella style, this quick song reminisces upon barbershop-style harmonies. A full demo of the arrangement can be found at https://soundcloud.com/brad-meader/shell-be-comin-round-the-mountain-a-cappella-demo. Individual, part-by-part learning tracks can be provided upon purchase by emailing bradmeadermusic@gmail.com.
$1.99
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