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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
This Is Not America
Non classifié
433
Piano & claviers
Piano seul
263
Piano, Voix
174
Piano Facile
106
Piano, Voix et Guitare
48
Instruments en Do
25
Orgue
13
Accompagnement Piano
13
Piano grosses notes
12
2 Pianos, 4 mains
7
Piano Trio: piano, violon, violoncelle
7
1 Piano, 4 mains
4
Orgue, Piano (duo)
2
2 Pianos, 8 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Accordéon
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
86
Guitare
36
Ukulele
10
Dulcimer
9
Basse electrique
6
Ukulele Baryton
5
4 Guitares (Quatuor)
5
Ligne De Mélodie, (Paroles) et Accords
5
Mandoline
3
Banjo
3
Paroles et Accords
2
Piano, Guitare (duo)
2
Ensemble de guitares
2
2 Guitares (duo)
1
Guitare Pedal Steel
1
Guitare, Violon, Violoncelle (trio)
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
133
Chorale 3 parties
27
Chorale 2 parties
18
Chorale TTBB
16
Chorale SSAA
12
Chorale Unison
4
Voix duo, Piano
3
Voix Soprano, Piano
3
Voix haute
2
Chorale SSATB
2
Voix Baryton, Piano
1
Voix basse
1
Voix Alto, Piano
1
Voix Tenor
1
Voix moyenne, Piano
1
Voix seule
1
+ 11 instrumentations
Retracter
Vents
Flûte traversière et Piano
57
Flûte traversière
35
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
33
Clarinette et Piano
30
Quintette de Saxophone: 5 saxophones
25
Hautbois, Piano (duo)
22
Quatuor de Saxophones: 4 saxophones
20
Saxophone Alto et Piano
20
2 Saxophones (duo)
18
Saxophone Tenor et Piano
14
Quatuor de Clarinettes: 4 clarinettes
14
2 Flûtes traversières (duo)
13
Saxophone Soprano et Piano
13
2 Clarinettes (duo)
12
Flûte, Hautbois, Clarinette, Basson
12
Saxophone Baryton, Piano
11
Ensemble de saxophones
11
Cor anglais, Piano
10
Clarinette
10
Flûte, Clarinette (duo)
9
Saxophone, Clarinette (duo)
8
Clarinette Basse, Piano
8
Ensemble de Clarinettes
7
Clarinette, Violon (duo)
7
Flûte irlandaise
6
Harmonica
6
Saxophone Alto
6
Ocarina
6
Quintette de Flûte : 5 flûtes
5
Flûte, Violon
5
Hautbois (partie séparée)
5
Ensemble de Flûtes
5
Clarinette, Trompette (duo)
4
3 Saxophones (trio)
4
Flûte à bec Alto
4
Flûte et Guitare
4
Clarinette (partie séparée)
3
Hautbois, Basson (duo)
3
Clarinette et Alto
3
Flûte, Alto (duo)
3
Saxophone Tenor
3
Flûte, Saxophone (duo)
3
Quatuor de Flûtes : 4 flûtes
3
Hautbois, Clarinette (duo)
3
2 Hautbois (duo)
3
Clarinette, Harpe (duo)
3
Flûte à bec Soprano
3
3 Flûtes à bec (trio)
2
5 Flûtes à bec
2
2 Flûte à bec (duo)
2
Cor Anglais
2
Hautbois
2
2 Flûtes traversières, Piano
2
Flute (partie séparée)
2
Hautbois, Flûte
2
Hautbois, Clarinette, Basson (trio d'anches)
2
2 Clarinettes, Piano
2
Quintette de Clarinettes: 5 clarinettes
2
3 Clarinettes (trio)
2
Saxophone et Orgue
1
Clarinette, Trombone (duo)
1
Flûte à bec Alto, Piano
1
Quatuor de Flûtes à bec
1
Clarinette, Basson (duo)
1
Clarinette Basse
1
Trio de Flûtes: 3 flûtes
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Hautbois, Clarinette (trio)
1
+ 63 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
43
Quatuor de Cuivres : 2 trompettes, trombone, tuba
28
Trombone et Piano
21
Cor et Piano
14
Trompette
13
Euphonium, Piano (duo)
12
Cor anglais, Piano
10
Trompette, Piano
10
Cor
9
Trompette (partie séparée)
9
Trombone
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Ensemble de Trombones
7
Trombone (partie séparée)
7
Ensemble de Trompettes
6
Trompette, Saxophone (duo)
5
Quatuor de Cuivres
5
2 Trombones (duo)
4
Tuba et Piano
4
2 Trompettes (duo)
4
Trompette, Trombone (duo)
3
Ensemble de Cors
3
Trompette, violon (duo)
3
Quatuor de cuivres: 4 trombones
3
Tuba
2
Cor Anglais
2
4 Tubas
2
2 Tubas (duo)
1
Quatuor de cuivres: 4 cors
1
Quatuor de cuivres: 4 trompettes
1
Cor (partie séparée)
1
Tuba (partie séparée)
1
Tuba et Orgue
1
2 Euphoniums et 2 Tubas
1
Bass Clef Instruments
1
+ 30 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
50
Violon et Piano
32
Violoncelle, Piano
24
Alto, Piano
22
Violoncelle
22
Violon
19
Violon, Violoncelle (duo)
14
Alto seul
14
Harpe
13
Trio à Cordes: 2 violons, violoncelle
9
2 Violons (duo)
9
Trio à Cordes: violon, alto, violoncelle
9
2 Violoncelles (duo)
8
Contrebasse, Piano (duo)
6
Violon, Alto (duo)
6
Contre Basse
5
Alto (partie séparée)
4
2 Altos (duo)
4
Violon (partie séparée)
3
Ensemble de Violons
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Alto, Violoncelle (duo)
2
Contrebasse (partie séparée)
1
2 Violoncelles, Piano
1
4 Violoncelles
1
Quatuor à cordes: 4 violons
1
Violon, Clarinette, Piano (trio)
1
Trio à cordes: 3 altos
1
Trio à Cordes: 3 violoncelles
1
4 Contrebasses
1
Ensemble d'Altos
1
2 Harpes (duo)
1
Trio à Cordes: 2 violons, alto
1
Quatuor à cordes : 4 altos
1
+ 29 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
72
Orchestre
54
Cloches
32
Orchestre à Cordes
28
Ensemble Jazz
24
Ensemble de cuivres
20
Percussion
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Orchestre de chambre
4
Fanfare
3
Ensemble de Percussions
3
Batterie
3
Jazz combo
2
Piano et Orchestre
1
Marimba
1
Conga
1
Bongos
1
Orchestre, Violon
1
+ 13 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
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Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
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Crtitères actifs :
This Is Not America
Chorale TTBB
Partitions à imprimer
16 partitions trouvées
<
1
What Wondrous Love Is This - TTBB Ensemble
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Chorale TTBB
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INTERMÉDIAIRE
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American Folk Hymn
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Mark R Lewis
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What Wondrous Love Is This - T
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Mark R Lewis
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1213360 Composed by American Folk Hymn. Arranged by Mark R Lewis. A Cappella,Folk,Religious,Sacred,Traditional. ...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1213360 Composed by American Folk Hymn. Arranged by Mark R Lewis. A Cappella,Folk,Religious,Sacred,Traditional. Octavo. 12 pages. Mark R Lewis #810545. Published by Mark R Lewis (A0.1213360). What Wondrous Love Is This is an American folk hymn that became popular during the early 1800s. It was first published in 1811 in the various hymnbooks that came out during the Second Great Awakening with various lyricists credited. Many publications attributed the song's tune to The Ballad of Captain Kidd, a popular, though much older, song and tune at the time. Earlier versions of the text are slightly different, but as with many folk tunes, it is difficult to tell which transcriptions are regional variants and which are errors by the transcriber.This arrangement of the tune by Mark Lewis is for a cappella TTBB Ensemble. All four voice parts are featured for a verse with different accompaniment each time. There are key changes to better place the melody in the ranges of each voice and there are moving notes in many background voices through most of the piece. As with many of Mark's arrangements, the outer voices will be pushed towards the extremes of their ranges even though the notes and rhythms are not incredibly difficult. Most intermediate choirs should enjoy performing this piece.
$1.99
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
America
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Chorale TTBB
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INTERMÉDIAIRE
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Pop musique
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Neil Diamond
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David Maddux
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America
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David Maddux
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.507969 By Neil Diamond. By Neil Diamond. Arranged by David Maddux. Pop. Octavo. 16 pages. David Maddux #4406992....
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Choral Choir (TTBB) - Level 3 - SKU: A0.507969 By Neil Diamond. By Neil Diamond. Arranged by David Maddux. Pop. Octavo. 16 pages. David Maddux #4406992. Published by David Maddux (A0.507969). NOTE: This PDF file contains the piano-vocal part. The orchestration is sold separately. YOU ARE LEGALLY OBLIGATED TO PURCHASE ONE PIANO-VOCAL PDF PER SINGING MEMBER, INCLUDING CONDUCTORS AND ACCOMPANISTS.
$5.25
Home
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Chorale TTBB
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INTERMÉDIAIRE
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Rock
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Phillip Phillips
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Charles Beale
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Home
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charliebmusic
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.865849 By Phillip Phillips. By Drew Pearson and Greg Holden. Arranged by Charles Beale. Rock. Octavo. 15 pages. ...
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Choral Choir (TTBB) - Level 3 - SKU: A0.865849 By Phillip Phillips. By Drew Pearson and Greg Holden. Arranged by Charles Beale. Rock. Octavo. 15 pages. Charliebmusic #4988499. Published by charliebmusic (A0.865849). This arrangement of the Phillip Phillips classic 'Home' has become the surprise hit of Charlie’s arranging canon. It has been sung by many TTBB and SATB choirs in the US and around the world. Anthemic, triumphant and celebratory, ‘Home’ is a country rock medium tempo hit, originally sung on 'America's Got Talent'. The song tells the world (and the audience!) not to be afraid in dark times. It asserts that ‘this is my home’, this is the safe place where I have the right to belong. 4 parts, medium difficulty, involves some fun falsetto to 'oo'.
$1.99
You Belong To My Heart (solamente Una Vez)
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Chorale TTBB
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FACILE
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Agustin Lara and Ray Gilbert
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Anastasio Rossi
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You Belong To My Heart
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Anastasio Rossi
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1301790 Composed by Agustin Lara and Ray Gilbert. Arranged by Anastasio Rossi. 20th Century,A Cappella,Ba...
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Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1301790 Composed by Agustin Lara and Ray Gilbert. Arranged by Anastasio Rossi. 20th Century,A Cappella,Barbershop,Multicultural,Pop,World. 4 pages. Anastasio Rossi #891382. Published by Anastasio Rossi (A0.1301790). You Belong To My Heart is the English language version of Solamente Una Vez. If your quartet or chorus is looking to expand its Singing Valentine base, this is the perfect choice. This song is arguably one of the most popular and beloved songs in Spanish-speaking countries world wide. The melody is lovely and flowing, and the lryics are tender and poignant. The short Spanish intro is easy to learn, and gives your quartet or chorus, a chance to show off singing in a foreign language. Ray Gilbert is an American lyricist, and he has skillfully created the expressive English lyrics for this song. The translation is not exact, but perfectly captures the same meaning and emotions. A hit in any language!Learning tracks are available at no cost from the arranger: AAR@prodigy.net.
$1.99
How Can I Keep From Singing? (Downloadable)
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Chorale TTBB
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INTERMÉDIAIRE
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Stephen Caracciolo
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How Can I Keep From Singing?
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Galaxy Music Corporation - Digital
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SheetMusicPlus
TTBB choir divisi - Medium - SKU: MQ.1.3398-E Composed by Stephen Caracciolo. 8 pages. Galaxy Music Corporation - Digital #1.3398-E. Published by Galaxy...
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TTBB choir divisi - Medium - SKU: MQ.1.3398-E Composed by Stephen Caracciolo. 8 pages. Galaxy Music Corporation - Digital #1.3398-E. Published by Galaxy Music Corporation - Digital (MQ.1.3398-E). English.Commissioned by Cantus in 2014 for their album A Harvest Home and subsequent tours through Northern Europe, the BalticStates, and United States. Written as a companion piece to the composer's setting of Simple Gifts (also commissioned by Cantus four years earlier) this is an arrangement of this iconic folk hymn that sounds traditionally American, immediately recognizable, and not overly arranged, while still having something fresh to say musically using the sonorous sounds of men’s voices.Knowing that Cantus planned to place How Can I Keep From Singing? at the end of their tour program, the final bars were fitted with an extended cadence to bring their staged performances to a satisfying and heartfelt close.
$2.65
Easter Anthem
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Chorale TTBB
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INTERMÉDIAIRE
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William Billings
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Joseph Schrock
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Easter Anthem
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Schrock Music
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.977553 Composed by William Billings. Arranged by Joseph Schrock. A Cappella,Christian,Easter,Folk,Sacred. Octavo...
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Choral Choir (TTBB) - Level 3 - SKU: A0.977553 Composed by William Billings. Arranged by Joseph Schrock. A Cappella,Christian,Easter,Folk,Sacred. Octavo. 8 pages. Schrock Music #5032287. Published by Schrock Music (A0.977553). This exuberant anthem composed by the well known early American composer William Billings, is here arranged for a cappella male voices. The anthem is found in many Old Harp songbooks, and is here taken from the New Harp of Columbia, a songbook still used by the Old Harp singers of East Tennessee.This is the Shaped Note Edition.Duration approx. 2:30 minLength-8 pagesschrockmusic@outlook.com
$1.99
Give Me Your Tired, Your Poor
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Chorale TTBB
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INTERMÉDIAIRE
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Emma Lazarus and Irving Berlin
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Charles A
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Give Me Your Tired, Your Poor
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CG Publications
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1104244 Composed by Emma Lazarus and Irving Berlin. Arranged by Charles A. Gravenhorst. A Cappella,Barber...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1104244 Composed by Emma Lazarus and Irving Berlin. Arranged by Charles A. Gravenhorst. A Cappella,Barbershop,Broadway,Holiday,Musical/Show,Patriotic. 6 pages. CG Publications #707452. Published by CG Publications (A0.1104244). Irving Berlin’s moving and lyrical composition, based on the hopeful and compassionate poetry of Emma Lazarus, is carefully arranged for Solo Tenor and TTBB Voices with well-supporting Keyboard Accompaniment playable by pianists of even the most modest skills. This beautiful and patriotic anthem fully expresses the essence of the American experience and, although not as well-known as Berlin’s “God Bless America,†is equally powerful and delightfully singable. May also be sung a cappella.
$2.99
Lagrimas Negras
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Chorale TTBB
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INTERMÉDIAIRE
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Miguel Matamoros
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Jay Dougherty
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Lagrimas Negras
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Jay Dougherty
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1317590 Composed by Miguel Matamoros. Arranged by Jay Dougherty. 20th Century,A Cappella,Barbershop,Maria...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1317590 Composed by Miguel Matamoros. Arranged by Jay Dougherty. 20th Century,A Cappella,Barbershop,Mariachi,Multicultural,World. 8 pages. Jay Dougherty #906260. Published by Jay Dougherty (A0.1317590). Lagrimas Negras is a hit song by Miguel Matamoros, first recorded by the TrÃo Matamoros in 1931. The song was written in Santo Domingo, Dominican Republic, in 1930, when Matamoros was on his way back to Cuba from the Ibero-American Exposition of 1929. The song has been described as the perfect fusion of the son with the bolero. It became the TrÃo Matamoros' most famous song.This arrangement by Jay Dougherty is for TTBB a cappella voices in the contestable barbershop style.NOTE: There is a 10-copy minimum purchase. However, the per-copy price is set to the lowest possible setting at $1.99. If you want this song for a quartet, please understand that with the 10-copy minimum (10 x $1.99), you're still paying only $20 for legal access to this music. The arranger gets almost nothing from that price, and you're getting great legal music for $5 per quartet member. Learning tracks are available at www.jmdougherty.comFor more information on arrangements and compositions by Jay Dougherty, visit www.jmdougherty.com.
$1.99
Standing In The Presence Of The King
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Chorale TTBB
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FACILE
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Rusty Goodman
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Paul A
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Standing In The Presence Of Th
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.522399 Composed by Rusty Goodman. Arranged by Paul A. Jorg. A Cappella. Octavo. 4 pages. Paul A. Jorg #6077019. ...
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Choral Choir (TTBB) - Level 2 - SKU: A0.522399 Composed by Rusty Goodman. Arranged by Paul A. Jorg. A Cappella. Octavo. 4 pages. Paul A. Jorg #6077019. Published by Paul A. Jorg (A0.522399). This arrangement is for 4 part male harmony (TTBB) a cappella.Here is a synopsis by Wikipedia of Rusty Goodman's musical background. He composed Who Am I? in 1965 and was actively singing within two weeks of his passing.Charles F. Rusty Goodman (September 2, 1933 – November 11, 1990) was an American singer/songwriter in the Southern Gospel Music industry. He was a prolific composer whose many songs included Standing in the Presence of the King, Leavin' On My Mind, Home, John the Revelator, Touch the Hand of the Lord, Had it Not Been I Believe He's Coming Back Look for Me and Who Am I? His songs have been covered by many of the top artists in the music industry including Elvis Presley, The Imperials, J. D. Sumner & The Stamps Quartet, The Speers, The Happy Goodman Family, Michael English and Gaither Vocal Band.
$4.59
(ghost) Riders In The Sky (a Cowboy Legend)
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Chorale TTBB
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FACILE
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Johnny Cash
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Anastasio Rossi
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(ghost) Riders In The Sky
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Anastasio Rossi
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SheetMusicPlus
Voice (TTBB) - Level 2 - SKU: A0.1298167 By Johnny Cash. By Stan Jones. Arranged by Anastasio Rossi. A Cappella,Barbershop. Barbershop Quartet. 6 pages....
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Voice (TTBB) - Level 2 - SKU: A0.1298167 By Johnny Cash. By Stan Jones. Arranged by Anastasio Rossi. A Cappella,Barbershop. Barbershop Quartet. 6 pages. Anastasio Rossi #888121. Published by Anastasio Rossi (A0.1298167). The song tells a folk tale of a cowboy who has a vision of red-eyed, steel-hooved cattle thundering across the sky, being chased by the spirits of damned cowboys. One warns him that if he does not change his ways, he will be doomed to join them, forever trying to catch the Devil's herd across these endless skies. Stan Jones said he was told the story when he was 12 years old, by an old Native American Apache. He related this story to a boyhood friend. As both boys were looking at the clouds one day, Stan shared the story with him, both looking in amazement as the cloudy shapes were identified as the ghost riders. Years later the story was transposed into lyrics. The melody is based on the Civil War-era popular song When Johnny Comes Marching Home.Ghost Riders In The Sky has a haunting quality that will capture the imaginations of children of all ages from young to old!Hundreds of performers have recorded this song, including Vaughn Monroe, Bing Crosby, Peggy Lee, Lawrence Welk, Frankie Laine, Burl Ives, The Outlaws, The Ramrods, Stan Jones, and Johnny Cash.Learning tracks and the Orchestral Accompniment Track (MP3) available at no cost from the arranger: AAR@prodigy.net.
$12.99
Oh Shenandoah
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Folklorique/Traditionel
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American Folk Song
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Maury Franklin
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Oh Shenandoah
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Maury Franklin
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.983471 Composed by American Folk Song. Arranged by Maury Franklin. Folk. Octavo. 5 pages. Maury Franklin #457113...
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Choral Choir (TTBB) - Level 4 - SKU: A0.983471 Composed by American Folk Song. Arranged by Maury Franklin. Folk. Octavo. 5 pages. Maury Franklin #4571137. Published by Maury Franklin (A0.983471). Most historians attribute this timeless folk song to the mid-19th century. Contrary to popular belief, it is a ballad not about the Shenandoah River; rather about the love of a fur trader for Chief Shenandoah's daughter.
$5.00
It Came Upon The Midnight Clear
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Edmund Sears and Richard Storr
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Gabriel Lawson
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It Came Upon The Midnight Clea
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Gabriel Lawson
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 4 - SKU: A0.1290139 Composed by Edmund Sears and Richard Storrs Willis. Arranged by Gabriel Lawson. 19th Century,A Ca...
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Choral Choir,Choral (TTBB) - Level 4 - SKU: A0.1290139 Composed by Edmund Sears and Richard Storrs Willis. Arranged by Gabriel Lawson. 19th Century,A Cappella,Christmas,Holiday,Traditional. 8 pages. Gabriel Lawson #880852. Published by Gabriel Lawson (A0.1290139). “It Came Upon The Midnight Clear†is a poem written by American minister and author Edmund Sears in 1849 while depressed and struggling with the issue of war and peace. The tune in this arrangement was written by Richard Storrs Willis in 1850.For four-part Men's Chorus (TTBB) with the melody primarily in the Bass, Tenor 1, and Tenor 2. The Baritone part is the most fun and holds the tag note at the end. Also works well for men's quartet (one singer per part).This arrangement opens with a fanfare quoting the end of the third verse. Each verse represents a slight variation of harmony and text painting, and the end of the last verse moves into a coda which expresses the hope that Peace on Earth is indeed attainable. Moves through the keys of F Major (introduction), D Major (verses 1 and 2), B-flat Major (verses 3 and 4), and D Major (verse 5 and ending). Difficulty 8/10.Tenor 1 D3-A4.Tenor 2 C#3-F#4.Baritone B2-E4.Bass E2-Bb3.
$1.99
David's Lamentation
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Chorale TTBB
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FACILE
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William Billings
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Joseph Schrock
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David's Lamentation
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Schrock Music
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.977539 Composed by William Billings. Arranged by Joseph Schrock. Folk,Sacred. Octavo. 6 pages. Schrock Music #50...
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Choral Choir (TTBB) - Level 2 - SKU: A0.977539 Composed by William Billings. Arranged by Joseph Schrock. Folk,Sacred. Octavo. 6 pages. Schrock Music #5010415. Published by Schrock Music (A0.977539). This Old Harp anthem is from The New Harp of Columbia and The Christian Harmony. Composed by the early American composer Willian Billings, this plaintive lament is here set for male voices. The test is a paraphrase of 2 Samuel 18:33. KJVAppropriate for Old Harp festival or concert.Shaped Note EditionLength -6 pagesDuration -approx. 2:50schrockmusic@outlook.com
$1.99
Somewhere Out There
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Chorale TTBB
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INTERMÉDIAIRE
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Linda Ronstadt & James Ingram
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David Maddux
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Somewhere Out There
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David Maddux
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SheetMusicPlus
Choral Choir,Choral (TTBB Chorus) - Level 3 - SKU: A0.1507607 By Linda Ronstadt & James Ingram. By Barry Mann, Cynthia Weil, and James Horner. Arranged ...
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Choral Choir,Choral (TTBB Chorus) - Level 3 - SKU: A0.1507607 By Linda Ronstadt & James Ingram. By Barry Mann, Cynthia Weil, and James Horner. Arranged by David Maddux. A Cappella,Pop. 5 pages. David Maddux #1083011. Published by David Maddux (A0.1507607). NOTE: This PDF file contains the piano-vocal part. The orchestration is sold separately. YOU ARE LEGALLY OBLIGATED TO PURCHASE ONE PIANO-VOCAL PDF PER SINGING MEMBER, INCLUDING CONDUCTORS AND ACCOMPANISTS. After a brief instrumental opening to set the tone, this tender ballad from the 1986 animated feature An American Tail soars off into heartfelt, a cappella lullabye of lush dreaminess full of emotion and hope. This arrangement brings to life the classic Ronstadt-Ingram duet with rich harmonies and a gentle melody, evoking the universal themes of separation and the enduring belief in reunion. Perfect for choirs looking to perform a piece that resonates with audiences of all ages, this song remains a touching ode to love and the power of dreams.
$5.25
Easter Anthem
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Chorale TTBB
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INTERMÉDIAIRE
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William Billings
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Joseph Schrock
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Easter Anthem
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Schrock Music
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.977552 Composed by William Billings. Arranged by Joseph Schrock. A Cappella,Christian,Easter,Folk,Sacred. Octavo...
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Choral Choir (TTBB) - Level 3 - SKU: A0.977552 Composed by William Billings. Arranged by Joseph Schrock. A Cappella,Christian,Easter,Folk,Sacred. Octavo. 8 pages. Schrock Music #5032295. Published by Schrock Music (A0.977552). This exuberant anthem composed by the well known early American composer William Billings, is here arranged for a cappella male voices. The anthem is found in many Old Harp songbooks, and is here taken from the New Harp of Columbia, a songbook still used by the Old Harp singers of East Tennessee.Also available with shaped notes.Duration approx. 2:30 minLength-8 pagesschrockmusic@outlook.com.
$1.99
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This Is Not America