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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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FANFARE - BAND…
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FORMATION MUSI…
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HARMONICA
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23
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5
1 Piano, 4 mains
4
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12
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11
Ukulele
8
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6
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3
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1
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1
3 Guitares (trio)
1
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23
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11
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10
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2
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2
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1
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1
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1
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1
Voix moyenne, Piano
1
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1
Chorale
1
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VENTS
2 Saxophones (duo)
19
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12
2 Clarinettes (duo)
9
2 Flûtes traversières (duo)
9
Clarinette, Trompette (duo)
8
Clarinette, Violon (duo)
8
Quatuor de Saxophones: 4 saxophones
6
Clarinette et Piano
6
Flûte traversière et Piano
5
Saxophone Alto
5
2 Hautbois (duo)
4
Ensemble de saxophones
4
Hautbois, Clarinette (duo)
4
Flûte, Clarinette (duo)
4
Flûte, Violon
4
Quintette de Saxophone: 5 saxophones
4
Clarinette et Alto
4
Flûte traversière
4
Clarinette
4
Hautbois, Flûte
4
Saxophone Alto et Piano
3
Ensemble de Clarinettes
3
Flûte, Hautbois, Clarinette, Basson
3
Saxophone Tenor et Piano
3
Saxophone Tenor
3
Flûte, Saxophone (duo)
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Hautbois, Basson (duo)
3
Ensemble de Flûtes
3
Flûte, Trompette (duo)
3
Flûte, Alto (duo)
3
Clarinette, Guitare (duo)
2
Hautbois, Piano (duo)
2
Saxophone Soprano et Piano
2
Saxophone (partie séparée)
2
3 Saxophones (trio)
1
Saxophone Soprano
1
Ensemble De Flûte à bec
1
Quintette de Flûte : 5 flûtes
1
Saxophone
1
Flûte à Bec
1
Harmonica
1
Quatuor de Clarinettes: 4 clarinettes
1
Hautbois (partie séparée)
1
Saxophone et Orgue
1
Quatuor de Flûtes : 4 flûtes
1
Flûte à bec Soprano
1
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CUIVRES
Trompette, Saxophone (duo)
8
Trompette
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
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6
Trompette, Piano
6
2 Trompettes (duo)
4
Trompette, Trombone (duo)
4
Quatuor de Cuivres
4
2 Trombones (duo)
4
Trombone
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Ensemble de Trombones
2
Cor et Piano
2
Trompette (partie séparée)
2
Cor
2
Trombone et Piano
1
Euphonium, Piano (duo)
1
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CORDES
Violon et Piano
11
Quatuor à cordes: 2 violons, alto, violoncelle
9
2 Violons (duo)
8
Violon, Violoncelle (duo)
8
Violon
7
2 Violoncelles (duo)
6
Violoncelle, Piano
6
Violon, Alto (duo)
6
Violoncelle
4
2 Altos (duo)
4
Harpe
3
Trio à Cordes: violon, alto, violoncelle
3
Alto, Piano
3
Alto seul
2
Violoncelle (partie séparée)
2
Contrebasse, Piano (duo)
1
2 Harpes (duo)
1
Alto (partie séparée)
1
Ensemble de Violons
1
2 Violons, Piano
1
Contrebasse (partie séparée)
1
Ensemble d'Altos
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à Cordes: 2 violons, violoncelle
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
9
Orchestre
6
Ensemble Jazz
6
Orchestre de chambre
6
Cloches
5
Orchestre à Cordes
2
Ensemble de cuivres
2
Batterie (partie séparée)
1
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AUTRES
Vous avez sélectionné:
Till There Was You
Chorale TTBB
Partitions à imprimer
11 partitions trouvées
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1
Till There Was You (from The Music Man) (arr. Robert Rund)
Chorale TTBB
(TTBB) - Digital Download By The Beatles and Meredith Willson. Arranged by Robert Run…
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(TTBB) - Digital Download By The Beatles and Meredith Willson. Arranged by Robert Rund. 145. Choral. 6 pages. Published by Barbershop Harmony Society
$3.20
2.95 €
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Chorale TTBB
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The Beatles and Meredith Willson
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Robert Rund
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Till There Was You
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Barbershop Harmony Society
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SheetMusicPlus
IS THERE STILL A DROP OF BLOOD (at the foot of the cross)
Chorale TTBB
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522328 Composed by Paul A.…
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Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522328 Composed by Paul A. Jorg. Arranged by Paul A. Jorg. A Cappella,Christian,Gospel,Praise & Worship. Octavo. 3 pages. Paul A. Jorg #5829317. Published by Paul A. Jorg (A0.522328). This arrangement is for male a cappella voices (TTBB), The song was inspired by a Kentucky state prisoner's prayer prior to a service - Lord, let them know there is still a drop of blood at the foot of the cross. The first verse depicts the questions that person may have had prior to his salvation, the second and third verses are Christ's answers, based on scripture. References are:Vs. 2 Be still - Psa. 46:10; Come to Me - Matt. 11:28; Fountain flowing - John 4:14; Wash with His blood - Psa. 51:7; Rev. 1:5; My Father will see you - Rom. 3:23-26; Our great love - John 3:16; Before the earth - Eph. 1:3-5; Sins scarlet - Isa. 1:18; Life full - John 10:10 and free - Eph. 2:8.Vs. 3 Come to the fount - Rev. 21:6; 22:17; Bring no money - Acts 3:6; 8:20; Look and live - Isa. 45:22; Num. 21:19; John 3:14; Lighten heavy burden - Matt. 11:28-30; Eternity to stay - John 17:24; City I'm building - John 14:2; Crystal Sea - Rev. 4:6.
$4.59
4.24 €
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Chorale TTBB
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Paul A
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Paul A
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IS THERE STILL A DROP OF BLOOD
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Paul A. Jorg
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SheetMusicPlus
Make You Feel My Love
Chorale TTBB
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.1035850 By Bob Dylan. By B…
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Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.1035850 By Bob Dylan. By Bob Dylan. Arranged by Alexander Koller. A Cappella,Pop. Octavo. 5 pages. Alexander Koller #6905687. Published by Alexander Koller (A0.1035850). This is a four-part a cappella arrangement in the barbershop style (for male voices). The arrangement follows the Adele version more closely than the Bob Dylan version, but leaves out some of her stylizations. It should be fine for barbershop contests.There are already several barbershop arrangements of the song. My goal was to write one that is accessible for beginning barbershoppers, but still has some fun moments and a musical development that supports the story. I have tried to maintain the quiet and introspective mood of the original, while still giving you the opportunity for some musical contrasts.The back half (which you can't see in the preview) has the third verse as a lead solo and the fourth verse as a lead-tenor duet, with the other parts singing doo-doo accompaniment. The second bridge (the storms are raging) has a higher tessitura and musical intensity than the first one.The arrangement is for male voices. It should also work for a mixed quartet with a male bass. If you want to sing it with four high voices, please get in touch and I'll see if I can make it more accessible to you.If you choose to sing this arrangement, I would love to hear about your experiences at akoller@gmail.com; your feedback will make me a better arranger.
$1.99
1.84 €
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Chorale TTBB
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Bob Dylan
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Alexander Koller
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Make You Feel My Love
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Alexander Koller
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SheetMusicPlus
Fix You
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.865869 By Javier Colon. By…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.865869 By Javier Colon. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Charles Beale. Rock. Octavo. 9 pages. Charliebmusic #5307511. Published by charliebmusic (A0.865869). This compassionate and intimate ballad was written by Coldplay, and appeared on their break-through 2005 album 'X&Y'. It is a song about being there for someone who is at the end of their emotional rope. This arrangement starts quite and still, and, as in the original, the piano/band parts build to a surprising and emotional climax, where the choir comes back in at full belt, singing 'tears stream down your face'. A change happens, comfort is given, a deep connection is made and the song ends as it started - quiet and still.This short arrangement has a solo opportunity for tenor or baritenor, and the TTBB choral parts are simple and satisfying.
$1.99
1.84 €
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Chorale TTBB
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Javier Colon
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Charles Beale
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Fix You
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charliebmusic
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SheetMusicPlus
TTBB - Embers Sleep
Chorale TTBB
Choral Choir (TTBB) - Digital Download SKU: A0.1029440 Composed by Connor Hopkins. …
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Choral Choir (TTBB) - Digital Download SKU: A0.1029440 Composed by Connor Hopkins. Contemporary. Octavo. 4 pages. Connor Hopkins #4898081. Published by Connor Hopkins (A0.1029440). This piece was meant to show the emotional journey of heart break. It travels through fantasizing about the memories you had, coming to terms that they remain memories, and then moving past them, even though the pain from them is still there. Hope you enjoy this piece.
$1.99
1.84 €
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Chorale TTBB
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Connor Hopkins
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TTBB - Embers Sleep
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Connor Hopkins
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SheetMusicPlus
Meredith Willson: Till There Was You (from The Music Man) (arr. Robert Rund) - choir (TTBB: tenor, bass)
Chorale TTBB
Instantly printable sheet music by Meredith Willson for choir (TTBB: tenor, bass) of MEDIU…
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Instantly printable sheet music by Meredith Willson for choir (TTBB: tenor, bass) of MEDIUM skill level. / wedding,barbershop,festival,love
$6.18
5.7 €
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Chorale TTBB
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Meredith Willson
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Virtualsheetmusic
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.68 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
A Song of Canute (male voice choir and piano)
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1050201 Composed by Alan B…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1050201 Composed by Alan Bullard. 20th Century,Classical. Octavo. 31 pages. Colne Edition / BullardMusic #654578. Published by Colne Edition / BullardMusic (A0.1050201). These three dramatic but humorous episodes in the life of the great king, to texts by Thackeray and the composer, tell us first of all how the elderly King Canute was tiring of life as, no longer young, he even yawned while his favourite male voice choir was performing. The second movement tells of all the victories he had won - but, as the third movement tells us, there was one thing left to do - conquer the sea!  Sadly, however, the sea disobeyed his commands, and 'King Canute is dead and gone, but the legend still lives on'. The story is untrue, of course, but if it happened, though it probably didn't, it would have been in the vicinity of the Battle of Ashingdon, near to the town of South Woodham Ferrers, Essex, UK - where the songs were first performed by the South Woodham Ferrers Male Voice Choir. A specimen copy of the songs is available at www.alanbullard.co.uk Alan Bullard’s choral works are performed worldwide, and many have been recorded and broadcast. He has a growing reputation for music that choirs enjoy performing, and which speaks directly to audiences. The Colne Choral Series contains a range of Bullard’s pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.
$2.99
2.76 €
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Chorale TTBB
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Alan Bullard
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A Song of Canute
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Colne Edition / BullardMusic
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SheetMusicPlus
Lagrimas Negras
Chorale TTBB
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1317590 Composed by…
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1317590 Composed by Miguel Matamoros. Arranged by Jay Dougherty. 20th Century,A Cappella,Barbershop,Mariachi,Multicultural,World. 8 pages. Jay Dougherty #906260. Published by Jay Dougherty (A0.1317590). Lagrimas Negras is a hit song by Miguel Matamoros, first recorded by the TrÃo Matamoros in 1931. The song was written in Santo Domingo, Dominican Republic, in 1930, when Matamoros was on his way back to Cuba from the Ibero-American Exposition of 1929. The song has been described as the perfect fusion of the son with the bolero. It became the TrÃo Matamoros' most famous song.This arrangement by Jay Dougherty is for TTBB a cappella voices in the contestable barbershop style.NOTE: There is a 10-copy minimum purchase. However, the per-copy price is set to the lowest possible setting at $1.99. If you want this song for a quartet, please understand that with the 10-copy minimum (10 x $1.99), you're still paying only $20 for legal access to this music. The arranger gets almost nothing from that price, and you're getting great legal music for $5 per quartet member. Learning tracks are available at www.jmdougherty.comFor more information on arrangements and compositions by Jay Dougherty, visit www.jmdougherty.com.
$1.99
1.84 €
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Chorale TTBB
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Miguel Matamoros
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Jay Dougherty
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Lagrimas Negras
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Jay Dougherty
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SheetMusicPlus
Bad Day
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1224030 By Daniel Powter. …
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1224030 By Daniel Powter. By Daniel Powter. Arranged by Jay Dougherty. A Cappella,Barbershop,Contemporary,Pop,Singer/Songwriter. Octavo. 11 pages. Jay Dougherty #820146. Published by Jay Dougherty (A0.1224030). Daniel Powter's 3-time-platinum hit song, Bad Day, was the first song ever to sell two million digital copies in the United States and it was measured by Billboard as the most popular song of the year in the U.S. in 2006. This upbeat arrangement by Jay Dougherty is for TTBB a cappella voices. Its positive message and catchy melody will make this a great addition to any show. Note: while this arrangement falls under the barbershop umbrella, with the melody in the second voice, it is not considered to be contestable barbershop.NOTE: There is a 10-copy minimum purchase. However, the per-copy price is set to the lowest possible setting at $1.99. If you want this song for a quartet, please understand that with the 10-copy minimum (10 x $1.99), you're still paying only $20 for legal access to this music. The arranger gets nearly nothing, and you're getting great legal music for $5 per quartet member. Learning tracks are available at: www.jmdougherty.comFor more information on arrangements and compositions by Jay Dougherty, visit www.jmdougherty.com.
$1.99
1.84 €
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Chorale TTBB
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Daniel Powter
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Jay Dougherty
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Bad Day
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Jay Dougherty
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SheetMusicPlus
I Don't Want To Set The World On Fire
Chorale TTBB
Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1406564 By The…
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Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1406564 By The Ink Spots. By Bennie Benjamin, Eddie Durham, Eddie Seiler, and Sol Marcus. Arranged by Jay Dougherty. A Cappella,Barbershop,Contest,Festival,Jazz. 6 pages. Jay Dougherty #989330. Published by Jay Dougherty (A0.1406564). I Don't Want to Set the World on Fire was sung by many groups in the 20th century, but made famous by The Ink Spots. This arrangement is written for TTBB a cappella in the contestable barbershop style by Jay Dougherty. It captures the playful levity of the original but also brings new life through rhythmic variation, harmony, and embellishment. NOTE: There is a 10-copy minimum purchase. However, the per-copy price is set to the lowest possible setting at $1.99. If you want this song for a quartet, please understand that even with the 10-copy minimum (10 x $1.99), you're still paying only $20 for legal access to this music. The arranger gets nearly nothing, and you're getting great legal music for $5 per quartet member. Learning tracks are available at: www.jmdougherty.comFor more information on compositions and arrangements by Jay Dougherty, visit: www.jmdougherty.com.
$1.99
1.84 €
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Chorale TTBB
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The Ink Spots
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Jay Dougherty
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I Don't Want To Set The World On Fire
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Jay Dougherty
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SheetMusicPlus
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