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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Till the end of time
Non classifié
197
Piano & claviers
Piano seul
131
Piano, Voix
37
Piano Facile
18
Piano, Voix et Guitare
10
2 Pianos, 4 mains
9
Orgue
6
Instruments en Do
4
1 Piano, 4 mains
4
Piano Trio: piano, violon, violoncelle
3
Piano grosses notes
1
Orgue, Piano (duo)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Accompagnement Piano
1
Piano (partie séparée)
1
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
10
Guitare
7
Ligne De Mélodie, (Paroles) et Accords
4
Guitare (partie séparée)
2
Ukulele
2
Mandoline, Guitare (duo)
1
2 Guitares (duo)
1
Basse electrique
1
Mandoline
1
Dulcimer
1
Piano, Guitare (duo)
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
57
Chorale 2 parties
29
Chorale 3 parties
13
Voix duo, Piano
12
Voix duo
10
Chorale Unison
8
Chorale TTBB
7
Chorale SSAA
4
Voix seule
4
Voix Soprano, Piano
2
Voix Baryton, Piano
1
+ 6 instrumentations
Retracter
Vents
2 Flûtes traversières (duo)
19
Quatuor de Saxophones: 4 saxophones
17
Hautbois (partie séparée)
9
Flûte traversière et Piano
8
Clarinette
8
Quatuor de Flûtes : 4 flûtes
8
Flûte, Hautbois, Clarinette, Basson
8
2 Saxophones (duo)
6
Quatuor de Clarinettes: 4 clarinettes
5
Saxophone (partie séparée)
5
Quintette de Saxophone: 5 saxophones
5
Ensemble de saxophones
5
Clarinette et Piano
4
Flûte à bec Soprano
4
Ensemble de Clarinettes
3
2 Clarinettes (duo)
3
Ensemble de Flûtes
3
Saxophone Alto et Piano
3
Saxophone Tenor et Piano
3
Hautbois, Piano (duo)
3
Flûte à bec Alto, Piano
3
Flûte et Guitare
2
Ocarina
2
Saxophone, Clarinette (duo)
2
Flûte à bec Alto
2
Quintette de Clarinettes: 5 clarinettes
1
Saxophone Baryton, Piano
1
Flûte traversière
1
Hautbois, Basson (duo)
1
Flûte, Clarinette (duo)
1
2 Hautbois (duo)
1
Flûte, Violon
1
Ensemble à vent
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Saxophone Soprano et Piano
1
Flûte, Saxophone (duo)
1
Harmonica
1
Clarinette, Trompette (duo)
1
Clarinette, Violon (duo)
1
Quintette de Flûte : 5 flûtes
1
Hautbois, Clarinette (duo)
1
Flûte, Trompette (duo)
1
Hautbois, Flûte
1
Flûte à Bec
1
Flute (partie séparée)
1
Flûte, Alto (duo)
1
Flûte, Violoncelle, Piano (trio)
1
+ 42 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
19
Trombone et Piano
13
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Quatuor de Cuivres
5
Trombone (partie séparée)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Trompette (partie séparée)
3
2 Trompettes (duo)
3
2 Trombones (duo)
3
Trompette, Piano
3
Trompette, Saxophone (duo)
2
Quatuor de cuivres: 4 cors
2
Ensemble de Trombones
2
Trompette
1
Quatuor de cuivres: 4 trombones
1
Cor
1
Cor et Piano
1
Trompette, Trombone (duo)
1
2 Cors (duo)
1
Trombone basse et Piano
1
Ensemble de Trompettes
1
Tuba (partie séparée)
1
Cor (partie séparée)
1
+ 18 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
35
Violon et Piano
15
2 Violons (duo)
9
Violon, Violoncelle (duo)
7
Violoncelle
5
Violoncelle, Piano
5
2 Violoncelles (duo)
5
Harpe
4
Alto, Piano
4
Trio à Cordes: violon, alto, violoncelle
4
Violon
3
Violon, Alto (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Harpe, Trombone (duo)
1
Alto, Violoncelle (duo)
1
Contrebasse (partie séparée)
1
Ensemble d'Altos
1
4 Violoncelles
1
Violon, Guitare (duo)
1
Ensemble de Violons
1
2 Altos (duo)
1
+ 16 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
84
Fanfare
25
Orchestre
15
Orchestre à Cordes
12
Ensemble de cuivres
9
Ensemble Jazz
7
Orchestre de chambre
6
Ensemble de Percussions
4
Cloches
4
Piano et Orchestre
1
Batterie
1
Batterie (partie séparée)
1
+ 7 instrumentations
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ACCORDEON
ALTO
AUTRES INST…
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BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Till the end of time
Chorale TTBB
Partitions à imprimer
7 partitions trouvées
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1
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Till The End Of Time
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Chorale TTBB
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INTERMÉDIAIRE
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Contemporain
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Buddy Kaye and Ted Mossman
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Walter Latzko
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Till The End Of Time
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Latzko Muzic
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.872066 Composed by Buddy Kaye and Ted Mossman. Arranged by Walter Latzko. Contemporary. Octavo. 4 pages. Latzko ...
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Choral Choir (TTBB) - Level 3 - SKU: A0.872066 Composed by Buddy Kaye and Ted Mossman. Arranged by Walter Latzko. Contemporary. Octavo. 4 pages. Latzko Muzic #5744043. Published by Latzko Muzic (A0.872066). PRETTY STRAIGHT FORWARD ARRANGEMENT OF A LOVE BALLAD BASED ON THE MELODY OF CHOPIN'S POLONAISE.
$4.99
The Leaves of the Fall
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Chorale TTBB
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FACILE
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John van Gulik
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John van Gulik
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The Leaves of the Fall
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John van Gulik
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1244630 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Historic,Holiday,Patriotic. Octavo. 27...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1244630 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Historic,Holiday,Patriotic. Octavo. 27 pages. John van Gulik #839583. Published by John van Gulik (A0.1244630). A moving remembrance of the young lives sacrificed in the First and Second World Wars defending our freedom. This is a setting to an original text by John van Gulik arranged for men's choir.The leaves on the ground are all broken and grayTheir color has gone taking glory awayOnset of winter will bury them allSuch is the season, the season of fall  Leaves of autumn, leaves of the fall  Millions of discarded parts of us all  Time will forget them, forget them it will  And yet they have fallen... The season of fallThe dead all all gone, we remember them stillLives given freely, buried under a hillResting in fields where the red poppies growMarkings are fading for those down belowCold sleeping life lays under the snowSlumbering gently while winter winds blowWaiting for springtime to finally comeMelting the cover, at last feel the sunVisions of future beyond paths of warHope that the world will see it no moreThe dead are not gone, just sleeping awayTo rise once again on that last dayLess now remembered except once a yearMemories are fading to soon disappearResting and waiting beneath the sodForgotten by living but still known to GodFor additional parts, accompaniment track, or other arrangements, contact me at vangulik.john@gmail.com or visit my website at https://jvgmusiconline.com.
$2.00
God Bless Us Everyone
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Alan Menken
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EDDY CLEMENT
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God Bless Us Everyone
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Eddy Clement
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.927812 Composed by Alan Menken. Arranged by EDDY CLEMENT. A Cappella. Octavo. 12 pages. Eddy Clement #5749581. P...
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Choral Choir (TTBB) - Level 4 - SKU: A0.927812 Composed by Alan Menken. Arranged by EDDY CLEMENT. A Cappella. Octavo. 12 pages. Eddy Clement #5749581. Published by Eddy Clement (A0.927812). This new take on a contemporary Holiday classic expertly weaves the traditional O Come, All Ye Faithful throughout. But the true star is the well-written Men's Chorus treatment of God Bless Us Everyone. With logical voice-leadings and timely, poignant lyrics like Till each child is fed, till we all are free, till the world becomes a family this arrangement will serve well as a concert Opener or Closer. Midway through, the focus shifts to a reverent a cappella statement of O Come... which eventually ramps up to a bookend big closing. The arrangement is tried and true, having been performed by men's choruses around the country. Minimal divisi (5 chords).
$2.95
Ohio
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Chorale TTBB
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FACILE
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Crosby Stills Nash and Young
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Jeff Tincher
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Ohio
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Jeff Tincher
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1294672 By Crosby Stills Nash and Young. By Neil Young. Arranged by Jeff Tincher. Country,Historic,Rock. ...
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Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1294672 By Crosby Stills Nash and Young. By Neil Young. Arranged by Jeff Tincher. Country,Historic,Rock. 10 pages. Jeff Tincher #885026. Published by Jeff Tincher (A0.1294672). Here is the one song that really portrays the time of the Vietnam War. It memorializes the tragic event on the Kent State University campus on May 4, 1970. In the original key from the single, this song tells the story in such a short period of time. In this arrangement I also included a short history behind that song that could be used as a narration at performances. This arrangement include the live ending from Crosby, Stills, Nash and Young's 4-Way Street double LP. Duration = 3:15. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$1.99
It's So Hard To Say Goodbye To Yesterday
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Chorale TTBB
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INTERMÉDIAIRE
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Boyz II Men
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Kulton K
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It's So Hard To Say Goodbye To
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Kulton K. Jackson
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1270436 By Boyz II Men. By Christine Yarian and Freddie Perren. Arranged by Kulton K. Jackson. A Cappella,Barber...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1270436 By Boyz II Men. By Christine Yarian and Freddie Perren. Arranged by Kulton K. Jackson. A Cappella,Barbershop,Hip-Hop,Jazz,R & B,Soul. Octavo. 12 pages. Kulton K. Jackson #862818. Published by Kulton K. Jackson (A0.1270436). Hey Fellow Harmonic Heroes,Are your boys done with Dowland? Craving a modern twist? Have a go at our TTBB choral arrangement of It's So Hard To Say Goodbye To Yesterday, the soulful Boyz II Men hit!Crafted with our youthful choirs in mind, this accessible arrangement respects our novice singers, yet still offers that emotional punch. It weaves a balanced tapestry of tenor and bass lines that'll have your ensemble soulfully swooning and your audience reaching for tissues!Ditch the ancient hymns, embrace the contemporary, and transform your practice into a blend of old-school charm and new-age groove. The secret weapon to a memorable performance is right here!In essence: spice up your repertoire, win your boys' hearts, and nail your next show with this timeless tear-jerker. Pick it up today and add some soul to your symphony!
$1.99
On Christmas Day - TTBB divisi Ensemble
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Chorale TTBB
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INTERMÉDIAIRE
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Noël
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English Folk Song, Henry Wadsw
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Mark R Lewis
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On Christmas Day - TTBB divisi
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Mark R Lewis
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1169893 Composed by English Folk Song, Henry Wadsworth Longfellow, and John Baptiste Calkin. Arranged by Mark R ...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1169893 Composed by English Folk Song, Henry Wadsworth Longfellow, and John Baptiste Calkin. Arranged by Mark R Lewis. Christmas,Folk,Holiday,Religious,Traditional. Octavo. 23 pages. Mark R Lewis #770258. Published by Mark R Lewis (A0.1169893). On Christmas Day is a medley of I Heard the Bells on Christmas Day and I Saw Three Ships by Mark R Lewis. John Baptiste Calkin wrote the music for I Heard the Bells in 1872 as an adaptation of the earlier poem Christmas Bells by Henry Wadsworth Longfellow. I Saw Three Ships is an English carol thought to originate from the 17th century, though the lyrics used is most modern arrangements come from later published versions.This arrangement is intended to be performed by TTBB divisi choir and accompanied by a 3-5 octave handbell choir. All four voice parts pass the melody back and forth and are featured at different times and explore different vocal and accompaniment styles throughout the piece. Most intermediate choirs should be able to perform this piece, although the bass 2s should be able to sing down to a D2 (there are optional notes if this is too low). The handbell part is not particularly difficult but is active across the whole ensemble and uses mallets through one of the middle verses. There are also several key changes that will require quick bell changes or sharing of bells. It is also worth noting that I Heard the Bells is in 4/4 and I Saw Three Ships is in 6/8.This download includes a piano and choir score for when handbells are not an option as well as the handbell sheet music. Handbells are the preferred accompaniment, although it will still sound good with just piano.
$1.99
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