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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Time Was
Non classifié
3 255
Piano & claviers
Piano seul
1 698
Piano, Voix
735
Piano, Voix et Guitare
315
Piano Facile
231
Instruments en Do
159
Orgue
104
Accompagnement Piano
74
Piano Trio: piano, violon, violoncelle
35
1 Piano, 4 mains
30
2 Pianos, 4 mains
24
Piano Quatuor: piano, violon, alto, violoncelle
17
Piano Quatuor: piano, 2 violons, violoncelle
9
Clavecin
7
Piano (partie séparée)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Orgue, Trompette (duo)
3
Accordéon
3
Piano grosses notes
2
2 Pianos, 8 mains
2
1 Piano, 6 mains
1
Orgue, Piano (duo)
1
+ 16 instrumentations
Retracter
Guitares
Guitare
182
Guitare notes et tablatures
129
Ligne De Mélodie, (Paroles) et Accords
84
Basse electrique
38
Mandoline
38
Ukulele
31
2 Guitares (duo)
29
Paroles et Accords
12
Piano, Guitare (duo)
11
Guitare (partie séparée)
8
Mandoline, Guitare (duo)
7
Banjo
5
4 Guitares (Quatuor)
4
3 Guitares (trio)
3
Guitare, Violon, Violoncelle (trio)
2
2 Mandolines (duo)
1
Mandoline, Piano (duo)
1
Ensemble de guitares
1
Guitare, Orchestre
1
+ 14 instrumentations
Retracter
Voix
Chorale SATB
731
Chorale 3 parties
208
Chorale 2 parties
160
Chorale TTBB
99
Chorale SSAA
80
Chorale Unison
73
Voix duo, Piano
70
Voix Tenor, Piano
52
Voix Alto, Piano
44
Voix Soprano, Piano
43
Voix Baryton, Piano
35
Voix duo
29
Voix seule
25
Voix moyenne, Piano
9
Voix haute
9
Voix Tenor
6
Chorale SSAATTBB
4
Voix basse, Piano
3
Chorale SSAATB
1
Voix Soprano
1
+ 15 instrumentations
Retracter
Vents
2 Saxophones (duo)
519
Flûte traversière et Piano
338
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
334
Clarinette et Piano
280
Quatuor de Saxophones: 4 saxophones
260
Saxophone, Clarinette (duo)
250
2 Clarinettes (duo)
220
Flûte, Hautbois, Clarinette, Basson
218
Quintette de Saxophone: 5 saxophones
214
Saxophone Alto et Piano
187
Hautbois, Piano (duo)
184
2 Flûtes traversières (duo)
182
Clarinette, Violon (duo)
164
Quatuor de Clarinettes: 4 clarinettes
163
Saxophone Soprano et Piano
144
Clarinette, Trompette (duo)
138
Saxophone Tenor et Piano
131
Flûte traversière
129
Clarinette
120
Flûte, Clarinette (duo)
108
Saxophone Alto
106
2 Hautbois (duo)
99
Hautbois, Basson (duo)
87
Flûte, Violon
86
Clarinette et Alto
85
Saxophone Tenor
85
Hautbois, Clarinette (duo)
84
Ensemble de saxophones
84
Flûte, Saxophone (duo)
82
Hautbois, Flûte
81
Cor anglais, Piano
81
Saxophone Baryton, Piano
78
Saxophone (partie séparée)
75
Ensemble de Clarinettes
69
Quatuor de Flûtes : 4 flûtes
68
Flûte, Trompette (duo)
65
Flûte, Alto (duo)
61
Clarinette Basse, Piano
54
Hautbois (partie séparée)
50
Saxophone
45
Ensemble de Flûtes
41
Flûte à bec Soprano
35
3 Saxophones (trio)
34
Quintette de Clarinettes: 5 clarinettes
30
Quintette de Flûte : 5 flûtes
25
2 Flûte à bec (duo)
24
Flûte et Guitare
23
Ensemble De Flûte à bec
23
3 Clarinettes (trio)
22
Trio de Flûtes: 3 flûtes
20
Saxophone Soprano
17
Quatuor de Flûtes à bec
16
Clarinette, Guitare (duo)
15
Cor Anglais
14
Clarinette, Basson (duo)
13
Flute (partie séparée)
10
Hautbois, Clarinette, Basson (trio d'anches)
10
Ocarina
9
Flûte, Hautbois, Clarinette (trio)
8
Flûte, Clarinette, Cor, Basson (Quartet)
8
Flûte à bec Alto
8
Clarinette, Violoncelle (duo)
7
Flûte, Violoncelle
7
Hautbois
7
Flûte à Bec
7
3 Flûtes à bec (trio)
7
Piccolo, Piano
6
5 Flûtes à bec
6
Clarinette, Violoncelle, Piano (trio)
6
Flûte à bec Alto, Piano
5
Harmonica
5
Clarinette (partie séparée)
5
Flûte, Violoncelle, Piano (trio)
5
Flûte à bec Soprano, Piano
5
2 Flûtes traversières, Piano
4
Flûte, Hautbois (duo)
4
Hautbois, Guitare (duo)
4
2 Cors Anglais Et Pianoforte
4
Flûte, Alto et Piano
3
Flûte, Violon, Piano
3
2 Clarinettes, Piano
3
Flûte à bec Tenor
3
Flûte, Clarinette et Basson
3
Flûte irlandaise
2
Clarinette Basse
2
Saxophone et Orgue
2
Saxophone et Guitare
2
Flûte, Violon, Violoncelle et Piano
2
Flûte à Bec, Piano
2
Clarinette, Trombone (duo)
2
Flûte, Hautbois, Piano (trio)
2
Flûte traversière, Basse continue
2
Cor anglais, Guitare (duo)
2
Flûte, Hautbois, Basson
1
Hautbois, Violoncelle
1
Cor anglais et Harpe (duo)
1
Clarinette, Harpe (duo)
1
Hautbois, violon (duo)
1
Ensemble de Hautbois
1
Cornemuse
1
Flûte à bec Alto, Basse continue
1
Piccolo
1
Flûte à bec, Guitare (duo)
1
Flûte, Clarinette, Violon (trio)
1
Flûte traversière, Orgue (duo)
1
Ensemble à vent
1
Clarinette, Alto et Piano (trio)
1
Saxophone et Piano
1
Saxophone Baryton
1
+ 104 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
423
Quatuor de Cuivres : 2 trompettes, trombone, tuba
221
Trombone et Piano
179
Trompette, Saxophone (duo)
174
Trompette, Piano
146
Trompette
136
2 Trombones (duo)
105
Cor et Piano
101
Quatuor de Cuivres
99
Trompette, Trombone (duo)
97
2 Trompettes (duo)
95
Trombone
89
Euphonium, Piano (duo)
86
Cor anglais, Piano
81
Quatuor de Cuivres: 2 trompettes, Cor, trombone
55
Tuba et Piano
45
Ensemble de Trombones
37
Ensemble de Trompettes
36
Cor
33
Trompette (partie séparée)
29
Quatuor de cuivres: 4 trombones
27
Tuba
22
Quatuor de cuivres: 4 cors
20
Trombone (partie séparée)
19
2 Cors (duo)
19
2 Euphoniums et 2 Tubas
16
Cor Anglais
14
Ensemble de Cors
14
Trio de Cuivres
9
Euphonium
6
Quatuor de cuivres: 4 trompettes
5
Trompette, Cor (duo)
5
2 Tubas (duo)
5
4 Tubas
5
Tuba (partie séparée)
4
2 Cors Anglais Et Pianoforte
4
Cor (partie séparée)
4
Tuba et Orgue
4
Trombone basse et Piano
3
3 Trombones (trio)
3
3 Trompettes (trio)
2
Trombone, Cor (duo)
2
2 Trompettes, Clavier (piano ou orgue)
2
2 Euphoniums (duo)
2
Cor anglais, Guitare (duo)
2
3 Tubas (trio)
2
Euphonium, Tuba (duo)
2
3 Cors (trio)
1
Cor anglais et Harpe (duo)
1
Ensemble de Tubas
1
Trompette, Violoncelle (duo)
1
2 Cors, Piano
1
Trompette, Euphonium (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone et orchestre
1
Trombone basse
1
Trombone, Tuba (duo)
1
+ 52 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
572
Violon et Piano
341
Violoncelle, Piano
256
Alto, Piano
256
Violon, Violoncelle (duo)
178
Violon
177
Violoncelle
127
2 Violons (duo)
121
2 Violoncelles (duo)
107
2 Altos (duo)
107
Trio à Cordes: violon, alto, violoncelle
106
Violon, Alto (duo)
105
Harpe
95
Trio à Cordes: 2 violons, violoncelle
83
Quintette à cordes: 2 violons, alto, violoncelle, basse
82
Alto seul
60
2 Harpes (duo)
47
Contrebasse, Piano (duo)
32
Alto (partie séparée)
21
Violon, Guitare (duo)
18
4 Violoncelles
16
Contre Basse
15
Ensemble de Violons
15
Alto, Violoncelle (duo)
13
Ensemble d'Altos
13
Violon (partie séparée)
13
Trio à Cordes: 3 violoncelles
13
Violoncelle , Guitare (duo)
11
Harpe, Flûte (duo)
9
Contrebasse (partie séparée)
8
Piano Trio: Violon, Alto, Piano
8
Trio à cordes: 3 violins
6
Trio à cordes: 3 altos
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Quatuor à cordes : 4 altos
6
Quatuor à cordes: 4 violons
6
Alto, Guitare (duo)
5
Violoncelle, Orchestre
4
Violoncelle, Basse continue
3
Harpe, Voix
3
4 Contrebasses
2
Ensemble de Violoncelles
2
Harpe, Violon, Violoncelle
2
Violoncelle, Orgue
2
Violoncelle (partie séparée)
2
2 Contrebasses (duo)
2
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: 2 violons, alto
1
Alto, Orgue
1
Violoncelle, Contrebasse (duo)
1
3 Harpes
1
Harpe et mandoline
1
Harpe, Trombone (duo)
1
Alto et Harpe
1
+ 49 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
869
Orchestre à Cordes
248
Orchestre
228
Ensemble de cuivres
154
Ensemble Jazz
112
Orchestre de chambre
96
Batterie
43
Cloches
42
Jazz combo
35
Ensemble de Percussions
20
Fanfare
19
Batterie (partie séparée)
4
Percussion (partie séparée)
4
Vibraphone
4
Marimba
3
Quintette de Cuivres: autres combinaisons
2
Piano et Orchestre
2
Xylophone
1
2 Marimbas
1
Voix Mezzo-Soprano, Orchestre
1
Ensemble d'École
1
Orchestre, Violon
1
+ 17 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
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LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
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Vous avez sélectionné:
Time Was
Chorale TTBB
Partitions à imprimer
99 partitions trouvées
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26
51
76
Time Was
#
Chorale TTBB
#
INTERMÉDIAIRE/AVANCÉ
#
Miguel Prado
#
Charles A
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Time Was
#
CG Publications
#
SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.882492 Composed by Miguel Prado. Arranged by Charles A. Gravenhorst. A Cappella. Octavo. 7 pages. CG Publication...
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Choral Choir (TTBB) - Level 4 - SKU: A0.882492 Composed by Miguel Prado. Arranged by Charles A. Gravenhorst. A Cappella. Octavo. 7 pages. CG Publications #4820113. Published by CG Publications (A0.882492). This sentimental and nostalgic classic is arranged for Men’s voices in close 4-part writing – optional divisi – with rich, distinct jazz sonorities and well-crafted voice leading that provides ample assistance for singers to negotiate the challenging harmonies. A great arrangement for a chorus or glee club of Men’s voices, but also very appropriate for quartet alone. Although not suitable for competition, barbershop groups will find it very appealing both to sing and to perform.
$1.99
Kyrie: from Mass of a Troubled Time
#
Chorale TTBB
#
Brian A
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Kyrie: from Mass of a Troubled
#
Colla Voce Music - Digital
#
SheetMusicPlus
TTBB choir, a cappella - SKU: MQ.41-96605-E Composed by Brian A. Schmidt and Gary R. Schwartzhoff. Octavo. 3 pages. Colla Voce Music - Digital #41-96605...
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TTBB choir, a cappella - SKU: MQ.41-96605-E Composed by Brian A. Schmidt and Gary R. Schwartzhoff. Octavo. 3 pages. Colla Voce Music - Digital #41-96605-E. Published by Colla Voce Music - Digital (MQ.41-96605-E). This Mass setting was composed as a musical reflection on our human struggles in the world today. The emotional and creative impulse came in the weeks following the death of my grandmother, Margaret C. Urbach. I owe much to her for her faith, positive outlook on life, and encouragement of my musical growth. I composed Psalm 23 first and the rest of the Mass was built around this. With Psalm 23 as a centerpiece, the entire piece is intended to convey a message of hope and peace even amidst our most troubling times.
$1.95
Goodnight, Sweetheart, Goodnight (Goodnight, It's Time To Go)
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Chorale TTBB
#
INTERMÉDIAIRE
#
The Mcguire Sisters
#
Rod Christian
#
Goodnight, Sweetheart, Goodnig
#
Rodmusic Productions
#
SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1486888 By The Mcguire Sisters. By Calvin Carter and James Hudson. Arranged by Rod Christian. 20th C...
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Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1486888 By The Mcguire Sisters. By Calvin Carter and James Hudson. Arranged by Rod Christian. 20th Century,A Cappella,Barbershop,Blues,Jazz. 5 pages. Rodmusic Productions #1063957. Published by Rodmusic Productions (A0.1486888). GOODNIGHT SWEETHEARTA popular doo-wop classic song that was a hit during the mid-1950s. It was written by Calvin Carter and James Pookie Hudson in 1951, and was first recorded by The Spaniels in 1953. It has also been released by some artists as Goodnight, Well It's Time to Go. The best-selling version of the song was recorded by the McGuire Sisters in 1954. In this arrangement I have tried to capture the fun aspect of a male Tenor 1, Tenor 2, Baritone and Bass combination singing a cappella in a jazz-swing style. I have utilised some nice harmonies and counter melodies that complement the work. Tempo sits nicely at crotchet = 100 but this is up to the director to choose a suitable tempo if he or she so wishes.Enjoy this popular song re-worked from way back in 1951.Rod Christian.
$4.99
This Is The Time I Must Sing
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Chorale TTBB
#
INTERMÉDIAIRE
#
Bill Gaither
#
Paul A
#
This Is The Time I Must Sing
#
Paul A. Jorg
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.522467 Composed by Bill Gaither. Arranged by Paul A. Jorg. A Cappella. Octavo. 5 pages. Paul A. Jorg #6208749. P...
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Choral Choir (TTBB) - Level 3 - SKU: A0.522467 Composed by Bill Gaither. Arranged by Paul A. Jorg. A Cappella. Octavo. 5 pages. Paul A. Jorg #6208749. Published by Paul A. Jorg (A0.522467). The song was written by the Gaithers in the mid-1970's, during the time that Gary McSpadden was part of the Bill Gaither Trio. The arrangement is of one of the great songs that came from that era;this arrangement is written for 4 part male harmony (TTBB) a cappella.
$4.59
It's The Most Wonderful Time Of The Year
#
Chorale TTBB
#
AVANCÉ
#
Eddie Pola and George Wyle
#
Gabriel Lawson
#
It's The Most Wonderful Time O
#
Gabriel Lawson
#
SheetMusicPlus
Choral Choir,Choral (TTBB Chorus) - Level 5 - SKU: A0.1506188 Composed by Eddie Pola and George Wyle. Arranged by Gabriel Lawson. 20th Century,Christmas...
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Choral Choir,Choral (TTBB Chorus) - Level 5 - SKU: A0.1506188 Composed by Eddie Pola and George Wyle. Arranged by Gabriel Lawson. 20th Century,Christmas,Holiday. 8 pages. Gabriel Lawson #1081562. Published by Gabriel Lawson (A0.1506188). “It’s the Most Wonderful Time of the Year” is the most wonderful Christmas song of all time and was made famous by Andy Williams. Written in 1963, the song celebrates family, friendship, Victorian traditions, and all around Winter merriment. This arrangement is for four-part a cappella Men’s Chorus (TTBB) with the melody in the Tenor 2 part. Original key.Tenor 1 A3-B4.Tenor 2 D3-G4.Baritone E3-G4.Bass Eb2-Eb4.
$2.99
Sometimes a Light Surprises
#
Chorale TTBB
#
John Schimminger
#
Sometimes a Light Surprises
#
Imagine Music - Digital
#
SheetMusicPlus
SATB Chorus & Piano - SKU: IZ.VMW224 Composed by John Schimminger. Octavo. 15 pages. Imagine Music - Digital #VMW224. Published by Imagine Music - Digit...
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SATB Chorus & Piano - SKU: IZ.VMW224 Composed by John Schimminger. Octavo. 15 pages. Imagine Music - Digital #VMW224. Published by Imagine Music - Digital (IZ.VMW224). 9 x 12 inches.Inspired by the mystery and beauty of the trees in Northern California, Sequoia Sketch was completed in early 2017. All of the thematic material is derived or expanded from a five-note motive heard throughout the work.Sequoia Sketch was premiered by the Brighton Symphony Orchestra (Rochester, NY) in May 2018.
$2.25
First Time
#
Chorale TTBB
#
INTERMÉDIAIRE/AVANCÉ
#
Bruce Mangum
#
First Time
#
Mangum Opus Music
#
SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.968681 Composed by Bruce Mangum. Pop,Wedding. Octavo. 12 pages. Mangum Opus Music #4777017. Published by Mangum ...
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Choral Choir (TTBB) - Level 4 - SKU: A0.968681 Composed by Bruce Mangum. Pop,Wedding. Octavo. 12 pages. Mangum Opus Music #4777017. Published by Mangum Opus Music (A0.968681). This song was originally written for men's chorus or quartet (TTBB). Its lively pop feel contributes to the hope and anticipation of the lyrics - that there IS a first time for everything, and there's joy in making dreams come true!
$4.49
Goodnight, Sweetheart, Goodnight (Goodnight, It's Time To Go)
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Chorale TTBB
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FACILE
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Chuck Berry
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James Duddridge
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Goodnight, Sweetheart, Goodnig
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James Duddridge
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SheetMusicPlus
Choral Choir,Choral (TTBB Chorus) - Level 2 - SKU: A0.1502707 By Chuck Berry. By Calvin Carter and James Hudson. Arranged by James Duddridge. A Cappella...
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Choral Choir,Choral (TTBB Chorus) - Level 2 - SKU: A0.1502707 By Chuck Berry. By Calvin Carter and James Hudson. Arranged by James Duddridge. A Cappella,Barbershop,Pop. 6 pages. James Duddridge #1078368. Published by James Duddridge (A0.1502707). A capella version of this classic hit by The Spaniels, arranged for male voices (TTTBarB). Inspired by the arranger's memories of mis-spent lunch breaks at school, improvising vocal harmonies with close friends at every opportune moment, and some inopportune moments, too! Where the love of performing with other people was acquired. For good amateur ensembles.
$2.99
Step In Time
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Chorale TTBB
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INTERMÉDIAIRE
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Richard M
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Kevin Keller
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Step In Time
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Kevin Keller
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.816271 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Kevin Keller. 20th Century,A Cappella,B...
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Choral Choir (TTBB) - Level 3 - SKU: A0.816271 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Kevin Keller. 20th Century,A Cappella,Barbershop,Contemporary,Film/TV. Octavo. 7 pages. Kevin Keller #6499389. Published by Kevin Keller (A0.816271). Barbershop TTBB (melody in T2) - Note: This arrangement was designed specifically to be sung in a BHS contest with judging. Performer can easily adapt to your own scenario.
$2.99
It's Been A Long, Long Time
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Jule Styne and Sammy Cahn
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Justin P
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It's Been A Long, Long Time
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Justin P. Miller
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.911382 Composed by Jule Styne and Sammy Cahn. Arranged by Justin P. Miller. 20th Century,A Cappella,Broadway,Fil...
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Choral Choir (TTBB) - Level 4 - SKU: A0.911382 Composed by Jule Styne and Sammy Cahn. Arranged by Justin P. Miller. 20th Century,A Cappella,Broadway,Film/TV,Jazz,Musical/Show. Octavo. 7 pages. Justin P. Miller #517415. Published by Justin P. Miller (A0.911382). A TTBB barbershop arrangement of the classic song from the 1940's, reintroduced to modern audiences thanks to the Marvel Cinematic Universe. This arrangement was premiered by The Westminster Chorus (2007, 2010, 2015, and 2019 International Champions of the Barbershop Harmony Society and 2009 Choir of the World) at the 2022 Midwinter Convention of the Barbershop Harmony Society. It is designed for use in Barbershop Harmony Society contests.
$3.99
Timeless To Me
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Marc Shaiman and Scott Wittman
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Dom Finetti
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Timeless To Me
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Dom Finetti
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SheetMusicPlus
Voice (TTBB) - Level 4 - SKU: A0.1144979 Composed by Marc Shaiman and Scott Wittman. Arranged by Dom Finetti. A Cappella,Barbershop,Broadway,Contest,Fes...
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Voice (TTBB) - Level 4 - SKU: A0.1144979 Composed by Marc Shaiman and Scott Wittman. Arranged by Dom Finetti. A Cappella,Barbershop,Broadway,Contest,Festival,Film/TV,Musical/Show. Barbershop Quartet. 10 pages. Dom Finetti #745295. Published by Dom Finetti (A0.1144979). Music Theater fans, this one's for you! This funny, swing tune was written to be performed as a duet between a husband and wife, who are flirtatiously teasing one another. Famously performed in the hit, Broadway musical, Hairspray!
$12.99
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Am I Wasting My Time On You
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Chorale TTBB
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FACILE
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Earl Hines
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Wayne M
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Am I Wasting My Time On You
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Wayne Grimmer
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1487697 By Earl Hines. By Howard Johnson and Irving Bibo. Arranged by Wayne M. Grimmer. A Cappella,B...
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Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1487697 By Earl Hines. By Howard Johnson and Irving Bibo. Arranged by Wayne M. Grimmer. A Cappella,Barbershop. 3 pages. Wayne Grimmer #1064631. Published by Wayne Grimmer (A0.1487697).
$2.99
He Was There All The Time
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Chorale TTBB
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FACILE
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Gary S
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Paul A
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He Was There All The Time
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.522462 Composed by Gary S. Paxton. Arranged by Paul A. Jorg. A Cappella. Octavo. 3 pages. Paul A. Jorg #6204991....
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Choral Choir (TTBB) - Level 2 - SKU: A0.522462 Composed by Gary S. Paxton. Arranged by Paul A. Jorg. A Cappella. Octavo. 3 pages. Paul A. Jorg #6204991. Published by Paul A. Jorg (A0.522462). This arrangement is for 4 part male harmony (TTBB) a cappella.
$4.59
?TWAS A COLD WINTER?S EVENING
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Folklorique/Traditionel
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Anonymous
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Clay Boland Jr
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?TWAS A COLD WINTER?S EVENING
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BOLAND MUSIC CORPORATION, P.O. BOX 493, CARBONDALE, CO 81623
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SheetMusicPlus
Composed by Anonymous. Arranged by Clay Boland Jr. Comedy, Old-time, Americana. Sheet Music Single. 7 pages. Published by BOLAND MUSIC CORPORATION, P.O. BOX 493...
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Composed by Anonymous. Arranged by Clay Boland Jr. Comedy, Old-time, Americana. Sheet Music Single. 7 pages. Published by BOLAND MUSIC CORPORATION, P.O. BOX 493, CARBONDALE, CO 81623 (S0.285267). - Sheet Music Single - Comedy,Old-time,Americana - BOLAND MUSIC CORPORATION, P.O. BOX 493, CARBONDALE, CO 81623
$4.56
In My Room
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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The Beach Boys
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Donald A
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In My Room
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Donald A Mills
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock...
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Choral Choir (TTBB) - Level 4 - SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock. Octavo. 3 pages. Donald A Mills #4351149. Published by Donald A Mills (A0.928974). In My Room, by The Beach Boys. This gentle song may be sung as a prayer, with tenderness. Your audiences will love the melody and harmonies. This arrangement by Donald A. Mills is for barbershop as a quartet or chorus. It is TTBB (TLBB) a cappella, sung softly, sweetly, legato, singing the four dotted quarter notes as a 3/4 time. The Beach Boys have mentioned that they wrote In My Room in 12/8 time because they had tired of the 3/4 time many songs of the day were written in. From Wikipedia, Gary Usher explained that 'In My Room found us taking our craft a little more seriously. Brian and I came back to the house one night after playing 'over-the-line' (a baseball game). I played bass and Brian was on organ. The song was written in an hour... Brian's melody all the way. The sensitivity... the concept meant a lot to him. When we finished, it was late, after our midnight curfew. In fact, Murry [the Wilson brothers' father] came in a couple of times and wanted me to leave. Anyway, we got Audree [the Wilson brothers' mother], who was putting her hair up before bed, and we played it for her. She said, 'That's the most beautiful song you've ever written.' Murry said, 'Not bad, Usher, not bad,' which was the nicest thing he ever said to me. Gary Usher (who co-wrote the lyrics with Brian Wilson) further describes that Brian was always saying that his room was his whole world. Brian seconds this opinion: I had a room, and I thought of it as my kingdom. And I wrote that song, very definitely, that you're not afraid when you're in your room. It's absolutely true. In 1990, Brian wrote, I also enjoyed producing 'In My Room'. There is a story behind this song. When Dennis, Carl and I lived in Hawthorne as kids, we all slept in the same room. One night I sang the song 'Ivory Tower' to them and they liked it. Then a couple of weeks later, I proceeded to teach them both how to sing the harmony parts to it. It took them a little while, but they finally learned it. We then sang this song night after night. It brought peace to us. When we recorded 'In My Room', there was just Dennis, Carl and me on the first verse...and we sounded just like we did in our bedroom all those nights. This story has more meaning than ever since Dennis' death.
$1.99
Brisbane Ladies (Augathella Station)
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Chorale TTBB
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DÉBUTANT
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Traditional
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Sandra Milliken
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Brisbane Ladies
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Sandra Milliken
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.774723 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 13 pages. Sandra Milliken #3863...
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Choral Choir (TTBB) - Level 1 - SKU: A0.774723 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 13 pages. Sandra Milliken #3863765. Published by Sandra Milliken (A0.774723). Brisbane Ladies, sometimes known as Augathella Station, is an Australian folk song based on an English naval song titled Spanish Ladies. The song probably dates from the time of the War of the First Coalition (1793-96) when the Royal Navy carried supplies to Spain in support of that country’s resistance to revolutionary France. It then probably gained further popularity during the later Peninsular War when British soldiers were transported to Spain to assist rebels fighting against the French occupation by the forces of Napoleon.Spanish Ladies is a tale of British naval personnel sailing north from Spain and along the English Channel to their home port. Due to its popularity, several variants of Spanish Ladies later appeared in various parts of the world. American whalers sang a version called Yankee Whalermen. In Newfoundland it appeared as We’ll Rant and We’ll Roar. Special lyrics were written to the tune for the Bluenose, a famous Canadian sailing ship plying out of Nova Scotia. In Australia, around 1880, another set of lyrics appeared, written by Saul Mendelsohn who was a storekeeper in the small Queensland town of Nanango. Brisbane Ladies tells about the drovers who bring the herds of cattle overland from western Queensland to the markets in Brisbane. There the drovers spend most of their money and time with the ladies before setting out for home in search of the next herd of cattle for market. The places mentioned in Brisbane Ladies are mostly small towns along the stock route that stretched some 750 kilometres north-west of Brisbane towards the small town of Augathella, on the banks of the Warrego River. Augathella, at that time, marked the convergence of three major bullock tracks from Morven, Tambo and Charleville.
$2.20
BLESSED ASSURANCE
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Chorale TTBB
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FACILE
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Lyrics -Fannie Crosby, Music -
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Paul A
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BLESSED ASSURANCE
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.522436 Composed by Lyrics -Fannie Crosby, Music - Phoebe Knapp. Arranged by Paul A. Jorg. A Cappella,Christian,H...
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Choral Choir (TTBB) - Level 2 - SKU: A0.522436 Composed by Lyrics -Fannie Crosby, Music - Phoebe Knapp. Arranged by Paul A. Jorg. A Cappella,Christian,Holiday,Sacred,Traditional. Octavo. 3 pages. Paul A. Jorg #6120691. Published by Paul A. Jorg (A0.522436). Here is a bit of what Fanny Crosby had to say about how the song came into being:Sometimes a tune is furnished me for which to write the words. The hymn titled Blessed Assurance was made in this manner. My dear friend Phoebe Palmer Knapp (Mrs. Joseph), so well-known as a writer and singer of most excellent music and as an aid and inspiration to all who knew her, had composed the tune; and it seemed to me one of the sweetest I had heard for a long time. She asked me what it said. I replied, Blessed assurance. I felt while bringing the words and tones together that the air and the hymn were intended for each other.-from Fanny Crosby's Memories This song and To God Be the Glory are two of her most widely published songs, and this song appears in 951 hymnals, according to Himnary.org.This arrangement is for 4 part male harmony (TTBB) a cappella.
$4.59
I Can’t Tell Why I Love You, But I Do (TTBB, a cappella)
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Dinah Shore
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Cathy Stamegna
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I Can’t Tell Why I Love
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Cathy Stamegna
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.1278350 By Dinah Shore. By Music by Gus Edwards. Lyrics by William D. Cobb. Arranged by Cathy Stamegna. A Cappel...
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Choral Choir (TTBB) - Level 4 - SKU: A0.1278350 By Dinah Shore. By Music by Gus Edwards. Lyrics by William D. Cobb. Arranged by Cathy Stamegna. A Cappella,Contest,Festival,Jazz,Ragtime,Traditional. Octavo. 13 pages. Cathy Stamegna #870068. Published by Cathy Stamegna (A0.1278350). This 1900 hit was originally recorded by Harry MacDonough, one of the most popular singers of the early twentieth century, with a later rendition by Dinah Shore.  It begins in the traditional 3/4 and repeats in 4/4 halfway through with a change in tempo and style.  Appropriate for a TTBB quartet as well as a larger men’s choral ensemble.  Performance Time: approximately 3:50.
$2.25
WAYFARING STRANGER (Poor Wayfaring Stranger)
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Chorale TTBB
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DÉBUTANT
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Unknown - traditional
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Paul A
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peripatetic country preachers
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WAYFARING STRANGER
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 p...
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Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 pages. Paul A. Jorg #5869331. Published by Paul A. Jorg (A0.522333). This song is public domain, written in the 1850's, during a time - pre-civil war - when the nation was being torn apart. The writer calms his anxiety by holding on to God's promises. Here are some lyric notes: I am a poor, wayfaring stranger - Wayfaring: traveling especially on foot; peripatetic country preachers; a poor wayfaring stranger. Wandering through this world of woe - Matthew 18:7: Woe to the world because of the things that cause people to sin! Such things must come, but woe to the man through whom they come! And there's no sickness, toil or danger - John 11:4: When he heard this, Jesus said, This sickness will not end in death. No, it is for God's glory so that God's Son may be glorified through it. Ecclesiastes 2:18-19: I hated all the things I had toiled for under the sun, because I must leave them to the one who comes after me. Acts 14:22: strengthening the disciples and encouraging them to remain true to the faith. We must go through many hardships to enter the kingdom of God, In that bright land to which I go - James 1:17 Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows.I'm going home to see my Father - John 6:40 - For my Father's will is that everyone who looks to the Son and believes in him shall have eternal life, and I will raise him up at the last day. I'm only going over Jordan - Joshua 22:4: Now that the LORD your God has given your brothers rest as he promised, return to your homes in the land that Moses the servant of the LORD gave you on the other side of the Jordan. Yet though dark clouds will gather round me - 2 Corinthians 12:10: That is why, for Christ's sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak, then I am strong. I know my way is rough and steep - Psalm 16:11: You have made known to me the path of life; you will fill me with joy in your presence, with eternal pleasures at your right hand. Proverbs 15:24: The path of life leads upward for the wise to keep him from going down to the grave.But beauteous fields lie just before me - Numbers 13:25: We arrived in the land you sent us to see, and it is indeed a magnificient country, a land flowing with milk and honey. Where God's redeemed their vigil's keep - Exodus12:42: Because the LORD kept vigil that night to bring them out of Egypt, on this night all the Israelites are to keep vigil to honor the LORD for the generations to come. I'm going home to see my mother - Mark 10:29-31: I tell you the truth, Jesus replied, no one who has left home or brothers or sisters or mother or father or children or fields for me and the gospel will fail to receive a hundred times as much in this present age (homes, brothers, sisters, mothers, children and fields-and with them, persecutions.
$4.59
Le Freak
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Chorale TTBB
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FACILE
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Chic
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Charles Beale
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Le Freak
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charliebmusic
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1361809 By Chic. By Bernard Edwards and Nile Rodgers. Arranged by Charles Beale. Disco,Funk,Pop. 18 pages...
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Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1361809 By Chic. By Bernard Edwards and Nile Rodgers. Arranged by Charles Beale. Disco,Funk,Pop. 18 pages. Charliebmusic #946265. Published by charliebmusic (A0.1361809). Le Freak was composed by Nile Rodgers and Bernard Edwards in 1978, and features Rodgers' distinctive rhythm guitar work, which was brand new at the time, and defined so many disco and funk grooves of the 1970s.This TTBB arrangement sticks mostly to the form of the original 7 inch single. The lyrics feature 'Studio 54', the archetypal disco space in New York at the time. Studio 54 was also a special home and iconic space of celebration for the LGBTQIA+ community, at this key time in the developmetn of dance music. This foot-tapping, upbeat and very wellknown song is perfect for audience participation, and would be an excellent concert opener.
$1.99
Roar
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Chorale TTBB
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FACILE
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Katy Perry
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Charles Beale
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Roar
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charliebmusic
#
SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1437401 By Katy Perry. By Bonnie McKee, Dr. Luke, Henry Walter, Katy Perry, Lukasz Gottwald, and Max...
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Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1437401 By Katy Perry. By Bonnie McKee, Dr. Luke, Henry Walter, Katy Perry, Lukasz Gottwald, and Max Martin. Arranged by Charles Beale. 21st Century,Pop. 16 pages. Charliebmusic #1017520. Published by charliebmusic (A0.1437401). Katy Perry's 'Roar' was released in 2013, and was one a of string of hits, that established her as a leading pop vocalist around that time. An anthemic empowerment song about being yourself, it was taken up by the LGBTQIA+ community at the time, and also appeared at the Windsor Castle coronation celebrations of King Charles 3rd.This arrangement is inspired by that WIndsor Castle version, and is designed to be a spectacular, even regal choral moment.
$1.99
I'll Be
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Chorale TTBB
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FACILE
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Contemporain
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Edwin Cole Mc Cain
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Ryan Aimel J
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I'll Be
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Ryan Aimel J. Estandarte
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.927154 Composed by Edwin Cole Mc Cain. Arranged by Ryan Aimel J. Estandarte. Contemporary. 3 pages. Ryan ...
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Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.927154 Composed by Edwin Cole Mc Cain. Arranged by Ryan Aimel J. Estandarte. Contemporary. 3 pages. Ryan Aimel J. Estandarte #4845963. Published by Ryan Aimel J. Estandarte (A0.927154). This was initially arranged for an all-male choir with guitar instrumentation for a wedding of my friend but the idea has been budding already for quite some time. And at the same time that I was doing it, I was also reviewing some music theory concepts which I applied it this arrangement. Arranged for TBB (or TTB) but I will do an arrangement in a few months for TTBB and SATB.
$7.00
My Patie is a Lover Gay (The Gentle Shepherd) 1725
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Chorale TTBB
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INTERMÉDIAIRE
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Traditional 17th century Scott
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Scott S
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My Patie is a Lover Gay
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Scott S. Stewart
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1459447 Composed by Traditional 17th century Scottish tune/Allan Ramsay. Arranged by Scott S. Stewar...
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Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1459447 Composed by Traditional 17th century Scottish tune/Allan Ramsay. Arranged by Scott S. Stewart. A Cappella,Celtic,Classical,Irish,Traditional. 6 pages. Scott S. Stewart #1038399. Published by Scott S. Stewart (A0.1459447). “My Patie is a Lover Gay” was written by the Scottish poet Allan Ramsay as the Finale for his ballad opera The Gentle Shepherd (1725). As was the custom of ballad opera at that time, he suggested his lyrics were to be sung to the well-known Scottish-English tune “Corn Riggs are Happy” (aka ‘Corn Riggs are Bonny’). In the spirit of PRIDE month, and updating the setting to the context of now, this is a love song about a shepherd and his lover. It is arranged for 4-part (gay or inclusive) men’s chorus to be performed a cappella. Performance time: 2:55+-.
$2.99
Khe Sanh
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Chorale TTBB
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INTERMÉDIAIRE
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Contemporain
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Walker
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Sandra Milliken
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Khe Sanh
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Sandra Milliken
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.774756 Composed by Walker. Arranged by Sandra Milliken. Contemporary. Octavo. 14 pages. Sandra Milliken #5311617...
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Choral Choir (TTBB) - Level 3 - SKU: A0.774756 Composed by Walker. Arranged by Sandra Milliken. Contemporary. Octavo. 14 pages. Sandra Milliken #5311617. Published by Sandra Milliken (A0.774756). Khe Sanh (named after the Vietnam War's Battle of Khe Sanh) was written by Don Walker, the pianist for the Australian rock band Cold Chisel. It tells about an Australian Vietnam veteran trying to deal with his return to civilian life – womanising, post traumatic stress disorder, drug addiction, working on oil rigs and flying helicopters, travelling the world in search of answers. It is a life, he says, that only other vets (veterans) would understand.Released in May 1978, the song achieved only modest success on the national charts at the time, but did reach No. 4 in Cold Chisel's home town of Adelaide. In 2001, APRA, the Australasian music industry's peak body, listed Khe Sanh at number eight in a poll of all-time best Australian songs. In November 2014, the song was added to the National Film and Sound Archive's Sounds of Australia registry of historically, culturally and aesthetically significant sound recordings.Khe Sanh still receives strong airplay on Australian radio stations with a classic rock format.This arrangement for male choir (TTBB) features a piano accompaniment with guitar chords.
$2.20
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