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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Too Soon
Non classifié
252
Piano & claviers
Piano seul
41
Piano, Voix et Guitare
25
Piano, Voix
12
Piano Facile
10
Instruments en Do
4
Orgue
2
Piano (partie séparée)
1
Ligne De Mélodie, Piano
1
1 Piano, 4 mains
1
+ 4 instrumentations
Retracter
Guitares
Guitare notes et tablatures
7
Ligne De Mélodie, (Paroles) et Accords
5
Guitare (partie séparée)
1
Voix
Chorale SATB
23
Chorale 3 parties
6
Voix duo, Piano
6
Chorale TTBB
5
Voix Soprano, Piano
4
Chorale SSAA
3
Chorale Unison
2
Voix Tenor, Piano
2
Pack Instrumental pour Chorale
2
Voix Tenor
1
Chorale 2 parties
1
+ 6 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
131
Flûte, Hautbois, Clarinette, Basson
111
Hautbois, Clarinette, Basson (trio d'anches)
20
2 Flûtes traversières (duo)
19
Clarinette
15
Quatuor de Saxophones: 4 saxophones
14
Hautbois (partie séparée)
13
Hautbois, Piano (duo)
12
Saxophone Alto et Piano
12
Flûte, Clarinette et Basson
9
Hautbois, Basson (duo)
9
2 Saxophones (duo)
8
Flûte traversière et Piano
8
2 Hautbois (duo)
7
Saxophone (partie séparée)
7
Clarinette, Basson (duo)
6
Clarinette et Piano
6
2 Clarinettes (duo)
4
Quatuor de Clarinettes: 4 clarinettes
3
Flûte, Hautbois, Basson
2
Flûte traversière
2
Flute (partie séparée)
2
Ensemble de Flûtes
1
Flûte, Basson et Piano
1
4 Hautbois
1
Ensemble à vent
1
Saxophone Alto
1
Saxophone Tenor et Piano
1
Quintette de Clarinettes: 5 clarinettes
1
Quintette de Saxophone: 5 saxophones
1
Hautbois, Basson et Piano
1
Quatuor de Flûtes : 4 flûtes
1
Saxophone Tenor
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois
1
Flûte à bec Alto
1
Clarinette Basse, Piano
1
+ 32 instrumentations
Retracter
Cuivres
Trombone et Piano
6
Cor
5
Trompette (partie séparée)
4
Trombone (partie séparée)
4
Trompette
3
Trombone
2
Euphonium
2
2 Trompettes (duo)
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Quatuor de Cuivres
1
Bass Clef Instruments
1
+ 7 instrumentations
Retracter
Cordes
Violoncelle, Piano
18
Quatuor à cordes: 2 violons, alto, violoncelle
18
Harpe
10
2 Violons (duo)
7
2 Violoncelles (duo)
4
Trio à Cordes: violon, alto, violoncelle
4
Violon
2
Violon et Piano
2
Trio à Cordes: 2 violons, violoncelle
2
Trio à cordes: 3 violins
1
Violon, Basson (duo)
1
Contrebasse (partie séparée)
1
Violoncelle
1
Contre Basse
1
Violon, Violoncelle (duo)
1
Alto et Basson
1
4 Harpes
1
Violon, Guitare (duo)
1
+ 13 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
82
Orchestre
20
Orchestre de chambre
10
Orchestre à Cordes
4
Ensemble Jazz
4
Ensemble de Percussions
2
Jazz combo
2
Xylophone, Piano
1
Xylophone ou Marimba ou Vibraphone
1
Ensemble de cuivres
1
Fanfare
1
Batterie (partie séparée)
1
Piano et Orchestre
1
+ 8 instrumentations
Retracter
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ACCORDEON
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CONTREBASSE
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COR ANGLAIS
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DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Vous avez sélectionné:
Too Soon
Chorale TTBB
Partitions à imprimer
5 partitions trouvées
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1
Gone Too Soon
Chorale TTBB
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1378737 By Simple P…
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1378737 By Simple Plan. By Charles Comeau, Emanuel Kiriakou, and Pierre Bouvier. Arranged by Kathleen McGuire. 21st Century,Pop,Punk,Rock. 12 pages. Kathleen McGuire #963445. Published by Kathleen McGuire (A0.1378737). This arrangement for men's choir (TTBB) was commissioned by the Buffalo Gay Men's Chorus in dedicated to a devoted member whom they lost far too soon. The ebb and flow of dynamics, constrasts of legato and marcato, a dramatic piano accompaniment, plus some unresolved vocal harmonies, allow for a series of emotions to be painted such as those experienced in the grief cycle. From Canadian band Simple Plan, ‘Gone Too Soon’ was first released in 2011. The inspiration for the song was the tragic loss of so many talented artists, actors and musicians to drug overdoses or suicide. On the Simple Plan website, drummer Chuck Corneau explained: “We thought it was so sad to see so much talent being wasted. Also there were people in our family and some great friends we lost. So the song is a combination of all that. Yes the song is about missing someone who is goneâ€. Singer Pierre Bouvier added: “Hopefully this song can help people that are going through similar situations where they feel like someone in their family or one of their friends has gone too soon.â€.
$2.50
2.3 €
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Chorale TTBB
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Simple Plan
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Kathleen McGuire
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Gone Too Soon
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Kathleen McGuire
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SheetMusicPlus
I stood here in my dark dreams (Ich stand in dunklen Träumen)
Chorale TTBB
TTBB choir and piano - Medium - Digital Download SKU: MQ.1.3601-E Composed by Clara…
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TTBB choir and piano - Medium - Digital Download SKU: MQ.1.3601-E Composed by Clara Wieck-Schumann and James McCullough. Funeral, African American Heritage. Score. 6 pages. Galaxy Music Corporation - Digital #1.3601-E. Published by Galaxy Music Corporation - Digital (MQ.1.3601-E). English, German.One of Clara Schumann’s inspired settings of a Heine text. In the original key of E-flat major, the score opens with four full measures of introductory music. Chromatic harmony is stated and is soon followed with traditional dominant/tonic cadences. The ending is the same as the beginning: Sad, but comfortingly satisfying.
$2.25
2.07 €
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Chorale TTBB
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Clara Wieck-Schumann and James McCullough
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I stood here in my dark dreams
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Galaxy Music Corporation - Digital
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SheetMusicPlus
Mein Weib will mich verlassen
Chorale TTBB
TTBB chorus and piano - intermediate - Digital Download SKU: S9.Q47097 Georg Kre…
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TTBB chorus and piano - intermediate - Digital Download SKU: S9.Q47097 Georg Kreisler - Lieder und Chansons. Composed by Georg Kreisler. Arranged by Bernhard Hofmann. This edition: choral score. Humor - Liebe - schwarzer Humor. Georg Kreisler für Chor. Downloadable, Choral score. Duration 2:30. Schott Music - Digital #Q47097. Published by Schott Music - Digital (S9.Q47097). German.Georg Kreisler equals scathing, dark black humour on the piano! The Singphoniker have arranged Georg Kreisler's best known songs for all-male ensemble and recorded them on CD. Schott now publishes the corresponding music edition for men's choir TTBB with piano accompaniment (Georg Kreisler - Lieder und Chansons, ED 22735). In addition, all songs from the sheet music album are available in separate editions: Mein Weib will mich verlassen – Gott sei Dank!“ [My wife wants to leave me – Thank God] The wife's moving out in Mein Weib will mich verlassen cannot be too soon at all. When the woman finally went out of the door, everything was only a dream. Oi weh!“ [Oh dear!] This pleasant arrangement with Kreisler's humorous text most certainly creates an exuberant atmosphere in the concert.
$4.99
4.6 €
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Chorale TTBB
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Georg Kreisler
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Bernhard Hofmann
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Mein Weib will mich verlassen
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Schott Music - Digital
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SheetMusicPlus
Son to Mother
Chorale TTBB
TTBB divisi chorus - Digital Download SKU: BJ.1351 Composed by Henrik Dahlgren. Sec…
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TTBB divisi chorus - Digital Download SKU: BJ.1351 Composed by Henrik Dahlgren. Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1351. Published by Bo Ejeby Forlag - Digital (BJ.1351). 8.27 x 11.7 inches.In 2017, I was commissioned by the Svanholm Singers to write a work for inclusion in a concert marking 70 years since the proclamation of the Universal Declaration of Human Rights. Choosing a text was difficult. I came across upon a poem by American poet Maya Angelou, but it struck me as being too powerful and emotional for the music I was writing to carry it; everything I composed sounded banal next to Angelou's words. I soon realized that I could use silence to enhance the text, rather than heaping layers and layers of music upon it. Silence is both terrifying and serious - in a sense, it is the only adequate counterpoint to the poetry. So, I decided to build the piece on silence. Though the beginning of the piece is the opposite of silence - a scream of desperation - I followed that outburst by cutting the poem's stanzas into single words, repeated in a different order each time, almost in the manner of a mantra. Finally, they end up in the right order and suddenly the words take on their rightful meaning. I hope, in this way, the music is equally powerful as the words. Son to Mother has been well-received and has gone on to become one of the most widely performed pieces I have written. It has been performed at various festivals and in various countries, including Taiwan, France and China - where it only just made it past the government censors.Also available for mixed choir.Henrik Dahlgren is a Swedish composer, born 1991. He has been studying at the Academy Of Music in Malmo with Prof. Rolf Martinsson and the Royal College Of Music in London with Dr. Haris Kittos. Henrik started his musical career as a drummer and has ever since worked in a very wide range of different genres and styles, both as a performer and as a composer.
$5.40
4.98 €
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Chorale TTBB
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Henrik Dahlgren
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Son to Mother
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.68 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
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Too Soon
