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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Up and Down Rag
Non classifié
129
Piano & claviers
Piano seul
107
Piano, Voix et Guitare
38
Piano, Voix
28
Orgue
22
Piano Facile
20
Instruments en Do
15
Piano grosses notes
11
Piano (partie séparée)
2
1 Piano, 4 mains
2
Accordéon
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 6 instrumentations
Retracter
Guitares
Guitare
18
Ligne De Mélodie, (Paroles) et Accords
5
Guitare notes et tablatures
5
Guitare (partie séparée)
4
Ukulele
3
Basse electrique
2
Banjo
1
Ensemble de Ukulélés
1
Piano, Guitare (duo)
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
46
Chorale 3 parties
13
Chorale TTBB
6
Chorale Unison
4
Chorale 2 parties
4
Chorale SSAA
4
Voix Soprano
3
Voix duo
3
Voix duo, Piano
2
Voix Soprano, Piano
2
Voix Alto, Piano
2
Soli, choeur mixte et accompagnement
1
Chorale SSATB
1
+ 8 instrumentations
Retracter
Vents
Saxophone
24
Saxophone (partie séparée)
15
Flûte traversière et Piano
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Quatuor de Saxophones: 4 saxophones
7
2 Saxophones (duo)
6
Flûte, Hautbois, Clarinette, Basson
6
Hautbois, Piano (duo)
6
Saxophone Tenor et Piano
5
Saxophone Alto
5
Quatuor de Clarinettes: 4 clarinettes
4
Saxophone Alto et Piano
4
Hautbois (partie séparée)
3
Clarinette et Piano
3
Quatuor de Flûtes : 4 flûtes
3
Cor anglais, Piano
2
Ensemble de Clarinettes
2
Clarinette
2
2 Flûtes traversières (duo)
2
2 Clarinettes (duo)
2
Quatuor de Flûtes à bec
2
Saxophone Tenor
2
3 Saxophones (trio)
2
Saxophone Baryton, Piano
2
Flûte traversière
2
Saxophone Soprano et Piano
2
Clarinette Basse, Piano
2
Ensemble de Flûtes
1
Quintette de Saxophone: 5 saxophones
1
3 Clarinettes (trio)
1
Flute (partie séparée)
1
Saxophone et Orgue
1
Cor Anglais
1
Quintette de Clarinettes: 5 clarinettes
1
Trio de Flûtes: 3 flûtes
1
Hautbois
1
Clarinette, Guitare (duo)
1
Ensemble de saxophones
1
+ 33 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
13
Trompette (partie séparée)
12
Trombone (partie séparée)
12
Trompette, Piano
7
Trombone et Piano
6
Cor
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Trompette
4
Trombone
3
2 Trombones (duo)
3
Cor et Piano
3
Cor anglais, Piano
2
Euphonium, Piano (duo)
2
Ensemble de Trombones
1
2 Euphoniums et 2 Tubas
1
2 Trompettes (duo)
1
Trombone basse et Piano
1
Quatuor de cuivres: 4 cors
1
Tuba et Piano
1
2 Tubas (duo)
1
Cor Anglais
1
Quatuor de cuivres: 4 trombones
1
Trompette, Saxophone (duo)
1
Tuba
1
+ 19 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
18
Violon et Piano
9
Violoncelle
7
Alto, Piano
6
Violon
6
Trio à Cordes: violon, alto, violoncelle
4
Contrebasse (partie séparée)
4
Violoncelle, Piano
3
Harpe
3
Alto seul
3
Contrebasse, Piano (duo)
2
Violon, Violoncelle (duo)
2
Violoncelle , Guitare (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Violon (partie séparée)
1
Harpe, Flûte (duo)
1
2 Violons (duo)
1
Trio à cordes: 3 violins
1
2 Harpes (duo)
1
4 Violoncelles
1
+ 15 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
34
Orchestre d'harmonie
32
Batterie
21
Orchestre à Cordes
17
Orchestre
14
Ensemble de cuivres
7
Orchestre de chambre
6
Jazz combo
5
Batterie (partie séparée)
5
Ensemble de Percussions
4
Fanfare
3
Cloches
3
Piano et Orchestre
1
+ 8 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
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Note4Piano
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Vous avez sélectionné:
Up and Down Rag
Chorale TTBB
Partitions à imprimer
6 partitions trouvées
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1
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Puff The Magic Dragon
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Peter Paul and Mary
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Mark Goodney
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Puff The Magic Dragon
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Mark Goodney
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.836308 By Peter Paul and Mary. By Lenny Lipton and Peter Yarrow. Arranged by Mark Goodney. Children,Folk. Octavo...
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Choral Choir (TTBB) - Level 4 - SKU: A0.836308 By Peter Paul and Mary. By Lenny Lipton and Peter Yarrow. Arranged by Mark Goodney. Children,Folk. Octavo. 8 pages. Mark Goodney #5207511. Published by Mark Goodney (A0.836308). Great song to sing for kids! Not so straightforward, though. The arrangement offers time signature changes, 1 verse in the relative minor key, to keep things interesting for the audience and the singer, and an original verse to wrap things up on a high note.
$4.51
Spirit In The Night
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Chorale TTBB
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INTERMÉDIAIRE
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Bruce Springsteen
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Bob Eggers
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Spirit In The Night
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ROBERT J EGGERS
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1350517 Composed by Bruce Springsteen. Arranged by Bob Eggers. Blues,Contemporary,Rock. 15 pages. ROBERT ...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1350517 Composed by Bruce Springsteen. Arranged by Bob Eggers. Blues,Contemporary,Rock. 15 pages. ROBERT J EGGERS #935324. Published by ROBERT J EGGERS (A0.1350517). Wild Billy, Hazy Davy, Crazy Janey, Killer Joe, G-Man and Mission Man take a trip up to Greasy Lake for a wild night of fun and freedom in this Bruce Springsteen hit from the 1972 album, Greetings From Asbury Park. It's all temendous fun, and the beauty of the driving rock/gospel treatment is the audience gets to participate in the rockin' call and response of the chorus. Nothing like that to bring an audience to its feet!This arrangement features a tenor solo and TTBB voices singing an active background, so the entire choir participates in furthering Mission Man's narrative of wild times on Saturday night. The style is an educated doo-wop with influences classical choral arranging. While not perfectly suited to average church social, the song's redeeming qualities are the straight up blues and gospel influences of the early 1970s while the content is safely PG-13.The difficulty level is Intermediate with a desire to tear the house down. A strong tenor soloist is required. This is a showstopper!Duration: 4:40.
$1.99
What Was I Made For?
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Chorale TTBB
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INTERMÉDIAIRE
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Billie Eilish
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Charles Beale
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What Was I Made For?
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charliebmusic
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1450755 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Charles Beal...
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Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1450755 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Charles Beale. 21st Century,Pop. 10 pages. Charliebmusic #1030300. Published by charliebmusic (A0.1450755). This resonant Billie Eillish song swept to success thanks to its appearance in the 2024 'Barbie' movie. The lyric is really around mental health and identity. A break-up song on one level, it asks an ex-partner who am I if I am not with 'you'? It also has a wider resonance, in the voice of someone in a mentally fragile and potentially traumatized state, who is gradually healing.This quiet and reflective TTBB arrangement features a soloist at the start, and, like the original, ends on a question.
$1.99
Believer
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Chorale TTBB
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INTERMÉDIAIRE
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Imagine Dragons
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Charles Beale
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Believer
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charliebmusic
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1425207 By Imagine Dragons. By Ben McKee, Dan Reynolds, Daniel Platzman, Justin Tranter, Mattias Lar...
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Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1425207 By Imagine Dragons. By Ben McKee, Dan Reynolds, Daniel Platzman, Justin Tranter, Mattias Larsson, Robin Fredriksson, and Wayne Sermon. Arranged by Charles Beale. Grunge,Pop,Rock. 20 pages. Charliebmusic #1006026. Published by charliebmusic (A0.1425207). Released by Imagine Dragons in 2017, 'Believer' is an intense powerful anthemic song, with an infectious groove, about how pain can make you stronger. In March 2017, Dan Reynolds told People that the song was inspired by his experiences with ankylosing spondylitis in 2015. He said that, The meaning of the song is really reflecting on specific things in my life that were painful, ... and just rising above that, finding a place of perspective where I could be appreciative of the pain in my life and make it my greatest strength.This TTBB version was devised for San Diego Gay Men's Chorus in 2024, and features up to three soloists. It draws inspiration from the version sung by One Voice Children's Choir.
$1.99
I'll Be Waiting
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Chorale TTBB
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FACILE
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Cian Ducrot
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Dustin S
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I'll Be Waiting
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Dustin S Cates
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1475739 By Cian Ducrot. By Cian Ducrot and Lauren Frawley. Arranged by Dustin S. Cates. Pop,Rock,Sin...
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Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1475739 By Cian Ducrot. By Cian Ducrot and Lauren Frawley. Arranged by Dustin S. Cates. Pop,Rock,Singer/Songwriter. 15 pages. Dustin S Cates #1053296. Published by Dustin S Cates (A0.1475739). I’ll Be Waiting was released as a single in 2022 by Irish singer-songwriter Cian Ducrot. Despite its catchy chorus, the piece addresses the often complex nature of human relationships. The contrasting themes of loss, regret, hope and love are all part of the story of the song. A story that the singer describes as the emotions involved in, “waiting for someone you love to show up.” Ducrot, who also studied flute performance at the Royal Academy of Music in London, is one of a growing number of musicians gaining popularity through leveraging the power of social media, in particular TikTok, to share their music with the world. I’ll Be Waiting went viral as Ducrot posted videos of flash mob performances of the song taking place in subway trains, shopping malls and even on NBC’s Today Show.
$2.50
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Up and Down Rag
