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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Walk with Me
Non classifié
140
Piano & claviers
Piano seul
146
Piano, Voix
53
Piano, Voix et Guitare
27
Orgue
21
Piano Facile
14
Instruments en Do
9
2 Pianos, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Accordéon
1
2 Pianos, 8 mains
1
2 Orgues (duo)
1
Piano grosses notes
1
1 Piano, 4 mains
1
Accompagnement Piano
1
+ 9 instrumentations
Retracter
Guitares
Basse electrique
221
Ligne De Mélodie, (Paroles) et Accords
7
Guitare notes et tablatures
5
Mandoline
3
Guitare (partie séparée)
2
Guitare
2
Paroles et Accords
1
2 Guitares (duo)
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
119
Chorale 2 parties
29
Chorale 3 parties
21
Voix duo, Piano
19
Chorale Unison
13
Chorale TTBB
8
Chorale
8
Pack Instrumental pour Chorale
5
Voix duo
3
Voix basse, Piano
1
Voix Soprano, Piano
1
Voix haute
1
Voix Baryton, Piano
1
Chorale SSAA
1
+ 9 instrumentations
Retracter
Vents
2 Saxophones (duo)
16
Saxophone, Clarinette (duo)
8
Trio de Flûtes: 3 flûtes
8
Clarinette et Piano
8
3 Clarinettes (trio)
8
Clarinette, Violon (duo)
6
2 Clarinettes (duo)
6
2 Flûtes traversières (duo)
6
Flûte, Hautbois, Clarinette, Basson
5
Saxophone Alto et Piano
5
Flûte traversière et Piano
5
Cor anglais, Piano
4
Flûte, Clarinette (duo)
4
Hautbois, Piano (duo)
4
Clarinette, Trompette (duo)
4
Saxophone Soprano et Piano
4
Hautbois, Basson (duo)
4
Hautbois, Clarinette (duo)
3
Quatuor de Saxophones: 4 saxophones
3
Clarinette et Alto
3
Saxophone Tenor et Piano
3
2 Hautbois (duo)
3
Flûte, Trompette (duo)
2
Saxophone Tenor
2
Saxophone Alto
2
Flûte, Alto (duo)
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Quatuor de Clarinettes: 4 clarinettes
2
Clarinette, Basson (duo)
2
Flûte, Violon
2
Ensemble de Flûtes
1
Ensemble de saxophones
1
Hautbois, Flûte
1
Flûte traversière
1
Flûte à bec Soprano
1
Saxophone Baryton, Piano
1
3 Saxophones (trio)
1
Hautbois (partie séparée)
1
Flûte, Hautbois, Basson
1
Ensemble de Clarinettes
1
Flûte, Hautbois (duo)
1
Flûte à bec Alto, Piano
1
Flûte à bec Soprano, Piano
1
Clarinette (partie séparée)
1
Harmonica
1
Flûte, Saxophone (duo)
1
Flûte, Violon, Piano
1
+ 42 instrumentations
Retracter
Cuivres
Trombone et Piano
7
Trompette, Piano
6
Trompette, Trombone (duo)
5
Cor anglais, Piano
4
2 Trompettes (duo)
4
Trompette, Saxophone (duo)
3
2 Trombones (duo)
2
Trombone
2
Trompette
2
Instruments en Sib
2
2 Cors (duo)
2
Cor et Piano
2
Trompette, Cor (duo)
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Tuba et Piano
2
Ensemble de Cors
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Trio de Cuivres
1
Trombone (partie séparée)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Euphonium, Piano (duo)
1
Trompette (partie séparée)
1
+ 17 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
17
Violon, Violoncelle (duo)
8
Violon et Piano
7
Violon, Alto (duo)
7
Alto, Piano
6
Violoncelle, Piano
4
Violon
4
2 Altos (duo)
3
2 Violoncelles (duo)
3
Harpe
2
Violon (partie séparée)
2
Alto, Violoncelle (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
Harpe, Voix
2
2 Violons (duo)
2
Violon, Guitare (duo)
1
Contrebasse (partie séparée)
1
Violoncelle
1
Alto seul
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
+ 15 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
36
Cloches
12
Orchestre
12
Ensemble de cuivres
7
Jazz combo
5
Orchestre à Cordes
4
Batterie
2
Orchestre de chambre
1
Quintette de Cuivres: autres combinaisons
1
Ensemble Jazz
1
+ 5 instrumentations
Retracter
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ACCORDEON
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BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
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VIELLE A RO…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Walk with Me
Chorale TTBB
Partitions à imprimer
8 partitions trouvées
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1
You Walk With Me
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Chorale TTBB
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INTERMÉDIAIRE
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David Yazbek
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Tom Gentry
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You Walk With Me
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Tom Gentry
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.776612 Composed by David Yazbek. Arranged by Tom Gentry. A Cappella. Octavo. 4 pages. Tom Gentry #6324467. Publi...
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Choral Choir (TTBB) - Level 3 - SKU: A0.776612 Composed by David Yazbek. Arranged by Tom Gentry. A Cappella. Octavo. 4 pages. Tom Gentry #6324467. Published by Tom Gentry (A0.776612). This is a barbershop-style arrangement, but it would be suitable for any male a cappella group. Note: In barbershop the melody is the lead, which is an inside voice, not in the first tenor.
$4.50
You Walk With Me
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Chorale TTBB
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INTERMÉDIAIRE
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David Yazbek
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Ed Howard
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You Walk With Me
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Edward Allen Howard
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1000294 Composed by David Yazbek. Arranged by Ed Howard. Broadway,Contemporary,Musical/Show. Octavo. 7 pages. Ed...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1000294 Composed by David Yazbek. Arranged by Ed Howard. Broadway,Contemporary,Musical/Show. Octavo. 7 pages. Edward Allen Howard #6294015. Published by Edward Allen Howard (A0.1000294). This touching song of connectedness is a shining example of people coming together. A new arrangement for TTBB and Barbershop quartets from the Broadway smash hit The Full Monty.
$1.99
Walkin' After Midnight
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Chorale TTBB
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FACILE
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Patsy Cline
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Bob Eggers
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Walkin' After Midnight
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ROBERT J EGGERS
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.940448 By Patsy Cline. By Alan W. Block. Arranged by Bob Eggers. A Cappella,Country. Octavo. 3 pages. ROBERT J E...
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Choral Choir (TTBB) - Level 2 - SKU: A0.940448 By Patsy Cline. By Alan W. Block. Arranged by Bob Eggers. A Cappella,Country. Octavo. 3 pages. ROBERT J EGGERS #3245593. Published by ROBERT J EGGERS (A0.940448). One of the most durable Patsy Cline hits, this setting begins with a swung barbershop feel, features a baritone section solo on the bridge and then transforms into a more jazzy feel to finish with high energy. Your audiences will love it!Learning Tracks available for all voice parts. Contact me for details: reggersusa@yahoo.com
$12.99
Let the Life I've Lived Speak for Me (Downloadable)
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Chorale TTBB
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FACILE
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Gwyneth W
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Let the Life I've Lived Speak
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
TTBB choir unaccompanied - Moderately Easy - SKU: MQ.8661-E Composed by Gwyneth W. Walker. Funeral. 10 pages. E. C. Schirmer Music Company - Digital #86...
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TTBB choir unaccompanied - Moderately Easy - SKU: MQ.8661-E Composed by Gwyneth W. Walker. Funeral. 10 pages. E. C. Schirmer Music Company - Digital #8661-E. Published by E. C. Schirmer Music Company - Digital (MQ.8661-E). English.The traditional text with spiritual roots has been adapted by the composer. With an unadorned melody set in a simple but beautiful musical language with open, transparent harmonies, this music can be sung well by groups of many different abilities and in many situations. Duration: 3:00.
$2.65
O Master Let Me Walk With Thee
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Chorale TTBB
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DÉBUTANT
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Musique Sacrée
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Gladden, Grant
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Walter Latzko
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O Master Let Me Walk With Thee
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Latzko Muzic
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.871533 Composed by Gladden, Grant. Arranged by Walter Latzko. Praise & Worship,Sacred,Spiritual. Octavo. 1 pages...
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Choral Choir (TTBB) - Level 1 - SKU: A0.871533 Composed by Gladden, Grant. Arranged by Walter Latzko. Praise & Worship,Sacred,Spiritual. Octavo. 1 pages. Latzko Muzic #5217733. Published by Latzko Muzic (A0.871533). Familiar Hymn as performed by The Buffalo Bills
$2.50
O Master, Let Me Walk With Thee
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Chorale TTBB
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DÉBUTANT
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Amy Grant
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Walter Latzko
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O Master, Let Me Walk With The
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Latzko Muzic
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.871980 By Amy Grant. By Brown Bannister, H. Percy Smith, John Hobbs, and Vince Gill. Arranged by Walter Latzko. ...
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Choral Choir (TTBB) - Level 1 - SKU: A0.871980 By Amy Grant. By Brown Bannister, H. Percy Smith, John Hobbs, and Vince Gill. Arranged by Walter Latzko. Christian,Contemporary. Octavo. 1 pages. Latzko Muzic #5724725. Published by Latzko Muzic (A0.871980). VERY SIMPLE ARRANGEMENT OF A TRADITIONAL RELIGIOUS HYMN.
$1.99
Behold, I Am the Light, TTBB Men's Choir
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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I have set an example for you
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Behold, I Am the Light, TTBB M
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 4 - SKU: A0.1431588 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religiou...
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Choral Choir,Choral,TTBB Chorus - Level 4 - SKU: A0.1431588 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 9 pages. Kevin G. Pace #1012063. Published by Kevin G. Pace (A0.1431588). Beautiful, sacred music for TTBB men's choir. Music by Kevin G. Pace. Text by Mary Ann W. Snowball.Text:Behold, I Am the Light“Behold, I am the light; I have set an example for you.” (3 Nephi 18:16)Storms of darkness may descend like a winter sky.Clouds of gloom may dominate; sun may be disguised.Walking step by step with Me through mortalityLessens shadows flawlessly; trusting is my plea:Behold, I am the Light . . . a light that has no end.I will lend my power; I will be thy Friend.I can brighten ev’ry path like a blazing torch.I can lighten loads because Father is my source.Behold, I am God’s Light; His love shines through Me.Never to be darkened, feel this love and see.I will faithful be . . . trust Me perfectly.Days of trial might seem long like the darkest night.Tests of patience may endure ev’n in Father’s sight.Trusting in each morning sun is a blessed choice,for bright truth will ever shine. Hear my faithful voice:Behold, I am the Light . . . a light that has no end.I will lend my power; I will be thy Friend.I can brighten ev’ry path like a blazing torch.I can lighten loads because Father is my source.Behold, I am God’s Light; His love shines through Me.Never to be darkened, feel this love and see.God’s light shines through Me, shining endlessly.
$1.99
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
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Mentions légales
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Version intégrale
Walk with Me
