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TRI ET FILTRES
Tri et filtres :
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ACCORDEON
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PIANO & CLAVIERS
Piano, Voix
1295
Piano seul
133
Piano Facile
50
Piano, Voix et Guitare
46
Piano Trio: piano, violon, violoncelle
12
Instruments en Do
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Orgue
11
1 Piano, 4 mains
9
2 Pianos, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
3
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2
Piano Quatuor: piano, 2 violons, violoncelle
2
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1
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Guitare notes et tablatures
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34
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3
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2
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2
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1
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1
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35
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24
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18
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10
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7
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6
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5
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4
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3
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2
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2
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2
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2
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2
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2
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1
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1
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
57
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49
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40
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19
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18
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18
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15
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15
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14
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14
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13
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12
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10
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9
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9
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9
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8
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8
2 Hautbois (duo)
8
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8
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7
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7
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7
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6
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6
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6
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5
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5
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4
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4
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4
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4
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4
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4
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4
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4
Saxophone Baryton, Piano
4
Flûte, Trompette (duo)
4
Quintette de Flûte : 5 flûtes
3
Flûte, Violoncelle
3
Cor anglais, Piano
3
Clarinette, Violoncelle (duo)
3
Hautbois, Guitare (duo)
3
Flûte à Bec
2
Saxophone Tenor
2
Ocarina
2
Clarinette, Harpe (duo)
2
2 Flûte à bec (duo)
2
Clarinette, Basson (duo)
2
Flûte, Violon, Piano
2
Saxophone (partie séparée)
2
2 Clarinettes, Piano
1
Flûte à bec Alto
1
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1
Harmonica
1
2 Flûtes traversières, Piano
1
Hautbois, Violoncelle
1
Hautbois, violon (duo)
1
Cor Anglais
1
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1
Flûte, Hautbois (duo)
1
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
30
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
25
2 Trompettes (duo)
16
2 Trombones (duo)
15
Quatuor de cuivres: 4 trombones
14
Trompette
14
Trombone et Piano
13
Trompette, Saxophone (duo)
11
Trompette, Piano
10
Trompette, Trombone (duo)
8
Cor et Piano
8
Tuba
7
Ensemble de Trompettes
6
Trombone
5
2 Cors (duo)
5
Cor
5
Ensemble de Trombones
4
Quatuor de Cuivres
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Euphonium, Piano (duo)
4
Cor anglais, Piano
3
2 Tubas (duo)
3
Trompette, Cor (duo)
3
Tuba et Piano
3
Tuba et Orgue
2
2 Euphoniums et 2 Tubas
2
Trompette (partie séparée)
1
2 Trompettes, Clavier (piano ou orgue)
1
Bass Clef Instruments
1
Quatuor de cuivres: 4 trompettes
1
Cor, Violoncelle (duo)
1
Cor Anglais
1
Euphonium
1
Quatuor de cuivres: 4 cors
1
Euphonium, Tuba (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
77
Violon et Piano
35
2 Violons (duo)
25
Violoncelle, Piano
24
Violon, Violoncelle (duo)
21
Violon
17
Trio à Cordes: violon, alto, violoncelle
15
Harpe
15
2 Violoncelles (duo)
15
Alto, Piano
12
Violon, Alto (duo)
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
Violoncelle
9
Trio à Cordes: 2 violons, violoncelle
9
2 Altos (duo)
8
Alto seul
8
Violoncelle, Contrebasse (duo)
6
Alto, Violoncelle (duo)
6
Contrebasse, Piano (duo)
5
Trio à cordes: 3 violins
5
Violon, Guitare (duo)
4
Ensemble de Violons
4
Ensemble d'Altos
4
4 Violoncelles
4
2 Harpes (duo)
4
Violon (partie séparée)
4
Harpe, Voix
3
2 Contrebasses (duo)
3
2 Violons, Piano
3
Contre Basse
2
Violoncelle (partie séparée)
2
Violoncelle , Guitare (duo)
2
Alto (partie séparée)
2
Quatuor à cordes : 4 altos
1
Harpe, Violoncelle (duo)
1
Violon, Basson (duo)
1
4 Contrebasses
1
Quatuor à cordes: 4 violons
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
109
Ensemble de cuivres
66
Orchestre à Cordes
37
Orchestre de chambre
21
Orchestre
19
Cloches
11
Ensemble Jazz
5
Ensemble de Percussions
5
Fanfare
3
Piano et Orchestre
1
Orchestre, Violon
1
Vibraphone
1
2 Marimbas
1
Marimba
1
Instrumentation Flexible
1
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AUTRES
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We are First
Chorale TTBB
Partitions à imprimer
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Sing We Now Of Christmas
Chorale TTBB
Choral Choir,Choral (TTBB) - Level 4 - Digital Download SKU: A0.1291169 Composed by…
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Choral Choir,Choral (TTBB) - Level 4 - Digital Download SKU: A0.1291169 Composed by Traditional French Carol, 15th Century and Translation 17-18th Century, Unknown Author. Arranged by Gabriel Lawson. A Cappella,Christmas,Early Music,Holiday. 5 pages. Gabriel Lawson #881845. Published by Gabriel Lawson (A0.1291169). “Sing We Now of Christmas†(Nöel Nouvelet) is a traditional French carol from the late 15th century and was first sung by families at home and people in communities to celebrate both the Nativity of Jesus and the new year. The translation in this arrangement was written in the 17-18th century by an unknown author. For four-part Men's Chorus (TTBB) with the melody shared among all four parts (mostly Baritone).Key of e minor.Difficulty 7/10.Tenor 1 A3-G4.Tenor 2 D3-E4.Baritone B2-E4.Bass E2-A3.
$1.99
1.78 €
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Chorale TTBB
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Traditional French Carol, 15th Century and Translation 17-18th Century, Unknown Author
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Gabriel Lawson
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Sing We Now Of Christmas
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Gabriel Lawson
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.58 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Blow On! Blow On! The Pirates Glee
Chorale TTBB
Piano and voice (TTBB chorus) - Digital Download SKU: LV.12006 Composed by Benjamin…
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Piano and voice (TTBB chorus) - Digital Download SKU: LV.12006 Composed by Benjamin F. Baker. Ship equipment & rigging, Ship decks, Toasting, Alcoholic beverages, Campaigns & battles, Happiness. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.12006). Blow On! Blow On! The Pirates Glee. Words by Arthur Morrill, Esq. Music Composed by Benjamin F. Baker. Published 1840 by Geo. P. Reed & Co., 13 Tremont St. in Boston. Composition of strophic with piano and voice (ttbb chorus) instrumentation. Subject headings for this piece include Ship equipment & rigging, Shipdecks, Toasting, Alcoholic beverages, Campaigns & battles, Happiness. First line reads Blow on! blow on! We love the howling of winds that waft us oe'r the sea.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.37 €
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Chorale TTBB
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Benjamin F
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Blow On! Blow On! The Pirates Glee
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
To Thee O Country. National Hymn for Male Voices
Chorale TTBB
Piano and voice (TTBB) - Digital Download SKU: LV.13452 Composed by Julius Eichberg…
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Piano and voice (TTBB) - Digital Download SKU: LV.13452 Composed by Julius Eichberg. Patriotism, Pride, Peace. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.13452). To Thee O Country. National Hymn for Male Voices. Words by Miss Anna P. Eichberg. Music by Julius Eichberg. Published 1872 by Oliver Ditson & Co., 277 Washington St. in Boston. Composition of strophic with piano and voice (ttbb) instrumentation. Subject headings for this piece include Patriotism, Pride, Peace. First line reads To thee, O country, great and free, With trusting hearts we cling.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.37 €
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Chorale TTBB
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Julius Eichberg
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To Thee O Country. National Hymn for Male Voices
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Brisbane Ladies (Augathella Station)
Chorale TTBB
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.774723 Composed by Traditi…
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Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.774723 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 13 pages. Sandra Milliken #3863765. Published by Sandra Milliken (A0.774723). Brisbane Ladies, sometimes known as Augathella Station, is an Australian folk song based on an English naval song titled Spanish Ladies. The song probably dates from the time of the War of the First Coalition (1793-96) when the Royal Navy carried supplies to Spain in support of that country’s resistance to revolutionary France. It then probably gained further popularity during the later Peninsular War when British soldiers were transported to Spain to assist rebels fighting against the French occupation by the forces of Napoleon.Spanish Ladies is a tale of British naval personnel sailing north from Spain and along the English Channel to their home port. Due to its popularity, several variants of Spanish Ladies later appeared in various parts of the world. American whalers sang a version called Yankee Whalermen. In Newfoundland it appeared as We’ll Rant and We’ll Roar. Special lyrics were written to the tune for the Bluenose, a famous Canadian sailing ship plying out of Nova Scotia. In Australia, around 1880, another set of lyrics appeared, written by Saul Mendelsohn who was a storekeeper in the small Queensland town of Nanango. Brisbane Ladies tells about the drovers who bring the herds of cattle overland from western Queensland to the markets in Brisbane. There the drovers spend most of their money and time with the ladies before setting out for home in search of the next herd of cattle for market. The places mentioned in Brisbane Ladies are mostly small towns along the stock route that stretched some 750 kilometres north-west of Brisbane towards the small town of Augathella, on the banks of the Warrego River. Augathella, at that time, marked the convergence of three major bullock tracks from Morven, Tambo and Charleville.
$2.20
1.97 €
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Chorale TTBB
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Traditional
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Sandra Milliken
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Brisbane Ladies
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Sandra Milliken
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SheetMusicPlus
Symphony of Solitarities
Chorale TTBB
SATB chorus divisi & soprano saxophone / clarinet - Digital Download SKU: BJ.1123 C…
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SATB chorus divisi & soprano saxophone / clarinet - Digital Download SKU: BJ.1123 Composed by Sven Hagvil. Secular. Octavo. 65 pages. Bo Ejeby Forlag - Digital #1123. Published by Bo Ejeby Forlag - Digital (BJ.1123). 8.27 x 11.7 inches.Sven Hagvil's Symphony of Solitarities is a choral symphony in three movements (This oceanic feeling, Lonelinesses, Solitude) for mixed choir and soprano saxophone (or clarinet). The piece, which is around 30 minutes, is composed for S:t Johannes Chamber Choir in Stockholm, conducted by Karin Oldgren. At the first performance Anders Paulsson, world renown saxophonist to whom the symphony is dedicated, was soloist on soprano saxophone. The lyrics, written by the composer, are dealing with man's existential loneliness, a loneliness that we paradoxically share with all other people. In the second movement some choreographic elements are added, as well as solo parts for the choristers. The instrumentalist is expected to improvise parts of the music. The last movement, Solitude, is available as an off-print for SSAA and TTBB.
$9.00
8.07 €
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Chorale TTBB
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Sven Hagvil
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Symphony of Solitarities
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
"What Carol Is This?" (A Christmas Carol Medley/Mashup)
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.919859 Composed by Various…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.919859 Composed by Various, Traditional. Arranged by Ash. A Cappella,Christmas,Sacred,Spiritual. Octavo. 21 pages. Music by Ash #6591569. Published by Music by Ash (A0.919859). A unique, compelling, and show-stopping 7-minute medley/mashup of Christmas Carols for a cappella ensembles!Christmas Carols included are (in order of appearance):O Come, O Come, EmmanuelWe Three KingsLittle Drummer BoyMary, Did You Know?What Child Is This?Silent NightHoly NightCarol of the Bells (brief)Joy to the WorldThe First Noeland Do You Hear What I Hear? (brief)General Details4 main voice parts with solo line(s)Divisi in T1 and T2 linesSolo(s) throughout entire medley; works great to have different soloists for each section/songOptional trio for We Three Kings and optional duet for The First NoelMinimum of 8 voices requiredWell-suited for small ensembles (8-16 voices), large choruses (100+), or in betweenDuration: approx. 7:00Vocal RangesSolo(s): B2-C5Tenor 1: C3-C5Tenor 2: C3-F#4Baritone: A2-E4Bass: E2-D4 Looking for alterations for your ensemble? Contact ash@musicbyash.com.www.MusicByAsh.com
$3.50
3.14 €
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Chorale TTBB
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Various, Traditional
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Ash
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"What Carol Is This?"
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Music by Ash
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SheetMusicPlus
The Leaves of the Fall
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1244630 By John van Gulik.…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1244630 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Historic,Holiday,Patriotic. Octavo. 27 pages. John van Gulik #839583. Published by John van Gulik (A0.1244630). A moving remembrance of the young lives sacrificed in the First and Second World Wars defending our freedom. This is a setting to an original text by John van Gulik arranged for men's choir.The leaves on the ground are all broken and grayTheir color has gone taking glory awayOnset of winter will bury them allSuch is the season, the season of fall  Leaves of autumn, leaves of the fall  Millions of discarded parts of us all  Time will forget them, forget them it will  And yet they have fallen... The season of fallThe dead all all gone, we remember them stillLives given freely, buried under a hillResting in fields where the red poppies growMarkings are fading for those down belowCold sleeping life lays under the snowSlumbering gently while winter winds blowWaiting for springtime to finally comeMelting the cover, at last feel the sunVisions of future beyond paths of warHope that the world will see it no moreThe dead are not gone, just sleeping awayTo rise once again on that last dayLess now remembered except once a yearMemories are fading to soon disappearResting and waiting beneath the sodForgotten by living but still known to GodFor additional parts, accompaniment track, or other arrangements, contact me at vangulik.john@gmail.com or visit my website at https://jvgmusiconline.com.
$2.00
1.79 €
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Chorale TTBB
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John van Gulik
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John van Gulik
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The Leaves of the Fall
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John van Gulik
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SheetMusicPlus
Gone Too Soon
Chorale TTBB
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1378737 By Simple P…
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1378737 By Simple Plan. By Charles Comeau, Emanuel Kiriakou, and Pierre Bouvier. Arranged by Kathleen McGuire. 21st Century,Pop,Punk,Rock. 12 pages. Kathleen McGuire #963445. Published by Kathleen McGuire (A0.1378737). This arrangement for men's choir (TTBB) was commissioned by the Buffalo Gay Men's Chorus in dedicated to a devoted member whom they lost far too soon. The ebb and flow of dynamics, constrasts of legato and marcato, a dramatic piano accompaniment, plus some unresolved vocal harmonies, allow for a series of emotions to be painted such as those experienced in the grief cycle. From Canadian band Simple Plan, ‘Gone Too Soon’ was first released in 2011. The inspiration for the song was the tragic loss of so many talented artists, actors and musicians to drug overdoses or suicide. On the Simple Plan website, drummer Chuck Corneau explained: “We thought it was so sad to see so much talent being wasted. Also there were people in our family and some great friends we lost. So the song is a combination of all that. Yes the song is about missing someone who is goneâ€. Singer Pierre Bouvier added: “Hopefully this song can help people that are going through similar situations where they feel like someone in their family or one of their friends has gone too soon.â€.
$2.50
2.24 €
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Chorale TTBB
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Simple Plan
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Kathleen McGuire
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Gone Too Soon
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Kathleen McGuire
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SheetMusicPlus
Star in the East - TTBB Ensemble
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1045085 Composed by Americ…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1045085 Composed by American Folk Hymn. Arranged by Mark R Lewis. Christmas,Folk,Holiday,Sacred,Traditional. Octavo. 41 pages. Mark R Lewis #649649. Published by Mark R Lewis (A0.1045085). The tune for Star in the East first appears in print in The Southern Harmony collection, but is well attested as an American Folk Hymn. The lyrics are partially anonymous but most published versions include verses that seem to have been added by the arranger of that version. This Epiphany song has similar themes to We Three Kings but is definitely a refreshing change from that well known tune. This fun arrangement by Mark R Lewis is for Baritone soloist, TTB choir, a woodwind instrument, and bass instrument. Included is sheet music for C, Bb, and Eb instruments and a bass line which can be played by many different bass instruments depending on what the group has available. The instrumentalists can transpose their parts to different octaves for ease of playing if necessary. The Baritone soloist should be a well experienced intermediate singer and the bass line is very active at times, but the choir and woodwind parts should be performable by most intermediate groups. Also available for Baritone solo w/ SATB ensemble. Vocal Range: f minor Baritone solo - 1 1/2 octaves (Bb2 to F4) Tenor 1 - 1+ octaves (Eb3 to F4) Tenor 2 - 1 octave (C3 to C4) Bass - 1+ octaves (F2 to Gb3) Instrument Range: Clarinet - max 3 1/2 octaves (F3 to A5) can be smaller if octaves are transposed Bass instrument - 1 1/2 octaves (F2 to C4).
$1.99
1.78 €
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Chorale TTBB
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American Folk Hymn
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Mark R Lewis
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Star in the East - TTBB Ensemble
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Mark R Lewis
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SheetMusicPlus
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