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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
We the People
Non classifié
334
Piano & claviers
Piano seul
188
Piano, Voix
69
Piano, Voix et Guitare
44
Piano Facile
23
Instruments en Do
14
Orgue
13
Accompagnement Piano
5
Piano Quatuor: piano, violon, alto, violoncelle
2
1 Piano, 4 mains
2
Piano grosses notes
2
Piano (partie séparée)
1
Piano Trio: piano, violon, violoncelle
1
Orgue, Piano (duo)
1
1 Piano, 6 mains
1
+ 9 instrumentations
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Guitares
Guitare
8
Ligne De Mélodie, (Paroles) et Accords
8
Guitare notes et tablatures
6
Paroles et Accords
4
Basse electrique
3
4 Guitares (Quatuor)
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
122
Chorale 3 parties
41
Chorale 2 parties
23
Chorale Unison
15
Chorale TTBB
12
Voix duo, Piano
10
Chorale SSAA
4
Voix haute
2
Voix Soprano, Piano
1
Voix Tenor
1
Voix seule
1
Voix Baryton, Piano
1
Voix basse, Piano
1
Chorale SSATTB
1
+ 9 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
49
Quintette de Saxophone: 5 saxophones
44
Quatuor de Saxophones: 4 saxophones
10
Flûte traversière et Piano
8
Flûte, Hautbois, Clarinette, Basson
7
Clarinette et Piano
7
Hautbois, Piano (duo)
7
2 Saxophones (duo)
7
Quatuor de Flûtes : 4 flûtes
7
Ensemble de Clarinettes
6
Ensemble de Flûtes
6
Quatuor de Clarinettes: 4 clarinettes
6
Saxophone Alto et Piano
5
Quintette de Clarinettes: 5 clarinettes
4
Quintette de Flûte : 5 flûtes
4
Cor anglais, Piano
4
2 Clarinettes (duo)
3
Saxophone, Clarinette (duo)
3
Saxophone Tenor et Piano
3
Flûte à bec Soprano, Piano
3
Saxophone Alto
3
Saxophone Baryton, Piano
3
Clarinette
2
Trio de Flûtes: 3 flûtes
2
Flûte traversière
2
Flûte, Saxophone (duo)
2
Clarinette Basse, Piano
2
Hautbois (partie séparée)
2
Clarinette, Violon (duo)
2
Saxophone (partie séparée)
1
Clarinette et Alto
1
Saxophone Soprano
1
Saxophone Tenor
1
Hautbois, Basson (duo)
1
Flûte et Guitare
1
2 Flûtes traversières (duo)
1
2 Hautbois (duo)
1
Saxophone Soprano et Piano
1
Flûte, Alto (duo)
1
Flûte, Clarinette (duo)
1
Quatuor de Flûtes à bec
1
Hautbois, Flûte
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Trompette (duo)
1
Clarinette, Trombone (duo)
1
Flûte, Trompette (duo)
1
Ensemble de saxophones
1
Cor Anglais
1
Hautbois
1
Flûte, Violon
1
Clarinette, Harpe (duo)
1
3 Saxophones (trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois, Clarinette (duo)
1
+ 49 instrumentations
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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
22
Trompette
8
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Cor et Piano
5
Trombone et Piano
5
Trompette, Piano
5
Ensemble de Trompettes
4
Ensemble de Trombones
4
Cor anglais, Piano
4
Quatuor de cuivres: 4 trombones
3
3 Trompettes (trio)
3
Tuba et Piano
3
2 Trompettes (duo)
2
Quatuor de cuivres: 4 cors
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Tuba
2
Trompette, Saxophone (duo)
2
Trompette, Trombone (duo)
2
Euphonium, Piano (duo)
1
2 Cors Anglais Et Pianoforte
1
Tuba et Orgue
1
Cor
1
Cor Anglais
1
2 Euphoniums et 2 Tubas
1
2 Trombones (duo)
1
Quatuor de cuivres: 4 trompettes
1
+ 21 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
35
Violon et Piano
12
Violon, Violoncelle (duo)
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
4 Violoncelles
5
Violoncelle, Piano
5
Violon, Alto (duo)
4
Ensemble de Violons
4
Alto, Piano
4
Trio à Cordes: 2 violons, violoncelle
4
Ensemble d'Altos
4
Violon
4
Trio à Cordes: violon, alto, violoncelle
3
Harpe
3
Trio à cordes
3
2 Violons (duo)
3
Quatuor à cordes : 4 altos
3
Harpe, Voix
2
2 Violoncelles (duo)
2
2 Altos (duo)
2
Quatuor à cordes: 4 violons
2
Violoncelle
2
Violoncelle (partie séparée)
1
Alto, Violoncelle (duo)
1
Violon (partie séparée)
1
Harpe, Flûte (duo)
1
Alto seul
1
Trio à cordes: 3 violins
1
Contrebasse (partie séparée)
1
+ 24 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
46
Cloches
16
Orchestre
15
Orchestre à Cordes
12
Ensemble de cuivres
7
Orchestre de chambre
5
Jazz combo
3
Ensemble de Percussions
3
Ensemble Jazz
2
Marimba
2
Fanfare
1
Batterie
1
+ 7 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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Vous avez sélectionné:
We the People
Chorale TTBB
Partitions à imprimer
12 partitions trouvées
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1
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
WAYFARING STRANGER (Poor Wayfaring Stranger)
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Chorale TTBB
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DÉBUTANT
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Unknown - traditional
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Paul A
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peripatetic country preachers
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WAYFARING STRANGER
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 p...
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Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 pages. Paul A. Jorg #5869331. Published by Paul A. Jorg (A0.522333). This song is public domain, written in the 1850's, during a time - pre-civil war - when the nation was being torn apart. The writer calms his anxiety by holding on to God's promises. Here are some lyric notes: I am a poor, wayfaring stranger - Wayfaring: traveling especially on foot; peripatetic country preachers; a poor wayfaring stranger. Wandering through this world of woe - Matthew 18:7: Woe to the world because of the things that cause people to sin! Such things must come, but woe to the man through whom they come! And there's no sickness, toil or danger - John 11:4: When he heard this, Jesus said, This sickness will not end in death. No, it is for God's glory so that God's Son may be glorified through it. Ecclesiastes 2:18-19: I hated all the things I had toiled for under the sun, because I must leave them to the one who comes after me. Acts 14:22: strengthening the disciples and encouraging them to remain true to the faith. We must go through many hardships to enter the kingdom of God, In that bright land to which I go - James 1:17 Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows.I'm going home to see my Father - John 6:40 - For my Father's will is that everyone who looks to the Son and believes in him shall have eternal life, and I will raise him up at the last day. I'm only going over Jordan - Joshua 22:4: Now that the LORD your God has given your brothers rest as he promised, return to your homes in the land that Moses the servant of the LORD gave you on the other side of the Jordan. Yet though dark clouds will gather round me - 2 Corinthians 12:10: That is why, for Christ's sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak, then I am strong. I know my way is rough and steep - Psalm 16:11: You have made known to me the path of life; you will fill me with joy in your presence, with eternal pleasures at your right hand. Proverbs 15:24: The path of life leads upward for the wise to keep him from going down to the grave.But beauteous fields lie just before me - Numbers 13:25: We arrived in the land you sent us to see, and it is indeed a magnificient country, a land flowing with milk and honey. Where God's redeemed their vigil's keep - Exodus12:42: Because the LORD kept vigil that night to bring them out of Egypt, on this night all the Israelites are to keep vigil to honor the LORD for the generations to come. I'm going home to see my mother - Mark 10:29-31: I tell you the truth, Jesus replied, no one who has left home or brothers or sisters or mother or father or children or fields for me and the gospel will fail to receive a hundred times as much in this present age (homes, brothers, sisters, mothers, children and fields-and with them, persecutions.
$4.59
White Wine In The Sun
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Chorale TTBB
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INTERMÉDIAIRE
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Contemporain
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Tim Minchin
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Charles Beale
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White Wine In The Sun
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charliebmusic
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.865861 Composed by Tim Minchin. Arranged by Charles Beale. Contemporary. Octavo. 22 pages. Charliebmusic #521937...
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Choral Choir (TTBB) - Level 3 - SKU: A0.865861 Composed by Tim Minchin. Arranged by Charles Beale. Contemporary. Octavo. 22 pages. Charliebmusic #5219375. Published by charliebmusic (A0.865861). This song by the brilliant Tim Minchin is about the Holidays (Christmas), and expresses how many of us really feel about it. Funny, touching and in the end about family, it talks about the commercialization of the season and many people's ambivalence about religion, but it also reminds us how we all love it, even if it is a bit sentimental these days. A ballad that gradually builds and builds, this arrangement would fit perfectly in the 2nd half of a Holiday concert that was not taking itself too seriously.This TTBB choral arrangement has opportunities for a Baritone or tenor soloist, and the long opening solo can also be split amongst up to four singers. Contact the arranger for bass and drum parts.This TTBB choral arrangement has opportunities for a Baritone or tenor soloist, and the long opening solo can also be split amongst up to four singers. Contact the arranger for bass and drum parts.
$1.99
Sing We Now Of Christmas
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Traditional French Carol, 15th
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Gabriel Lawson
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Sing We Now Of Christmas
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Gabriel Lawson
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 4 - SKU: A0.1291169 Composed by Traditional French Carol, 15th Century and Translation 17-18th Century, Unknown Autho...
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Choral Choir,Choral (TTBB) - Level 4 - SKU: A0.1291169 Composed by Traditional French Carol, 15th Century and Translation 17-18th Century, Unknown Author. Arranged by Gabriel Lawson. A Cappella,Christmas,Early Music,Holiday. 5 pages. Gabriel Lawson #881845. Published by Gabriel Lawson (A0.1291169). “Sing We Now of Christmas†(Nöel Nouvelet) is a traditional French carol from the late 15th century and was first sung by families at home and people in communities to celebrate both the Nativity of Jesus and the new year. The translation in this arrangement was written in the 17-18th century by an unknown author. For four-part Men's Chorus (TTBB) with the melody shared among all four parts (mostly Baritone).Key of e minor.Difficulty 7/10.Tenor 1 A3-G4.Tenor 2 D3-E4.Baritone B2-E4.Bass E2-A3.
$1.99
Symphony of Solitarities
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Chorale TTBB
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Sven Hagvil
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Symphony of Solitarities
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
SATB chorus divisi & soprano saxophone / clarinet - SKU: BJ.1123 Composed by Sven Hagvil. Secular. Octavo. 65 pages. Bo Ejeby Forlag - Digital #1123. Pu...
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SATB chorus divisi & soprano saxophone / clarinet - SKU: BJ.1123 Composed by Sven Hagvil. Secular. Octavo. 65 pages. Bo Ejeby Forlag - Digital #1123. Published by Bo Ejeby Forlag - Digital (BJ.1123). 8.27 x 11.7 inches.Sven Hagvil's Symphony of Solitarities is a choral symphony in three movements (This oceanic feeling, Lonelinesses, Solitude) for mixed choir and soprano saxophone (or clarinet). The piece, which is around 30 minutes, is composed for S:t Johannes Chamber Choir in Stockholm, conducted by Karin Oldgren. At the first performance Anders Paulsson, world renown saxophonist to whom the symphony is dedicated, was soloist on soprano saxophone. The lyrics, written by the composer, are dealing with man's existential loneliness, a loneliness that we paradoxically share with all other people. In the second movement some choreographic elements are added, as well as solo parts for the choristers. The instrumentalist is expected to improvise parts of the music. The last movement, Solitude, is available as an off-print for SSAA and TTBB.
$9.00
Gone Too Soon
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Chorale TTBB
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INTERMÉDIAIRE
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Simple Plan
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Kathleen McGuire
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Gone Too Soon
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Kathleen McGuire
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1378737 By Simple Plan. By Charles Comeau, Emanuel Kiriakou, and Pierre Bouvier. Arranged by Kathleen McG...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1378737 By Simple Plan. By Charles Comeau, Emanuel Kiriakou, and Pierre Bouvier. Arranged by Kathleen McGuire. 21st Century,Pop,Punk,Rock. 12 pages. Kathleen McGuire #963445. Published by Kathleen McGuire (A0.1378737). This arrangement for men's choir (TTBB) was commissioned by the Buffalo Gay Men's Chorus in dedicated to a devoted member whom they lost far too soon. The ebb and flow of dynamics, constrasts of legato and marcato, a dramatic piano accompaniment, plus some unresolved vocal harmonies, allow for a series of emotions to be painted such as those experienced in the grief cycle. From Canadian band Simple Plan, ‘Gone Too Soon’ was first released in 2011. The inspiration for the song was the tragic loss of so many talented artists, actors and musicians to drug overdoses or suicide. On the Simple Plan website, drummer Chuck Corneau explained: “We thought it was so sad to see so much talent being wasted. Also there were people in our family and some great friends we lost. So the song is a combination of all that. Yes the song is about missing someone who is goneâ€. Singer Pierre Bouvier added: “Hopefully this song can help people that are going through similar situations where they feel like someone in their family or one of their friends has gone too soon.â€.
$2.50
For Good
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Chorale TTBB
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INTERMÉDIAIRE
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Stephen Schwartz
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For Good
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Kite & String Music
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1475745 Composed by Stephen Schwartz. Arranged by Kevin Weist and Steve Adamczyk. Broadway,Film/TV,M...
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Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1475745 Composed by Stephen Schwartz. Arranged by Kevin Weist and Steve Adamczyk. Broadway,Film/TV,Musical/Show. 11 pages. Kite & String Music #1053302. Published by Kite & String Music (A0.1475745). From the musical Wicked, a song about the people who make us who we are, arranged for men's chorus.
$1.99
Ascension Prayer
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Chorale TTBB
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Musique Sacrée
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Thomas L Keesecker
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Ascension Prayer
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Chorister's Guild - Digital
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SheetMusicPlus
SATB chorus, unaccompanied - SKU: C7.CGA1538 Composed by Thomas L Keesecker. Ascension, general. Sacred Anthem. Octavo. 8 pages. Chorister's Guild - Dig...
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SATB chorus, unaccompanied - SKU: C7.CGA1538 Composed by Thomas L Keesecker. Ascension, general. Sacred Anthem. Octavo. 8 pages. Chorister's Guild - Digital #CGA1538. Published by Chorister's Guild - Digital (C7.CGA1538). When you're in a tight spot (a place you wish you were not), what do we do? Choristers explore what it means to trust God in this fantastic new Terry Taylor anthem. Story snippets of Jonah, Paul & Silas, Daniel, and Esther show that God is with us when God's people are in tight spots. With a spirited, syncopated refrain and an opportunity to feature a few soloists, Taylor presents this important biblical theme in a dynamic way. Part of our Rote to Note series, with an enlarged vocal staff for early note-readers.
$2.25
Believe
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Chorale TTBB
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INTERMÉDIAIRE
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Josh Groban
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Charles Beale
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Believe
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charliebmusic
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.865846 By Josh Groban. By Alan Silvestri and Glen Ballard. Arranged by Charles Beale. Contemporary,Pop. Octavo. ...
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Choral Choir (TTBB) - Level 3 - SKU: A0.865846 By Josh Groban. By Alan Silvestri and Glen Ballard. Arranged by Charles Beale. Contemporary,Pop. Octavo. 13 pages. Charliebmusic #4785529. Published by charliebmusic (A0.865846). From the movie 'Polar Express' (2004), 'Believe' is a heart-warming and hopeful pop ballad for the Holidays. The lyric tells how we all become slightly better people at Christmas, as we rediscover our inner child, find ourselves and 'believe'. Popular with kids and adults and originally featuring Josh Groban, this anthemic song stands up 15 years after the movie's release, and Charlie is frequently asked for this arrangement by different choirs.Set in four parts for TTBB with moments of doubling and simple divisi.
$1.99
Angel Down (work Tape)
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Chorale TTBB
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INTERMÉDIAIRE
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Lady Gaga
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Javon Byam
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Angel Down
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Javon Byam
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1093509 By Lady Gaga. By Nadir Khayat and Stefani Germanotta. Arranged by Javon Byam. A Cappella,Contemporary,Po...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1093509 By Lady Gaga. By Nadir Khayat and Stefani Germanotta. Arranged by Javon Byam. A Cappella,Contemporary,Pop. Octavo. 7 pages. Javon Byam #697569. Published by Javon Byam (A0.1093509). This is a TTBB arrangement of Lady Gaga's Angel Down (Work Tape). Angel Down is a piece written about pain, loss, and feeling motivated to help. My arrangement both incorporates sparseness emulating feelings of emptiness and powerful homophonic sections emphasizing the strength of the group. As a people, we can all save an angel down and it is easier to do when we work together. That feeling inspired this arrangement.
$4.99
Solitude
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Chorale TTBB
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Sven Hagvil
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Solitude
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
TTBB chorus divisi & solo voice - SKU: BJ.1141 Composed by Sven Hagvil. Secular. Octavo. 16 pages. Bo Ejeby Forlag - Digital #1141. Published by Bo Ejeb...
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TTBB chorus divisi & solo voice - SKU: BJ.1141 Composed by Sven Hagvil. Secular. Octavo. 16 pages. Bo Ejeby Forlag - Digital #1141. Published by Bo Ejeby Forlag - Digital (BJ.1141). 8.27 x 11.7 inches.An off-print of the last movement in Sven Hagvil's composition Symphony of Solitarities (SATB) adapted for male choir. The solo part could be performed by a soprano or tenor or a treble instrument. For many people silence and solitude are strongly connected with fears of the unknown, yet that may often be precisely what is lacking. In some cases solitude could be all that is necessary. There is no need for us to search far and wide for truth and meaning, we bear the most essential insights within ourselves. - Sven Hagvil.
$4.80
Jesu Who Ought to Be Praised
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Chorale TTBB
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its existence, all life praise
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J
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Jesu Who Ought to Be Praised
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J. William Greene
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SheetMusicPlus
Choral Choir (TTBB) - SKU: A0.982601 Composed by J. William Greene. Christian,Contemporary,Sacred. Octavo. 12 pages. J. William Greene #5801309. Publish...
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Choral Choir (TTBB) - SKU: A0.982601 Composed by J. William Greene. Christian,Contemporary,Sacred. Octavo. 12 pages. J. William Greene #5801309. Published by J. William Greene (A0.982601). Celtic spirituality is intimately bound up with nature and the natural world. Christ's church is often likened to a tree with His people as its branches. In this text, Christ's-blessing infuses all life, from the strand (stream) to the river to the sea. By its existence, all life praises Him, so it is right (meet) that we also offer praise. Based on a Biblical text, this particular text comes from The Carmina Gadelica (Gaelic Songs), published in 1899, which were collected by Alexander Carmichael during his travels of the highlands and islands of Scotland as a customs and excise inspector. .
$5.00
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