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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
When I Was Your Man - Drums
Non classifié
182
Piano & claviers
Piano seul
102
Piano, Voix et Guitare
54
Piano Facile
29
Instruments en Do
23
Piano, Voix
22
Piano grosses notes
6
Orgue
4
Accordéon
2
Accompagnement Piano
2
1 Piano, 4 mains
2
Accordéon, Voix
1
+ 6 instrumentations
Retracter
Guitares
Guitare
33
Guitare notes et tablatures
25
Basse electrique
14
Ukulele
5
Ligne De Mélodie, (Paroles) et Accords
4
Paroles et Accords
2
Mandoline
1
Banjo
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
23
Chorale 3 parties
10
Chorale TTBB
8
Voix duo, Piano
4
Chorale 2 parties
4
Pack Instrumental pour Chorale
2
Chorale SSAA
2
Chorale SSATTB
1
Chorale Unison
1
Voix seule
1
Voix Baryton, Piano
1
Voix Alto, Piano
1
Voix haute
1
Voix Tenor
1
+ 9 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
50
Quintette de Saxophone: 5 saxophones
46
Saxophone (partie séparée)
12
Hautbois (partie séparée)
9
Saxophone Tenor
9
Clarinette
9
Saxophone Alto
7
Flûte traversière et Piano
7
Hautbois, Piano (duo)
5
Ensemble de Clarinettes
5
Flûte traversière
4
Quatuor de Saxophones: 4 saxophones
4
Clarinette et Piano
4
Quintette de Flûte : 5 flûtes
4
Saxophone Alto et Piano
3
Saxophone Soprano et Piano
3
Clarinette (partie séparée)
3
Quatuor de Flûtes : 4 flûtes
3
3 Clarinettes (trio)
3
Flute (partie séparée)
3
Trio de Flûtes: 3 flûtes
2
Clarinette Basse, Piano
2
2 Flûtes traversières (duo)
2
Flûte, Hautbois, Clarinette, Basson
2
Ensemble de Flûtes
2
Saxophone Baryton, Piano
2
Cor anglais, Piano
2
Saxophone Tenor et Piano
2
3 Saxophones (trio)
1
Flûte à bec Soprano
1
Instruments en Mib
1
Hautbois, Guitare (duo)
1
Flûte, Hautbois, Basson
1
Saxophone Soprano
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Violon
1
Ensemble de saxophones
1
Quintette de Clarinettes: 5 clarinettes
1
+ 33 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
22
Trompette
11
Cor
6
Tuba
5
Trombone
5
Ensemble de Trombones
4
Euphonium
3
Trombone et Piano
3
Trombone (partie séparée)
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Cor (partie séparée)
2
Trompette (partie séparée)
2
Ensemble de Trompettes
2
Trompette, Piano
2
Cor anglais, Piano
2
Bass Clef Instruments
1
Cor et Piano
1
Quatuor de cuivres: 4 trombones
1
Trompette, Trombone (duo)
1
Quatuor de Cuivres
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Instruments en Sib
1
Euphonium, Piano (duo)
1
3 Trombones (trio)
1
Tuba (partie séparée)
1
2 Tubas (duo)
1
3 Cors (trio)
1
+ 22 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
14
Violon
11
Violon et Piano
9
Violoncelle
7
Harpe
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Alto, Piano
5
Alto seul
4
Ensemble d'Altos
4
Ensemble de Violons
4
Harpe, Voix
4
Violoncelle, Piano
4
Alto (partie séparée)
2
Violon (partie séparée)
2
4 Violoncelles
2
Violon, Violoncelle (duo)
1
Contrebasse (partie séparée)
1
Contre Basse
1
Trio à Cordes: 2 violons, violoncelle
1
Trio à cordes: 3 violins
1
Violoncelle , Guitare (duo)
1
Trio à cordes: 3 altos
1
Quatuor à cordes: 4 violons
1
2 Violons (duo)
1
Alto et Harpe
1
Quatuor à cordes : 4 altos
1
+ 21 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
37
Orchestre
15
Orchestre à Cordes
5
Orchestre de chambre
4
Percussion (partie séparée)
2
Ensemble Jazz
2
Ensemble de cuivres
1
Ensemble de Percussions
1
+ 3 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
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Vous avez sélectionné:
When I Was Your Man - Drums
Chorale TTBB
Partitions à imprimer
8 partitions trouvées
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1
When I Was Your Man
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Bruno Mars
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Aaron Dale
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When I Was Your Man
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Aaron Dale
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SheetMusicPlus
Voice (TTBB) - Level 4 - SKU: A0.1111894 By Bruno Mars. By Andrew Wyatt, Ari Levine, Bruno Mars, and Philip Lawrence. Arranged by Aaron Dale. A Cappella...
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Voice (TTBB) - Level 4 - SKU: A0.1111894 By Bruno Mars. By Andrew Wyatt, Ari Levine, Bruno Mars, and Philip Lawrence. Arranged by Aaron Dale. A Cappella,Barbershop,Pop. Barbershop Quartet. 9 pages. Aaron Dale #714096. Published by Aaron Dale (A0.1111894). As sung by Throwback quartet.
$29.99
When I Was Your Man
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Bruno Mars
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Alex Morris
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When I Was Your Man
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Alex Morris
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.1267528 By Bruno Mars. By Andrew Wyatt, Ari Levine, Bruno Mars, and Philip Lawrence. Arranged by Alex Morris. Co...
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Choral Choir (TTBB) - Level 4 - SKU: A0.1267528 By Bruno Mars. By Andrew Wyatt, Ari Levine, Bruno Mars, and Philip Lawrence. Arranged by Alex Morris. Contemporary,Pop. Octavo. 7 pages. Alex Morris #860043. Published by Alex Morris (A0.1267528). Difficult level arrangement for TTBB (barbershop).
$4.99
Your Tender Mercies
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Chorale TTBB
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FACILE
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D
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D A Jaquish
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Your Tender Mercies
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D A Jaquish
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.984208 Composed by D. A. Jaquish. Arranged by D A Jaquish. 20th Century,Sacred,Standards. Octavo. 4 pages. D A J...
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Choral Choir (TTBB) - Level 2 - SKU: A0.984208 Composed by D. A. Jaquish. Arranged by D A Jaquish. 20th Century,Sacred,Standards. Octavo. 4 pages. D A Jaquish #4367208. Published by D A Jaquish (A0.984208). The Odes of Solomon are ancient texts from the Early Church in Antioch, ascribed to a Christian songwriter named Solomon. When I first read this text (No. 14 of the odes) I was struck by how prescient the words were, fitting not only the needs and aspirations of early Christians but the cry of hearts today.In keeping with the tone and historicity of the words I chose a musical setting reminiscent of Gregorian chant, albeit with richer harmonies. The mood is contemplative, prayerful, and could be used to effect in many types of worship services.
$2.00
When I Was Your Man
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Chorale TTBB
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Rock
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Bruno Mars
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Mac Huff
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Rock
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When I Was Your Man
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Bruno Mars. Arranged by Mac Huff. TTBB. Pop; Rock. Choral. 1 pages. Duration 3:30. Published by Hal Leonard - Digital Sheet Music ...
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By Bruno Mars. Arranged by Mac Huff. TTBB. Pop; Rock. Choral. 1 pages. Duration 3:30. Published by Hal Leonard - Digital Sheet Music
$2.50
Mac Huff: When I Was Your Man (arr. Mac Huff) - choir (TTBB: tenor, bass)
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Chorale TTBB
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INTERMÉDIAIRE
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Rock
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Mac Huff
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Virtualsheetmusic
Instantly printable sheet music by Mac Huff for choir (TTBB: tenor, bass) of MEDIUM skill level. / pop,rock
Instantly printable sheet music by Mac Huff for choir (TTBB: tenor, bass) of MEDIUM skill level. / pop,rock
$2.48
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
WAYFARING STRANGER (Poor Wayfaring Stranger)
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Chorale TTBB
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DÉBUTANT
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Unknown - traditional
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Paul A
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peripatetic country preachers
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WAYFARING STRANGER
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 p...
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Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 pages. Paul A. Jorg #5869331. Published by Paul A. Jorg (A0.522333). This song is public domain, written in the 1850's, during a time - pre-civil war - when the nation was being torn apart. The writer calms his anxiety by holding on to God's promises. Here are some lyric notes: I am a poor, wayfaring stranger - Wayfaring: traveling especially on foot; peripatetic country preachers; a poor wayfaring stranger. Wandering through this world of woe - Matthew 18:7: Woe to the world because of the things that cause people to sin! Such things must come, but woe to the man through whom they come! And there's no sickness, toil or danger - John 11:4: When he heard this, Jesus said, This sickness will not end in death. No, it is for God's glory so that God's Son may be glorified through it. Ecclesiastes 2:18-19: I hated all the things I had toiled for under the sun, because I must leave them to the one who comes after me. Acts 14:22: strengthening the disciples and encouraging them to remain true to the faith. We must go through many hardships to enter the kingdom of God, In that bright land to which I go - James 1:17 Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows.I'm going home to see my Father - John 6:40 - For my Father's will is that everyone who looks to the Son and believes in him shall have eternal life, and I will raise him up at the last day. I'm only going over Jordan - Joshua 22:4: Now that the LORD your God has given your brothers rest as he promised, return to your homes in the land that Moses the servant of the LORD gave you on the other side of the Jordan. Yet though dark clouds will gather round me - 2 Corinthians 12:10: That is why, for Christ's sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak, then I am strong. I know my way is rough and steep - Psalm 16:11: You have made known to me the path of life; you will fill me with joy in your presence, with eternal pleasures at your right hand. Proverbs 15:24: The path of life leads upward for the wise to keep him from going down to the grave.But beauteous fields lie just before me - Numbers 13:25: We arrived in the land you sent us to see, and it is indeed a magnificient country, a land flowing with milk and honey. Where God's redeemed their vigil's keep - Exodus12:42: Because the LORD kept vigil that night to bring them out of Egypt, on this night all the Israelites are to keep vigil to honor the LORD for the generations to come. I'm going home to see my mother - Mark 10:29-31: I tell you the truth, Jesus replied, no one who has left home or brothers or sisters or mother or father or children or fields for me and the gospel will fail to receive a hundred times as much in this present age (homes, brothers, sisters, mothers, children and fields-and with them, persecutions.
$4.59
In My Room
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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The Beach Boys
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Donald A
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In My Room
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Donald A Mills
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock...
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Choral Choir (TTBB) - Level 4 - SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock. Octavo. 3 pages. Donald A Mills #4351149. Published by Donald A Mills (A0.928974). In My Room, by The Beach Boys. This gentle song may be sung as a prayer, with tenderness. Your audiences will love the melody and harmonies. This arrangement by Donald A. Mills is for barbershop as a quartet or chorus. It is TTBB (TLBB) a cappella, sung softly, sweetly, legato, singing the four dotted quarter notes as a 3/4 time. The Beach Boys have mentioned that they wrote In My Room in 12/8 time because they had tired of the 3/4 time many songs of the day were written in. From Wikipedia, Gary Usher explained that 'In My Room found us taking our craft a little more seriously. Brian and I came back to the house one night after playing 'over-the-line' (a baseball game). I played bass and Brian was on organ. The song was written in an hour... Brian's melody all the way. The sensitivity... the concept meant a lot to him. When we finished, it was late, after our midnight curfew. In fact, Murry [the Wilson brothers' father] came in a couple of times and wanted me to leave. Anyway, we got Audree [the Wilson brothers' mother], who was putting her hair up before bed, and we played it for her. She said, 'That's the most beautiful song you've ever written.' Murry said, 'Not bad, Usher, not bad,' which was the nicest thing he ever said to me. Gary Usher (who co-wrote the lyrics with Brian Wilson) further describes that Brian was always saying that his room was his whole world. Brian seconds this opinion: I had a room, and I thought of it as my kingdom. And I wrote that song, very definitely, that you're not afraid when you're in your room. It's absolutely true. In 1990, Brian wrote, I also enjoyed producing 'In My Room'. There is a story behind this song. When Dennis, Carl and I lived in Hawthorne as kids, we all slept in the same room. One night I sang the song 'Ivory Tower' to them and they liked it. Then a couple of weeks later, I proceeded to teach them both how to sing the harmony parts to it. It took them a little while, but they finally learned it. We then sang this song night after night. It brought peace to us. When we recorded 'In My Room', there was just Dennis, Carl and me on the first verse...and we sounded just like we did in our bedroom all those nights. This story has more meaning than ever since Dennis' death.
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