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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Who Run It
Non classifié
86
Piano & claviers
Piano seul
80
Piano Facile
67
Piano, Voix et Guitare
25
Piano, Voix
20
2 Pianos, 4 mains
8
1 Piano, 4 mains
3
Orgue
3
Instruments en Do
2
Piano Trio: piano, violon, violoncelle
1
Clavecin
1
+ 5 instrumentations
Retracter
Guitares
Guitare
2
Guitare notes et tablatures
1
2 Guitares (duo)
1
4 Guitares (Quatuor)
1
Voix
Chorale SATB
30
Chorale 3 parties
9
Chorale TTBB
8
Chorale SSAA
6
Chorale 2 parties
6
Voix haute
4
Chorale Unison
3
Voix moyenne, Piano
2
Voix Tenor, Piano
2
Voix Soprano, Piano
2
Voix duo, Piano
2
Voix seule
1
Voix Alto, Piano
1
Voix basse
1
+ 9 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Quatuor de Clarinettes: 4 clarinettes
3
2 Flûtes traversières (duo)
3
Quatuor de Saxophones: 4 saxophones
3
Saxophone Alto
3
Saxophone Alto et Piano
3
Flûte traversière
3
Flûte traversière et Piano
3
Saxophone Tenor
3
Saxophone (partie séparée)
2
Flûte, Hautbois, Clarinette, Basson
2
Saxophone Soprano et Piano
2
Hautbois, Piano (duo)
1
Clarinette
1
2 Saxophones (duo)
1
Saxophone Tenor et Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à Bec, Piano
1
Hautbois (partie séparée)
1
Clarinette Basse
1
Clarinette et Piano
1
Flûte et Guitare
1
Flûte à bec Soprano
1
3 Clarinettes (trio)
1
Quintette de Saxophone: 5 saxophones
1
Cornemuse
1
Flûte à bec Alto, Piano
1
Ensemble De Flûte à bec
1
Saxophone
1
Quintette de Clarinettes: 5 clarinettes
1
Quatuor de Flûtes à bec
1
Clarinette, Basson (duo)
1
Clarinette, Harpe (duo)
1
Clarinette, Guitare (duo)
1
2 Clarinettes (duo)
1
+ 30 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
16
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Trompette
5
Cor et Piano
2
Trombone
2
Ensemble de Tubas
1
2 Trompettes (duo)
1
Quatuor de Cuivres
1
Tuba et Piano
1
Trombone et Piano
1
Trompette, Piano
1
Tuba (partie séparée)
1
+ 7 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
15
Violon
14
Violon et Piano
9
Violoncelle
5
Violoncelle, Piano
4
Trio à Cordes: violon, alto, violoncelle
3
2 Harpes (duo)
3
Harpe
3
Violon (partie séparée)
2
2 Violons (duo)
2
Violon, Violoncelle (duo)
2
Alto seul
2
Contre Basse
1
4 Violoncelles
1
Alto, Piano
1
Alto (partie séparée)
1
Contrebasse (partie séparée)
1
Violoncelle , Guitare (duo)
1
+ 13 instrumentations
Retracter
Orchestre & Percussions
Cloches
21
Orchestre d'harmonie
19
Orchestre à Cordes
10
Orchestre
9
Ensemble Jazz
7
Jazz combo
7
Ensemble de cuivres
3
Batterie
2
Fanfare
2
Xylophone, Piano
1
Percussion (partie séparée)
1
+ 6 instrumentations
Retracter
Autres
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
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difficulté (tous)
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Vous avez sélectionné:
Who Run It
Chorale TTBB
Partitions à imprimer
8 partitions trouvées
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1
What More Can a Soldier Give? (TTBB - barbershop) - arr. Robert Rund
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Chorale TTBB
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AVANCÉ
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Contemporain
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Lewis Porter, Monroe Rosenfiel
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Robert Rund
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What More Can a Soldier Give?
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Robert Rund
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SheetMusicPlus
Choral Choir (TTBB) - Level 5 - SKU: A0.967150 Composed by Lewis Porter, Monroe Rosenfield, and Robert Rund. Arranged by Robert Rund. Contemporary. Octa...
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Choral Choir (TTBB) - Level 5 - SKU: A0.967150 Composed by Lewis Porter, Monroe Rosenfield, and Robert Rund. Arranged by Robert Rund. Contemporary. Octavo. 3 pages. Robert Rund #6012725. Published by Robert Rund (A0.967150). This is a ballad written for barbershop quartet, and based on the original song of 1918 entitled What More Can a Woman Give? It is sung from the perspective of a soldier who has died in battle. The international barbershop champion quartet, GOTCHA! sang this for three years in a row at the International Competition where it was named song of the contest. Learning tracks available from choraltracks.com.
$4.60
Triangle Love Song (TTBB - barbershop) - arr. Robert Rund
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Chorale TTBB
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FACILE
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R
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Robert Rund
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Triangle Love Song
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Robert Rund
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.967127 Composed by R.A. Stoesser. Arranged by Robert Rund. A Cappella,Traditional. Octavo. 3 pages. Robert Rund ...
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Choral Choir (TTBB) - Level 2 - SKU: A0.967127 Composed by R.A. Stoesser. Arranged by Robert Rund. A Cappella,Traditional. Octavo. 3 pages. Robert Rund #5857123. Published by Robert Rund (A0.967127). This sweet love song came from an old Triangle Fraternity Songbook and has been sung by Triangle Fraternity chapters throughout the United States. This arrangement sets the original in four-part male acapella in the barbershop style. Triangle's mission statement reads, The purpose of Triangle shall be to maintain a fraternity of engineers, architects and scientists. It shall carry out its purpose by establishing chapters that develop balanced men who cultivate high moral character, foster lifelong friendships, and live their lives with integrity.
$4.60
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Casper The Friendly Ghost
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Chorale TTBB
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INTERMÉDIAIRE
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Jerry Livingston and Mack Davi
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Julie Hinton
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Casper The Friendly Ghost
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Red Tape Productions
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1477136 Composed by Jerry Livingston and Mack David. Arranged by Julie Hinton. A Cappella,Barbershop...
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Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1477136 Composed by Jerry Livingston and Mack David. Arranged by Julie Hinton. A Cappella,Barbershop,Children,Film/TV,Halloween. 5 pages. Red Tape Productions #1054569. Published by Red Tape Productions (A0.1477136). TTBB acapella. This boogie version of the popular children's cartoon theme song brings an exciting energy to any group who performs it. The bass sticks with a boogie line throughout the piece (vocal percussion encouraged) while the other parts form a trio around the melody line. The verses are separated by exclaimed Casper!s to break it up. There is an optional repeat of the last verse to lengthen the tune - with the repeat the runtime is approximately 2:21. Great for men's acapella choirs, Barbershop groups, Halloween carolers and television afficionados!Also available in SATB and SSAA. The demo audio is from the bridge and final verse of the piece.
$2.25
Das Gebet des Herrn (The Lord's Prayer) - For Men's Choir
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Chorale TTBB
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FACILE
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C
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L
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Das Gebet des Herrn
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Müller Publishing company
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1491217 Composed by C. G. Mühle. Arranged by L. Müller. 19th Century,Christian,Classical,Religious...
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Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1491217 Composed by C. G. Mühle. Arranged by L. Müller. 19th Century,Christian,Classical,Religious,Sacred. 8 pages. Müller Publishing company #1067954. Published by Müller Publishing company (A0.1491217). Das Gebet des Herrn (The Lord's Prayer)Composed by C. G. Mühle (1792-1847)Arranged for Men's Choir TTBB by L. MüllerDive into the profound spirituality of Das Gebet des Herrn (The Lord's Prayer), composed by Carl Gottlieb Mühle and arranged for Men's Choir TTBB by L. Müller. This sacred piece brings to life the words of The Lord's Prayer, from “Our Father, who art in heaven” to the resounding “For thine is the kingdom, and the power, and the glory forever.”This special edition of the TTBB score features separate staves for each vocal line, offering greater clarity during rehearsals and performances. Each voice part—Tenor 1, Tenor 2, Bass 1, and Bass 2—is clearly laid out, making it easier for choirs to practice and for conductors to guide them through this moving and reflective composition.Whether for worship services or religious concerts, this high-resolution digital score is a practical and beautiful addition to any men’s choir repertoire.======Das Gebet des Herrn (Das Vaterunser)Komponiert von C. G. Mühle (1792-1847)Für Männerchor TTBB arrangiert von L. MüllerTauchen Sie ein in die tiefe Spiritualität von Das Gebet des Herrn (Das Vaterunser), komponiert von Carl Gottlieb Mühle und arrangiert für Männerchor TTBB von L. Müller. Dieses sakrale Werk erweckt die Worte des Vaterunsers zum Leben, von „Unser Vater, der du bist im Himmel“ bis zu dem kraftvollen „Denn dein ist das Reich und die Kraft und die Herrlichkeit in Ewigkeit“.Diese besondere Ausgabe der TTBB-Partitur enthält getrennte Notenzeilen für jede Stimme, um die Proben und Aufführungen zu erleichtern. Jede Stimme—Tenor 1, Tenor 2, Bass 1 und Bass 2—ist übersichtlich dargestellt, was den Chören die Einstudierung erleichtert und den Dirigenten eine bessere Führung durch dieses bewegende und nachdenkliche Werk ermöglicht.Ob für Gottesdienste oder religiöse Konzerte, diese hochauflösende digitale Partitur ist eine praktische und schöne Ergänzung für jedes Männerchor-Repertoire.
$2.99
Das Gebet des Herrn (The Lord's Prayer) - For Men's Choir
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Chorale TTBB
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FACILE
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C
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L
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Das Gebet des Herrn
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Müller Publishing company
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1491215 Composed by C. G. Mühle. Arranged by L. Müller. 19th Century,Christian,Classical,Religious...
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Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1491215 Composed by C. G. Mühle. Arranged by L. Müller. 19th Century,Christian,Classical,Religious,Sacred. 3 pages. Müller Publishing company #1067952. Published by Müller Publishing company (A0.1491215). Das Gebet des Herrn (The Lord's Prayer)Composed by C. G. Mühle (1792-1847)Arranged for Men's Choir TTBB by L. MüllerDiscover the spiritual grandeur of Das Gebet des Herrn (The Lord's Prayer), a masterful composition by 19th-century composer Carl Gottlieb Mühle, now beautifully arranged for Men's Choir TTBB by L. Müller. Mühle’s work is known for its delicate interplay of reverence and melody, offering a powerful interpretation of the sacred text.This TTBB arrangement for men’s choir emphasizes the rich harmonies and depth of Mühle’s composition, making it an evocative choice for religious performances and services. The vocal arrangement follows the classic prayer, from Our Father, who art in heaven to the resounding conclusion of For thine is the kingdom, and the power, and the glory forever. Each voice part has been crafted to allow for clarity and balance, ensuring an impactful and moving performance.This digital sheet music is available in high-resolution, ideal for church performances, religious ceremonies, and concerts, providing choirs with an opportunity to delve into a profound and meditative expression of faith.======Das Gebet des Herrn (Das Vaterunser)Komponiert von C. G. Mühle (1792-1847)Für Männerchor TTBB arrangiert von L. MüllerEntdecken Sie die spirituelle Größe von Das Gebet des Herrn (Das Vaterunser), eine meisterhafte Komposition des Komponisten des 19. Jahrhunderts, Carl Gottlieb Mühle, nun wunderschön für Männerchor TTBB arrangiert von L. Müller. Mühles Werk ist bekannt für seine feinsinnige Verbindung von Ehrfurcht und Melodie und bietet eine kraftvolle Interpretation des heiligen Textes.Dieses TTBB-Arrangement für Männerchor hebt die reichen Harmonien und die Tiefe von Mühles Komposition hervor und macht es zu einer ergreifenden Wahl für religiöse Aufführungen und Gottesdienste. Das vokale Arrangement folgt dem klassischen Gebet, von „Unser Vater, der du bist im Himmel“ bis zum ergreifenden Abschluss „Denn dein ist das Reich und die Kraft und die Herrlichkeit in Ewigkeit“. Jede Stimmführung wurde so gestaltet, dass sie Klarheit und Ausgewogenheit ermöglicht und eine eindrucksvolle und bewegende Darbietung sicherstellt.Diese digitale Partitur ist in hochauflösender Qualität erhältlich und ideal für kirchliche Aufführungen, religiöse Zeremonien und Konzerte, und bietet Chören die Möglichkeit, in einen tiefgründigen und meditativen Ausdruck des Glaubens einzutauchen.
$2.99
The Stream of Life for TTBB voices and Piano
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Leslie Kleen
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The Stream of Life for TTBB vo
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Music From Riverside
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.1004797 Composed by Leslie Kleen. Contemporary. Octavo. 13 pages. Music From Riverside #4368548. Published by Mu...
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Choral Choir (TTBB) - Level 4 - SKU: A0.1004797 Composed by Leslie Kleen. Contemporary. Octavo. 13 pages. Music From Riverside #4368548. Published by Music From Riverside (A0.1004797). The life-affirming poem by Rabrindranath Tagore is set for men's chorus (TTBB) and piano.The same stream of life that runs through my veins night and day runs through the whole world and dances in rhythmic measures.It is the same life that shoots in joy through the dust of the earth in numberless blades of grass, and breaks into tumultuous waves of leaves and flowers. It is the same life that is rocked in the ocean cradle of birth and death, of ebb and flow.I feel my limbs are made glorious by the touch of this world of life.And my pride is from the life-throb of ages dancing in my blood this moment..
$1.99
Det förlorade paradiset
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Chorale TTBB
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Kjell Perder
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Det förlorade paradiset
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
SATB chorus and reciter - SKU: BJ.1427 Das verlorene Paradies. Composed by Kjell Perder. A paradise lost – A choral work in honour of Beet...
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SATB chorus and reciter - SKU: BJ.1427 Das verlorene Paradies. Composed by Kjell Perder. A paradise lost – A choral work in honour of Beethoven. Secular. Octavo. 24 pages. Bo Ejeby Forlag - Digital #1427. Published by Bo Ejeby Forlag - Digital (BJ.1427). 8.27 x 11.7 inches.In the symphony popularly known as the Pastoral, Beethoven delineates his deep love for nature, for the peace of the countryside along with the drama of a thunderstorm. Little could he know how industrialism, urbanisation, exploitation and a general lack of respect would come to be a threat to Mother Earth. When we hear the nightingale, the cuckoo, and the rumbling of thunder in Beethoven's sixth symphony, the aim of the composer is to express his emotions with regard to these sounds of nature rather than imitate them (Mehr Empfindung als Malerei!). Yet the Pastoral Symphony became a model for 19th century programme music composers who wished to renew the symphonic format with storytelling and a freer artistic idiom. The vocal work Det forlorade paradiset (The lost paradise) makes reference to Beethoven's ontologically anchored love for Creation, but also to the fundamental tension between the idyllic and encroaching threats, the very factors that give the Pastoral Symphony its richness and inevitability. The lyrics have nothing to do with John Milton's famous epos Paradise Lost, they foretell an approaching apocalypse created by mankind in this age of pollution and climate change. The choral text consists of fragments of Schiller's Ode an die Freude (used by LvB in his 9th Symphony). A few quotes by Beethoven will be recited as well.The basic principal of this composition is to present soothing parallel - tonally based - streams of nature sounds and idyllic surroundings with the gathering of ominous clouds of approaching disaster: ferocious fires, torrents of rain and stormy winds (where the singers make use of clusters, chanting, growl, stamping their feet, etc). Doch mehr Empfindung als Malerei! (emotion rather than mere imitation). A nod or two to Mr. Beethoven by way of droning and using chromatic runs. The performance can be choreographed for extra impact, but it is equally possible to perform the music as a concert piece. - Kjell Perder.
$6.40
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