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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Wrong
Non classifié
130
Piano & claviers
Piano, Voix et Guitare
199
Piano seul
101
Piano, Voix
78
Piano Facile
23
Instruments en Do
10
1 Piano, 4 mains
6
Accompagnement Piano
5
Piano Trio: piano, violon, violoncelle
3
Ligne De Mélodie, Piano
2
Orgue
2
Clavecin
1
Clavier
1
Piano grosses notes
1
1 Piano, 6 mains
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
85
Ligne De Mélodie, (Paroles) et Accords
62
Paroles et Accords
18
Basse electrique
16
Guitare
9
Ukulele
9
Dulcimer
1
Guitare Pedal Steel
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
51
Chorale 3 parties
13
Chorale TTBB
11
Chorale 2 parties
10
Voix duo, Piano
8
Chorale Unison
8
Voix duo
2
Chorale SSAA
2
Voix Alto, Piano
2
Voix haute
2
Chorale SSATB
1
Voix Baryton, Piano
1
+ 7 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
11
Flûte, Hautbois, Clarinette, Basson
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
Flûte traversière et Piano
5
Clarinette et Piano
3
Quatuor de Clarinettes: 4 clarinettes
3
Saxophone Tenor
3
Saxophone Alto
3
Clarinette (partie séparée)
3
Flûte traversière
3
Ensemble de Flûtes
2
Clarinette
2
3 Clarinettes (trio)
2
Saxophone Alto et Piano
2
2 Flûtes traversières (duo)
2
Flute (partie séparée)
1
Flûte, Violon
1
Quatuor de Flûtes : 4 flûtes
1
Trio de Flûtes: 3 flûtes
1
Flûte à bec Soprano, Piano
1
Saxophone (partie séparée)
1
Hautbois (partie séparée)
1
Quatuor de Flûtes à bec
1
+ 18 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Trombone
4
Trompette (partie séparée)
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Trombone (partie séparée)
1
Quatuor de Cuivres
1
Cor
1
Trompette
1
Euphonium, Piano (duo)
1
2 Cors (duo)
1
2 Trompettes (duo)
1
Tuba (partie séparée)
1
Cor (partie séparée)
1
+ 8 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
77
Violon, Violoncelle (duo)
37
Trio à Cordes: 2 violons, violoncelle
17
Trio à Cordes: violon, alto, violoncelle
16
Violoncelle
10
Violon, Alto (duo)
5
Violon (partie séparée)
4
Violon
4
2 Violons (duo)
2
Violon et Piano
2
Alto et Harpe
1
Quatuor à cordes : 4 altos
1
Contrebasse (partie séparée)
1
Contrebasse, Piano (duo)
1
Alto (partie séparée)
1
Alto seul
1
Alto, Piano
1
Violoncelle, Piano
1
+ 13 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
84
Fanfare
27
Orchestre
20
Orchestre à Cordes
14
Ensemble Jazz
10
Orchestre de chambre
6
Ensemble de cuivres
4
Batterie
4
Jazz combo
2
Percussion (partie séparée)
1
Batterie (partie séparée)
1
+ 6 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
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SheetMusicPlus
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Vous avez sélectionné:
Wrong
Chorale TTBB
Partitions à imprimer
11 partitions trouvées
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1
So Wrong
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.967116 By Patsy Cline. By …
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.967116 By Patsy Cline. By Carl Perkins, Danny Dill, and Mel Tillis. Arranged by Robert Rund. Country. Octavo. 6 pages. Robert Rund #5835589. Published by Robert Rund (A0.967116). This arrangement was written for barbershop quartet, with an original verse to this Patsy Cline classic. Learning tracks are available from Jordan Litz (featured on attached .mp3 file and YouTube Link). .
$4.60
4.24 €
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Chorale TTBB
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Patsy Cline
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Robert Rund
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So Wrong
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Robert Rund
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SheetMusicPlus
Am I Wrong
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.596826 By Nico & Vinz. By …
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.596826 By Nico & Vinz. By Abdoulie Jallow, Nicolay Sereba, Vincent Dery, and William Larsen. Arranged by Steve Milloy. Contemporary. Octavo. 32 pages. Steve Milloy #5320207. Published by Steve Milloy (A0.596826).
$2.25
2.07 €
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Chorale TTBB
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Nico & Vinz
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Steve Milloy
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Am I Wrong
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Steve Milloy
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SheetMusicPlus
Am I Wrong
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.996728 By Nico & Vinz. By …
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.996728 By Nico & Vinz. By Abdoulie Jallow, Nicolay Sereba, Vincent Dery, and William Larsen. Arranged by Jim Farrell. A Cappella. Octavo. 10 pages. Jim Farrell #5025273. Published by Jim Farrell (A0.996728). A cappella TTBB with Solo arrangement.
$12.99
11.98 €
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Chorale TTBB
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Nico & Vinz
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Jim Farrell
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Am I Wrong
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Jim Farrell
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SheetMusicPlus
(hey, Won't You Play) Another Somebody Done Somebody Wrong Song
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.971230 By B.J. Thomas. By …
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.971230 By B.J. Thomas. By Chips Moman and Larry Butler. Arranged by Jim Shubert. Oldies. Octavo. 3 pages. James W. Shubert #6064093. Published by James W. Shubert (A0.971230). 4 part Male Barbershop Arrangement. Easy/Intermediate level.
$1.99
1.83 €
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Chorale TTBB
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B
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Jim Shubert
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(hey, Won't You Play) Another Somebody Done Somebody Wrong Song
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James W. Shubert
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SheetMusicPlus
A Foggy Day (In London Town)
Chorale TTBB
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1399870 Composed by…
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1399870 Composed by George Gershwin and Ira Gershwin. Arranged by Jim Shubert. 20th Century,A Cappella,Barbershop,Broadway,Film/TV,Musical/Show. 3 pages. James W. Shubert #983095. Published by James W. Shubert (A0.1399870). 4 part Male Barbershop Arrangement (TTBB) Intermediate Level. Â You can't go wrong with a Gershwin Song, and this arrangement won't disappoint you. Â If you intend to take this arrangement into contest, check with a judge before you sing it. Â A number of years ago the song probably would have been DQ'd for Major 7th's, but recently, who knows but the judges. Â However, it's a crowd pleaser.
$1.99
1.83 €
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Chorale TTBB
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George Gershwin and Ira Gershwin
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Jim Shubert
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A Foggy Day
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James W. Shubert
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SheetMusicPlus
I'm Just Ken
Chorale TTBB
Choral Choir,Choral (TTBB) - Level 5 - Digital Download SKU: A0.1337977 By Ryan Gos…
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Choral Choir,Choral (TTBB) - Level 5 - Digital Download SKU: A0.1337977 By Ryan Gosling. By Andrew Wyatt and Mark Ronson. Arranged by Jacob Klingsten. 21st Century,A Cappella,Comedy,Contemporary,Pop. 13 pages. Jacob Klingsten #923723. Published by Jacob Klingsten (A0.1337977). I'm Just Ken from Barbie is a show-stopping broadway style song with key changes, flare, pink, and just Ken all over. This arrangement is for TTBB Acapella groups. While there isn't a Vocal Percussionist part in the score, it is recommended to perform this arrangement with one, as there is a VP Solo/Feature in this piece!This arrangement features a soloist, Ken, who is highly encouraged along with the rest of the ensemble to be as theatrical as possible. The harmonies are full in texture, making every part of the piece over-the-top while being comical at the same time. As mentioned, this piece features a Vocal Percussionist Solo, where the soloist gets 'carried away,' which distracts the ensemble and causes them to stop and give the VP the stage. Once they finish, they 'realize' that they went a bit too far and pitch is given for the new, final key of the song. You can't go wrong with just a little bit of Ken!Additional Details:Keys: F# Major (with b7), Db Minor, Ab major (with b7), E minor, C minor/Eb Major13 PagesLength: 3m 40sRange (All Parts): Eb2-B4(C5).
$2.99
2.76 €
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Chorale TTBB
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Ryan Gosling
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Jacob Klingsten
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I'm Just Ken
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Jacob Klingsten
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.68 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Nice Work If You Can Get It
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.971410 By Frank Sinatra. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.971410 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by Jim Shubert. Jazz. Octavo. 4 pages. James W. Shubert #6612017. Published by James W. Shubert (A0.971410). 4 part male Barbershop Arrangement (TTBB) Early Intermediate Level. You can never go wrong with a Gershwin Song. A classic example of George's jazz sensibilities married to a pop melody, coupled with Ira's contemporary and charming lyrics. The arrangement is fun to sing, and will certainly entertain your audience.
$1.99
1.83 €
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Chorale TTBB
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Frank Sinatra
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Jim Shubert
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Nice Work If You Can Get It
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James W. Shubert
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SheetMusicPlus
Here Comes The Flood
Chorale TTBB
Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.979905 By Peter Gab…
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Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.979905 By Peter Gabriel. By Peter Gabriel. Arranged by Andrea Figallo. A Cappella. 6 pages. Andrea Figallo #3885261. Published by Andrea Figallo (A0.979905). Peter Gabriel himself loves this arrangement, therefore you cannot go wrong!Originally recorded by The Flying Pickets, this is the original TTTBB arrangement which will allow your male choir to perform this very special composition.Also available as SATB. Please contact me at andrea@andreafigallo.com for the learning files.
$3.00
2.77 €
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Chorale TTBB
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Peter Gabriel
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Andrea Figallo
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Here Comes The Flood
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Andrea Figallo
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SheetMusicPlus
Streets of Laredo (Downloadable)
Chorale TTBB
TTBB choir, piano - Digital Download SKU: MQ.8035-E Composed by John David Earnest.…
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TTBB choir, piano - Digital Download SKU: MQ.8035-E Composed by John David Earnest. 15 pages. Duration 5 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #8035-E. Published by E. C. Schirmer Music Company - Digital (MQ.8035-E). Also known as The Cowboy’s Lament, this song was passed along in the oral tradition of folk music. Earnest selected only those verses that outline the poignant narrative of the dying cowboy: his realization of having “done wrong,†his acceptance of his tragic youthful death, and his plaintive appeal to his comrades for a final resting place. In keeping with the spirit of that story, the work should be performed with a quiet sustained nobility. Duration: 5:30.
$2.80
2.58 €
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Chorale TTBB
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John David Earnest
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Streets of Laredo
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
It Was I (TBB w/ Full Orchestra)
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.978291 Composed by Jim Ail…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.978291 Composed by Jim Ailor. Christian,Easter,Sacred. Octavo. 16 pages. ResurrectionSong #6323659. Published by ResurrectionSong (A0.978291). TBB Voicing. Jim Ailor has created an unsettling sense of discomfort as we witness the crucifixion and realize that we are the ones that belong on the cross, not Christ. Inspired by Isaiah 53:5, He was wounded for our transgressions . . . and a driving reminder that He was hung on the cross . . . for our wrongdoing. (Gal. 3:13) Appropriate for Lent, Ash Wednesday, Maundy Thursday, Good Friday and Tenebrae services.
$2.25
2.07 €
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Chorale TTBB
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Jim Ailor
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It Was I
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ResurrectionSong
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