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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
You're a Star!
Non classifié
250
Piano & claviers
Piano Facile
181
Piano seul
156
Piano, Voix
65
Instruments en Do
46
Piano, Voix et Guitare
19
Accompagnement Piano
16
1 Piano, 4 mains
4
Piano Quatuor: piano, 2 violons, violoncelle
3
Orgue
3
Piano Trio: piano, violon, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 6 instrumentations
Retracter
Guitares
Guitare notes et tablatures
37
Guitare
11
Ligne De Mélodie, (Paroles) et Accords
10
Basse electrique
9
Ukulele
6
2 Guitares (duo)
4
Paroles et Accords
2
3 Guitares (trio)
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
22
Voix Soprano, Piano
19
Chorale SSAA
15
Chorale 2 parties
11
Chorale TTBB
11
Chorale 3 parties
10
Chorale Unison
4
Chorale SSATTB
1
Voix Alto, Piano
1
+ 4 instrumentations
Retracter
Vents
Flûte traversière et Piano
288
Flûte traversière
154
Saxophone Alto
56
2 Saxophones (duo)
53
Clarinette et Piano
49
Hautbois, Piano (duo)
48
Clarinette
34
Saxophone Alto et Piano
34
Saxophone Tenor
29
Hautbois (partie séparée)
28
Flûte, Hautbois, Clarinette, Basson
27
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
26
Quintette de Saxophone: 5 saxophones
24
Quatuor de Saxophones: 4 saxophones
23
Saxophone (partie séparée)
21
Saxophone Tenor et Piano
20
2 Flûte à bec (duo)
20
2 Flûtes traversières (duo)
17
2 Clarinettes (duo)
17
2 Hautbois (duo)
16
Saxophone Soprano et Piano
12
Saxophone Baryton, Piano
10
Hautbois
10
Hautbois, Clarinette (duo)
9
Flûte, Clarinette (duo)
8
Flûte à Bec
7
Flûte, Clarinette et Basson
6
3 Saxophones (trio)
6
3 Clarinettes (trio)
6
Quintette de Clarinettes: 5 clarinettes
6
Flûte à bec Soprano
5
Saxophone Soprano
5
Cor anglais, Piano
4
Clarinette, Violoncelle (duo)
4
Flûte, Hautbois (duo)
3
Quatuor de Clarinettes: 4 clarinettes
3
Quintette de Flûte : 5 flûtes
3
Flûte, Violoncelle
3
Hautbois, Basson (duo)
3
Flûte, Violon
2
5 Flûtes à bec
2
Saxophone Baryton
2
Clarinette, Basson (duo)
2
Hautbois et alto (duo)
2
Flute (partie séparée)
2
Hautbois, Violoncelle
2
Cor Anglais
2
Clarinette, Violon (duo)
2
Saxophone
2
Hautbois, violon (duo)
1
Flûte et Guitare
1
Clarinette et Alto
1
Flûte traversière, Orgue (duo)
1
Flûte, Alto (duo)
1
Clarinette, Guitare (duo)
1
Quatuor de Flûtes à bec
1
Quatuor de Flûtes : 4 flûtes
1
Ensemble de Clarinettes
1
Hautbois, Guitare (duo)
1
Flûte à bec Alto
1
+ 55 instrumentations
Retracter
Cuivres
Trompette, Piano
50
Cor et Piano
42
Trompette
38
Tuba
32
Trombone et Piano
32
Cor
29
Trombone
28
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
25
Tuba et Piano
22
2 Trompettes (duo)
19
Quatuor de Cuivres : 2 trompettes, trombone, tuba
19
2 Cors (duo)
18
2 Trombones (duo)
16
2 Tubas (duo)
12
Trompette, Trombone (duo)
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Quatuor de Cuivres
5
Trompette, Cor (duo)
5
Tuba et Orgue
4
Cor anglais, Piano
4
Instruments en Sib
2
Cor Anglais
2
Quatuor de cuivres: 4 trompettes
1
Trompette (partie séparée)
1
Ensemble de Trompettes
1
+ 20 instrumentations
Retracter
Cordes
Violon et Piano
75
Quatuor à cordes: 2 violons, alto, violoncelle
75
Violon
62
Alto, Piano
61
Violoncelle, Piano
54
Alto seul
50
Violoncelle
49
2 Violons (duo)
23
Contrebasse, Piano (duo)
21
Contre Basse
21
Violon, Violoncelle (duo)
19
2 Violoncelles (duo)
19
Quintette à cordes: 2 violons, alto, violoncelle, basse
19
2 Altos (duo)
17
Violon, Alto (duo)
14
2 Contrebasses (duo)
12
Trio à Cordes: 2 violons, violoncelle
8
Quintette à cordes : 2 violons, alto et 2 violoncelles
8
Violon, Basson (duo)
4
Piano Trio: Violon, Alto, Piano
4
Alto (partie séparée)
4
Harpe
2
Alto, Violoncelle (duo)
2
Trio à Cordes: violon, alto, violoncelle
1
Violoncelle , Guitare (duo)
1
+ 20 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
31
Orchestre à Cordes
8
Orchestre
8
Ensemble Jazz
8
Orchestre de chambre
4
Batterie
4
Marimba
3
Jazz combo
2
Cloches
2
Percussion (partie séparée)
1
Ensemble de cuivres
1
+ 6 instrumentations
Retracter
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DULCIMER
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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VIOLON
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
You're a Star!
Chorale TTBB
Partitions à imprimer
11 partitions trouvées
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1
You're Sixteen (you're Beautiful And You're Mine)
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Chorale TTBB
#
FACILE
#
Contemporain
#
Ringo Starr
#
Jim Shubert
#
You're Sixteen
#
James W. Shubert
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.971339 By Ringo Starr. By Richard M. Sherman and Robert B. Sherman. Arranged by Jim Shubert. Contemporary. Octav...
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Choral Choir (TTBB) - Level 2 - SKU: A0.971339 By Ringo Starr. By Richard M. Sherman and Robert B. Sherman. Arranged by Jim Shubert. Contemporary. Octavo. 4 pages. James W. Shubert #6129933. Published by James W. Shubert (A0.971339). 4 part Male Barbershop Arrangement (TTBB). Early Intermediate Level. A fun, singable, bouncy arrangement of the Ringo Starr hit song from the 60's. Works great from a senior quartet all the way down to a youth quartet. It will get your audience's toes a-tapping.
$1.99
You Make It Feel Like Christmas
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Chorale TTBB
#
INTERMÉDIAIRE
#
Gwen Stefani
#
Jay Dougherty
#
You Make It Feel Like Christma
#
Jay Dougherty
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1134909 By Gwen Stefani. By Blake Shelton, Gwen Stefani, Justin Tranter, and Michael Busbee. Arranged by Jay Dou...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1134909 By Gwen Stefani. By Blake Shelton, Gwen Stefani, Justin Tranter, and Michael Busbee. Arranged by Jay Dougherty. A Cappella,Barbershop,Christmas,Holiday,Pop. Octavo. 7 pages. Jay Dougherty #734939. Published by Jay Dougherty (A0.1134909). This 2017 hit from superstars Gwen Stefani and Blake Shelton is sure to be crowd pleaser at your next holiday show. This arrangement is for TTBB a cappella voices. The SATB version is also available on SheetMusicPlus.comNOTE: There is a 10-copy minimum purchase. However, the per-copy price is set to the lowest possible setting at $1.99. If you want this song for a quartet, please understand that with the 10-copy minimum (10 x $1.99), you're still paying only $20 for legal access to this music. The arranger gets nearly nothing, and you're getting great legal music for $5 per quartet member. Learning tracks are available at: www.onQtracks.com.For more information on arrangements and compositions by Jay Dougherty, visit www.jmdougherty.com.
$1.99
You're Sixteen (you're Beautiful And You're Mine)
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Chorale TTBB
#
FACILE
#
Ringo Starr
#
Konrad Harley
#
You're Sixteen
#
Konrad Harley
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1205874 By Ringo Starr. By Richard M. Sherman and Robert B. Sherman. Arranged by Konrad Harley. Barbershop,Rock....
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Choral Choir (TTBB) - Level 2 - SKU: A0.1205874 By Ringo Starr. By Richard M. Sherman and Robert B. Sherman. Arranged by Konrad Harley. Barbershop,Rock. Octavo. 10 pages. Konrad Harley #804064. Published by Konrad Harley (A0.1205874). In this version, the lyrics have been modified by the Queensmen Male Chorus of Toronto (2023) to be suitable for a group of older gentlemen singers. Instead of You're Sixteen, this version is entitled You Were Sixteen. The song now ends with the words, You're sixty, you're beautiful, and still mine.The same arrangement is also available on Sheet Music Plus (or Sheet Music Direct) with the original lyrics.
$1.99
You're Sixteen (You're Beautiful And You're Mine)
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Chorale TTBB
#
INTERMÉDIAIRE
#
Ringo Starr
#
Andrew Emmet
#
You're Sixteen
#
Andrew J Emmet
#
SheetMusicPlus
Choral Choir,Choral (TTBB Chorus) - Level 3 - SKU: A0.1509765 By Ringo Starr. By Richard M. Sherman and Robert B. Sherman. Arranged by Andrew Emmet. A C...
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Choral Choir,Choral (TTBB Chorus) - Level 3 - SKU: A0.1509765 By Ringo Starr. By Richard M. Sherman and Robert B. Sherman. Arranged by Andrew Emmet. A Cappella,Pop,Rock. 9 pages. Andrew J Emmet #1085011. Published by Andrew J Emmet (A0.1509765). TTBB A Cappella arrangement.Melody mostly in Bass 1.Bass 2 goes down to F.Tenor 1 goes up to A.Tenor 2 splits in a few places.
$4.00
Can I Interest You In Hannukah?
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Chorale TTBB
#
INTERMÉDIAIRE
#
Adam Schlesinger and David Jav
#
Dom Finetti
#
Can I Interest You In Hannukah
#
Dom Finetti
#
SheetMusicPlus
Choral Choir,Choral (TTBB Chorus) - Level 3 - SKU: A0.1498044 Composed by Adam Schlesinger and David Javerbaum. Arranged by Dom Finetti. A Cappella,Barb...
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Choral Choir,Choral (TTBB Chorus) - Level 3 - SKU: A0.1498044 Composed by Adam Schlesinger and David Javerbaum. Arranged by Dom Finetti. A Cappella,Barbershop,Christmas,Comedy,Hanukkah. 13 pages. Dom Finetti #1074385. Published by Dom Finetti (A0.1498044). If you're looking for a unique, fun, and entertaining arrangement to add to your a cappella ensemble's holiday repertoire, look no further than Can I Interest You In Hanukkah.Originally written for A Colbert Christmas: The Greatest Gift Of All!, a TV special produced and starring television personality, Stephan Colbert. Originally featuring friend Jon Stewart, alongside Colbert himself, this SATB arrangement tells the story of a proud Jewish person's desperate (and hopeless) plea for their non-Jewish friend to give Hanukkah a try. Voices shift between 5 and 7 parts.
$2.99
You're The Inspiration
#
Chorale TTBB
#
AVANCÉ
#
Peter Cetera Featuring AZ Yet
#
Rowena Harper
#
You're The Inspiration
#
Rowena Harper
#
SheetMusicPlus
Voice (TTBB) - Level 5 - SKU: A0.762495 By Peter Cetera Featuring AZ Yet. By David Babyface Foster and Peter Cetera. Arranged by Rowena Harper. A Cappel...
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Voice (TTBB) - Level 5 - SKU: A0.762495 By Peter Cetera Featuring AZ Yet. By David Babyface Foster and Peter Cetera. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Barbershop Quartet. 9 pages. Rowena Harper #4882897. Published by Rowena Harper (A0.762495). An old favourite love song that transcends time and has been played at many a wedding. This arrangement captures the Chicago key changes and the memorable countermelodies of the original song, whilst being firmly based in barber-pop (non-contestable) harmony. The melodic lines facilitate a passionate rendition that will be enjoyed by many a listener as the different voice parts weave their magic around and with each other, particularly in the closing pages of the arrangement where it creatively builds to drive the piece home.Range (Lowest-Highest): Bass E-G, Baritone C-D, Lead F-F, Tenor A-A. Transposed down from the original by a flattened fourth - starting in D major. Singers are welcome to pitch it up again to their most comfortable tessatura.Also available at a per copy price with a minimum buy of ten copies.(Note: This sheet music is notated in barbershop format: Tenor (T.1) and Lead (T.2) in treble clef , Baritone (B.1) and Bass (B.2) in bass clef. The treble clef parts are sung an octave lower than written.Contact: acappellatenor@gmail.com.
$15.95
You're The Inspiration
#
Chorale TTBB
#
AVANCÉ
#
Chicago
#
Rowena Harper
#
You're The Inspiration
#
Rowena Harper
#
SheetMusicPlus
Choral Choir (TTBB) - Level 5 - SKU: A0.762496 By Chicago. By David Babyface Foster and Peter Cetera. Arranged by Rowena Harper. A Cappella,Barbershop,P...
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Choral Choir (TTBB) - Level 5 - SKU: A0.762496 By Chicago. By David Babyface Foster and Peter Cetera. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Octavo. 9 pages. Rowena Harper #4882901. Published by Rowena Harper (A0.762496). An old favourite love song that transcends time and has been played at many a wedding. This arrangement captures the Chicago key changes and the memorable countermelodies of the original song, whilst being firmly based in barber-pop (non-contestable) harmony. The melodic lines facilitate a passionate rendition that will be enjoyed by many a listener as the different voice parts weave their magic around and with each other, particularly in the closing pages of the arrangement where it creatively builds to drive the piece home.Purchasing allows printing of one copy, and one copy per singer is required.Range (Lowest-Highest): Bass E-G, Baritone C-D, Lead F-F, Tenor A-A. Transposed down from the original by a flattened fourth - starting in D major. Singers are welcome to pitch it up again to their most comfortable tessatura.This is per copy price. Also available as a set of parts (four copies).(Note: This sheet music is notated in barbershop format: Tenor (T.1) and Lead (T.2) in treble clef , Baritone (B.1) and Bass (B.2) in bass clef. The treble clef parts are sung an octave lower than written.Contact: acappellatenor@gmail.com.
$3.00
The Star Spangled Banner (TTBB)
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Americana
#
Patriotique
#
Frances Scott Key
#
The Star Spangled Banner
#
Jeff Batdorf
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.940495 Composed by Frances Scott Key. Arranged by David Denman Smith (1958-2018), Jeff Batdorf. Folk,Holiday,Pat...
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Choral Choir (TTBB) - Level 3 - SKU: A0.940495 Composed by Frances Scott Key. Arranged by David Denman Smith (1958-2018), Jeff Batdorf. Folk,Holiday,Patriotic. Octavo. 4 pages. Jeff Batdorf #6019427. Published by Jeff Batdorf (A0.940495). David Denman Smith's original 1997 TTBB arrangement has been re-edited for this release on smp press. Utilizing traditional harmonies with some new colors, this arrangement takes full advantage of the beautiful range of men's voices. The piece works well as a stand alone piece or the audience can stand and sing along. An SSAA version is available and compatible with this one. You may also use this version with any of the instrumental versions available based on David Denton Smith's original arrangement including violin, cello, and trombone quartets. Due to COVID-19, we're looking for a group to help record a demo of this peace. Please contact us if interested.
$2.50
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
#
FACILE
#
Arlo Guthrie
#
Craig Hanson
#
The Story Of Reuben Clamzo &am
#
Edition Craig Hanson
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
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Beautiful
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Chorale TTBB
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INTERMÉDIAIRE
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Betty Who
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Beautiful
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.552899 By Betty Who. By Jessica Newham and Zak Waters. Arranged by Timorell. A Cappella,Contemporary,Hip-...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.552899 By Betty Who. By Jessica Newham and Zak Waters. Arranged by Timorell. A Cappella,Contemporary,Hip-Hop,Pop,R & B. 12 pages. Timorell #162582. Published by Timorell (A0.552899). As performed by TONEWALL, the charismatic queer a cappella band of the New York City Gay Men's Chorus. Follow us! @tonewallnyc Instagram | Facebook | Tiktok | Youtube | email | website #queeracappella . Questions for the arranger? Volume pricing? Contact Timorell at tonewallnyc@gmail.com. - Intermediate a cappella cover of Betty Who's Beautiful with gender neutral lyrics. - Fantastic message that we're all beautiful creatures.- Starts with a slow solo beginning then transitions to uptempo.- Vocal percussion is notated and encouraged.- Vamp section inserted for a speech or rap segment.- Video of the arrangement: https://youtu.be/M1THkkPigV0
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