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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
at the end
Non classifié
4 155
Piano & claviers
Piano seul
2 359
Piano, Voix
759
Piano Facile
655
Piano, Voix et Guitare
479
Instruments en Do
340
Orgue
220
Accompagnement Piano
78
1 Piano, 4 mains
75
Piano Trio: piano, violon, violoncelle
50
2 Pianos, 4 mains
36
Piano Quatuor: piano, violon, alto, violoncelle
21
Accordéon
19
Piano grosses notes
16
Piano (partie séparée)
12
Piano Quatuor: piano, 2 violons, violoncelle
7
Orgue, Trompette (duo)
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Orgue, Piano (duo)
4
Clavecin
2
Fake Book
1
+ 15 instrumentations
Retracter
Guitares
Guitare notes et tablatures
202
Guitare
194
Ukulele
131
Ligne De Mélodie, (Paroles) et Accords
43
Basse electrique
38
2 Guitares (duo)
24
Guitare (partie séparée)
20
Mandoline
17
Dulcimer
13
4 Guitares (Quatuor)
13
Piano, Guitare (duo)
11
Paroles et Accords
11
Banjo
6
Ensemble de guitares
4
3 Guitares (trio)
3
Guitare, Violon, Violoncelle (trio)
2
Mandoline, Piano (duo)
2
Basse électrique (partie séparée)
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
1 242
Chorale 2 parties
415
Chorale 3 parties
352
Chorale TTBB
200
Chorale Unison
159
Voix duo, Piano
157
Chorale SSAA
146
Voix duo
54
Voix Soprano, Piano
48
Voix Tenor, Piano
30
Voix Baryton, Piano
29
Voix Alto, Piano
28
Pack Instrumental pour Chorale
22
Voix haute
17
Voix seule
11
Voix basse, Piano
9
Chorale SSAATTBB
5
Voix Mezzo-Soprano, Piano
4
Voix moyenne, Piano
4
Voix basse
4
Chorale SSATTB
2
Voix Tenor
2
Voix Soprano
2
Voix duo, Orgue
1
Chorale SSAB, Piano
1
Soli, choeur mixte et accompagnement
1
Chorale SSAB a cappella
1
Chorale SATTBB A Cappella
1
Chorale SSATB
1
Chorale
1
+ 25 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
300
Flûte à bec Soprano
275
Ocarina
275
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
272
Flûte traversière et Piano
250
Clarinette et Piano
222
2 Saxophones (duo)
210
Flûte, Hautbois, Clarinette, Basson
205
Harmonica
205
Flûte à bec Alto
196
Saxophone Alto et Piano
180
Hautbois, Piano (duo)
178
Quintette de Saxophone: 5 saxophones
158
Flûte traversière
150
Clarinette
142
Saxophone Tenor et Piano
124
2 Flûtes traversières (duo)
120
Saxophone (partie séparée)
116
Quatuor de Clarinettes: 4 clarinettes
110
Saxophone Alto
107
Saxophone Soprano et Piano
105
2 Clarinettes (duo)
100
Saxophone Tenor
85
Hautbois (partie séparée)
80
Saxophone
71
Flûte, Clarinette (duo)
65
Quatuor de Flûtes : 4 flûtes
64
Saxophone Baryton, Piano
60
Saxophone, Clarinette (duo)
57
Clarinette, Violon (duo)
46
Ensemble de Clarinettes
46
3 Saxophones (trio)
45
2 Hautbois (duo)
40
Flûte à bec Alto, Piano
37
Flûte à Bec
36
Clarinette, Trompette (duo)
36
Ensemble de Flûtes
35
Hautbois
35
Hautbois, Basson (duo)
35
Cor anglais, Piano
33
Ensemble de saxophones
32
Clarinette Basse, Piano
30
Hautbois, Clarinette (duo)
30
Quintette de Clarinettes: 5 clarinettes
29
3 Clarinettes (trio)
29
Trio de Flûtes: 3 flûtes
28
Flute (partie séparée)
28
Quintette de Flûte : 5 flûtes
24
Flûte et Guitare
24
Hautbois, Flûte
22
Flûte, Violon
22
Clarinette (partie séparée)
21
Flûte, Alto (duo)
21
Flûte, Saxophone (duo)
21
Clarinette et Alto
20
2 Flûte à bec (duo)
20
Quatuor de Flûtes à bec
19
Flûte, Trompette (duo)
17
Flûte, Violon, Piano
16
Saxophone Soprano
13
Hautbois, Clarinette, Basson (trio d'anches)
12
Flûte, Hautbois (duo)
12
Clarinette, Basson (duo)
11
Flûte, Hautbois, Clarinette (trio)
10
5 Flûtes à bec
9
Clarinette, Violoncelle, Piano (trio)
9
Clarinette, Violoncelle (duo)
9
Flûte, Violoncelle, Piano (trio)
9
Flûte, Clarinette et Basson
8
Flûte, Hautbois, Basson
7
2 Clarinettes, Piano
7
Hautbois, Violoncelle
7
Flûte, Hautbois, Piano (trio)
7
Clarinette, Guitare (duo)
6
Saxophone Baryton
6
Flûte, Violoncelle
6
Flûte, Basson et Piano
6
Flûte, Clarinette, Piano (trio)
6
Flûte à bec Tenor
5
3 Flûtes à bec (trio)
5
2 Flûtes traversières, Piano
4
Clarinette, Harpe (duo)
4
Hautbois, Violoncelle et Piano
4
Flûte, Alto et Piano
4
Hautbois, Clarinette et Piano (Trio)
3
Clarinette, Alto et Piano (trio)
3
Hautbois, Guitare (duo)
3
Clarinette, Basson, Piano (trio)
3
Piccolo
3
Flute, harpe et violon
3
Hautbois, Harpe
3
Piccolo, Piano
3
Flûte à bec Soprano, Piano
3
Hautbois, Basson et Piano
2
2 Saxophones, Piano
2
Hautbois, violon (duo)
2
Ensemble de Hautbois
2
Flûte, Violon, Violoncelle et Piano
2
Instruments en Mib
2
Cor Anglais
2
Saxophone et Guitare
2
Hautbois, Violon, Piano
2
Flûte à Bec, Piano
1
Clarinette, Tuba
1
Clarinette, Trombone (duo)
1
Saxophone et Orgue
1
Hautbois et Orchestre
1
2 Hautbois, Piano
1
Hautbois, trombone (duo)
1
4 Hautbois
1
2 Clarinettes, Basson
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Hautbois et alto (duo)
1
Flûte, Harpe et Violoncelle
1
Flûte irlandaise
1
Hautbois, Trompette (duo)
1
Flûte, Violon et Violoncelle
1
Flûte, Trombone (duo)
1
Clarinette, Orgue
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Tuba (duo)
1
+ 116 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
344
Trompette
192
Quatuor de Cuivres : 2 trompettes, trombone, tuba
166
Trombone et Piano
161
Trompette, Piano
152
Cor et Piano
122
Trombone
93
Trombone (partie séparée)
81
Cor
76
Trompette (partie séparée)
74
Ensemble de Trompettes
72
Quatuor de Cuivres: 2 trompettes, Cor, trombone
60
Quatuor de cuivres: 4 trombones
55
Tuba et Piano
51
Tuba
50
2 Trompettes (duo)
48
Trompette, Saxophone (duo)
46
Quatuor de Cuivres
45
Euphonium, Piano (duo)
45
2 Trombones (duo)
44
Ensemble de Trombones
34
Cor anglais, Piano
33
Trompette, Trombone (duo)
31
Cor (partie séparée)
21
2 Cors (duo)
20
Tuba (partie séparée)
13
Trio de Cuivres
13
Quatuor de cuivres: 4 cors
11
Quatuor de cuivres: 4 trompettes
9
2 Tubas (duo)
8
Trompette, Trombone, Piano
7
Euphonium
6
3 Trompettes (trio)
6
Quatuor de cuivres: 2 trompettes, 2 trombones
6
Trompette, Cor (duo)
6
Trompette, Basson (duo)
5
4 Tubas
4
2 Euphoniums et 2 Tubas
4
Cor, Violoncelle (duo)
4
Trompette, Violoncelle (duo)
4
Trombone basse
3
Bass Clef Instruments
3
Cor et Basson (duo)
3
Trombone, Tuba (duo)
3
Cor et Harpe
3
Ensemble de Cors
3
Trompette, Harpe
3
Trombone, Violon (duo)
2
Euphonium, Tuba (duo)
2
Cor Anglais
2
Trompette, Tuba (duo)
2
Instruments en Sib
2
2 Cors, Piano
2
3 Euphoniums
1
Cor, Trompette, Trombone (trio)
1
Trombone basse et Piano
1
3 Cors (trio)
1
Trombone et orchestre
1
Ensemble de Tubas
1
Instruments en Fa
1
Trompette, Violoncelle et Piano
1
Trompette, Orchestre
1
Cor et Orgue
1
2 Euphoniums (duo)
1
3 Trombones (trio)
1
+ 60 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
882
Violon et Piano
323
Violon
225
Violon, Violoncelle (duo)
224
Violoncelle, Piano
202
Trio à Cordes: violon, alto, violoncelle
195
Violoncelle
191
Alto, Piano
182
Alto seul
110
Harpe
109
Trio à Cordes: 2 violons, violoncelle
105
2 Violons (duo)
105
Violon, Alto (duo)
75
Quintette à cordes: 2 violons, alto, violoncelle, basse
72
2 Violoncelles (duo)
67
Contre Basse
55
Contrebasse, Piano (duo)
46
2 Altos (duo)
43
Violon (partie séparée)
29
Alto (partie séparée)
28
Contrebasse (partie séparée)
22
2 Harpes (duo)
19
4 Violoncelles
19
Alto, Violoncelle (duo)
15
Piano Trio: Violon, Alto, Piano
13
Trio à Cordes: 3 violoncelles
11
Harpe, Flûte (duo)
11
Quatuor à cordes: 4 violons
9
Quatuor à cordes : 4 altos
9
Ensemble d'Altos
8
Trio à cordes: 3 violins
8
Harpe, Violon (duo)
7
Trio à Cordes: 2 violons, alto
7
Ensemble de Violons
7
Trio à cordes: 3 altos
7
Violon, Clarinette, Piano (trio)
6
Harpe, Voix
5
Violon, Guitare (duo)
5
Violon, Basson (duo)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
2 Altos, Piano
3
2 Contrebasses (duo)
3
Alto et Harpe
3
Violoncelle, Orgue
2
Violoncelle , Guitare (duo)
2
Harpe, Violoncelle (duo)
2
Harpe et mandoline
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Violoncelle (partie séparée)
2
Trio à cordes
1
2 Violoncelles, Piano
1
Violon, Violoncelle, Clarinette
1
Alto et Basson
1
Alto et orchestre
1
Harpe et Piano
1
Violoncelle, Contrebasse (duo)
1
Violon, Tuba (duo)
1
2 Violons, Piano
1
Violoncelle, Basse continue
1
Harpe, Violon, Violoncelle
1
Harpe, Trombone (duo)
1
+ 56 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 038
Orchestre
388
Orchestre à Cordes
239
Ensemble de cuivres
221
Ensemble Jazz
210
Fanfare
163
Cloches
119
Orchestre de chambre
102
Jazz combo
60
Ensemble de Percussions
51
Percussion (partie séparée)
21
Batterie
20
Xylophone, Piano
14
Xylophone
14
Batterie (partie séparée)
11
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
8
Marimba
8
Vibraphone
6
Orchestre, Violon
2
Timbales (partie séparée)
2
2 Marimbas
1
Xylophone (partie séparée)
1
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
Percussion
1
2 Xylophones
1
Conga
1
Big band
1
3 Marimbas
1
Ensemble d'École
1
+ 25 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
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Instruments
ACCORDEON
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--INSTRUMENTS--
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ALTO
AUTOHARPE
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CHORALE - CHAN…
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Chorale TTBB
Partitions à imprimer
200 partitions trouvées
<
1
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51
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176
The Story Of Reuben Clamzo & His Strange Daughter
#
Chorale TTBB
#
FACILE
#
Arlo Guthrie
#
Craig Hanson
#
The Story Of Reuben Clamzo &am
#
Edition Craig Hanson
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
(+)
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
WAYFARING STRANGER (Poor Wayfaring Stranger)
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Chorale TTBB
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DÉBUTANT
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Unknown - traditional
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Paul A
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peripatetic country preachers
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WAYFARING STRANGER
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 p...
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Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 pages. Paul A. Jorg #5869331. Published by Paul A. Jorg (A0.522333). This song is public domain, written in the 1850's, during a time - pre-civil war - when the nation was being torn apart. The writer calms his anxiety by holding on to God's promises. Here are some lyric notes: I am a poor, wayfaring stranger - Wayfaring: traveling especially on foot; peripatetic country preachers; a poor wayfaring stranger. Wandering through this world of woe - Matthew 18:7: Woe to the world because of the things that cause people to sin! Such things must come, but woe to the man through whom they come! And there's no sickness, toil or danger - John 11:4: When he heard this, Jesus said, This sickness will not end in death. No, it is for God's glory so that God's Son may be glorified through it. Ecclesiastes 2:18-19: I hated all the things I had toiled for under the sun, because I must leave them to the one who comes after me. Acts 14:22: strengthening the disciples and encouraging them to remain true to the faith. We must go through many hardships to enter the kingdom of God, In that bright land to which I go - James 1:17 Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows.I'm going home to see my Father - John 6:40 - For my Father's will is that everyone who looks to the Son and believes in him shall have eternal life, and I will raise him up at the last day. I'm only going over Jordan - Joshua 22:4: Now that the LORD your God has given your brothers rest as he promised, return to your homes in the land that Moses the servant of the LORD gave you on the other side of the Jordan. Yet though dark clouds will gather round me - 2 Corinthians 12:10: That is why, for Christ's sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak, then I am strong. I know my way is rough and steep - Psalm 16:11: You have made known to me the path of life; you will fill me with joy in your presence, with eternal pleasures at your right hand. Proverbs 15:24: The path of life leads upward for the wise to keep him from going down to the grave.But beauteous fields lie just before me - Numbers 13:25: We arrived in the land you sent us to see, and it is indeed a magnificient country, a land flowing with milk and honey. Where God's redeemed their vigil's keep - Exodus12:42: Because the LORD kept vigil that night to bring them out of Egypt, on this night all the Israelites are to keep vigil to honor the LORD for the generations to come. I'm going home to see my mother - Mark 10:29-31: I tell you the truth, Jesus replied, no one who has left home or brothers or sisters or mother or father or children or fields for me and the gospel will fail to receive a hundred times as much in this present age (homes, brothers, sisters, mothers, children and fields-and with them, persecutions.
$4.59
Love Is A Many-splendored Thing
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Chorale TTBB
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INTERMÉDIAIRE
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Four Aces
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John Wernega
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Love Is A Many-splendored Thin
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John Wernega
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.961454 By Four Aces. By Sammy Fain. Arranged by John Wernega. A Cappella. Octavo. 4 pages. John Wernega #4572507...
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Choral Choir (TTBB) - Level 3 - SKU: A0.961454 By Four Aces. By Sammy Fain. Arranged by John Wernega. A Cappella. Octavo. 4 pages. John Wernega #4572507. Published by John Wernega (A0.961454). Here's an A cappella setting of a classic movie theme from the 1950s, full of tight jazz chords that will bring chills to many audiences. No matter whether your tenors are singing in falsetto or in full-voice, this piece will have a beautiful, lyrical sound. The lower divisi notes at the end are optional. This can be performed as a quartet by singing only the upper divisi notes at the end.
$1.99
The Joy of Giving (TTBB)
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Chorale TTBB
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FACILE
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Christopher Alexander
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The Joy of Giving
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Christopher Alexander
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1315709 By Christopher Alexander. By Christopher Alexander. A Cappella,Christmas. 8 pages. Christopher Al...
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Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1315709 By Christopher Alexander. By Christopher Alexander. A Cappella,Christmas. 8 pages. Christopher Alexander #904456. Published by Christopher Alexander (A0.1315709). This deceptively simple Christmas tune is rich with its nontraditional key signature, homophonic texture, and harmonic suspensions.  It can be performed with or without piano accompaniment, making it accessible for singers to perform anywhere.  Set like a benediction, this work would be perfect as a concert closer for your entire choir department to sing together at the end of your holiday concert.  The text by John Whittier reminds us to be thankful for the Christmas season and share that same sentiment with others “all the year throughâ€.Also available in: SATB, SAB, SSAA, and Unison/Two-Part.
$2.25
I Don't Want To Live On The Moon
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Chorale TTBB
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INTERMÉDIAIRE
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Jeff Moss
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Ben Lewin
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I Don't Want To Live On The Mo
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Ben Lewin
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1221043 Composed by Jeff Moss. Arranged by Ben Lewin. Barbershop. Octavo. 6 pages. Ben Lewin #817392. Published ...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1221043 Composed by Jeff Moss. Arranged by Ben Lewin. Barbershop. Octavo. 6 pages. Ben Lewin #817392. Published by Ben Lewin (A0.1221043). Originally arranged for Tomato Staccato.This is an accessible barbershop arrangement of a classic Sesame Street song. Â Orriginally arranged for a female lead and male tenor, feel free to swap the lead and tenor parts where they cross to best suit your ensemble.Measures 39-40 are intended to show off the low range of your bass. Â If that is not a strength of your quartet or chorus, an alternate version of those measures are included at the end.
$1.99
The Star-Spangled Banner - A New Take
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Chorale TTBB
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Evan Pechacek
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Evan Pechacek
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The Star-Spangled Banner - A N
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Multi-Faceted
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SheetMusicPlus
Choral Choir,Choral (TTBB) - SKU: A0.1202133 Composed by Evan Pechacek. Arranged by Evan Pechacek. Barbershop,Chamber,Contemporary,Patriotic. 7 pages. M...
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Choral Choir,Choral (TTBB) - SKU: A0.1202133 Composed by Evan Pechacek. Arranged by Evan Pechacek. Barbershop,Chamber,Contemporary,Patriotic. 7 pages. Multi-Faceted #800781. Published by Multi-Faceted (A0.1202133). We have sing and/or heard The Star-Spangled Banner so many times that sometimes it can feel like you are going through the motions. This exiting new arrangment gives a whole new take on this song. It starts out with the feel of chant - the melody is completely different! In the middle there is an added rap section. And finally, at the end, the refrain is sung in 7/8! This arrangement for Tenor and Bass choir (TTBB) or solists and beatboxing is a unique piece that will give a whole new perspective on this old set of lyrics!PDF includes both eletronic viewing as well as print friendly for making booklets.
$1.99
It Came Upon The Midnight Clear
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Edmund Sears and Richard Storr
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Gabriel Lawson
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It Came Upon The Midnight Clea
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Gabriel Lawson
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 4 - SKU: A0.1290139 Composed by Edmund Sears and Richard Storrs Willis. Arranged by Gabriel Lawson. 19th Century,A Ca...
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Choral Choir,Choral (TTBB) - Level 4 - SKU: A0.1290139 Composed by Edmund Sears and Richard Storrs Willis. Arranged by Gabriel Lawson. 19th Century,A Cappella,Christmas,Holiday,Traditional. 8 pages. Gabriel Lawson #880852. Published by Gabriel Lawson (A0.1290139). “It Came Upon The Midnight Clear†is a poem written by American minister and author Edmund Sears in 1849 while depressed and struggling with the issue of war and peace. The tune in this arrangement was written by Richard Storrs Willis in 1850.For four-part Men's Chorus (TTBB) with the melody primarily in the Bass, Tenor 1, and Tenor 2. The Baritone part is the most fun and holds the tag note at the end. Also works well for men's quartet (one singer per part).This arrangement opens with a fanfare quoting the end of the third verse. Each verse represents a slight variation of harmony and text painting, and the end of the last verse moves into a coda which expresses the hope that Peace on Earth is indeed attainable. Moves through the keys of F Major (introduction), D Major (verses 1 and 2), B-flat Major (verses 3 and 4), and D Major (verse 5 and ending). Difficulty 8/10.Tenor 1 D3-A4.Tenor 2 C#3-F#4.Baritone B2-E4.Bass E2-Bb3.
$1.99
Son to Mother
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Chorale TTBB
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Henrik Dahlgren
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Son to Mother
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
TTBB divisi chorus - SKU: BJ.1351 Composed by Henrik Dahlgren. Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1351. Published by Bo Ejeby Forlag ...
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TTBB divisi chorus - SKU: BJ.1351 Composed by Henrik Dahlgren. Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1351. Published by Bo Ejeby Forlag - Digital (BJ.1351). 8.27 x 11.7 inches.In 2017, I was commissioned by the Svanholm Singers to write a work for inclusion in a concert marking 70 years since the proclamation of the Universal Declaration of Human Rights. Choosing a text was difficult. I came across upon a poem by American poet Maya Angelou, but it struck me as being too powerful and emotional for the music I was writing to carry it; everything I composed sounded banal next to Angelou's words. I soon realized that I could use silence to enhance the text, rather than heaping layers and layers of music upon it. Silence is both terrifying and serious - in a sense, it is the only adequate counterpoint to the poetry. So, I decided to build the piece on silence. Though the beginning of the piece is the opposite of silence - a scream of desperation - I followed that outburst by cutting the poem's stanzas into single words, repeated in a different order each time, almost in the manner of a mantra. Finally, they end up in the right order and suddenly the words take on their rightful meaning. I hope, in this way, the music is equally powerful as the words. Son to Mother has been well-received and has gone on to become one of the most widely performed pieces I have written. It has been performed at various festivals and in various countries, including Taiwan, France and China - where it only just made it past the government censors.Also available for mixed choir.Henrik Dahlgren is a Swedish composer, born 1991. He has been studying at the Academy Of Music in Malmo with Prof. Rolf Martinsson and the Royal College Of Music in London with Dr. Haris Kittos. Henrik started his musical career as a drummer and has ever since worked in a very wide range of different genres and styles, both as a performer and as a composer.
$5.40
Beyond The Blue Horizon
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Chorale TTBB
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FACILE
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Lou Christie
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Jay Dearling
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Beyond The Blue Horizon
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Jay Dearling
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SheetMusicPlus
Choral Choir,Choral (TTBB Chorus) - Level 2 - SKU: A0.1496116 By Lou Christie. By Leo Robin, Richard A. Whiting, and W. Franke Harling. Arranged by Jay ...
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Choral Choir,Choral (TTBB Chorus) - Level 2 - SKU: A0.1496116 By Lou Christie. By Leo Robin, Richard A. Whiting, and W. Franke Harling. Arranged by Jay Dearling. 20th Century,A Cappella,Barbershop,Film/TV. 6 pages. Jay Dearling #1072648. Published by Jay Dearling (A0.1496116). This TTBB arrangement has the melody (printed in red) moving from Lead, to Bass, to Tenor and then to the Baritone which sings the harmonic version sung by Lou Christie in the movie 'Rainman' at the end credits. The Leads have a variety of harmonic styles to manage. A possible concept is to pre-warn the audience that the Baritones have a habit of misbehaving.
$2.99
(ghost) Riders In The Sky (a Cowboy Legend)
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Chorale TTBB
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FACILE
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Johnny Cash
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Anastasio Rossi
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(ghost) Riders In The Sky
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Anastasio Rossi
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SheetMusicPlus
Voice (TTBB) - Level 2 - SKU: A0.1298167 By Johnny Cash. By Stan Jones. Arranged by Anastasio Rossi. A Cappella,Barbershop. Barbershop Quartet. 6 pages....
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Voice (TTBB) - Level 2 - SKU: A0.1298167 By Johnny Cash. By Stan Jones. Arranged by Anastasio Rossi. A Cappella,Barbershop. Barbershop Quartet. 6 pages. Anastasio Rossi #888121. Published by Anastasio Rossi (A0.1298167). The song tells a folk tale of a cowboy who has a vision of red-eyed, steel-hooved cattle thundering across the sky, being chased by the spirits of damned cowboys. One warns him that if he does not change his ways, he will be doomed to join them, forever trying to catch the Devil's herd across these endless skies. Stan Jones said he was told the story when he was 12 years old, by an old Native American Apache. He related this story to a boyhood friend. As both boys were looking at the clouds one day, Stan shared the story with him, both looking in amazement as the cloudy shapes were identified as the ghost riders. Years later the story was transposed into lyrics. The melody is based on the Civil War-era popular song When Johnny Comes Marching Home.Ghost Riders In The Sky has a haunting quality that will capture the imaginations of children of all ages from young to old!Hundreds of performers have recorded this song, including Vaughn Monroe, Bing Crosby, Peggy Lee, Lawrence Welk, Frankie Laine, Burl Ives, The Outlaws, The Ramrods, Stan Jones, and Johnny Cash.Learning tracks and the Orchestral Accompniment Track (MP3) available at no cost from the arranger: AAR@prodigy.net.
$12.99
Brisbane Ladies (Augathella Station)
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Chorale TTBB
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DÉBUTANT
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Traditional
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Sandra Milliken
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Brisbane Ladies
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Sandra Milliken
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.774723 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 13 pages. Sandra Milliken #3863...
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Choral Choir (TTBB) - Level 1 - SKU: A0.774723 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 13 pages. Sandra Milliken #3863765. Published by Sandra Milliken (A0.774723). Brisbane Ladies, sometimes known as Augathella Station, is an Australian folk song based on an English naval song titled Spanish Ladies. The song probably dates from the time of the War of the First Coalition (1793-96) when the Royal Navy carried supplies to Spain in support of that country’s resistance to revolutionary France. It then probably gained further popularity during the later Peninsular War when British soldiers were transported to Spain to assist rebels fighting against the French occupation by the forces of Napoleon.Spanish Ladies is a tale of British naval personnel sailing north from Spain and along the English Channel to their home port. Due to its popularity, several variants of Spanish Ladies later appeared in various parts of the world. American whalers sang a version called Yankee Whalermen. In Newfoundland it appeared as We’ll Rant and We’ll Roar. Special lyrics were written to the tune for the Bluenose, a famous Canadian sailing ship plying out of Nova Scotia. In Australia, around 1880, another set of lyrics appeared, written by Saul Mendelsohn who was a storekeeper in the small Queensland town of Nanango. Brisbane Ladies tells about the drovers who bring the herds of cattle overland from western Queensland to the markets in Brisbane. There the drovers spend most of their money and time with the ladies before setting out for home in search of the next herd of cattle for market. The places mentioned in Brisbane Ladies are mostly small towns along the stock route that stretched some 750 kilometres north-west of Brisbane towards the small town of Augathella, on the banks of the Warrego River. Augathella, at that time, marked the convergence of three major bullock tracks from Morven, Tambo and Charleville.
$2.20
Can You Bring Back the Heart I Gave You? - Men's Barbershop Arrangement
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Chorale TTBB
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DÉBUTANT
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Contemporain
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William R
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Brian Cromer
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Can You Bring Back the Heart I
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Brian A Cromer
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.1014350 Composed by William R. Clay, Chas. L Johnson. Arranged by Brian Cromer. Contemporary. Octavo. 3 pages. B...
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Choral Choir (TTBB) - Level 1 - SKU: A0.1014350 Composed by William R. Clay, Chas. L Johnson. Arranged by Brian Cromer. Contemporary. Octavo. 3 pages. Brian A Cromer #6205699. Published by Brian A Cromer (A0.1014350). RangesTenor: A3 - G4Lead: C#3 - D4Baritone: D3 - E4Bass: G2 - F#3A beautiful and very singable melody arranged to match the style of other Polecats. Perfect for the kibbers (keep it barbershoppers) in your life. BONUS: a separate, optional screamer tag at the end.
$2.99
The Impossible Dream
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Chorale TTBB
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INTERMÉDIAIRE
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Comédie Musicale
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Mitch Leigh
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Scott Kitzmiller
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The Impossible Dream
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Scott W. Kitzmiller
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.880153 Composed by Mitch Leigh. Arranged by Scott Kitzmiller. A Cappella,Broadway,Musical/Show,Standards. Octavo...
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Choral Choir (TTBB) - Level 3 - SKU: A0.880153 Composed by Mitch Leigh. Arranged by Scott Kitzmiller. A Cappella,Broadway,Musical/Show,Standards. Octavo. 4 pages. Scott W. Kitzmiller #5710183. Published by Scott W. Kitzmiller (A0.880153). TTBB barbershop arrangement of the show stopper from Man of La Mancha. Four part texture throughout, optional seven part split at the end. Duration 2:45. More charts at scottkarrangements.com.
$4.50
The Sound Of Silence
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Chorale TTBB
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INTERMÉDIAIRE
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Simon And Garfunkel
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Julie Hinton
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The Sound Of Silence
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Red Tape Productions
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1273534 By Simon And Garfunkel. By Paul Simon. Arranged by Julie Hinton. 20th Century,A Cappella,Barbershop,Rock...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1273534 By Simon And Garfunkel. By Paul Simon. Arranged by Julie Hinton. 20th Century,A Cappella,Barbershop,Rock,Singer/Songwriter. Octavo. 6 pages. Red Tape Productions #865673. Published by Red Tape Productions (A0.1273534). TTBB a capella.  This chart uses the traditional Simon & Garfunkel harmony to the a lead tenor and bass, while the high tenor and baritone provide rhythmic backup, all coming together at the ends of each verse.  A flowing arrangement great for barbershop groups and small men's ensembles! Also available in SATB a capella and SATB and TTBB with piano accompaniment.
$2.25
The Best Man
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Chorale TTBB
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INTERMÉDIAIRE
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Nat King Cole
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Sam Dabrusin, Jeremy Wong
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The Best Man
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Sam Dabrusin
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.941592 By Nat King Cole. By Fred Wise and Roy Alfred. Arranged by Sam Dabrusin, Jeremy Wong. A Cappella. Octavo....
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Choral Choir (TTBB) - Level 3 - SKU: A0.941592 By Nat King Cole. By Fred Wise and Roy Alfred. Arranged by Sam Dabrusin, Jeremy Wong. A Cappella. Octavo. 6 pages. Sam Dabrusin #4285843. Published by Sam Dabrusin (A0.941592). 4-Part TTBB Male barbershop a cappella setting of a fun tune with a punchline at the end.
$1.99
Put Another Chair At The Table
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Chorale TTBB
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FACILE
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Pop musique
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The Mills Brothers
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Mark Goodney
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Put Another Chair At The Table
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Mark Goodney
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.836377 By The Mills Brothers. By Cecil Gant and Richard A. Nelson. Arranged by Mark Goodney. Pop. Octavo. 4 page...
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Choral Choir (TTBB) - Level 2 - SKU: A0.836377 By The Mills Brothers. By Cecil Gant and Richard A. Nelson. Arranged by Mark Goodney. Pop. Octavo. 4 pages. Mark Goodney #6657899. Published by Mark Goodney (A0.836377). Barbershop Male - TTBB - Chorus - Quartet - end of the war ballad, sung by the Mills Brothers.
$4.51
The Serra School Prayer
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Chorale TTBB
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FACILE
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Musique Sacrée
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Christian contemporain
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Junipero Serra High School Men
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Jay Jordan
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The Serra School Prayer
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Pro Creations Music
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1309505 By Junipero Serra High School Men's Chorus. By Jay Jordan. Arranged by Jay Jordan. A Cappella,Chr...
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Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1309505 By Junipero Serra High School Men's Chorus. By Jay Jordan. Arranged by Jay Jordan. A Cappella,Christian,Contemporary,Praise & Worship,Religious. 5 pages. Pro Creations Music #898669. Published by Pro Creations Music (A0.1309505). This short prayer, scored for TTBB, is a setting of the official school prayer of Junipero Serra High School in San Mateo, CA. It has a message of faith, wisdom, and service for all ages but particularly for adolescents. Â It is appropriate for both liturgical and concert use. Â It should be performed in an unhurried manner with rubato-like lingering at the ends of phrases. Â The final Amen, however, should be sung in time and connected throughout.
$2.99
Is It True What They Say About Dixie
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Gerald Marks, Irving Caesar, a
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Scott Kitzmiller
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Is It True What They Say About
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Scott W. Kitzmiller
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.880156 Composed by Gerald Marks, Irving Caesar, and Sammy Lerner. Arranged by Scott Kitzmiller. A Cappella,Stand...
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Choral Choir (TTBB) - Level 4 - SKU: A0.880156 Composed by Gerald Marks, Irving Caesar, and Sammy Lerner. Arranged by Scott Kitzmiller. A Cappella,Standards. Octavo. 7 pages. Scott W. Kitzmiller #5713371. Published by Scott W. Kitzmiller (A0.880156). TTBB barbershop arrangement of the1936 show tune. Swings at the beginning, rollicking by the end, big finish. As sung by Instant Classic, 2015 Barbershop Harmony Society International Champions. Duration 2:30. More charts at scottkarrangements.com
$4.50
When Cockle Shells Turn Silver Bells from "Cowboy Songs of the American Southwest" [TTBB]
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Chorale TTBB
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INTERMÉDIAIRE
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Traditional
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Laurie Betts Hughes
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When Cockle Shells Turn Silver
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.891196 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octav...
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Choral Choir (TTBB) - Level 3 - SKU: A0.891196 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 5 pages. Dandelion Music Press #3103605. Published by Dandelion Music Press (A0.891196). Movement four of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
I'm Sad and I'm Lonely, from "Cowboy Songs of the American Southwest" [TTBB]
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Chorale TTBB
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INTERMÉDIAIRE
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Traditional
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Laurie Betts Hughes
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I'm Sad and I'm Lonely, from &
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.891194 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octav...
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Choral Choir (TTBB) - Level 3 - SKU: A0.891194 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 6 pages. Dandelion Music Press #3103603. Published by Dandelion Music Press (A0.891194). Movement two of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
Cowboy Songs of the American Southwest [TTBB]
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Chorale TTBB
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INTERMÉDIAIRE
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Traditional
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Laurie Betts Hughes
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Cowboy Songs of the American S
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.891193 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octav...
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Choral Choir (TTBB) - Level 3 - SKU: A0.891193 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 24 pages. Dandelion Music Press #3103597. Published by Dandelion Music Press (A0.891193). This fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$4.20
Walking In The Air
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Chorale TTBB
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INTERMÉDIAIRE
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Noël
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Howard Blake
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Charles Beale
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Walking In The Air
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charliebmusic
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1277640 Composed by Howard Blake. Arranged by Charles Beale. Christmas,Holiday. Octavo. 15 pages. Charliebmusic ...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1277640 Composed by Howard Blake. Arranged by Charles Beale. Christmas,Holiday. Octavo. 15 pages. Charliebmusic #869319. Published by charliebmusic (A0.1277640). This classic Christmas/Holiday song from Howard Blake's 'The Snowman' was a massive hit in the UK in the early 1980s, influencing a generation of children on a par with the Charie Brown franichise or the Grinch in the US. Often associated with then boy soprano Aled Jones, it tells a story about flying in the sky with friendly gentle snowman, that gives many audiences the Holiday feels.This TTBB arrangement was orignally devised for the London Gay Men's Chorus in 2004, and was revived for the San Diego Gay Men's Chorus in 2023 by the arranger, Charles Beale. There is a short Baritone solo at the start.
$1.99
Children Go Where I Send Thee
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Chorale TTBB
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FACILE
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Chad Weirick
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Chad Weirick
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Children Go Where I Send Thee
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Chad Weirick
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SheetMusicPlus
Choral Choir,Choral (TTBB Chorus) - Level 2 - SKU: A0.1497139 By Chad Weirick. By Traditional. Arranged by Chad Weirick. Christmas,Holiday,Spiritual,Tra...
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Choral Choir,Choral (TTBB Chorus) - Level 2 - SKU: A0.1497139 By Chad Weirick. By Traditional. Arranged by Chad Weirick. Christmas,Holiday,Spiritual,Traditional. 12 pages. Chad Weirick #1073561. Published by Chad Weirick (A0.1497139). In the Youtube Video, the song starts at the 1::15 mark.
$2.99
Voices Answering Back: The Vampires
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Chorale TTBB
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INTERMÉDIAIRE
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John Plant
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Voices Answering Back: The Vam
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JWP Music
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1031323 Composed by John Plant. 20th Century,Contemporary,Halloween. Octavo. 26 pages. JWP Music #3108015. Publi...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1031323 Composed by John Plant. 20th Century,Contemporary,Halloween. Octavo. 26 pages. JWP Music #3108015. Published by JWP Music (A0.1031323). This setting of Lawrence Raab's poem 'Voices Answering Back: The Vampires' was commissioned and first performed by Coastal Voices Men's Choir, under the direction of Janet Gaskin. Approximate duration: 7 minutes. The text is used by permission of the poet. Coastal Voices is an unauditioned but very hard-working choir; my commission was to write a work which would be challenging, but feasible for them, and they responded splendidly to the occasion. I made MIDI soundfiles of the individual parts for the singers to rehearse with, and I would be happy to provide these to choirs who plan to perform the work. Voices Answering Back requires a skilled pianist. You can reach me through my website at www.johnplantmusic.com. My performing rights organization is SOCAN. Please note: 2017 Choral Contest Entry.
$4.00
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