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--INSTRUMENTS--
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Tuba et Piano
1
2 Tubas (duo)
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Ensemble de Trompettes
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11
Alto, Piano
11
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7
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6
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Violon
6
Violon, Violoncelle (duo)
4
Violoncelle
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2 Violons (duo)
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Alto seul
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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Contrebasse, Piano (duo)
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Harpe, Voix
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Cloches
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Jazz combo
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Fanfare
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Vibraphone
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Chorale TTBB
Partitions à imprimer
11 partitions trouvées
<
1
Those Were The Days
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Chorale TTBB
#
INTERMÉDIAIRE
#
Mary Rice Hopkins
#
Andrew Emmet
#
Those Were The Days
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Andrew J Emmet
#
SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1259016 By Mary Rice Hopkins. By Gene Raskin. Arranged by Andrew Emmet. A Cappella,Folk,Pop,Rock. 22 page...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1259016 By Mary Rice Hopkins. By Gene Raskin. Arranged by Andrew Emmet. A Cappella,Folk,Pop,Rock. 22 pages. Andrew J Emmet #852279. Published by Andrew J Emmet (A0.1259016). TTBB A Cappella arrangement.Tenor 1 goes up to Bb.Tenor 2 goes down to C.Bass 1 goes down to G.Bass 2 goes down to F.Tenor 1 has melody in verses 1 and 3.Bass 1 has melody in verses 2 and 4.Goes up one semitone after verse 3.Ends on major chord.I've included in the PDF two versions, one goes from D minor to Eb minor, and the other from D minor to D# minor. Whichever the choir finds easiest to read, though once it's gone up a semitone, it's pretty much all the same as before.
$4.25
Das Gebet des Herrn (The Lord's Prayer) - For Men's Choir
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Chorale TTBB
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FACILE
#
C
#
L
#
Das Gebet des Herrn
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Müller Publishing company
#
SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1491217 Composed by C. G. Mühle. Arranged by L. Müller. 19th Century,Christian,Classical,Religious...
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Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1491217 Composed by C. G. Mühle. Arranged by L. Müller. 19th Century,Christian,Classical,Religious,Sacred. 8 pages. Müller Publishing company #1067954. Published by Müller Publishing company (A0.1491217). Das Gebet des Herrn (The Lord's Prayer)Composed by C. G. Mühle (1792-1847)Arranged for Men's Choir TTBB by L. MüllerDive into the profound spirituality of Das Gebet des Herrn (The Lord's Prayer), composed by Carl Gottlieb Mühle and arranged for Men's Choir TTBB by L. Müller. This sacred piece brings to life the words of The Lord's Prayer, from “Our Father, who art in heaven” to the resounding “For thine is the kingdom, and the power, and the glory forever.”This special edition of the TTBB score features separate staves for each vocal line, offering greater clarity during rehearsals and performances. Each voice part—Tenor 1, Tenor 2, Bass 1, and Bass 2—is clearly laid out, making it easier for choirs to practice and for conductors to guide them through this moving and reflective composition.Whether for worship services or religious concerts, this high-resolution digital score is a practical and beautiful addition to any men’s choir repertoire.======Das Gebet des Herrn (Das Vaterunser)Komponiert von C. G. Mühle (1792-1847)Für Männerchor TTBB arrangiert von L. MüllerTauchen Sie ein in die tiefe Spiritualität von Das Gebet des Herrn (Das Vaterunser), komponiert von Carl Gottlieb Mühle und arrangiert für Männerchor TTBB von L. Müller. Dieses sakrale Werk erweckt die Worte des Vaterunsers zum Leben, von „Unser Vater, der du bist im Himmel“ bis zu dem kraftvollen „Denn dein ist das Reich und die Kraft und die Herrlichkeit in Ewigkeit“.Diese besondere Ausgabe der TTBB-Partitur enthält getrennte Notenzeilen für jede Stimme, um die Proben und Aufführungen zu erleichtern. Jede Stimme—Tenor 1, Tenor 2, Bass 1 und Bass 2—ist übersichtlich dargestellt, was den Chören die Einstudierung erleichtert und den Dirigenten eine bessere Führung durch dieses bewegende und nachdenkliche Werk ermöglicht.Ob für Gottesdienste oder religiöse Konzerte, diese hochauflösende digitale Partitur ist eine praktische und schöne Ergänzung für jedes Männerchor-Repertoire.
$2.99
Das Gebet des Herrn (The Lord's Prayer) - For Men's Choir
#
Chorale TTBB
#
FACILE
#
C
#
L
#
Das Gebet des Herrn
#
Müller Publishing company
#
SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1491215 Composed by C. G. Mühle. Arranged by L. Müller. 19th Century,Christian,Classical,Religious...
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Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1491215 Composed by C. G. Mühle. Arranged by L. Müller. 19th Century,Christian,Classical,Religious,Sacred. 3 pages. Müller Publishing company #1067952. Published by Müller Publishing company (A0.1491215). Das Gebet des Herrn (The Lord's Prayer)Composed by C. G. Mühle (1792-1847)Arranged for Men's Choir TTBB by L. MüllerDiscover the spiritual grandeur of Das Gebet des Herrn (The Lord's Prayer), a masterful composition by 19th-century composer Carl Gottlieb Mühle, now beautifully arranged for Men's Choir TTBB by L. Müller. Mühle’s work is known for its delicate interplay of reverence and melody, offering a powerful interpretation of the sacred text.This TTBB arrangement for men’s choir emphasizes the rich harmonies and depth of Mühle’s composition, making it an evocative choice for religious performances and services. The vocal arrangement follows the classic prayer, from Our Father, who art in heaven to the resounding conclusion of For thine is the kingdom, and the power, and the glory forever. Each voice part has been crafted to allow for clarity and balance, ensuring an impactful and moving performance.This digital sheet music is available in high-resolution, ideal for church performances, religious ceremonies, and concerts, providing choirs with an opportunity to delve into a profound and meditative expression of faith.======Das Gebet des Herrn (Das Vaterunser)Komponiert von C. G. Mühle (1792-1847)Für Männerchor TTBB arrangiert von L. MüllerEntdecken Sie die spirituelle Größe von Das Gebet des Herrn (Das Vaterunser), eine meisterhafte Komposition des Komponisten des 19. Jahrhunderts, Carl Gottlieb Mühle, nun wunderschön für Männerchor TTBB arrangiert von L. Müller. Mühles Werk ist bekannt für seine feinsinnige Verbindung von Ehrfurcht und Melodie und bietet eine kraftvolle Interpretation des heiligen Textes.Dieses TTBB-Arrangement für Männerchor hebt die reichen Harmonien und die Tiefe von Mühles Komposition hervor und macht es zu einer ergreifenden Wahl für religiöse Aufführungen und Gottesdienste. Das vokale Arrangement folgt dem klassischen Gebet, von „Unser Vater, der du bist im Himmel“ bis zum ergreifenden Abschluss „Denn dein ist das Reich und die Kraft und die Herrlichkeit in Ewigkeit“. Jede Stimmführung wurde so gestaltet, dass sie Klarheit und Ausgewogenheit ermöglicht und eine eindrucksvolle und bewegende Darbietung sicherstellt.Diese digitale Partitur ist in hochauflösender Qualität erhältlich und ideal für kirchliche Aufführungen, religiöse Zeremonien und Konzerte, und bietet Chören die Möglichkeit, in einen tiefgründigen und meditativen Ausdruck des Glaubens einzutauchen.
$2.99
Four Seasons In One Day
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Crowded House
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Rowena Harper
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Four Seasons In One Day
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Rowena Harper
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.762494 By Crowded House. By Neil Finn and Tim Finn. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Octavo...
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Choral Choir (TTBB) - Level 4 - SKU: A0.762494 By Crowded House. By Neil Finn and Tim Finn. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Octavo. 5 pages. Rowena Harper #4726641. Published by Rowena Harper (A0.762494). This Crowded House favourite uses chords that are true to the song.It features a fun six bar instrumental interlude with a fugal start that interplays the baritone and lead parts and continues into a four part counterpoint section which picks up themes and motives from the original instrumental solo. This section will be an unexpected and fun segment for singers to perfect, and will be sure to be a crowd pleaser.Although it has been published with men's staves, this arrangement has been written in close harmony and could easily be sung by women by changing the staves, in which case it would sound an octave higher.Purchasing allows printing of one copy, and one copy per singer is required.Range (Lowest-Highest): Bass F#2-F#3, Baritone C#4-D4, Lead E3-E4, Tenor A3-A4.
$3.00
You're The Inspiration
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Chorale TTBB
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AVANCÉ
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Peter Cetera Featuring AZ Yet
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Rowena Harper
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You're The Inspiration
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Rowena Harper
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SheetMusicPlus
Voice (TTBB) - Level 5 - SKU: A0.762495 By Peter Cetera Featuring AZ Yet. By David Babyface Foster and Peter Cetera. Arranged by Rowena Harper. A Cappel...
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Voice (TTBB) - Level 5 - SKU: A0.762495 By Peter Cetera Featuring AZ Yet. By David Babyface Foster and Peter Cetera. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Barbershop Quartet. 9 pages. Rowena Harper #4882897. Published by Rowena Harper (A0.762495). An old favourite love song that transcends time and has been played at many a wedding. This arrangement captures the Chicago key changes and the memorable countermelodies of the original song, whilst being firmly based in barber-pop (non-contestable) harmony. The melodic lines facilitate a passionate rendition that will be enjoyed by many a listener as the different voice parts weave their magic around and with each other, particularly in the closing pages of the arrangement where it creatively builds to drive the piece home.Range (Lowest-Highest): Bass E-G, Baritone C-D, Lead F-F, Tenor A-A. Transposed down from the original by a flattened fourth - starting in D major. Singers are welcome to pitch it up again to their most comfortable tessatura.Also available at a per copy price with a minimum buy of ten copies.(Note: This sheet music is notated in barbershop format: Tenor (T.1) and Lead (T.2) in treble clef , Baritone (B.1) and Bass (B.2) in bass clef. The treble clef parts are sung an octave lower than written.Contact: acappellatenor@gmail.com.
$15.95
Four Seasons In One Day
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Crowded House
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Rowena Harper
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Four Seasons In One Day
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Rowena Harper
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SheetMusicPlus
Voice (TTBB) - Level 4 - SKU: A0.762493 By Crowded House. By Neil Finn and Tim Finn. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Barbershop Qu...
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Voice (TTBB) - Level 4 - SKU: A0.762493 By Crowded House. By Neil Finn and Tim Finn. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Barbershop Quartet. 5 pages. Rowena Harper #4726635. Published by Rowena Harper (A0.762493). This Crowded House favourite uses chords that are true to the song.It features a fun six bar instrumental interlude with a fugal start that interplays the baritone and lead parts and continues into a four part counterpoint section which picks up themes and motives from the original instrumental solo. This section will be an unexpected and fun segment for singers to perfect, and will be sure to be a crowd pleaser.Although it has been published with men's staves, this arrangement has been written in close harmony and could easily be sung by women by changing the staves, in which case it would sound an octave higher.Range (Lowest-Highest): Bass F#2-F#3, Baritone C#4-D4, Lead E3-E4, Tenor A3-A4.
$15.95
You're The Inspiration
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Chorale TTBB
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AVANCÉ
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Chicago
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Rowena Harper
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You're The Inspiration
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Rowena Harper
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SheetMusicPlus
Choral Choir (TTBB) - Level 5 - SKU: A0.762496 By Chicago. By David Babyface Foster and Peter Cetera. Arranged by Rowena Harper. A Cappella,Barbershop,P...
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Choral Choir (TTBB) - Level 5 - SKU: A0.762496 By Chicago. By David Babyface Foster and Peter Cetera. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Octavo. 9 pages. Rowena Harper #4882901. Published by Rowena Harper (A0.762496). An old favourite love song that transcends time and has been played at many a wedding. This arrangement captures the Chicago key changes and the memorable countermelodies of the original song, whilst being firmly based in barber-pop (non-contestable) harmony. The melodic lines facilitate a passionate rendition that will be enjoyed by many a listener as the different voice parts weave their magic around and with each other, particularly in the closing pages of the arrangement where it creatively builds to drive the piece home.Purchasing allows printing of one copy, and one copy per singer is required.Range (Lowest-Highest): Bass E-G, Baritone C-D, Lead F-F, Tenor A-A. Transposed down from the original by a flattened fourth - starting in D major. Singers are welcome to pitch it up again to their most comfortable tessatura.This is per copy price. Also available as a set of parts (four copies).(Note: This sheet music is notated in barbershop format: Tenor (T.1) and Lead (T.2) in treble clef , Baritone (B.1) and Bass (B.2) in bass clef. The treble clef parts are sung an octave lower than written.Contact: acappellatenor@gmail.com.
$3.00
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Star in the East - TTBB Ensemble
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Chorale TTBB
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INTERMÉDIAIRE
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American Folk Hymn
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Mark R Lewis
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Star in the East - TTBB Ensemb
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Mark R Lewis
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1045085 Composed by American Folk Hymn. Arranged by Mark R Lewis. Christmas,Folk,Holiday,Sacred,Traditional. Oct...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1045085 Composed by American Folk Hymn. Arranged by Mark R Lewis. Christmas,Folk,Holiday,Sacred,Traditional. Octavo. 41 pages. Mark R Lewis #649649. Published by Mark R Lewis (A0.1045085). The tune for Star in the East first appears in print in The Southern Harmony collection, but is well attested as an American Folk Hymn. The lyrics are partially anonymous but most published versions include verses that seem to have been added by the arranger of that version. This Epiphany song has similar themes to We Three Kings but is definitely a refreshing change from that well known tune. This fun arrangement by Mark R Lewis is for Baritone soloist, TTB choir, a woodwind instrument, and bass instrument. Included is sheet music for C, Bb, and Eb instruments and a bass line which can be played by many different bass instruments depending on what the group has available. The instrumentalists can transpose their parts to different octaves for ease of playing if necessary. The Baritone soloist should be a well experienced intermediate singer and the bass line is very active at times, but the choir and woodwind parts should be performable by most intermediate groups. Also available for Baritone solo w/ SATB ensemble. Vocal Range: f minor Baritone solo - 1 1/2 octaves (Bb2 to F4) Tenor 1 - 1+ octaves (Eb3 to F4) Tenor 2 - 1 octave (C3 to C4) Bass - 1+ octaves (F2 to Gb3) Instrument Range: Clarinet - max 3 1/2 octaves (F3 to A5) can be smaller if octaves are transposed Bass instrument - 1 1/2 octaves (F2 to C4).
$1.99
I'm Just Ken
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Chorale TTBB
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AVANCÉ
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Ryan Gosling
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Jacob Klingsten
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I'm Just Ken
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Jacob Klingsten
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 5 - SKU: A0.1337977 By Ryan Gosling. By Andrew Wyatt and Mark Ronson. Arranged by Jacob Klingsten. 21st Century,A Cap...
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Choral Choir,Choral (TTBB) - Level 5 - SKU: A0.1337977 By Ryan Gosling. By Andrew Wyatt and Mark Ronson. Arranged by Jacob Klingsten. 21st Century,A Cappella,Comedy,Contemporary,Pop. 13 pages. Jacob Klingsten #923723. Published by Jacob Klingsten (A0.1337977). I'm Just Ken from Barbie is a show-stopping broadway style song with key changes, flare, pink, and just Ken all over. This arrangement is for TTBB Acapella groups. While there isn't a Vocal Percussionist part in the score, it is recommended to perform this arrangement with one, as there is a VP Solo/Feature in this piece!This arrangement features a soloist, Ken, who is highly encouraged along with the rest of the ensemble to be as theatrical as possible. The harmonies are full in texture, making every part of the piece over-the-top while being comical at the same time. As mentioned, this piece features a Vocal Percussionist Solo, where the soloist gets 'carried away,' which distracts the ensemble and causes them to stop and give the VP the stage. Once they finish, they 'realize' that they went a bit too far and pitch is given for the new, final key of the song. You can't go wrong with just a little bit of Ken!Additional Details:Keys: F# Major (with b7), Db Minor, Ab major (with b7), E minor, C minor/Eb Major13 PagesLength: 3m 40sRange (All Parts): Eb2-B4(C5).
$2.99
As With Gladness Men Of Old A Cappella TTBB
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Chorale TTBB
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INTERMÉDIAIRE
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Adapted from C
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Andrew Emmet
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As With Gladness Men Of Old A
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Andrew J Emmet
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1205759 Composed by Adapted from C. Kocher (1786 - 1872) by W. H. Monk (1823 - 1889). Arranged by Andrew ...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1205759 Composed by Adapted from C. Kocher (1786 - 1872) by W. H. Monk (1823 - 1889). Arranged by Andrew Emmet. A Cappella,Christian,Christmas,Religious,Sacred. 2 pages. Andrew J Emmet #803942. Published by Andrew J Emmet (A0.1205759). TTBB A Cappella arrangement.Tenor 1 goes up to A.Bass 2 goes down to F#.
$4.00
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1
from F to C.