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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
two stand out
Non classifié
651
Piano & claviers
Piano seul
135
Piano, Voix et Guitare
82
Instruments en Do
74
Accompagnement Piano
65
Piano Facile
35
Piano, Voix
15
1 Piano, 4 mains
10
Orgue
10
Piano grosses notes
7
2 Pianos, 4 mains
5
Piano Trio: piano, violon, violoncelle
4
Piano (partie séparée)
4
Accordéon
3
Clavecin
2
Orgue, Piano (duo)
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Trompette (duo)
1
+ 13 instrumentations
Retracter
Guitares
Guitare notes et tablatures
29
Guitare
24
Ukulele
21
2 Guitares (duo)
11
Guitare (partie séparée)
10
Dulcimer
10
Mandoline
4
Ligne De Mélodie, (Paroles) et Accords
4
Basse electrique
3
Ensemble de guitares
3
Banjo
2
Paroles et Accords
2
3 Guitares (trio)
2
Piano, Guitare (duo)
2
2 Dulcimers (duo)
1
2 Ukuleles
1
2 Mandolines (duo)
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
37
Chorale 2 parties
23
Chorale 3 parties
11
Chorale Unison
8
Chorale TTBB
6
Chorale SSAA
4
Voix duo
3
Voix Tenor, Piano
2
Voix Baryton, Piano
2
Voix Alto, Piano
2
Voix duo, Piano
2
Voix Soprano, Piano
2
Voix moyenne, Piano
1
+ 8 instrumentations
Retracter
Vents
2 Saxophones (duo)
363
2 Clarinettes (duo)
122
2 Flûtes traversières (duo)
122
2 Hautbois (duo)
97
Saxophone, Clarinette (duo)
77
Clarinette, Violon (duo)
49
2 Flûte à bec (duo)
45
Clarinette, Trompette (duo)
44
Flûte, Clarinette (duo)
37
Flûte traversière et Piano
36
Saxophone (partie séparée)
27
Clarinette et Alto
26
Clarinette et Piano
25
Saxophone Alto et Piano
25
Flûte, Saxophone (duo)
25
Hautbois, Clarinette (duo)
25
Flûte, Violon
23
Hautbois, Flûte
23
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
22
Flûte, Trompette (duo)
21
Hautbois, Piano (duo)
21
Saxophone Tenor et Piano
19
Hautbois, Basson (duo)
18
Flûte, Alto (duo)
18
Quintette de Saxophone: 5 saxophones
17
Quatuor de Saxophones: 4 saxophones
15
Flûte, Hautbois, Clarinette, Basson
15
Saxophone Soprano et Piano
15
Clarinette
12
Ensemble de Clarinettes
11
Ensemble de Flûtes
10
3 Clarinettes (trio)
10
Hautbois (partie séparée)
10
Ensemble de saxophones
10
Cor anglais, Piano
10
Quatuor de Clarinettes: 4 clarinettes
9
Flûte traversière
8
Flûte à bec Soprano
7
Flute (partie séparée)
6
Trio de Flûtes: 3 flûtes
6
Cor Anglais
5
Quatuor de Flûtes : 4 flûtes
5
Ensemble De Flûte à bec
4
Clarinette Basse, Piano
4
Quintette de Clarinettes: 5 clarinettes
4
3 Saxophones (trio)
4
Saxophone Baryton, Piano
4
Flûte à bec Soprano, Piano
4
Saxophone Alto
4
Quatuor de Flûtes à bec
3
Flûte, Hautbois, Clarinette (trio)
3
Flûte à bec Alto, Piano
3
Flûte et Guitare
3
Quintette de Flûte : 5 flûtes
3
2 Flûtes traversières, Piano
2
Flûte à bec Tenor
2
5 Flûtes à bec
2
Flûte à bec Alto
2
Flûte, Hautbois (duo)
2
Saxophone Tenor
2
Clarinette, Basson (duo)
2
Clarinette, Violoncelle (duo)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Saxophone
1
Cor anglais et Harpe (duo)
1
Saxophone et Piano
1
Clarinette, Trombone (duo)
1
Clarinette, Harpe (duo)
1
Piccolo
1
Hautbois, violon (duo)
1
2 Cors Anglais Et Pianoforte
1
Clarinette Basse
1
Flute, Cor (duo)
1
Flûte, Violoncelle
1
Saxophone et Orgue
1
Harmonica
1
Flûte irlandaise
1
Flûte, Basson et Piano
1
Piccolo, Piano
1
+ 74 instrumentations
Retracter
Cuivres
2 Trombones (duo)
103
2 Trompettes (duo)
94
Trompette, Saxophone (duo)
52
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
32
Trompette, Trombone (duo)
30
Quatuor de Cuivres : 2 trompettes, trombone, tuba
30
Trombone (partie séparée)
25
Trompette (partie séparée)
21
Trompette, Piano
15
Quatuor de Cuivres: 2 trompettes, Cor, trombone
13
Trombone et Piano
13
Cor
12
2 Euphoniums (duo)
10
Cor anglais, Piano
10
Trompette
9
Euphonium, Piano (duo)
8
Ensemble de Trombones
7
Cor et Piano
5
Cor Anglais
5
2 Cors (duo)
5
Ensemble de Trompettes
5
Trombone
4
Euphonium
3
Tuba et Piano
3
2 Euphoniums et 2 Tubas
2
Quatuor de Cuivres
1
Cor anglais et Harpe (duo)
1
Tuba
1
Trompette, violon (duo)
1
2 Cors Anglais Et Pianoforte
1
Cor, Violoncelle (duo)
1
Euphonium, Tuba (duo)
1
Clarinette, Cor (duo)
1
4 Tubas
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone, Tuba (duo)
1
+ 31 instrumentations
Retracter
Cordes
2 Altos (duo)
106
2 Violons (duo)
105
2 Violoncelles (duo)
96
Quatuor à cordes: 2 violons, alto, violoncelle
61
Violon, Violoncelle (duo)
50
Violon et Piano
45
Violon, Alto (duo)
31
Alto, Piano
26
Violon
22
Violoncelle, Piano
17
Trio à Cordes: violon, alto, violoncelle
13
Alto seul
10
Violoncelle
10
Trio à Cordes: 2 violons, violoncelle
9
Harpe
7
Contre Basse
6
Contrebasse (partie séparée)
5
Alto, Violoncelle (duo)
3
Trio à Cordes: 3 violoncelles
3
Ensemble de Violons
3
Trio à cordes: 3 violins
2
Alto (partie séparée)
2
Harpe, Flûte (duo)
2
Violoncelle, Contrebasse (duo)
2
Autoharp
1
Alto et Basson
1
Contrebasse, Piano (duo)
1
Piano Trio: Violon, Alto, Piano
1
Quatuor à cordes : 4 altos
1
Ensemble d'Altos
1
Quatuor à cordes: 4 violons
1
2 Contrebasses (duo)
1
Violon, Guitare (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe et Piano
1
4 Violoncelles
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
42
Orchestre d'harmonie
38
Ensemble de cuivres
20
Orchestre à Cordes
20
Jazz combo
17
Orchestre
17
Ensemble de Percussions
6
Orchestre de chambre
6
Batterie
5
Batterie (partie séparée)
5
Cloches
4
Ensemble d'École
1
Fanfare
1
Marimba
1
Xylophone
1
+ 10 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
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Quickpartitions
SheetMusicPlus
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Vous avez sélectionné:
two stand out
Chorale TTBB
Partitions à imprimer
6 partitions trouvées
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1
Standing In The Presence Of The King
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.522399 Composed by Rusty G…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.522399 Composed by Rusty Goodman. Arranged by Paul A. Jorg. A Cappella. Octavo. 4 pages. Paul A. Jorg #6077019. Published by Paul A. Jorg (A0.522399). This arrangement is for 4 part male harmony (TTBB) a cappella.Here is a synopsis by Wikipedia of Rusty Goodman's musical background. He composed Who Am I? in 1965 and was actively singing within two weeks of his passing.Charles F. Rusty Goodman (September 2, 1933 – November 11, 1990) was an American singer/songwriter in the Southern Gospel Music industry. He was a prolific composer whose many songs included Standing in the Presence of the King, Leavin' On My Mind, Home, John the Revelator, Touch the Hand of the Lord, Had it Not Been I Believe He's Coming Back Look for Me and Who Am I? His songs have been covered by many of the top artists in the music industry including Elvis Presley, The Imperials, J. D. Sumner & The Stamps Quartet, The Speers, The Happy Goodman Family, Michael English and Gaither Vocal Band.
$4.59
4.23 €
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Chorale TTBB
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Rusty Goodman
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Paul A
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Standing In The Presence Of The King
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Paul A. Jorg
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.68 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
#
The Story Of Reuben Clamzo & His Strange Daughter
#
Edition Craig Hanson
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SheetMusicPlus
Silver Echo Taps (for double men's chorus)
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.930161 Composed by Union A…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.930161 Composed by Union Army Brigadier General Daniel Butterfield (1862), Horace Lorenzo Trim. Arranged by Donald A. Mills. A Cappella,Contemporary,Folk,Patriotic,Spiritual. Octavo. 11 pages. Donald A Mills #3074007. Published by Donald A Mills (A0.930161). This Taps is an echo version of Taps. It is a TTBB / TTBB double men's chorus, chorus and quartet, or double quartet. You audiences will love this new arrangement, revised on 5.10.17. Keep this one in your repertoire for the appropriate holidays, for concert performance (including choral contests), or for the occasional military use. It is also appropriate for a call for lights out in scouting. The two singing groups may stand together, but also consider standing front and back in the hall, or side to side of the hall to intensify the surround-sound effect. Music by Union Army Brigadier General Daniel Butterfield 1862; Words by Horace Lorenzo Trim.
$2.29
2.11 €
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Chorale TTBB
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Union Army Brigadier General Daniel Butterfield
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Donald A
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Words by Horace Lorenzo Trim
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Silver Echo Taps
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Donald A Mills
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SheetMusicPlus
Innocence & Experience (Four Poems by William Blake) for TB Chorus with Piano Accompaniment
Chorale TTBB
Choral Choir (TTBB) - Digital Download SKU: A0.761687 Composed by Debra E. Stempien…
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Choral Choir (TTBB) - Digital Download SKU: A0.761687 Composed by Debra E. Stempien and Gregory H. Turner. 20th Century,Contemporary,Standards. Octavo. 12 pages. Standard Time #5048249. Published by Standard Time (A0.761687). Innocence & Experience is a musical setting of four William Blake poems from his works, Songs of Innocence and Songs of Experience, for two-part TB men’s chorus with piano accompaniment. The song set represents a life cycle, first with a lullaby, moving next to a spirited and youthful dance, continuing to the dreamlike longing of maturity, and concluding with the solemn and dark acceptance of death. Permission to use these texts has been secured from the William Blake Archives (proof provided upon request). Please note that the provided recording is from the third song, Ah! Sunflower..
$4.00
3.69 €
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Chorale TTBB
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Debra E
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Innocence & Experience
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Standard Time
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SheetMusicPlus
The Yellow Rose Of Texas (with "Dixie") (for TTB)
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.624145 Composed by Anonymo…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.624145 Composed by Anonymous, Daniel D. Emmett. Arranged by Stephen DeCesare. Folk,Instructional,Standards,Traditional. Octavo. 11 pages. Exultet Music #4634693. Published by Exultet Music (A0.624145). Two of the most popular Southern American folk songs from the Civil War have been combined and arranged for TTB with Piano accompaniment. Accessible and appropriate for any school or concert setting. .
$3.99
3.68 €
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Chorale TTBB
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Anonymous, Daniel D
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Stephen DeCesare
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The Yellow Rose Of Texas
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Exultet Music
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SheetMusicPlus
Where Angels Fear To Tread
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.534767 Composed by Guy Law…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.534767 Composed by Guy Lawrence, Howard Lawrence, John H Mercer, Reuben James, and Rube Bloom. Arranged by E.C. Hudd. A Cappella,Standards,Traditional,Wedding. Octavo. 6 pages. Eleanor Hudd #145000. Published by Eleanor Hudd (A0.534767). Close harmony-style arrangement of Mercer and Bloom's Fools Rush In (Where Angels Fear to Tread). Runs about two minutes. TTBB a cappella with occasional baritone splits.
$1.99
1.83 €
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Chorale TTBB
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Guy Lawrence, Howard Lawrence, John H Mercer, Reuben James, and Rube Bloom
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E
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Where Angels Fear To Tread
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Eleanor Hudd
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SheetMusicPlus
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