Partitions Numériques de Score pour Piano Trio: Violon, Alto, Piano

Score

Vocalise (Rachmaninoff) - violin and viola duet and piano with FREE BACKING TRACK
Vocalise (Rachmaninoff) - violin and viola duet and piano with FREE BACKING TRACK #Piano Trio: Violon, Alto, Piano #AVANCÉ #Sergei Rachmaninoff #Austin Ralphson #Vocalise #Austin Ralphson #SheetMusicPlus

Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 5 - SKU: A0.564132 Composed by Sergei Rachmaninoff. Arranged by Austin Ralphson. 20...(+)

Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 5 - SKU: A0.564132 Composed by Sergei Rachmaninoff. Arranged by Austin Ralphson. 20th Century,Contemporary,Opera,Wedding. Score and parts. 14 pages. Austin Ralphson #6255549. Published by Austin Ralphson (A0.564132). Originally published in 1915 as the last of his 14 Songs or 14 Romances, Op. 34, Rachmaninoff wrote this beautiful piece for high voice with piano accompaniment. It is presented here as an instrumental duet with piano accompaniment and is a firm favourite to play at any performance, from weddings to recitals to parties and beyond!This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/8tBl9vPprw4 (copy and paste into a new window) and also in the video screen above.Parts in the correct transposition are provided, along with the score.Complete string catalogue arr. Austin Ralphson is here (copy and paste to new tab):www.ralphsonstrings.com

distant traces
distant traces #Piano Trio: Violon, Alto, Piano #AVANCÉ #Detlev Mueller-Siemens #distant traces #Schott Music - Digital #SheetMusicPlus

Violin, viola and piano - difficult - SKU: S9.Q6633 For violin, viola and piano. Composed by Detlev Mueller-Siemens. This edition: score and part...(+)

Violin, viola and piano - difficult - SKU: S9.Q6633 For violin, viola and piano. Composed by Detlev Mueller-Siemens. This edition: score and parts. Downloadable, score and parts. Duration 10 minutes. Schott Music - Digital #Q6633. Published by Schott Music - Digital (S9.Q6633). Distant traces nÃ¤hert sich der Gattung Klaviertrio auf ungewÃ¶hnliche Weise, ist doch das Violoncello durch eine Bratsche ersetzt. Entstanden fÃ¼r ein Hamburger Erinnerungskonzert an seinen einstigen, im Jahr 2006 gestorbenen Kompositionslehrer GyÃ¶rgy Ligeti, mag der englische Titel hier wÃ¶rtlich genommen sein: als eine in Musik gesetzte, ferne Spurensuche.

Shadow and Self
Shadow and Self #Piano Trio: Violon, Alto, Piano #AVANCÉ #Contemporain #Matthew Scott Phillips #Shadow and Self #Matthew Scott Phillips #SheetMusicPlus

Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 5 - SKU: A0.1004166 Composed by Matthew Scott Phillips. 20th Century,Contemporary. ...(+)

Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 5 - SKU: A0.1004166 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 33 pages. Matthew Scott Phillips #6358435. Published by Matthew Scott Phillips (A0.1004166). Among the most recognizable of psychological archetypes is the Self; the totality of all the characteristics,perspectives, and personal natures we can introspectively recognize as our own, and the Shadow; the collection ofrepressed traits, tendencies, and instincts with which we do not identify but nevertheless posses. While the Shadow is always present, hidden within the details of our awareness, it is rarely observable to the conscious mind.However in times of stress or personal growth the antithesis of our self image cancome boiling to the surface. And although it may seem sinister to us, exposure often reveals it as a source of creativity,inspiration, and the keeper of all the honestly simple emotions and drives that we had forgotten.This composition is a programmatic telling of the emergence and (inevitable?) return to the unconscious of the Shadow Archetype.It is also an exploration of the archetype concept itself: having both a conscious texture, and asubconscious harmonic direction. Its key structure consists of a tonal center, and two subcenters which are completetonal areas in themselves, but are nevertheless part of the greater whole. As the conflict betweenShadow and Self progresses, the intervallic distance separating these keys is altered to produce greater dissonance or consonanceas necessary to reflect the greater or lesser concord between the divergent aspects of personality.