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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ode to Love
Non classifié
82
Piano & claviers
Instruments en Do
62
Piano seul
39
Piano, Voix
21
Piano Facile
19
Orgue
13
Piano, Voix et Guitare
11
Piano Trio: piano, violon, violoncelle
3
Accompagnement Piano
2
1 Piano, 6 mains
1
1 Piano, 4 mains
1
+ 5 instrumentations
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Guitares
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7
Guitare
6
Basse electrique
3
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3
Voix
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25
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17
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10
Chorale TTBB
6
Chorale SSAA
3
Chorale Unison
2
Voix duo
2
Voix seule
2
Voix Soprano, Piano
1
Voix duo, Piano
1
+ 5 instrumentations
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Vents
Hautbois, Piano (duo)
20
Clarinette et Piano
19
Flûte et Guitare
5
2 Clarinettes (duo)
4
Flûte traversière et Piano
4
Quatuor de Saxophones: 4 saxophones
4
Flûte, Clarinette (duo)
3
Saxophone
3
2 Flûtes traversières (duo)
3
3 Flûtes à bec (trio)
2
2 Saxophones (duo)
2
Flûte, Hautbois, Clarinette, Basson
2
Flûte traversière
2
Flûte à bec Soprano
2
Quintette de Saxophone: 5 saxophones
1
Saxophone Alto
1
Saxophone Tenor
1
Saxophone Alto et Piano
1
2 Hautbois (duo)
1
Quatuor de Flûtes : 4 flûtes
1
Ensemble de Clarinettes
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Clarinette
1
Clarinette, Guitare (duo)
1
Flûte, Clarinette, Piano (trio)
1
3 Clarinettes (trio)
1
+ 21 instrumentations
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Cuivres
Trombone et Piano
13
2 Trompettes (duo)
3
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3
Trompette, Cor (duo)
2
Trompette, Trombone (duo)
2
Trompette, Piano
2
Quatuor de cuivres: 4 cors
1
Trompette
1
2 Trombones (duo)
1
Cor et Piano
1
Quatuor de Cuivres
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
2 Tubas (duo)
1
2 Cors (duo)
1
Trombone
1
+ 10 instrumentations
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Quatuor à cordes: 2 violons, alto, violoncelle
14
Violon, Violoncelle (duo)
9
Violon
6
Violon, Alto (duo)
5
Violoncelle
4
Alto, Piano
4
Alto seul
3
Violon et Piano
3
2 Violons (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Violoncelle, Piano
2
Harpe
2
Trio à Cordes: violon, alto, violoncelle
1
2 Altos (duo)
1
2 Violoncelles (duo)
1
+ 10 instrumentations
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Orchestre d'harmonie
10
Orchestre à Cordes
3
Ensemble de Percussions
2
Ensemble de cuivres
1
Cloches
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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VIBRAPHONE
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VIOLONCELLE
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Crtitères actifs :
Ode to Love
facile
Ensemble de Percussions
Partitions à imprimer
2 partitions trouvées
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Christmas Calypso for Percussion Sextet
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Ensemble de Percussions
#
FACILE
#
Noël
#
Dan Heslink
#
Christmas Calypso for Percussi
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Pharaoh Publications
#
SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. P...
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Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Silent Night Prelude for percussion octet
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Ensemble de Percussions
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FACILE
#
Noël
#
Franz Xaver Gruber
#
Dan Heslink
#
 
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Silent Night Prelude for percu
#
Pharaoh Publications
#
SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. ...
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Percussion Ensemble - Level 2 - SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. Pharaoh Publications #5363007. Published by Pharaoh Publications (A0.935383). Silent Night Prelude for Percussion Octet arr. by Dan Heslink This work is based on the well-loved Christmas carol, composed in 1818 by Franz Xaver Gruber. This theme is so popular that it was declared an intangible cultural heritage by UNESCO in 2011. And the version sung by Bing Crosby in 1935 is the fourth best-selling single recording of all-time. It’s sure to motivate your audience close to Christmas. The Prelude begins with a brisk tempo. Although notated in 3, as is customary in more modern renditions (the original theme was notated in 6), the tempo must be fast enough that two measures of 3 create a binary pairing (like 6/4 in two). It may be necessary to slightly slow down the roll speed to avoid a frenetic sound. The difficulty level is easy. There are no changes of key, and the timpani part requires only two drums (Bb, F) with no tuning changes. The vibe part could be played with two mallets, but might execute more comfortably with three. The other keyboard parts use only two mallets each. The expression of this beautiful tune will be greatly enhanced by exaggerating the contrasts of dynamics. Accompaniment and ornamental figures must at all times be sublimated to the familiar theme. At the last strain, players should sing the well-known words in order to lead the audience or congregation in group singing. It would be helpful for the conductor to turn and face the audience at this point. This closing passage may be repeated for any number of sung verses. Use a smooth, relaxed stroke to elicit as much legato as possible. At points a continuous arpeggio accompaniment is divided among the instruments. Care must be taken to keep the sixteenth note speed consistent. The opening runs should be performed half-pedal on the vibes for clarity. Prelude on Silent Night would serve equally well in recital or in a church service. Duration is 3:10. The arranger, Dan Heslink, can be contacted at dan@dheslink.com
$4.99
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