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Percussion in C Minor
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Ensemble de Percussions
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
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FLUTE TRAVERSI…
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GUITARE LAP ST…
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Crtitères actifs :
Percussion in C Minor
intermédiaire
Ensemble de Percussions
Partitions à imprimer
4 partitions trouvées
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Prelude / from Partita for Lute in C minor, BWV 997 for Marimba Duo
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Ensemble de Percussions
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Michiko Noguchi
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Prelude / from Partita for Lut
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Michiko Noguchi
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.794198 Composed by Johann Sebastian Bach. Arranged by Michiko Noguchi. Baroque. Score and parts. 10 pages. Michi...
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Percussion Ensemble - Level 3 - SKU: A0.794198 Composed by Johann Sebastian Bach. Arranged by Michiko Noguchi. Baroque. Score and parts. 10 pages. Michiko Noguchi #4331287. Published by Michiko Noguchi (A0.794198). Prelude (Partita for Lute in C minor, BWV 997) / Johann Sebastian BachMarimba Duo
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
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Ensemble de Percussions
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Sl...
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Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Devil's Rag (Marimba Accompaniment)
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Ensemble de Percussions
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INTERMÉDIAIRE
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Adam Grim
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Devil's Rag
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Adam B. Grim
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.939387 Composed by Adam Grim. Concert. Score and parts. 25 pages. Adam B. Grim #6200531. Published by Adam B. Gr...
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Percussion Ensemble - Level 3 - SKU: A0.939387 Composed by Adam Grim. Concert. Score and parts. 25 pages. Adam B. Grim #6200531. Published by Adam B. Grim (A0.939387). The Devil's Rag is a fun little xylophone rag based on some of the famous Green brothers' rags that really made xylophone literature catch on. This is more advanced and requires some quick hands, but is really entertaining to play and listen to. It is mostly in C minor, but plays in C major as well to depict the xylophone player trying to entertain the devil while keeping their own sanity. The player is the jester of the underground, making some interesting music and harmony while keeping rhythmic ideas quick and steady. Truly a joy to play. This is the marimba quartet accompaniment version, for a piano accompaniment see my SMP Account.
$15.00
Quartet #3
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Ensemble de Percussions
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INTERMÉDIAIRE
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Jeff Tincher
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Quartet #3
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Jeff Tincher
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.584691 Composed by Jeff Tincher. Contemporary,Rock. Score and parts. 22 pages. Jeff Tincher #6019463. Published ...
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Percussion Ensemble - Level 3 - SKU: A0.584691 Composed by Jeff Tincher. Contemporary,Rock. Score and parts. 22 pages. Jeff Tincher #6019463. Published by Jeff Tincher (A0.584691). This composition begins with a 12/8 rock tempo. Although it is written in C, the composition is begins in D Minor. The Marimba keeps the 12/8 going while the other three become punctuations. The punctuation continues while the Glockenspiel plays the melody. At measure 15 the song moves into a 6/8 feel. At measure 34 the song returns to the original 12/8 feel. The composition then splits to where the Vibraphone takes on harmony in the 12/8 feel while the Glockenspiel and Xylophone take on a 6/8 countermelody. A short bridge is created by stacking the other 2 on top of the Vibraphone and Marimba 12/8 feel. Then it splits again to where the Xylophone stays with the Vibraphone and Marimba pattern and the Glockenspiel goes off on it's own. During this time the Glockenspiel folds in the 6/8 melody, creating a pleasant conflict. The song D.C.'s to the original 12/8 content. Hear the full version of composition on Jeff Tincher's For Percussion Quartet CD. Duration = 6:14. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
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Percussion in C Minor
