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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A
Non classifié
4 193
Piano & claviers
Piano seul
3 883
Piano, Voix
332
Orgue
208
Piano, Voix et Guitare
90
1 Piano, 4 mains
88
2 Pianos, 4 mains
67
Instruments en Do
59
Piano Trio: piano, violon, violoncelle
46
Clavecin
34
Accordéon
23
Piano Facile
19
Piano Quatuor: piano, violon, alto, violoncelle
13
Orgue, Trompette (duo)
9
Accompagnement Piano
9
Piano Quintette: piano, 2 violons, alto, violoncelle
7
Piano Quatuor: piano, 2 violons, violoncelle
5
2 Pianos, 8 mains
5
Clavier
4
Orgue, Piano (duo)
4
1 Piano, 6 mains
2
Accordéon et Orchestre
1
Ensemble de Pianos
1
Orgue et Orchestre
1
+ 18 instrumentations
Retracter
Guitares
Guitare
392
Guitare notes et tablatures
142
Basse electrique
38
2 Guitares (duo)
31
Ukulele
19
Ligne De Mélodie, (Paroles) et Accords
11
4 Guitares (Quatuor)
7
Mandoline
7
Banjo
5
Ensemble de guitares
3
Orchestre à Plectres
3
Paroles et Accords
2
Dulcimer
2
3 Guitares (trio)
2
Piano, Guitare (duo)
2
Guitare, Quatuor à cordes
1
Mandoline, Piano (duo)
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
1 093
Chorale TTBB
447
Chorale SSAA
199
Chorale 3 parties
87
Voix Soprano, Piano
44
Chorale SSAATTBB
36
Voix haute
30
Chorale
19
Voix Baryton, Piano
15
Voix Tenor, Piano
14
Voix seule
14
Voix basse, Piano
14
Chorale 2 parties
12
Voix Alto, Piano
11
Voix moyenne, Piano
8
Voix duo, Piano
8
Voix Mezzo-Soprano, Piano
7
Voix duo
7
Chorale SSATTB
4
Chorale SSATB
3
Chorale Unison
3
Voix Soprano
2
Voix Baryton
1
Soli, choeur mixte et accompagnement
1
Voix Tenor
1
Chorale SAATB A Cappella
1
Voix duo, Orgue
1
+ 22 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
242
Saxophone
199
Clarinette
197
Flûte traversière
183
Flûte traversière et Piano
177
Quatuor de Saxophones: 4 saxophones
160
Quatuor de Clarinettes: 4 clarinettes
123
Clarinette et Piano
104
Flûte, Hautbois, Clarinette, Basson
85
Saxophone Alto et Piano
77
Ensemble de Clarinettes
67
Hautbois, Piano (duo)
58
Saxophone Alto
57
Quintette de Saxophone: 5 saxophones
51
Ensemble de saxophones
45
2 Flûtes traversières (duo)
44
Saxophone (partie séparée)
43
Hautbois (partie séparée)
41
Quatuor de Flûtes : 4 flûtes
37
Saxophone Soprano et Piano
36
2 Saxophones (duo)
35
2 Clarinettes (duo)
33
3 Clarinettes (trio)
31
Quintette de Clarinettes: 5 clarinettes
31
Saxophone Tenor et Piano
29
Ensemble de Flûtes
28
Saxophone Tenor
25
Flûte et Guitare
21
Flute (partie séparée)
15
3 Saxophones (trio)
15
Flûte, Violon, Piano
13
Clarinette (partie séparée)
12
Cor anglais, Piano
10
Hautbois
10
Clarinette Basse, Piano
9
Trio de Flûtes: 3 flûtes
9
Saxophone Soprano
9
Saxophone Baryton, Piano
9
Flûte, Violon
8
Hautbois, Clarinette, Basson (trio d'anches)
8
Quintette de Flûte : 5 flûtes
8
Flûte, Clarinette, Piano (trio)
7
Quatuor de Flûtes à bec
7
Flûte, Clarinette et Basson
6
Flûte, Clarinette (duo)
6
Flûte à Bec
6
Harmonica
5
Cor Anglais
5
Flûte, Hautbois, Clarinette (trio)
4
2 Hautbois (duo)
4
Clarinette, Violon (duo)
4
5 Flûtes à bec
4
Flûte, Violoncelle
4
Flûte, Saxophone (duo)
4
Flûte, Violoncelle, Piano (trio)
4
Hautbois, Flûte
3
Clarinette, Violoncelle, Piano (trio)
3
2 Saxophones, Piano
3
Saxophone, Clarinette (duo)
3
Flûte, Hautbois, Basson
3
Flûte à bec Alto, Piano
3
Flûte, Basson et Piano
3
Clarinette, Guitare (duo)
3
Clarinette, Violoncelle (duo)
3
Ocarina
2
Flûte à bec Tenor
2
Hautbois, Basson (duo)
2
Flûte à bec Soprano
2
Clarinette et Alto
2
Saxophone et Orgue
2
Clarinette Basse
2
2 Flûte à bec (duo)
2
Flûte traversière, Orgue (duo)
2
2 Clarinettes, Piano
2
2 Flûtes traversières, Piano
2
Saxophone et Guitare
2
Clarinette, Basson, Piano (trio)
2
Clarinette, Basson (duo)
2
Hautbois, Basson et Piano
2
Saxophone Baryton
2
Piccolo
2
Flûte, Hautbois, Piano (trio)
2
Cornemuse
1
Flûte traversière, Orchestre
1
Flûte irlandaise
1
2 Flûtes, Basse continue
1
Flûte, alto et harpe
1
Flûte, Violon et Violoncelle
1
Flûte, Alto et Piano
1
3 Hautbois
1
Flûte, Trombone (duo)
1
Flûte à bec Alto
1
Flûte à bec Alto, Basse continue
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
2 Clarinettes, Basson
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, Trompette (duo)
1
Hautbois, Clarinette et Piano (Trio)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Hautbois, Guitare (duo)
1
Flûte, Tuba (duo)
1
Flûte, Alto (duo)
1
Clarinette, Orgue
1
Saxophone et violoncelle
1
Flûte, Hautbois (duo)
1
Ensemble De Flûte à bec
1
4 Hautbois
1
+ 103 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
394
Quatuor de Cuivres : 2 trompettes, trombone, tuba
181
Trompette
150
Trombone et Piano
139
Trombone
104
Ensemble de Trombones
100
Euphonium, Piano (duo)
78
Trompette, Piano
71
Quatuor de cuivres: 4 trombones
68
Tuba et Piano
66
Cor
65
Cor et Piano
52
Quatuor de cuivres: 4 cors
36
Trompette (partie séparée)
34
Tuba
31
Quatuor de Cuivres: 2 trompettes, Cor, trombone
30
2 Euphoniums et 2 Tubas
25
2 Cors (duo)
24
Quatuor de Cuivres
23
2 Trompettes (duo)
21
2 Trombones (duo)
20
Trombone (partie séparée)
19
Cor (partie séparée)
15
Trombone basse
15
Ensemble de Trompettes
13
Ensemble de Cors
13
3 Trombones (trio)
11
4 Tubas
10
Cor anglais, Piano
10
Trombone basse et Piano
8
Euphonium
7
Trombone, Tuba (duo)
7
Trompette, Trombone (duo)
5
Cor Anglais
5
2 Tubas (duo)
5
Quatuor de cuivres: 4 trompettes
4
Trombone, Orgue
4
Trompette, violon (duo)
3
Trombone et orchestre
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
3 Euphoniums
3
3 Trompettes (trio)
2
3 Tubas (trio)
2
Cor et Orgue
2
2 Euphoniums (duo)
2
Instruments en Sib
2
Tuba (partie séparée)
2
Trompette, Tuba (duo)
2
Euphonium, Tuba (duo)
2
Trompette, Saxophone (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Ensemble de Tubas
1
Tuba et Orgue
1
Clarinette, Cor (duo)
1
Trompette, Cor (duo)
1
Trio de Cuivres
1
+ 51 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
686
Violon
301
Violon et Piano
287
Violoncelle, Piano
155
Violoncelle
138
Trio à Cordes: violon, alto, violoncelle
94
Alto, Piano
79
Alto seul
72
Harpe
66
Violon, Violoncelle (duo)
58
2 Violons (duo)
43
Violon, Alto (duo)
35
Trio à Cordes: 2 violons, violoncelle
33
2 Violoncelles (duo)
27
Contre Basse
21
2 Altos (duo)
20
Harpe, Violon (duo)
19
Violon, Guitare (duo)
18
Harpe, Flûte (duo)
16
4 Violoncelles
16
Contrebasse, Piano (duo)
15
Alto (partie séparée)
15
Alto, Violoncelle (duo)
12
4 Contrebasses
11
Violoncelle, Contrebasse (duo)
11
Trio à cordes: 3 violins
10
Violon (partie séparée)
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Trio à Cordes: 2 violons, alto
7
Quatuor à cordes : 4 altos
6
Alto et Harpe
5
Trio à Cordes: 3 violoncelles
4
Harpe, Violoncelle (duo)
4
2 Contrebasses (duo)
3
Harpe, Quatuor à cordes
3
Piano Trio: Violon, Alto, Piano
3
Violon, Clarinette, Piano (trio)
3
Violoncelle , Guitare (duo)
3
Violoncelle, Orgue
2
Contrebasse (partie séparée)
2
Violon, Orgue
2
Alto, Guitare (duo)
2
Ensemble de Violons
2
Violoncelle, Orchestre
2
Harpe, Violon, Violoncelle
2
Trio à cordes: 3 altos
2
Ensemble d'Altos
2
Harpe, Trombone (duo)
1
Violoncelle, Basse continue
1
Trio à cordes
1
Violon, Basse continue
1
3 Contrebasses
1
Quatuor à cordes: 4 violons
1
Violoncelle (partie séparée)
1
4 Harpes
1
Ensemble de Violoncelles
1
2 Harpes (duo)
1
+ 52 instrumentations
Retracter
Orchestre & Percussions
Orchestre
686
Orchestre d'harmonie
553
Jazz combo
419
Ensemble Jazz
365
Orchestre à Cordes
279
Ensemble de cuivres
273
Orchestre de chambre
223
Batterie
97
Cloches
70
Fanfare
47
Ensemble de Percussions
47
Marimba
14
Percussion (partie séparée)
10
Big band
8
Vibraphone
6
Piano et Orchestre
4
Timbales (partie séparée)
2
Orchestre, Violon
2
Xylophone
1
Caisse Claire
1
Quintette de Cuivres: autres combinaisons
1
Batterie (partie séparée)
1
Percussion
1
Marimba et Orgue
1
Quatuor à Vent : 4 instruments à vents
1
+ 20 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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MARIAGE - AMOUR - BA…
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METHODE : ETUDES
METHODE : TECHNIQUES
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OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Ensemble de Percussions
Partitions à imprimer
47 partitions trouvées
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26
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 2 (Strings, Harp, Timpani, Pe
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Ensemble de Percussions
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AVANCÉ
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James Nathaniel Holland
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The Satyricon, A Balletic Roma
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James Nathaniel Holland
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.730494 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 326 pages. James Nathani...
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Percussion Ensemble - Level 5 - SKU: A0.730494 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 326 pages. James Nathaniel Holland #4800780. Published by James Nathaniel Holland (A0.730494). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. INDIVIDUAL INSTRUMENT PARTS 2 (Strings, Harp, Timpani and Percussion). Piano Score, Full Orchestral Score, Individual Parts (Part 1) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$34.95
A Minor Op. 3 No. 1
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Ensemble de Percussions
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AVANCÉ
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Davide Carnevale
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A Minor Op. 3 No. 1
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Davide Carnevale
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1025328 Composed by Davide Carnevale. 20th Century,Classical,Instructional,Standards. Score and parts. 9 pages. ...
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Percussion Ensemble - Level 5 - SKU: A0.1025328 Composed by Davide Carnevale. 20th Century,Classical,Instructional,Standards. Score and parts. 9 pages. Davide Carnevale #4628151. Published by Davide Carnevale (A0.1025328). This is a trio with a glockenspiel and flute accompanying the piano. The piece is in A minor, but modulates to A major towards the middle of the piece in the piano solo, then returns to A minor for the end.
$6.50
A Caribbean Christmas
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Ensemble de Percussions
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AVANCÉ
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Noël
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George Frideric Handel, James
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Aaron G
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A Caribbean Christmas
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Aaron G. Railey
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.891828 Composed by George Frideric Handel, James Chadwick, James Pierpont, and Thomas Oliphant. Arranged by Aaro...
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Percussion Ensemble - Level 5 - SKU: A0.891828 Composed by George Frideric Handel, James Chadwick, James Pierpont, and Thomas Oliphant. Arranged by Aaron G. Railey. Christmas. Score and parts. 28 pages. Aaron G. Railey #6607247. Published by Aaron G. Railey (A0.891828). A Caribbean Christmas is a thrilling adventure through the most famous and recognizable Christmas holiday songs of all time. Written in a Caribbean Soca rhythmic style and including three key changes, this is an advanced arrangement that will feature and challenge your best musicians. Each section of the ensemble has the opportunity to perform the melody in this arrangement. Often, students on the accompaniment instruments are stuck playing repeated chords with little to no motion or challenge. I found it important as an educator that each student gets challenged and has the opportunity to feel important to the contribution of the ensemble. Every ensemble that has ever performed this has received a standing ovation. It is thrilling, exciting, challenging, recognizable, and just fun to play. I hope that you enjoy this and it brings holiday spirit to your community! .
$39.99
Concerto a Capriccio (Concerto on a Lark) for Piano and Orchestra (Complete Full Score and Instrume
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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Richard St
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Concerto a Capriccio
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Richard St. Clair
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.939795 Composed by Richard St. Clair. 20th Century. Score and parts. 231 pages. Richard St. Clair #3896021. Publ...
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Percussion Ensemble - Level 5 - SKU: A0.939795 Composed by Richard St. Clair. 20th Century. Score and parts. 231 pages. Richard St. Clair #3896021. Published by Richard St. Clair (A0.939795). This 15-minute light-hearted piano concerto for full-size symphony orchestra was composed in sketch form in 1970 and the orchestration was finalized in 2018. Listeners will undoubtedly hear references to the neoclassical music of the earlier part of the 20th century, which was a major influence on the composer in the late 1960s and early 1970s. The full score and complete parts are for sale all contained on the provided PDF file, and a Finale-generated MP3 sound clip is provided here.
$60.00
Hommage à Gaby Buisson d'imprévu // Gaby Buisson breakdown.. # ISRC 10243
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Ensemble de Percussions
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AVANCÉ
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Celtique/Irlandais
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Réal Dubois
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Hommage à Gaby Buisson
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Réal Dubois
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1018790 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Cont...
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Percussion Ensemble - Level 5 - SKU: A0.1018790 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Contemporary,Film/TV,Folk,Standards. Score and parts. 1 pages. Réal Dubois #2069239. Published by Réal Dubois (A0.1018790). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99
A Quarter Of A Whip
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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Rennard Stafford
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A Quarter Of A Whip
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Tempo X Percussion and Publications
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1019783 Composed by Rennard Stafford. Contemporary. Score and parts. 4 pages. Tempo X Percussion and Publication...
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Percussion Ensemble - Level 5 - SKU: A0.1019783 Composed by Rennard Stafford. Contemporary. Score and parts. 4 pages. Tempo X Percussion and Publications #5771427. Published by Tempo X Percussion and Publications (A0.1019783). An advanced snare drum piece for the crafty snare drummer. .
$6.50
Vinlandsaga - a Nordic Symphony [score]
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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Colin Bayliss
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Vinlandsaga - a Nordic Symphon
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Colin Bayliss
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.938464 Composed by Colin Bayliss. 20th Century. Score and parts. 81 pages. Colin Bayliss #23711. Published by Co...
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Percussion Ensemble - Level 5 - SKU: A0.938464 Composed by Colin Bayliss. 20th Century. Score and parts. 81 pages. Colin Bayliss #23711. Published by Colin Bayliss (A0.938464). Depiction of the Viking voyage to America. Programme notes on last page.
$10.00
Vinlandsaga - a Nordic Symphony [brass, percussion and harp parts]
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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Colin Bayliss
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Vinlandsaga - a Nordic Symphon
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Colin Bayliss
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.938465 Composed by Colin Bayliss. 20th Century. Score and parts. 47 pages. Colin Bayliss #23715. Published by Co...
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Percussion Ensemble - Level 5 - SKU: A0.938465 Composed by Colin Bayliss. 20th Century. Score and parts. 47 pages. Colin Bayliss #23715. Published by Colin Bayliss (A0.938465).
$12.00
Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Ensemble de Percussions
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AVANCÉ
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Antonio J
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Two Dreams for solo Trombone a
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Gordon Cherry
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #...
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Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
The Man Who Laughs
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Ensemble de Percussions
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AVANCÉ
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the end of this section, the a
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Jehad Choate
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The Man Who Laughs
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Jehad Choate
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1025413 Composed by Jehad Choate. 20th Century,Contemporary,Film/TV. Score and parts. 67 pages. Jehad Choate #47...
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Percussion Ensemble - Level 5 - SKU: A0.1025413 Composed by Jehad Choate. 20th Century,Contemporary,Film/TV. Score and parts. 67 pages. Jehad Choate #4781401. Published by Jehad Choate (A0.1025413). The Man Who Laughs is a musical portrait of Batman’s greatest adversary, the Joker (Detective Comics). This piece draws inspiration from both comic book sources and live-action performances on film and television. It features five continuous sections:One Bad Day: (Page 1) A prelude showcasing a lush melodic theme that ascribes the derangement of a normal man to the dramatic events of one bad day.How I Got These Scars: (Page 10) Introduces additional thematic material at a frantically energized pace to contrive an identity from a mind fragmented by hitting rock bottom.Why So Serious: (Page 17) Punctuates the Joker’s aggressive resolutions with a reoccurring two note motif.A Dance with the Devil: (Page 33) A fleshed-out unity of previous materials in a romantic waltz-like style.Giggling in a Corner and Bleeding: (Page 47) A dynamic and provocative bout of hysteria that challenges the speed and dexterity of a player in the same way the Joker challenges the ideological resolve of Batman. By the end of this section, the audience might feel like they have been attacked by the Joker, influenced by him, or may have actually been the Joker all along.
$10.00
Four Forces (First movement) I. Strong Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
One Hour to Madness
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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Dan Heslink
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One Hour to Madness
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.935385 Composed by Dan Heslink. Contemporary. Score and parts. 36 pages. Pharaoh Publications #5775261. Publishe...
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Percussion Ensemble - Level 5 - SKU: A0.935385 Composed by Dan Heslink. Contemporary. Score and parts. 36 pages. Pharaoh Publications #5775261. Published by Pharaoh Publications (A0.935385). One Hour to Madness for percussion septet. by Dan Heslink From its opening motto to its bold closing summation, One Hour to Madness explores a high degree of musical energy. The title is loosely inspired by Walt Whitman’s marvelous poem, One Hour to Madness and Joy (Leaves of Grass). The music presents a dark and exciting expression couched in pervasive contrapuntal development. A high degree of dissonance is contrasted with the second theme’s clear Bb major tonality. The work’s contrapuntal nature is distilled into a fugato in the second half. Predominantly a mallet ensemble composition, scoring is for orchestra bells (2 mallets), xylophone (2 mallets), vibraphone (4 mallets), 3 marimbas (each with 2 mallets) and timpani. The timpani part is best performed on the standard set of 4 drums (23-24, 25-26, 28-29, 32-30). The marimba 1 part requires the standard range of 3 ½ or 4 octaves; the marimba 2 part can be executed on the standard 4-octave instrument by omitting a few octave doublings, or on a 5-octave instrument if one is available; marimba 3 requires a 5-octave instrument. The composer assigns a difficulty level of advanced. It will serve any concert or recital very well. Audiences and performers alike will enjoy the flashy passage work and musical impetus afforded by One Hour to Madness. Duration is 3:41. The composer, Dan Heslink, can be contacted at dan@dheslink.com.
$4.99
Gravity for Septet
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Editio...
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Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
Another Place
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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Adam Grim
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Another Place
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Adam B. Grim
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.939392 Composed by Adam Grim. 20th Century,Contemporary. Score and parts. 65 pages. Adam B. Grim #6862379. Publi...
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Percussion Ensemble - Level 5 - SKU: A0.939392 Composed by Adam Grim. 20th Century,Contemporary. Score and parts. 65 pages. Adam B. Grim #6862379. Published by Adam B. Grim (A0.939392). Another Place is a marimba quartet on two instruments with some accessory items like a mounted bass drum, cymbal, and wind chimes. The work is about 10.5 minutes long, and holds three distinct movements that begin with solemn rolls that slowly become more regimented and rhythmic. The second movement raises the bar and becomes very rhythmic and syncopated with a Reich-like approach of melody vs interlocking harmony. This climax brings a high dynamic level to the forefront of the instruments with interlocking impact points being contrasted to unison hits. The third movement takes this original melody and harmony to the next level by using changing time signatures and motivic ideas to maximize the powerful ending. Throughout there is a deep sense of color and texture that can be maximized by the ensemble in new and exciting ways with each performance. This has plenty of ink, but also leaves a lot to interpret and bring the ensemble’s voice forward. I hope you enjoy! This work won the Audience Award in the Rocky Mountain Music Composition Contest in 2022 as well as Second Prize overall. These international awards were judged by a panel of seven judges from around the world, but with the competition based out of Toronto, Canada.
$35.00
Alexandriana for Percussion Ensemble
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Ensemble de Percussions
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AVANCÉ
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Dan Heslink
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Alexandriana for Percussion En
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. P...
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Percussion Ensemble - Level 5 - SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Great’s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The music’s sectional nature parallels the library’s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the score’s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$9.99
Germain, An Opera in 4 Acts, INSTRUMENT PARTS 2 (STRINGS, HARP, TIMPANI and PERCUSSION)
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Ensemble de Percussions
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AVANCÉ
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James Nathaniel Holland
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Germain, An Opera in 4 Acts, I
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James Nathaniel Holland
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.730497 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 368 pages. James N...
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Percussion Ensemble - Level 5 - SKU: A0.730497 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 368 pages. James Nathaniel Holland #5021025. Published by James Nathaniel Holland (A0.730497). INDIVIDUAL INSTRUMENT PARTS 2 (2 of 2) STRINGS, HARP, TIMPANI, PERCUSSIONFull Orchestral Score (Concert Pitch), Vocal Score, Instrument Parts 1 (Woodwinds and Brass) all sold separatelyINDIVIDUAL INSTRUMENT PARTS 2 (2 of 2) STRINGS, HARP, TIMPANI, AND PERCUSSION Full Orchestral Score (Concert Pitch), Vocal Score, Instrument Parts 2 (Strings, Harp, and Percussion)OPERA SYNOPSIS:A mythical country, somewhere lost in time and space; two factions, the minority have and the majority have-not’s, are in constant violent conflict to rule the country. Germain, a young man with mysterious origins, and for neither side,by fate meets the the prime minister and hopes for personal love. But this is not to be a happy ending. The leader of the have-not’s takes this perfect opportunity to assassinate the PM.When the attempt fails, the blame falls on Germain and leads him to his imprisonment and eventual death.GERMAIN, A Dreamer (Lyric Baritone)CHERYL, A tavern owner and girlfriend to Talleyrand (Soprano, Coloratura)TALLEYRAND, Minister of District Thirteen, Secret leader of the Dissidents (Bass)ALEXANDER, The newly elected Prime Minister of Timbaksha (Tenor)TAMINA, Alexander’s wife (Soprano)NADINE, Minister of District Five (Alto)URCHIN, A Young Teen (Male or Female Voice)WALLACE, Minister of District Nine (Baritone)OFFICER (Baritone)CHORUS: DISSIDENT, GUESTS, SERVANTS, CROWD, OFFICERSComplete Instrumentation: picc, fl12, ob, eh, cl12, tensax, bsn, hrn12, tpt12, trm12, tba, timpani, perc, hrp, strgs
$75.95
Jingle Bells Music Box (Percussion Ensemble)
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Ensemble de Percussions
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AVANCÉ
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Noël
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James Pierpoint
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Clark Cothern
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Jingle Bells Music Box
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Clark Cothern
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.823090 Composed by James Pierpoint. Arranged by Clark Cothern. Christmas,Folk,Traditional. Score and parts. 17 p...
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Percussion Ensemble - Level 5 - SKU: A0.823090 Composed by James Pierpoint. Arranged by Clark Cothern. Christmas,Folk,Traditional. Score and parts. 17 pages. Clark Cothern #2988497. Published by Clark Cothern (A0.823090). This percussion ensemble arrangement sounds like a music box and fuels the imagination. You can hear this arrangement on the album, A Small Ensemble Christmas by D.D.T. Brahms. This percussion ensemble (Glockenspiel, Marimba, Xylophone, Vibraphone) replicates an old fashioned music machine in which various instruments are triggered by a punched paper roll. This arrangement is challenging and will require advanced players. It's sure to be a hit at your Christmas concert.
$12.00
On the Wings of the Scarlet Messenger Opera Instrument Parts Part 2 of 2 (Strings, Harp, Timpani, Pe
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Ensemble de Percussions
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AVANCÉ
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James Nathaniel Holland
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On the Wings of the Scarlet Me
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James Nathaniel Holland
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.730477 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 284 pages. James N...
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Percussion Ensemble - Level 5 - SKU: A0.730477 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 284 pages. James Nathaniel Holland #4108107. Published by James Nathaniel Holland (A0.730477). On the Wings of the Scarlet Messenger by American composer James Nathaniel Holland. This is part 2 of 2 publications of the individual instrument parts for the opera. Full Score (in concert pitch), Piano Vocal Score, and Instruments Part 1 (woodwinds and brass) sold separately. The instrumental parts included in part 2 publication are (strings, harp, timpani and percussion) and this part can be used to enhance a production with the piano/vocal score. Opera synopsis: This 21st Century opera or musical drama is adapted from the classic novel of Henry James, On the Wings of a Dove except it is set in the mythical South Pacific island of Soon Rafa. Leads include soprano, mezzo soprano, tenor, and bass with chorus, Asian dance and minor roles. One of the few operas with a love duet between a soprano and bass. Great ensemble scenes. Great for university productions and young voices. Dramatic and beautiful orchestration. Yet to be premiered.YouTube Demo playlist presentation: https://www.youtube.com/playlist?list=PLEcbVsA36MCvHG_MTBdv7x2UNjwG27sMaComposer website: http://lacoronadelossantos.net/jamesnathanielholland.html
$48.95
Fanfare for the Uncommon Student
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Ensemble de Percussions
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AVANCÉ
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David Berlin
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font: 12.0px Helvetica
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Fanfare for the Uncommon Stude
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David Berlin
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.958075 Composed by David Berlin. 20th Century,Graduation,Instructional,Standards. Score and parts. 44 pages. Dav...
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Percussion Ensemble - Level 5 - SKU: A0.958075 Composed by David Berlin. 20th Century,Graduation,Instructional,Standards. Score and parts. 44 pages. David Berlin #2988815. Published by David Berlin (A0.958075). P.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; color: #232323} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; color: #1255cc} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; color: #232323; min-height: 15.0px} span.s1 {text-decoration: underline} In collaboration with the Philadelphia Classical Symphony and director, Karl Middleman and Partners in Distance Learning, a music composition project was launched in 2005 for students in Pennsylvania. I created an instructional web site called HOW TO WRITE A FANFARE. Students from around the state worked through the program and sent us their final projects. The committee selected the best ones submitted and we brought the students and their families to Philadelphia where the Philadelphia Classical Symphony performed their pieces on a public concert. The web site is still on line and the student's pieces can be heard. at: http://tozier.net/dberlin/fanfare/index.htm/ Please feel free to use this website in conjunction with my printed score and recording for yourself, students or your circle of friends. This score and recording was my contribution to the concert. It is 90 seconds long at 120 BPM.
$3.99
Sisyphus Phoenix
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Ensemble de Percussions
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AVANCÉ
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Jazz
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Contemporain
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Dalton McLaughlin
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Sisyphus Phoenix
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Dalton McLaughlin
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1011784 Composed by Dalton McLaughlin. 20th Century,Jazz. Score and parts. 95 pages. Dalton McLaughlin #3452087....
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Percussion Ensemble - Level 5 - SKU: A0.1011784 Composed by Dalton McLaughlin. 20th Century,Jazz. Score and parts. 95 pages. Dalton McLaughlin #3452087. Published by Dalton McLaughlin (A0.1011784). This percussion ensemble, which was written for the Wisconsin Youth Symphony Orchestras Percussion ensemble, is a jazz inspired blend of the music that fascinated me when I wrote this. It is inspired by the work of Claude Debussy and Jacob Collier, because I felt like there ins't really much in the way of a percussion ensemble in that vein. It is also inspired by the idea of Sisyphus, the Greek Myth, and the idea of a phoenix burning up to become renewed.This piece works great for college percussion ensembles.
$1.99
BIZET CARMEN SUITE FOR SMALL ORCHESTRA by Peyber Medina
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Ensemble de Percussions
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AVANCÉ
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Opera
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Classique
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Georges Bizet
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Peyber A
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BIZET CARMEN SUITE FOR SMALL O
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Peyber Medina
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.866916 Composed by Georges Bizet. Arranged by Peyber A. Medina H. Opera,Romantic Period. Score and parts. 121 pa...
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Percussion Ensemble - Level 5 - SKU: A0.866916 Composed by Georges Bizet. Arranged by Peyber A. Medina H. Opera,Romantic Period. Score and parts. 121 pages. Peyber Medina #6057883. Published by Peyber Medina (A0.866916). This brilliant arrangement, adaptation and reorchestration by Peyber A. Medina H. of 4 pieces of the famous from the opera CARMEN by Georges BIZET, specially made for a reduced orchestra so the players can be recorded from home on this dark times of quarantine. Get here completely free the audio sample with the click in case you purchase the partitions and wanna recorded with your orchestra or chamber group, just you must to put this product link on your video or final work description at the end: http://bit.ly/CARMENCLICKThe pieces included here are:1. Prelude from the Act 4 (Entr'acte)2. Habanera (No. 5)3. Toreadores (Prélude)4. Gypsy Song (Chason Bohème)
$34.99
Percussion Trio. No. 1 (Overture) - Score Only
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Ensemble de Percussions
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AVANCÉ
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Daniel Parker
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Percussion Trio. No. 1
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A & B Music Publishing
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1278444 Composed by Daniel Parker. 21st Century,Contemporary. 4 pages. A & B Music Publishing #870165. Published...
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Percussion Ensemble - Level 5 - SKU: A0.1278444 Composed by Daniel Parker. 21st Century,Contemporary. 4 pages. A & B Music Publishing #870165. Published by A & B Music Publishing (A0.1278444). Composition Title: Percussion Trio No. 1 (Overture)Composer: Daniel ParkerInstrumentation: Glockenspiel, Xylophone, MarimbaPage size: 9†x 12â€Engraving by: A & B Music PublishingYear: 2023© 2023 Daniel Parker.
$1.99
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