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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Bee
Non classifié
500
Piano & claviers
Piano seul
523
Piano, Voix
145
Instruments en Do
25
Orgue
25
2 Pianos, 4 mains
10
1 Piano, 4 mains
10
Piano, Voix et Guitare
10
Accordéon
4
2 Pianos, 8 mains
3
Clavier
3
Piano Facile
3
Piano Trio: piano, violon, violoncelle
3
Orgue, Piano (duo)
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 10 instrumentations
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Guitares
Guitare
36
Guitare notes et tablatures
18
2 Guitares (duo)
10
Mandoline, Piano (duo)
7
Orchestre à Plectres
4
Ukulele
3
Basse electrique
3
Ligne De Mélodie, (Paroles) et Accords
3
Mandoline
3
Piano, Guitare (duo)
2
Banjo
2
4 Guitares (Quatuor)
1
+ 7 instrumentations
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Voix
Chorale SATB
47
Voix Soprano, Piano
13
Voix haute
12
Chorale TTBB
12
Chorale 3 parties
9
Chorale SSAA
8
Voix basse, Piano
6
Voix Alto, Piano
4
Voix duo, Piano
3
Voix Baryton, Piano
3
Voix basse
2
Chorale SSAATTBB
2
Chorale 2 parties
2
Voix Tenor, Piano
1
Voix, Guitare
1
Voix Tenor
1
Voix Soprano
1
Voix moyenne, Piano
1
+ 13 instrumentations
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Vents
Quatuor de Saxophones: 4 saxophones
38
Clarinette
37
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
35
Saxophone
30
Flûte traversière et Piano
30
Clarinette et Piano
27
Flûte traversière
25
Quatuor de Clarinettes: 4 clarinettes
25
Flûte, Hautbois, Clarinette, Basson
18
Hautbois (partie séparée)
17
2 Flûtes traversières (duo)
17
Ensemble de Clarinettes
16
Quintette de Saxophone: 5 saxophones
14
Saxophone Alto et Piano
13
Hautbois, Piano (duo)
11
3 Clarinettes (trio)
11
Ensemble de saxophones
10
Quatuor de Flûtes : 4 flûtes
9
2 Saxophones (duo)
8
Saxophone Soprano et Piano
7
Clarinette Basse, Piano
7
Quintette de Clarinettes: 5 clarinettes
7
Flûte et Guitare
6
Flute (partie séparée)
5
Saxophone Baryton, Piano
4
Saxophone Tenor et Piano
4
Hautbois, Clarinette, Basson (trio d'anches)
3
Saxophone Alto
3
Quintette de Flûte : 5 flûtes
3
Clarinette, Violoncelle, Piano (trio)
3
Flûte, Violoncelle, Piano (trio)
3
Hautbois
3
Saxophone et Orgue
2
Ensemble de Flûtes
2
Flûte, Violon
2
Clarinette, Basson (duo)
2
Clarinette, Violoncelle (duo)
2
2 Clarinettes (duo)
2
Flûte à bec Alto, Piano
1
Cor anglais, Piano
1
Flûte, Violon, Piano
1
Piccolo
1
Clarinette, Violon (duo)
1
Saxophone Tenor
1
Flûte, Hautbois, Clarinette (trio)
1
Trio de Flûtes: 3 flûtes
1
Cor Anglais
1
Flûte, Violoncelle
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
+ 44 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
71
Trombone et Piano
37
Quatuor de Cuivres : 2 trompettes, trombone, tuba
31
Trompette
30
Cor
25
Tuba et Piano
23
Euphonium, Piano (duo)
22
Trombone
21
Ensemble de Trombones
18
Quatuor de cuivres: 4 trombones
16
Trompette, Piano
12
Cor et Piano
12
Ensemble de Trompettes
7
Tuba
6
2 Trombones (duo)
5
Trombone basse
5
Euphonium
4
Trombone basse et Piano
4
Trompette (partie séparée)
4
Quatuor de Cuivres
4
2 Cors (duo)
3
2 Euphoniums et 2 Tubas
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Instruments en Sib
2
2 Trompettes (duo)
2
2 Tubas (duo)
2
Ensemble de Cors
2
Cor anglais, Piano
1
2 Euphoniums (duo)
1
Trompette, Trombone (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone et orchestre
1
4 Tubas
1
Euphonium, Tuba (duo)
1
Trombone (partie séparée)
1
Quatuor de cuivres: 4 trompettes
1
Trombone, Tuba (duo)
1
Cor Anglais
1
2 Trompettes, Clavier (piano ou orgue)
1
Ensemble de Tubas
1
+ 35 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
126
Violon
80
Violon et Piano
52
Violoncelle
43
Violoncelle, Piano
25
Alto, Piano
19
Alto seul
14
Harpe
12
2 Violons (duo)
11
Violon, Violoncelle (duo)
10
Contre Basse
10
Violon, Alto (duo)
9
Trio à Cordes: violon, alto, violoncelle
6
2 Violoncelles (duo)
5
Violon, Guitare (duo)
4
Trio à cordes
3
4 Violoncelles
3
2 Altos (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violoncelle, Contrebasse (duo)
2
Alto, Violoncelle (duo)
2
Harpe, Violon (duo)
2
Trio à cordes: 3 violins
2
Ensemble d'Altos
2
Alto (partie séparée)
2
Contrebasse, Piano (duo)
2
Ensemble de Violons
1
Trio à Cordes: 2 violons, alto
1
Harpe, Violon, Violoncelle
1
Violon, Orgue
1
2 Violons, Piano
1
Harpe, Flûte (duo)
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle , Guitare (duo)
1
+ 30 instrumentations
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Orchestre & Percussions
Orchestre
93
Orchestre à Cordes
60
Orchestre d'harmonie
45
Ensemble de cuivres
42
Ensemble Jazz
36
Orchestre de chambre
33
Jazz combo
7
Fanfare
4
Ensemble de Percussions
3
Piano et Orchestre
2
Cloches
2
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Ensemble de Percussions
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Four Forces (First movement) I. Strong Forces
#
Ensemble de Percussions
#
AVANCÉ
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...
(+)
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
#
Ensemble de Percussions
#
AVANCÉ
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
(+)
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
The Man Who Laughs
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Ensemble de Percussions
#
AVANCÉ
#
the end of this section, the a
#
Jehad Choate
#
The Man Who Laughs
#
Jehad Choate
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1025413 Composed by Jehad Choate. 20th Century,Contemporary,Film/TV. Score and parts. 67 pages. Jehad Choate #47...
(+)
Percussion Ensemble - Level 5 - SKU: A0.1025413 Composed by Jehad Choate. 20th Century,Contemporary,Film/TV. Score and parts. 67 pages. Jehad Choate #4781401. Published by Jehad Choate (A0.1025413). The Man Who Laughs is a musical portrait of Batman’s greatest adversary, the Joker (Detective Comics). This piece draws inspiration from both comic book sources and live-action performances on film and television. It features five continuous sections:One Bad Day: (Page 1) A prelude showcasing a lush melodic theme that ascribes the derangement of a normal man to the dramatic events of one bad day.How I Got These Scars: (Page 10) Introduces additional thematic material at a frantically energized pace to contrive an identity from a mind fragmented by hitting rock bottom.Why So Serious: (Page 17) Punctuates the Joker’s aggressive resolutions with a reoccurring two note motif.A Dance with the Devil: (Page 33) A fleshed-out unity of previous materials in a romantic waltz-like style.Giggling in a Corner and Bleeding: (Page 47) A dynamic and provocative bout of hysteria that challenges the speed and dexterity of a player in the same way the Joker challenges the ideological resolve of Batman. By the end of this section, the audience might feel like they have been attacked by the Joker, influenced by him, or may have actually been the Joker all along.
$10.00
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