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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
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DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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SAXOPHONE
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Non classifié
939
PIANO & CLAVIERS
Piano seul
1187
Piano, Voix
99
Orgue
82
Accordéon
42
Clavecin
21
Piano, Voix et Guitare
19
2 Pianos, 4 mains
16
Piano Trio: piano, violon, violoncelle
16
1 Piano, 4 mains
7
Piano Quatuor: piano, violon, alto, violoncelle
4
Orgue, Trompette (duo)
3
Instruments en Do
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
1
1 Piano, 6 mains
1
Accompagnement Piano
1
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GUITARES
Guitare notes et tablatures
204
Guitare
171
Basse electrique
56
2 Guitares (duo)
8
Mandoline
3
Guitare, Orchestre
2
Ukulele
2
Piano, Guitare (duo)
2
3 Guitares (trio)
1
Ensemble de guitares
1
4 Guitares (Quatuor)
1
Paroles et Accords
1
Ligne De Mélodie, (Paroles) et Accords
1
Orchestre à Plectres
1
Guitare, Quatuor à cordes
1
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VOIX
Chorale SATB
234
Chorale TTBB
100
Chorale 3 parties
31
Chorale SSAA
17
Voix Soprano, Piano
13
Chorale SSAATTBB
7
Voix seule
4
Chorale 2 parties
4
Voix Tenor, Piano
3
Chorale SSATTB
3
Chorale
2
Voix Soprano
2
Voix Alto, Piano
2
Chorale SSATB
2
Voix Baryton
1
Voix haute
1
Chorale Unison
1
Voix Mezzo-Soprano, Piano
1
Voix Soprano, Orchestre
1
Voix basse, Piano
1
Voix duo, Piano
1
Voix Baryton, Piano
1
Voix Tenor
1
Soli, choeur mixte et accompagnement
1
Voix duo, Orgue
1
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VENTS
Saxophone
242
Clarinette
146
Flûte traversière
128
Flûte traversière et Piano
72
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
46
Quatuor de Saxophones: 4 saxophones
46
Saxophone Alto et Piano
33
Quatuor de Clarinettes: 4 clarinettes
31
Clarinette et Piano
31
Hautbois, Piano (duo)
30
Ensemble de Clarinettes
26
Flûte, Hautbois, Clarinette, Basson
24
Hautbois (partie séparée)
21
Saxophone Tenor et Piano
19
2 Flûtes traversières (duo)
15
Saxophone Soprano et Piano
14
3 Clarinettes (trio)
12
Ensemble de saxophones
11
Ensemble de Flûtes
10
Saxophone (partie séparée)
10
Saxophone Baryton, Piano
9
Quintette de Saxophone: 5 saxophones
9
Quintette de Clarinettes: 5 clarinettes
9
Quintette de Clarinette: Clarinette, Quatuor à Cordes
9
Hautbois
8
Saxophone Alto
8
Flûte et Guitare
7
Quatuor de Flûtes : 4 flûtes
7
Trio de Flûtes: 3 flûtes
6
Flûte à Bec
6
Clarinette (partie séparée)
4
2 Saxophones (duo)
4
2 Clarinettes (duo)
4
Hautbois, Clarinette, Basson (trio d'anches)
4
3 Saxophones (trio)
4
Flûte, Violoncelle, Piano (trio)
3
Flûte à bec Alto, Piano
3
Clarinette, Violon (duo)
3
Flûte à bec Soprano
3
Flûte, Violon, Piano
3
Quatuor de Flûtes à bec
3
Saxophone Tenor
3
Clarinette Basse, Piano
2
Clarinette, Violoncelle, Piano (trio)
2
Clarinette, Orgue
2
5 Flûtes à bec
2
Flûte, Clarinette, Piano (trio)
2
Cor anglais, Piano
2
Saxophone et Orgue
1
Clarinette, Violoncelle (duo)
1
Clarinette, Guitare (duo)
1
Hautbois, Basson et Piano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Clarinette et Alto
1
Piccolo
1
Quintette de Flûte : 5 flûtes
1
Flûte et Quatuor à Cordes
1
Cor Anglais
1
Flûte, Hautbois, Piano (trio)
1
Flûte à bec Soprano, Piano
1
Ensemble De Flûte à bec
1
Flûte, Clarinette et Basson
1
Harmonica
1
Saxophone Soprano
1
Flûte, Violon
1
Flûte traversière, Basse continue
1
Hautbois, Violoncelle
1
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CUIVRES
Trompette
112
Trombone
103
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
73
Quatuor de Cuivres : 2 trompettes, trombone, tuba
40
Trombone et Piano
40
Tuba et Piano
32
Ensemble de Trombones
26
Cor et Piano
25
Cor
23
Trompette, Piano
19
Euphonium, Piano (duo)
18
Tuba
15
2 Cors (duo)
13
Quatuor de cuivres: 4 trombones
13
2 Trombones (duo)
9
2 Trompettes (duo)
7
Trombone basse
7
Cor (partie séparée)
7
Quatuor de Cuivres
6
Trompette (partie séparée)
6
Trombone (partie séparée)
6
2 Euphoniums et 2 Tubas
5
Quatuor de cuivres: 4 cors
5
Euphonium
4
3 Trombones (trio)
3
Ensemble de Cors
2
Trombone, Tuba (duo)
2
Trombone basse et Piano
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Cor anglais, Piano
2
Trompette, Tuba (duo)
1
3 Euphoniums
1
4 Tubas
1
3 Cors (trio)
1
Cor, Violoncelle (duo)
1
2 Euphoniums (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Euphonium, Tuba (duo)
1
Cor Anglais
1
Trombone et orchestre
1
2 Tubas (duo)
1
Ensemble de Tubas
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
1553
Violon
197
Trio à Cordes: violon, alto, violoncelle
154
Alto seul
94
Violon et Piano
85
Violoncelle
78
Trio à Cordes: 2 violons, violoncelle
68
Violoncelle, Piano
55
Alto, Piano
42
Harpe
33
Quintette à cordes: 2 violons, alto, violoncelle, basse
31
Alto (partie séparée)
18
Trio à Cordes: 3 violoncelles
17
Contrebasse, Piano (duo)
14
2 Violons (duo)
13
Trio à Cordes: 2 violons, alto
13
2 Violoncelles (duo)
13
Trio à cordes: 3 violins
13
Violoncelle (partie séparée)
13
Quatuor à cordes: 4 violons
12
Violon, Violoncelle (duo)
11
Trio à cordes
10
Harpe, Flûte (duo)
10
Violon, Alto (duo)
9
Quatuor à cordes : 4 altos
8
Violoncelle, Contrebasse (duo)
7
Harpe, Violon (duo)
7
4 Contrebasses
5
Contre Basse
5
Trio à cordes: 3 altos
5
Alto et Harpe
5
2 Contrebasses (duo)
5
Violon, Guitare (duo)
5
Alto, Violoncelle (duo)
4
4 Violoncelles
4
Harpe, Quatuor à cordes
3
2 Altos (duo)
3
Harpe, Violoncelle (duo)
3
Violoncelle , Guitare (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
4 Harpes
1
Violon, Orgue
1
Violoncelle, Orgue
1
Violon, Clarinette, Piano (trio)
1
3 Contrebasses
1
Piano Trio: Violon, Alto, Piano
1
Alto, Guitare (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
503
Orchestre
211
Orchestre d'harmonie
112
Batterie
92
Jazz combo
87
Ensemble de cuivres
67
Orchestre de chambre
42
Ensemble Jazz
41
Cloches
12
Ensemble de Percussions
9
Fanfare
4
Percussion (partie séparée)
3
Marimba
3
Piano et Orchestre
2
Orchestre, Violon
1
Big band
1
Caisse Claire
1
Xylophone
1
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Gravity for Septet
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by Mohamm…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
15.87 €
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Ensemble de Percussions
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
Tom Thumb Suite
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1022540 Composed by Ryan J…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1022540 Composed by Ryan J. Williams. Contemporary. Score and parts. 52 pages. CWJ Music House Publications #6326405. Published by CWJ Music House Publications (A0.1022540). Tom Thumb Suite is a programmatic work based on the old folk tale of Tom Thumb. While each movement's title describes the story, the quartet includes program notes to give more detail - and can be optionally read as narration between movements. This suite will give percussionists the chance to explore the world of multi-percussion. While the quartet is centered on Xylophone, 2 Marimbas, and Vibraphone, each player is given the opportunity to use various other accessory instruments to help paint the picture.
$34.95
32.65 €
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Ensemble de Percussions
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Ryan J
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Tom Thumb Suite
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CWJ Music House Publications
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SheetMusicPlus
Motions by the Hour
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.510466 Composed by Steven …
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.510466 Composed by Steven Richard Moncado. Contemporary. Score and parts. 21 pages. Steven Moncado #5302763. Published by Steven Moncado (A0.510466). As an hour goes by, emotions can carry on and adapt into something more. They develop and grow, sometimes returning over and over again with a new layer of anxiety or turmoil. This piece exudes just that in a not so typical way. .
$9.99
9.33 €
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Ensemble de Percussions
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Steven Richard Moncado
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Motions by the Hour
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Steven Moncado
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SheetMusicPlus
Alexandriana for Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Hes…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Great’s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The music’s sectional nature parallels the library’s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the score’s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$9.99
9.33 €
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Ensemble de Percussions
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Dan Heslink
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Alexandriana for Percussion Ensemble
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Pharaoh Publications
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SheetMusicPlus
Four Forces (First movement) I. Strong Forces
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
280.24 €
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Ensemble de Percussions
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Four Forces (Second movement) II. Weak Forces
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
140.12 €
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Ensemble de Percussions
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Street Beats for Percussion Quartet
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.882386 Composed by David C…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.882386 Composed by David Chesky. Contemporary,Jazz. Score and parts. 207 pages. Pamaluc Music #18591. Published by Pamaluc Music (A0.882386). A highly energized work for percussion quartet that uses the rhythms of the streets of New York. Latin, Hip hop, jazz collides with modern 21st century harmony. Duration 12:00 min Percussion Quartet.
$14.98
13.99 €
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Ensemble de Percussions
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David Chesky
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Street Beats for Percussion Quartet
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Pamaluc Music
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SheetMusicPlus
Metasound
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1002845 Composed by Panayi…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1002845 Composed by Panayiotis Kokoras. Contemporary. Score and parts. 33 pages. Panayiotis Kokoras #2023573. Published by Panayiotis Kokoras (A0.1002845). The full score includes detailed performance notes. Upon you purchase you will receive free performance material including parts, video, audio and text performance notes, tape audio, click track, etc. for full audio, program notes and score preview please visit: www.panayiotiskokoras.com/en/works.html.
$4.99
4.66 €
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Ensemble de Percussions
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Panayiotis Kokoras
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Metasound
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Panayiotis Kokoras
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SheetMusicPlus
Two Dreams for solo Trombone and 8-part Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
46.71 €
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Ensemble de Percussions
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Antonio J
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Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Gordon Cherry
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SheetMusicPlus
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