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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Gin
Non classifié
1 622
Piano & claviers
Piano seul
1 353
Piano, Voix
143
Orgue
77
1 Piano, 4 mains
37
Instruments en Do
35
Piano, Voix et Guitare
33
2 Pianos, 4 mains
25
Piano Trio: piano, violon, violoncelle
12
Piano Facile
10
Clavecin
10
Piano Quatuor: piano, violon, alto, violoncelle
9
Accordéon
7
Accompagnement Piano
6
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Clavier
3
2 Pianos, 8 mains
3
Orgue, Piano (duo)
2
1 Piano, 6 mains
2
Orgue, Trompette (duo)
2
2 Accordéons
1
Ensemble de Pianos
1
Orgue et Orchestre
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 18 instrumentations
Retracter
Guitares
Guitare
176
Guitare notes et tablatures
98
Basse electrique
57
2 Guitares (duo)
10
4 Guitares (Quatuor)
6
Ligne De Mélodie, (Paroles) et Accords
5
Ensemble de guitares
4
Piano, Guitare (duo)
2
Mandoline
2
Ukulele
2
Mandoline, Piano (duo)
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
245
Chorale TTBB
72
Chorale SSAA
38
Voix Soprano, Piano
33
Chorale 3 parties
19
Chorale SSAATTBB
10
Voix seule
8
Voix Alto, Piano
7
Voix Baryton, Piano
7
Voix duo, Piano
5
Voix haute
4
Voix basse, Piano
4
Chorale Unison
3
Voix Tenor, Piano
3
Voix duo
3
Chorale 2 parties
2
Chorale SSATTB
2
Voix moyenne, Piano
2
Voix Baryton
1
Voix Mezzo-Soprano, Piano
1
Chorale SAATB A Cappella
1
Chorale
1
Voix duo, Orgue
1
+ 18 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
89
Saxophone
64
Quatuor de Saxophones: 4 saxophones
54
Flûte traversière et Piano
50
Clarinette
46
Clarinette et Piano
42
Quatuor de Clarinettes: 4 clarinettes
38
Ensemble de Clarinettes
34
Flûte traversière
32
Flûte, Hautbois, Clarinette, Basson
26
Quintette de Saxophone: 5 saxophones
24
Ensemble de saxophones
22
Saxophone Alto et Piano
21
Hautbois, Piano (duo)
21
Saxophone (partie séparée)
18
Saxophone Alto
16
Saxophone Soprano et Piano
14
Quintette de Clarinettes: 5 clarinettes
14
3 Clarinettes (trio)
12
2 Flûtes traversières (duo)
12
Hautbois (partie séparée)
11
Flûte et Guitare
11
2 Saxophones (duo)
11
Flute (partie séparée)
9
Ensemble de Flûtes
9
Saxophone Tenor et Piano
9
Saxophone Baryton, Piano
8
Quatuor de Flûtes : 4 flûtes
8
Saxophone Tenor
8
Flûte à bec Alto, Piano
7
Trio de Flûtes: 3 flûtes
7
Clarinette (partie séparée)
6
Quatuor de Flûtes à bec
6
2 Clarinettes (duo)
6
Hautbois, Clarinette, Basson (trio d'anches)
6
3 Saxophones (trio)
5
Flûte à bec Alto
5
3 Flûtes à bec (trio)
5
Flûte à bec Alto, Basse continue
5
Ocarina
4
Quintette de Flûte : 5 flûtes
4
Cor anglais, Piano
4
Hautbois
4
Flûte, Clarinette, Piano (trio)
4
Clarinette Basse, Piano
4
Flûte, Violon, Piano
3
2 Flûte à bec (duo)
3
Flûte, Violon
2
Flûte, Violoncelle, Piano (trio)
2
2 Clarinettes, Piano
2
Hautbois, Basson et Piano
2
5 Flûtes à bec
2
Cor Anglais
2
Flûte à bec Soprano
2
Saxophone, Clarinette (duo)
2
Saxophone et Orgue
2
Flûte traversière, Orchestre
1
Flûte, Hautbois, Basson
1
Clarinette, Violoncelle (duo)
1
Flûte, Clarinette (duo)
1
Hautbois, Clarinette et Piano (Trio)
1
Ensemble De Flûte à bec
1
Hautbois, Flûte
1
Piccolo
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, Guitare (duo)
1
Flûte à bec Tenor
1
Flûte, Violoncelle
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Saxophone (duo)
1
Hautbois, Guitare (duo)
1
2 Flûtes à bec, Piano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
2 Flûtes, Basse continue
1
+ 70 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
132
Trombone et Piano
77
Trompette
55
Quatuor de Cuivres : 2 trompettes, trombone, tuba
53
Euphonium, Piano (duo)
40
Cor
39
Tuba et Piano
37
Ensemble de Trombones
33
Quatuor de cuivres: 4 trombones
31
Trombone
31
Cor et Piano
27
Trompette, Piano
25
Quatuor de Cuivres: 2 trompettes, Cor, trombone
20
Trompette (partie séparée)
17
Tuba
15
Quatuor de Cuivres
14
Quatuor de cuivres: 4 cors
14
Cor (partie séparée)
8
Trompette, Cor (duo)
7
Ensemble de Trompettes
7
Trombone (partie séparée)
7
2 Euphoniums et 2 Tubas
7
Trombone basse et Piano
6
Quatuor de cuivres: 4 trompettes
6
2 Cors (duo)
6
Euphonium
6
Trombone basse
5
2 Trombones (duo)
5
Cor anglais, Piano
4
Ensemble de Cors
4
4 Tubas
3
Trombone, Orgue
3
2 Tubas (duo)
3
Euphonium, Tuba (duo)
3
Trompette, violon (duo)
3
3 Trombones (trio)
3
Trompette, Trombone (duo)
2
Trombone et orchestre
2
Cor Anglais
2
3 Euphoniums
2
2 Trompettes, Clavier (piano ou orgue)
1
Instruments en Sib
1
3 Trompettes (trio)
1
Trombone, Tuba (duo)
1
Tuba (partie séparée)
1
3 Tubas (trio)
1
+ 41 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
261
Violon et Piano
99
Violon
65
Violoncelle, Piano
46
Alto, Piano
39
Violoncelle
34
Trio à Cordes: violon, alto, violoncelle
32
Violon, Violoncelle (duo)
31
Harpe
31
Violon, Alto (duo)
19
Alto seul
17
2 Violons (duo)
16
Violon, Guitare (duo)
13
2 Violoncelles (duo)
11
Harpe, Violon (duo)
9
Trio à Cordes: 2 violons, violoncelle
9
Violoncelle , Guitare (duo)
8
Contrebasse, Piano (duo)
7
Contre Basse
7
Violoncelle, Contrebasse (duo)
5
4 Violoncelles
4
2 Altos (duo)
4
Trio à cordes
3
Harpe, Quatuor à cordes
3
Trio à Cordes: 3 violoncelles
3
Harpe, Flûte (duo)
3
Ensemble d'Altos
2
Trio à cordes: 3 violins
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Ensemble de Violoncelles
2
Alto (partie séparée)
2
Piano Trio: Violon, Alto, Piano
2
Violon (partie séparée)
2
Violoncelle (partie séparée)
1
Contrebasse (partie séparée)
1
Trio à Cordes: 2 violons, alto
1
Violoncelle, Orchestre
1
Violoncelle, Orgue
1
4 Harpes
1
Alto et Harpe
1
Ensemble de Violons
1
+ 36 instrumentations
Retracter
Orchestre & Percussions
Batterie
595
Orchestre
307
Orchestre d'harmonie
219
Ensemble Jazz
145
Jazz combo
113
Orchestre à Cordes
108
Orchestre de chambre
95
Ensemble de cuivres
82
Cloches
27
Ensemble de Percussions
12
Fanfare
11
Big band
8
Marimba
5
Vibraphone
3
Percussion (partie séparée)
2
Piano et Orchestre
2
Percussion
1
Quintette de Cuivres: autres combinaisons
1
Caisse Claire
1
Timbales (partie séparée)
1
+ 15 instrumentations
Retracter
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
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PERCU. ORCH…
PERCUSSION
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SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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FUNK
GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
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METAL - HARD
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METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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1
Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Ensemble de Percussions
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AVANCÉ
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Antonio J
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Two Dreams for solo Trombone a
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Gordon Cherry
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #...
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Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
Another Place
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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Adam Grim
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Another Place
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Adam B. Grim
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.939392 Composed by Adam Grim. 20th Century,Contemporary. Score and parts. 65 pages. Adam B. Grim #6862379. Publi...
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Percussion Ensemble - Level 5 - SKU: A0.939392 Composed by Adam Grim. 20th Century,Contemporary. Score and parts. 65 pages. Adam B. Grim #6862379. Published by Adam B. Grim (A0.939392). Another Place is a marimba quartet on two instruments with some accessory items like a mounted bass drum, cymbal, and wind chimes. The work is about 10.5 minutes long, and holds three distinct movements that begin with solemn rolls that slowly become more regimented and rhythmic. The second movement raises the bar and becomes very rhythmic and syncopated with a Reich-like approach of melody vs interlocking harmony. This climax brings a high dynamic level to the forefront of the instruments with interlocking impact points being contrasted to unison hits. The third movement takes this original melody and harmony to the next level by using changing time signatures and motivic ideas to maximize the powerful ending. Throughout there is a deep sense of color and texture that can be maximized by the ensemble in new and exciting ways with each performance. This has plenty of ink, but also leaves a lot to interpret and bring the ensemble’s voice forward. I hope you enjoy! This work won the Audience Award in the Rocky Mountain Music Composition Contest in 2022 as well as Second Prize overall. These international awards were judged by a panel of seven judges from around the world, but with the competition based out of Toronto, Canada.
$35.00
Germain, An Opera in 4 Acts, INSTRUMENT PARTS 2 (STRINGS, HARP, TIMPANI and PERCUSSION)
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Ensemble de Percussions
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AVANCÉ
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James Nathaniel Holland
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Germain, An Opera in 4 Acts, I
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James Nathaniel Holland
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.730497 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 368 pages. James N...
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Percussion Ensemble - Level 5 - SKU: A0.730497 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 368 pages. James Nathaniel Holland #5021025. Published by James Nathaniel Holland (A0.730497). INDIVIDUAL INSTRUMENT PARTS 2 (2 of 2) STRINGS, HARP, TIMPANI, PERCUSSIONFull Orchestral Score (Concert Pitch), Vocal Score, Instrument Parts 1 (Woodwinds and Brass) all sold separatelyINDIVIDUAL INSTRUMENT PARTS 2 (2 of 2) STRINGS, HARP, TIMPANI, AND PERCUSSION Full Orchestral Score (Concert Pitch), Vocal Score, Instrument Parts 2 (Strings, Harp, and Percussion)OPERA SYNOPSIS:A mythical country, somewhere lost in time and space; two factions, the minority have and the majority have-not’s, are in constant violent conflict to rule the country. Germain, a young man with mysterious origins, and for neither side,by fate meets the the prime minister and hopes for personal love. But this is not to be a happy ending. The leader of the have-not’s takes this perfect opportunity to assassinate the PM.When the attempt fails, the blame falls on Germain and leads him to his imprisonment and eventual death.GERMAIN, A Dreamer (Lyric Baritone)CHERYL, A tavern owner and girlfriend to Talleyrand (Soprano, Coloratura)TALLEYRAND, Minister of District Thirteen, Secret leader of the Dissidents (Bass)ALEXANDER, The newly elected Prime Minister of Timbaksha (Tenor)TAMINA, Alexander’s wife (Soprano)NADINE, Minister of District Five (Alto)URCHIN, A Young Teen (Male or Female Voice)WALLACE, Minister of District Nine (Baritone)OFFICER (Baritone)CHORUS: DISSIDENT, GUESTS, SERVANTS, CROWD, OFFICERSComplete Instrumentation: picc, fl12, ob, eh, cl12, tensax, bsn, hrn12, tpt12, trm12, tba, timpani, perc, hrp, strgs
$75.95
Four Forces (First movement) I. Strong Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
Gravity for Septet
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Editio...
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Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
The Three-Minute Waltz - for mallet keyboard percussion trio
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Ensemble de Percussions
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AVANCÉ
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Classique
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Samuel Stokes
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The Three-Minute Waltz - for m
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SamuelStokesMusic.com
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.562082 Composed by Samuel Stokes. Concert,Contemporary. Score and parts. 16 pages. SamuelStokesMusic.com #519988...
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Percussion Ensemble - Level 5 - SKU: A0.562082 Composed by Samuel Stokes. Concert,Contemporary. Score and parts. 16 pages. SamuelStokesMusic.com #5199889. Published by SamuelStokesMusic.com (A0.562082). This fun and hilarious percussion trio is a show piece for the xylophone player with vibraphone and marimba parts playing an accompaniment role. The piece begins as a very simplistic waltz, but with each successive variation, the tempo increases and the xylophone part gets more and more technically challenging. A great show piece that is certain to keep the audience engaged. Learn more about the composer Samuel Stokes at https://www.SamuelStokesMusic.com
$6.99
Seekers Of The Truth
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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Jack Siegel
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Seekers Of The Truth
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Jack Siegel
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.947770 Composed by Jack Siegel. Contemporary. Score and parts. 80 pages. Jack Siegel #2094127. Published by Jack...
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Percussion Ensemble - Level 5 - SKU: A0.947770 Composed by Jack Siegel. Contemporary. Score and parts. 80 pages. Jack Siegel #2094127. Published by Jack Siegel (A0.947770). A very energetic fanfare for brass and percussion. It would work very well as a contest piece with an advanced drum and bugle corp. It was originally written for and performed by the Dallas Wind Symphony.
$24.99
UNITY
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Ensemble de Percussions
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AVANCÉ
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Brad Watson
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S
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UNITY
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S.Parker
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.900371 Composed by Brad Watson. Arranged by S.Parker. Holiday,Jazz,Sacred,Wedding,World. Score and parts. 2 page...
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Percussion Ensemble - Level 5 - SKU: A0.900371 Composed by Brad Watson. Arranged by S.Parker. Holiday,Jazz,Sacred,Wedding,World. Score and parts. 2 pages. S.Parker #3132919. Published by S.Parker (A0.900371). UNITY is a Calypso, Soul Calypso (Soca) piece originally written for Steel Drum. This arrangement is written with piano accompaniment and can be played with any suitable C instrument/instruments.
$4.99
Buyog
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Ensemble de Percussions
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AVANCÉ
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Mark Jay C
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Mark Jay C
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Buyog
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Mark Jay Bohol
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1032306 Composed by Mark Jay C. Bohol. Arranged by Mark Jay C. Bohol. Contemporary,Instructional,World. Score an...
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Percussion Ensemble - Level 5 - SKU: A0.1032306 Composed by Mark Jay C. Bohol. Arranged by Mark Jay C. Bohol. Contemporary,Instructional,World. Score and parts. 52 pages. Mark Jay Bohol #4719271. Published by Mark Jay Bohol (A0.1032306). An original music used in Buyogan Festival in Abuyog, Leyte, Philippines.
$24.99
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 2 (Strings, Harp, Timpani, Pe
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Ensemble de Percussions
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AVANCÉ
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James Nathaniel Holland
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The Satyricon, A Balletic Roma
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James Nathaniel Holland
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.730494 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 326 pages. James Nathani...
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Percussion Ensemble - Level 5 - SKU: A0.730494 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 326 pages. James Nathaniel Holland #4800780. Published by James Nathaniel Holland (A0.730494). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. INDIVIDUAL INSTRUMENT PARTS 2 (Strings, Harp, Timpani and Percussion). Piano Score, Full Orchestral Score, Individual Parts (Part 1) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$34.95
Concerto for Violin and Percussions Op.110
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Ensemble de Percussions
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AVANCÉ
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Kohei KONDO
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Concerto for Violin and Percus
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Kohei KONDO
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.885973 Composed by Kohei KONDO. 20th Century,Contemporary,World. Score and parts. 30 pages. Kohei KONDO #37799. ...
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Percussion Ensemble - Level 5 - SKU: A0.885973 Composed by Kohei KONDO. 20th Century,Contemporary,World. Score and parts. 30 pages. Kohei KONDO #37799. Published by Kohei KONDO (A0.885973). Composed by Japanese composer Kohei KONDOConcerto for Violin and Percussions Op.110 Solo Violin and 3 percussion players Premiered at Tokyo Opera City Recital Hall on 10th Nov. 2010 Violinï¼Kumi NAKAJIMA Percussionï¼Dotten Hakubutsukan 2nd performance at Xebec Hall (Kobe, Hyogo Pref. Japan) Violinï¼Kumi NAKAJIMA Percussionï¼Makoto NOMURA. Chika SURUTA. Yusuke KATAOKA European Premiere:Budapest (BFO Rehearsal Hall in Selmeci utca ) Budapest Festival Orchestra　The Sunday chamber music concerts Violinï¼Levente Szabo Percussionï¼Istvan Kurcsak, Boglarka Fabry, Gabor Pusztai (Members of Budapest Festival Orchestra) Duration : 12 min.YouTube: https://youtu.be/6cdsVtS37Bg Tokyo Opera City Recital Hall on 10th Nov. 2010 Violin/ Kumi NAKAJIMA Percussion/ Dotten Hakubutsukan This concerto is for violin solo and 3 percussion players. The concept is Portable concerto. Small percussion instruments and violin are portable. You can perform this portable violin concerto with original instrumentation in concert hall, salon, street, café, outdoor and various places. For performance or other use and more information. please visit koheikondo.com. http://koheikondo.com/
$8.00
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