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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ion
Non classifié
5 167
Piano & claviers
Piano seul
7 007
Piano, Voix
444
Accordéon
372
Orgue
188
2 Pianos, 4 mains
68
1 Piano, 4 mains
62
Piano, Voix et Guitare
51
Piano Trio: piano, violon, violoncelle
49
Instruments en Do
45
Clavecin
28
Piano Quintette: piano, 2 violons, alto, violoncelle
15
Piano Quatuor: piano, violon, alto, violoncelle
13
Accompagnement Piano
11
Orgue, Piano (duo)
7
2 Pianos, 8 mains
6
Orgue, Trompette (duo)
6
Piano Facile
6
Piano Quatuor: piano, 2 violons, violoncelle
6
Ensemble d'Accordéons
5
Accordéon et Orchestre
3
Clavier
3
Accordéon, Corde(s)
2
1 Piano, 6 mains
2
2 Accordéons
2
Orgue et Orchestre
1
Concertina
1
Ensemble de Pianos
1
Accordéon, Voix
1
+ 23 instrumentations
Retracter
Guitares
Guitare
831
Basse electrique
260
Guitare notes et tablatures
234
2 Guitares (duo)
56
4 Guitares (Quatuor)
19
Ukulele
14
Ensemble de guitares
13
Ligne De Mélodie, (Paroles) et Accords
8
Piano, Guitare (duo)
7
3 Guitares (trio)
6
Banjo
4
Luth
3
2 Guitares et Orchestre
3
Guitare, Orchestre
3
Mandoline, Piano (duo)
2
Paroles et Accords
2
Mandoline
2
Guitare, Flûte, Clarinette
1
Orchestre à Plectres
1
Guitare, Quatuor à cordes
1
Guitare, Violon, Violoncelle (trio)
1
+ 16 instrumentations
Retracter
Voix
Chorale SATB
693
Chorale TTBB
283
Chorale SSAA
76
Chorale SSAATTBB
53
Voix Soprano, Piano
47
Chorale 3 parties
45
Chorale SSATTB
35
Voix seule
33
Voix haute
25
Voix moyenne, Piano
23
Chorale SSATB
21
Voix Baryton, Piano
17
Voix basse, Piano
15
Chorale
13
Voix Tenor, Piano
12
Chorale 2 parties
11
Voix Mezzo-Soprano, Piano
10
Voix Alto, Piano
7
Voix Soprano
5
Voix duo, Piano
5
Voix duo
5
Chorale SSAATB
3
Chorale Unison
3
Voix, Guitare
3
Soli, choeur mixte et accompagnement
3
Voix basse
2
Voix Tenor
2
Chorale SATBB
1
Voix duo, Orgue
1
Voix Soprano, Orchestre
1
+ 25 instrumentations
Retracter
Vents
Saxophone
3 451
Flûte traversière
1 518
Clarinette
1 435
Saxophone (partie séparée)
276
Flûte traversière et Piano
252
Saxophone Alto
202
Saxophone Tenor
181
Clarinette (partie séparée)
159
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
150
Clarinette et Piano
141
Quatuor de Saxophones: 4 saxophones
122
Saxophone Soprano
122
Hautbois (partie séparée)
116
Flute (partie séparée)
109
Hautbois, Piano (duo)
101
Saxophone Alto et Piano
97
Saxophone Soprano et Piano
73
Hautbois
69
Quatuor de Clarinettes: 4 clarinettes
68
Saxophone Tenor et Piano
57
Ensemble de Clarinettes
55
Flûte, Hautbois, Clarinette, Basson
49
2 Flûtes traversières (duo)
42
Flûte à Bec
40
2 Saxophones (duo)
38
Saxophone Baryton, Piano
38
Quintette de Saxophone: 5 saxophones
36
Ensemble de saxophones
34
Flûte et Guitare
34
2 Clarinettes (duo)
26
Clarinette Basse, Piano
20
Quatuor de Flûtes : 4 flûtes
20
Ensemble de Flûtes
20
3 Clarinettes (trio)
16
Quintette de Clarinettes: 5 clarinettes
15
Harmonica
11
3 Saxophones (trio)
11
Cor anglais, Piano
11
Flûte, Violoncelle, Piano (trio)
10
Flûte à bec Alto, Piano
10
Hautbois, Clarinette, Basson (trio d'anches)
8
Flûte, Violon, Piano
8
Trio de Flûtes: 3 flûtes
7
Flûte traversière, Orchestre
7
Quintette de Flûte : 5 flûtes
7
Clarinette, Guitare (duo)
7
3 Flûtes à bec (trio)
7
Quatuor de Flûtes à bec
6
Flûte à bec Alto
6
Cor Anglais
5
Flûte à bec Alto, Basse continue
5
Quintette de Clarinette: Clarinette, Quatuor à Cordes
5
Flûte, Clarinette et Basson
5
2 Flûte à bec (duo)
5
Flûte, Violoncelle
5
2 Hautbois (duo)
4
Clarinette, Violoncelle, Piano (trio)
4
Ensemble à vent
4
Flûte traversière, Orgue (duo)
4
Clarinette, Orchestre
4
Flûte, Basson et Piano
4
Flûte, Clarinette, Piano (trio)
4
Hautbois, Basson (duo)
3
Flûte, Hautbois, Clarinette (trio)
3
Hautbois, Guitare (duo)
3
Flûte, Clarinette (duo)
3
Hautbois, Flûte
3
5 Flûtes à bec
3
Clarinette, Basson, Piano (trio)
3
Clarinette, Basson (duo)
3
Flûte à bec Soprano
3
2 Flûtes traversières, Piano
3
Clarinette, Violoncelle (duo)
3
Hautbois et Orchestre
2
Saxophone et Guitare
2
Flûte, Violon et Violoncelle
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Flûte, Hautbois, Basson
2
Saxophone et Orgue
2
Clarinette, Contrebasse (duo)
2
Flûte à bec Tenor
2
Saxophone, Clarinette (duo)
2
Flûte, Saxophone (duo)
2
Hautbois, Orgue
2
Clarinette, Violon (duo)
2
Saxophone et violoncelle
2
Flûte, Hautbois, Piano (trio)
2
Flûte traversière, Basse continue
2
Hautbois, Basson et Piano
2
Flûte, Alto et Piano
2
2 Saxophones, Piano
2
Clarinette et Alto
2
Saxophone, Basson (duo)
1
Flûte, Hautbois (duo)
1
Hautbois, Clarinette (duo)
1
Flûte, Violoncelle, Guitare
1
Ensemble De Flûte à bec
1
Flûte, Clarinette, Violon (trio)
1
Instruments en Mib
1
Flûte, Trombone (duo)
1
2 Flûtes à bec, Piano
1
Flûte, Trompette (duo)
1
3 Hautbois
1
Clarinette Basse
1
Clarinette, Alto et Piano (trio)
1
Flûte, alto et harpe
1
2 Clarinettes, Basson
1
2 Clarinettes, Piano
1
Hautbois, Violoncelle
1
Hautbois, trombone (duo)
1
Piccolo
1
Clarinette, Orgue
1
2 Flûtes, Basse continue
1
Ocarina
1
Clarinette, Trombone (duo)
1
Flûte à bec Soprano, Piano
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Harmonica, Piano
1
Flûte irlandaise
1
+ 114 instrumentations
Retracter
Cuivres
Trompette
1 306
Trombone
1 253
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
328
Trompette (partie séparée)
298
Trombone (partie séparée)
270
Cor (partie séparée)
181
Quatuor de Cuivres : 2 trompettes, trombone, tuba
110
Trombone et Piano
104
Cor
81
Ensemble de Trombones
72
Cor et Piano
70
Trompette, Piano
64
Tuba et Piano
56
Euphonium, Piano (duo)
50
Quatuor de cuivres: 4 trombones
44
Tuba
31
Ensemble de Cors
21
2 Cors (duo)
21
Euphonium
21
Quatuor de Cuivres
20
Quatuor de cuivres: 4 cors
18
2 Trompettes (duo)
17
Tuba (partie séparée)
17
2 Trombones (duo)
16
Trombone basse
14
Ensemble de Trompettes
13
2 Euphoniums et 2 Tubas
13
Cor anglais, Piano
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
4 Tubas
7
Trombone basse et Piano
6
Cor Anglais
5
Trompette, Trombone (duo)
4
Trombone, Tuba (duo)
4
Euphonium (partie séparée)
4
2 Tubas (duo)
3
Trompette, Orchestre
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Trombone et orchestre
3
3 Trombones (trio)
3
Trombone, Orgue
3
Quatuor de cuivres: 4 trompettes
2
Instruments en Sib
2
Trompette, Saxophone (duo)
2
3 Euphoniums
2
Cor et Harpe
1
Cor, Orchestre
1
Euphonium, Tuba (duo)
1
Trompette, Basson (duo)
1
Trombone, Violon (duo)
1
Trompette, Violoncelle (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Trombone, Alto (duo)
1
Trompette, Trombone, Piano
1
Cor, Violoncelle (duo)
1
Cor et Basson (duo)
1
Trombone, Cor (duo)
1
Trompette, Cor (duo)
1
Tuba et Orgue
1
Trompette, Tuba (duo)
1
+ 55 instrumentations
Retracter
Cordes
Violon
754
Quatuor à cordes: 2 violons, alto, violoncelle
608
Violoncelle
458
Violon et Piano
419
Alto seul
256
Violoncelle, Piano
225
Violon, Violoncelle (duo)
110
Trio à Cordes: violon, alto, violoncelle
99
Alto, Piano
95
Harpe
87
Contre Basse
57
Violon (partie séparée)
41
2 Violons (duo)
32
Violon, Alto (duo)
32
Violon, Guitare (duo)
31
Violoncelle , Guitare (duo)
25
Trio à Cordes: 2 violons, violoncelle
25
Alto (partie séparée)
25
2 Violoncelles (duo)
23
Contrebasse (partie séparée)
17
Contrebasse, Piano (duo)
17
2 Altos (duo)
17
Harpe, Flûte (duo)
16
4 Violoncelles
13
Harpe, Violon (duo)
10
Violoncelle, Contrebasse (duo)
10
Violoncelle (partie séparée)
9
Alto, Violoncelle (duo)
8
Trio à cordes: 3 violins
8
Violoncelle, Orchestre
7
Violoncelle, Orgue
6
Ensemble de Violoncelles
6
Violon, Orgue
5
Trio à Cordes: 3 violoncelles
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Alto et Harpe
5
Alto, Guitare (duo)
4
Trio à Cordes: 2 violons, alto
3
Harpe, Quatuor à cordes
3
Harpe, Violoncelle (duo)
3
4 Contrebasses
3
Piano Trio: Violon, Alto, Piano
3
Quatuor à cordes : 4 altos
3
Alto et orchestre
3
Ensemble d'Altos
2
2 Violons, Piano
2
Trio à cordes: 3 altos
2
Violon, Clarinette, Piano (trio)
2
Quatuor à cordes: 4 violons
2
2 Contrebasses (duo)
2
Harpe, Violon, Violoncelle
2
Violon, Basse continue
1
Ensemble de Violons
1
4 Harpes
1
Flûte, Contrebasse (duo)
1
Harpe (partie séparée)
1
Harpe et Piano
1
Violoncelle, Basse continue
1
Alto, Orgue
1
Violon, Basson (duo)
1
Alto et Basson
1
Violon, Violoncelle, Clarinette
1
Harpe, Trombone (duo)
1
+ 58 instrumentations
Retracter
Orchestre & Percussions
Batterie
1 137
Orchestre d'harmonie
997
Orchestre
747
Ensemble Jazz
499
Orchestre à Cordes
239
Orchestre de chambre
203
Ensemble de cuivres
162
Jazz combo
141
Percussion (partie séparée)
94
Cloches
45
Ensemble de Percussions
38
Fanfare
27
Percussion
16
Timbales (partie séparée)
16
Marimba
15
Big band
9
Batterie (partie séparée)
8
Piano et Orchestre
7
Orchestre, Violon
6
Vibraphone
4
Xylophone (partie séparée)
1
Voix Mezzo-Soprano, Orchestre
1
Quintette de Cuivres: autres combinaisons
1
Marimba et Orgue
1
Xylophone
1
+ 20 instrumentations
Retracter
Autres
Formation musicale - Solfège
7
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Pertinence
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Nouveautes
A-Z
difficulté (tous)
débutant
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avancé
expert
avec audio
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Crtitères actifs :
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Ensemble de Percussions
Partitions à imprimer
38 partitions trouvées
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1
26
Motions by the Hour
#
Ensemble de Percussions
#
AVANCÉ
#
Contemporain
#
Steven Richard Moncado
#
Motions by the Hour
#
Steven Moncado
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.510466 Composed by Steven Richard Moncado. Contemporary. Score and parts. 21 pages. Steven Moncado #5302763. Pub...
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Percussion Ensemble - Level 5 - SKU: A0.510466 Composed by Steven Richard Moncado. Contemporary. Score and parts. 21 pages. Steven Moncado #5302763. Published by Steven Moncado (A0.510466). As an hour goes by, emotions can carry on and adapt into something more. They develop and grow, sometimes returning over and over again with a new layer of anxiety or turmoil. This piece exudes just that in a not so typical way. .
$9.99
Gravity for Septet
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Ensemble de Percussions
#
AVANCÉ
#
Contemporain
#
MohammadHadi Ayanbod
#
Gravity for Septet
#
Rimorarte Edition
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Editio...
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Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
Alexandriana for Percussion Ensemble
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Ensemble de Percussions
#
AVANCÉ
#
Dan Heslink
#
#
Alexandriana for Percussion En
#
Pharaoh Publications
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. P...
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Percussion Ensemble - Level 5 - SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Great’s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The music’s sectional nature parallels the library’s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the score’s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$9.99
Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Ensemble de Percussions
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AVANCÉ
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Antonio J
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Two Dreams for solo Trombone a
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Gordon Cherry
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #...
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Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
Four Forces (First movement) I. Strong Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
Tom Thumb Suite
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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Ryan J
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Tom Thumb Suite
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CWJ Music House Publications
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1022540 Composed by Ryan J. Williams. Contemporary. Score and parts. 52 pages. CWJ Music House Publications #632...
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Percussion Ensemble - Level 5 - SKU: A0.1022540 Composed by Ryan J. Williams. Contemporary. Score and parts. 52 pages. CWJ Music House Publications #6326405. Published by CWJ Music House Publications (A0.1022540). Tom Thumb Suite is a programmatic work based on the old folk tale of Tom Thumb. While each movement's title describes the story, the quartet includes program notes to give more detail - and can be optionally read as narration between movements. This suite will give percussionists the chance to explore the world of multi-percussion. While the quartet is centered on Xylophone, 2 Marimbas, and Vibraphone, each player is given the opportunity to use various other accessory instruments to help paint the picture.
$34.95
AFRICAN PASSION
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Ensemble de Percussions
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AVANCÉ
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JEAN COURTIOUX
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AFRICAN PASSION
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Jean Courtioux
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1007690 Composed by JEAN COURTIOUX. African,Latin. Score and parts. 39 pages. Jean Courtioux #3543881. Published...
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Percussion Ensemble - Level 5 - SKU: A0.1007690 Composed by JEAN COURTIOUX. African,Latin. Score and parts. 39 pages. Jean Courtioux #3543881. Published by Jean Courtioux (A0.1007690). This piece is a celebration form to african musical civilization.
$40.00
The Man Who Laughs
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Ensemble de Percussions
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AVANCÉ
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the end of this section, the a
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Jehad Choate
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The Man Who Laughs
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Jehad Choate
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1025413 Composed by Jehad Choate. 20th Century,Contemporary,Film/TV. Score and parts. 67 pages. Jehad Choate #47...
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Percussion Ensemble - Level 5 - SKU: A0.1025413 Composed by Jehad Choate. 20th Century,Contemporary,Film/TV. Score and parts. 67 pages. Jehad Choate #4781401. Published by Jehad Choate (A0.1025413). The Man Who Laughs is a musical portrait of Batman’s greatest adversary, the Joker (Detective Comics). This piece draws inspiration from both comic book sources and live-action performances on film and television. It features five continuous sections:One Bad Day: (Page 1) A prelude showcasing a lush melodic theme that ascribes the derangement of a normal man to the dramatic events of one bad day.How I Got These Scars: (Page 10) Introduces additional thematic material at a frantically energized pace to contrive an identity from a mind fragmented by hitting rock bottom.Why So Serious: (Page 17) Punctuates the Joker’s aggressive resolutions with a reoccurring two note motif.A Dance with the Devil: (Page 33) A fleshed-out unity of previous materials in a romantic waltz-like style.Giggling in a Corner and Bleeding: (Page 47) A dynamic and provocative bout of hysteria that challenges the speed and dexterity of a player in the same way the Joker challenges the ideological resolve of Batman. By the end of this section, the audience might feel like they have been attacked by the Joker, influenced by him, or may have actually been the Joker all along.
$10.00
Sinfonia di Percussioni
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Ensemble de Percussions
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AVANCÉ
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Jordan Grigg
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Sinfonia di Percussioni
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Jordan Grigg
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.864153 Composed by Jordan Grigg. Concert,Contemporary,Instructional,Standards. Score and parts. 85 pages. Jordan...
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Percussion Ensemble - Level 5 - SKU: A0.864153 Composed by Jordan Grigg. Concert,Contemporary,Instructional,Standards. Score and parts. 85 pages. Jordan Grigg #5040727. Published by Jordan Grigg (A0.864153).
$34.95
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 2 (Strings, Harp, Timpani, Pe
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Ensemble de Percussions
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AVANCÉ
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James Nathaniel Holland
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The Satyricon, A Balletic Roma
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James Nathaniel Holland
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.730494 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 326 pages. James Nathani...
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Percussion Ensemble - Level 5 - SKU: A0.730494 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 326 pages. James Nathaniel Holland #4800780. Published by James Nathaniel Holland (A0.730494). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. INDIVIDUAL INSTRUMENT PARTS 2 (Strings, Harp, Timpani and Percussion). Piano Score, Full Orchestral Score, Individual Parts (Part 1) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$34.95
A Caribbean Christmas
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Ensemble de Percussions
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AVANCÉ
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Noël
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George Frideric Handel, James
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Aaron G
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A Caribbean Christmas
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Aaron G. Railey
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.891828 Composed by George Frideric Handel, James Chadwick, James Pierpont, and Thomas Oliphant. Arranged by Aaro...
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Percussion Ensemble - Level 5 - SKU: A0.891828 Composed by George Frideric Handel, James Chadwick, James Pierpont, and Thomas Oliphant. Arranged by Aaron G. Railey. Christmas. Score and parts. 28 pages. Aaron G. Railey #6607247. Published by Aaron G. Railey (A0.891828). A Caribbean Christmas is a thrilling adventure through the most famous and recognizable Christmas holiday songs of all time. Written in a Caribbean Soca rhythmic style and including three key changes, this is an advanced arrangement that will feature and challenge your best musicians. Each section of the ensemble has the opportunity to perform the melody in this arrangement. Often, students on the accompaniment instruments are stuck playing repeated chords with little to no motion or challenge. I found it important as an educator that each student gets challenged and has the opportunity to feel important to the contribution of the ensemble. Every ensemble that has ever performed this has received a standing ovation. It is thrilling, exciting, challenging, recognizable, and just fun to play. I hope that you enjoy this and it brings holiday spirit to your community! .
$39.99
Le ruisseau d'imprévu // The stream..# ISRC 10254
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Ensemble de Percussions
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AVANCÉ
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Celtique/Irlandais
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Gaétane Poitras
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Le ruisseau d'imprévu /
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Réal Dubois
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1018803 Composed by Gaétane Poitras. Arranged by Gaétane Poitras & Réal Dubois & Imprevu Group. Celtic,...
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Percussion Ensemble - Level 5 - SKU: A0.1018803 Composed by Gaétane Poitras. Arranged by Gaétane Poitras & Réal Dubois & Imprevu Group. Celtic,Contemporary,Folk,Musical/Show,Standards. Score and parts. 1 pages. Réal Dubois #2069273. Published by Réal Dubois (A0.1018803). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99
Les blues de fils de fermier d'imprévu // The farmer's son blues ..# ISRC 10261
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Ensemble de Percussions
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AVANCÉ
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Celtique/Irlandais
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Réal Dubois
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Les blues de fils de fermier d
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Réal Dubois
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1018804 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Cont...
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Percussion Ensemble - Level 5 - SKU: A0.1018804 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Contemporary,Folk,Musical/Show,Standards. Score and parts. 1 pages. Réal Dubois #2069287. Published by Réal Dubois (A0.1018804). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99
Le Grand François d'imprévu // François the Great ..# ISRC 10257
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Ensemble de Percussions
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AVANCÉ
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Celtique/Irlandais
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Réal Dubois
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Le Grand François d'imp
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Réal Dubois
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1018802 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Cont...
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Percussion Ensemble - Level 5 - SKU: A0.1018802 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Contemporary,Folk,Musical/Show,Standards. Score and parts. 1 pages. Réal Dubois #2069269. Published by Réal Dubois (A0.1018802). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99
Hommage à Gaby Buisson d'imprévu // Gaby Buisson breakdown.. # ISRC 10243
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Ensemble de Percussions
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AVANCÉ
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Celtique/Irlandais
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Réal Dubois
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Hommage à Gaby Buisson
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Réal Dubois
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1018790 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Cont...
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Percussion Ensemble - Level 5 - SKU: A0.1018790 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Contemporary,Film/TV,Folk,Standards. Score and parts. 1 pages. Réal Dubois #2069239. Published by Réal Dubois (A0.1018790). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99
Terraqueous
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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Marshall Jones
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Terraqueous
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Marshall Jones
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1022509 Composed by Marshall Jones. Contemporary. Score and parts. 54 pages. Marshall Jones #2014111. Published ...
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Percussion Ensemble - Level 5 - SKU: A0.1022509 Composed by Marshall Jones. Contemporary. Score and parts. 54 pages. Marshall Jones #2014111. Published by Marshall Jones (A0.1022509). Each movement of Terraqueous is centered around a geological process. Orogeny-the formation of mountains. Glaciation--the forming of glaciers. Erosion and Stratification--the stripping away of material by wind and water that is then carried along and then piles up in layers. The audio clip is of the final movement.
$36.00
The Wacky Ripper
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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D
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The Wacky Ripper
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Tempo X Percussion and Publications
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1019784 Composed by D.R. Stafford. Contemporary. Score and parts. 9 pages. Tempo X Percussion and Publications #...
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Percussion Ensemble - Level 5 - SKU: A0.1019784 Composed by D.R. Stafford. Contemporary. Score and parts. 9 pages. Tempo X Percussion and Publications #5771585. Published by Tempo X Percussion and Publications (A0.1019784). This amazing snare drum solo is for the elite percussionists and the utmost professional. It features time-signatures such as 24/64, 11/16, 6/32, and 13/8.
$12.99
Vinlandsaga - a Nordic Symphony [score]
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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Colin Bayliss
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Vinlandsaga - a Nordic Symphon
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Colin Bayliss
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.938464 Composed by Colin Bayliss. 20th Century. Score and parts. 81 pages. Colin Bayliss #23711. Published by Co...
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Percussion Ensemble - Level 5 - SKU: A0.938464 Composed by Colin Bayliss. 20th Century. Score and parts. 81 pages. Colin Bayliss #23711. Published by Colin Bayliss (A0.938464). Depiction of the Viking voyage to America. Programme notes on last page.
$10.00
Phantasy
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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Adam Phoenix White
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Phantasy
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Adam Phoenix White
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1024238 Composed by Adam Phoenix White. 20th Century,Contemporary. Score and parts. 15 pages. Adam Phoenix White...
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Percussion Ensemble - Level 5 - SKU: A0.1024238 Composed by Adam Phoenix White. 20th Century,Contemporary. Score and parts. 15 pages. Adam Phoenix White #2918179. Published by Adam Phoenix White (A0.1024238). A modern exploration in sound for Amplified Eb Sopranino Clarinet with effect pedals, and 4 percussionists. Very Advanced.
$12.99
Libertação
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Ensemble de Percussions
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AVANCÉ
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Fernando Oliveira
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Libertação
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Fernando Oliveira
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1028308 Composed by Fernando Oliveira. Concert,Contemporary,Standards. Score and parts. 33 pages. Fernando Olive...
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Percussion Ensemble - Level 5 - SKU: A0.1028308 Composed by Fernando Oliveira. Concert,Contemporary,Standards. Score and parts. 33 pages. Fernando Oliveira #3466014. Published by Fernando Oliveira (A0.1028308). For soprano and four percussionists~10'Contact: https://www.facebook.com/fernando.oliveira.5209
$6.00
Jingle Bells Music Box (Percussion Ensemble)
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Ensemble de Percussions
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AVANCÉ
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Noël
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James Pierpoint
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Clark Cothern
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Jingle Bells Music Box
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Clark Cothern
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.823090 Composed by James Pierpoint. Arranged by Clark Cothern. Christmas,Folk,Traditional. Score and parts. 17 p...
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Percussion Ensemble - Level 5 - SKU: A0.823090 Composed by James Pierpoint. Arranged by Clark Cothern. Christmas,Folk,Traditional. Score and parts. 17 pages. Clark Cothern #2988497. Published by Clark Cothern (A0.823090). This percussion ensemble arrangement sounds like a music box and fuels the imagination. You can hear this arrangement on the album, A Small Ensemble Christmas by D.D.T. Brahms. This percussion ensemble (Glockenspiel, Marimba, Xylophone, Vibraphone) replicates an old fashioned music machine in which various instruments are triggered by a punched paper roll. This arrangement is challenging and will require advanced players. It's sure to be a hit at your Christmas concert.
$12.00
Siege of Busanjin 1592
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Ensemble de Percussions
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AVANCÉ
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Tsoof Baras
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Siege of Busanjin 1592
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Tsoof Baras
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1013926 Composed by Tsoof Baras. Contemporary,Standards,World. Score and parts. 46 pages. Tsoof Baras #6662693. ...
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Percussion Ensemble - Level 5 - SKU: A0.1013926 Composed by Tsoof Baras. Contemporary,Standards,World. Score and parts. 46 pages. Tsoof Baras #6662693. Published by Tsoof Baras (A0.1013926). Players - 7Instrumentation - Bass Drums (x2), Bongos, Concert Toms (x8), Snare Drums (x2)The Siege of Busanjin was a battle fought at Busan between Japanese and Korean forces on April 14, 1592.Japanese forces surrounded the fort of Busan and within hours the Korean fort was decimated.This piece for drumming ensemble embodies the brutality and power of the Siege of Busanjin and draws inspiration from traditional Taiko drumming ensembles. Driving rhythms and large movements combine with extreme rhythmic precision to bring an enormous piece for drumming ensemble.
$70.00
Sekalipun Kakiku Tersandung
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Ensemble de Percussions
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AVANCÉ
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SR
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Pakpahan, SR, and SST
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Sekalipun Kakiku Tersandung
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SR.Pakpahan,SST
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.990710 Composed by SR.Pakpahan,SST. Arranged by Pakpahan, SR, and SST. Contemporary,Musical/Show,New Age,Sacred,...
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Percussion Ensemble - Level 5 - SKU: A0.990710 Composed by SR.Pakpahan,SST. Arranged by Pakpahan, SR, and SST. Contemporary,Musical/Show,New Age,Sacred,World. Score and parts. 64 pages. SR.Pakpahan,SST #3056515. Published by SR.Pakpahan,SST (A0.990710). PMD Music CreationLagu pop solo, Vokal dengan iringan bandSingle Pop Song with band accompaniment
$1.99
One Hour to Madness
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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Dan Heslink
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One Hour to Madness
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.935385 Composed by Dan Heslink. Contemporary. Score and parts. 36 pages. Pharaoh Publications #5775261. Publishe...
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Percussion Ensemble - Level 5 - SKU: A0.935385 Composed by Dan Heslink. Contemporary. Score and parts. 36 pages. Pharaoh Publications #5775261. Published by Pharaoh Publications (A0.935385). One Hour to Madness for percussion septet. by Dan Heslink From its opening motto to its bold closing summation, One Hour to Madness explores a high degree of musical energy. The title is loosely inspired by Walt Whitman’s marvelous poem, One Hour to Madness and Joy (Leaves of Grass). The music presents a dark and exciting expression couched in pervasive contrapuntal development. A high degree of dissonance is contrasted with the second theme’s clear Bb major tonality. The work’s contrapuntal nature is distilled into a fugato in the second half. Predominantly a mallet ensemble composition, scoring is for orchestra bells (2 mallets), xylophone (2 mallets), vibraphone (4 mallets), 3 marimbas (each with 2 mallets) and timpani. The timpani part is best performed on the standard set of 4 drums (23-24, 25-26, 28-29, 32-30). The marimba 1 part requires the standard range of 3 ½ or 4 octaves; the marimba 2 part can be executed on the standard 4-octave instrument by omitting a few octave doublings, or on a 5-octave instrument if one is available; marimba 3 requires a 5-octave instrument. The composer assigns a difficulty level of advanced. It will serve any concert or recital very well. Audiences and performers alike will enjoy the flashy passage work and musical impetus afforded by One Hour to Madness. Duration is 3:41. The composer, Dan Heslink, can be contacted at dan@dheslink.com.
$4.99
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