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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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CHORALE - CHAN…
CITHARE
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FANFARE - BAND…
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FLUTE DE PAN
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FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
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LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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PERCUSSION
PIANO
SAXOPHONE
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TROMPETTE
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AMERICANA
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Non classifié
536
PIANO & CLAVIERS
Piano seul
270
2 Pianos, 4 mains
48
Piano, Voix
21
1 Piano, 4 mains
16
Orgue
12
Instruments en Do
5
Piano Trio: piano, violon, violoncelle
4
Piano, Voix et Guitare
3
Orgue, Trompette (duo)
3
Clavecin
3
Orgue, Piano (duo)
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Accordéon
1
Piano Facile
1
Piano Quatuor: piano, 2 violons, violoncelle
1
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GUITARES
Guitare
27
2 Guitares (duo)
13
Guitare notes et tablatures
10
Basse electrique
2
Ligne De Mélodie, (Paroles) et Accords
1
VOIX
Chorale SATB
50
Voix Soprano, Piano
12
Chorale TTBB
8
Chorale SSAA
5
Voix Baryton, Piano
4
Voix Tenor, Piano
3
Chorale 3 parties
3
Voix Soprano
2
Chorale 2 parties
2
Voix duo, Piano
2
Voix basse
1
Chorale Unison
1
Voix duo
1
Voix Alto, Piano
1
Voix Tenor
1
Voix moyenne, Piano
1
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VENTS
Clarinette
39
2 Clarinettes (duo)
29
2 Flûtes traversières (duo)
28
Quatuor de Saxophones: 4 saxophones
24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
21
Hautbois (partie séparée)
17
2 Saxophones (duo)
17
Flûte traversière et Piano
17
2 Flûte à bec (duo)
15
Saxophone Alto et Piano
11
Flûte traversière
9
Saxophone
9
Flûte, Hautbois, Clarinette, Basson
9
Ensemble de Clarinettes
8
Saxophone Soprano et Piano
8
3 Clarinettes (trio)
8
Quatuor de Flûtes : 4 flûtes
7
Quatuor de Clarinettes: 4 clarinettes
7
Clarinette et Piano
7
Hautbois, Piano (duo)
7
Ensemble de saxophones
6
Flûte et Guitare
4
Flute (partie séparée)
4
Saxophone Tenor et Piano
4
Clarinette, Violon (duo)
3
Saxophone Alto
3
Flûte, Violon
3
2 Hautbois (duo)
3
Quintette de Saxophone: 5 saxophones
3
Flûte, Clarinette (duo)
2
Saxophone et Orgue
2
Clarinette, Violoncelle (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Cor Anglais
2
Flûte, Violoncelle
2
Flûte, Clarinette, Piano (trio)
2
Ensemble de Flûtes
2
Trio de Flûtes: 3 flûtes
1
Flûte et Trio à cordes
1
Flûte, Violon et Violoncelle
1
Flûte à bec Alto, Piano
1
Cor anglais, Piano
1
Clarinette, Guitare (duo)
1
Ocarina
1
2 Flûtes traversières, Piano
1
3 Saxophones (trio)
1
Saxophone (partie séparée)
1
Saxophone et Guitare
1
Quintette de Flûte : 5 flûtes
1
Saxophone Tenor
1
Flûte, Hautbois, Piano (trio)
1
Piccolo
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette et Alto
1
Flûte, Hautbois (duo)
1
Saxophone Baryton, Piano
1
2 Clarinettes, Basson
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette, Basson (duo)
1
Hautbois, Flûte
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à Bec
1
Flûte à bec Tenor
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
40
Trombone et Piano
37
Ensemble de Trombones
21
Euphonium, Piano (duo)
17
Tuba et Piano
16
Cor
15
Quatuor de Cuivres : 2 trompettes, trombone, tuba
15
Trompette
12
2 Trompettes (duo)
11
Trombone
10
Tuba
9
2 Trombones (duo)
8
Trompette, Piano
7
2 Cors (duo)
7
Cor et Piano
6
Trombone, Tuba (duo)
4
Trompette, Trombone (duo)
4
2 Euphoniums et 2 Tubas
3
3 Trombones (trio)
3
Trombone basse
3
Euphonium
3
Trompette (partie séparée)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
2 Euphoniums (duo)
2
Quatuor de cuivres: 4 trombones
2
Cor Anglais
2
Trompette, Tuba (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Ensemble de Cors
1
4 Tubas
1
Cor anglais, Piano
1
Quatuor de cuivres: 4 cors
1
3 Tubas (trio)
1
Quatuor de Cuivres
1
Quatuor de cuivres: 4 trompettes
1
3 Euphoniums
1
Trombone (partie séparée)
1
Trompette, Cor (duo)
1
Trombone basse et Piano
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
54
2 Violons (duo)
48
Violon et Piano
30
Violon
25
Violon, Violoncelle (duo)
18
Violon, Alto (duo)
14
2 Violoncelles (duo)
13
Violoncelle, Piano
13
Alto, Piano
12
Violoncelle
10
Trio à Cordes: 2 violons, violoncelle
9
Trio à Cordes: violon, alto, violoncelle
9
2 Altos (duo)
8
Alto seul
7
Harpe
6
Violoncelle, Contrebasse (duo)
6
Contre Basse
5
Contrebasse, Piano (duo)
5
Trio à Cordes: 2 violons, alto
4
Alto, Violoncelle (duo)
4
Trio à cordes
3
Violon, Guitare (duo)
2
Alto (partie séparée)
2
Violon (partie séparée)
2
Trio à cordes: 3 violins
2
4 Violoncelles
1
Harpe, Violon (duo)
1
2 Harpes (duo)
1
Violoncelle, Orgue
1
2 Violons, Piano
1
Piano Trio: Violon, Alto, Piano
1
Harpe, Flûte (duo)
1
Violon, Clarinette, Piano (trio)
1
Alto et Harpe
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre
59
Orchestre d'harmonie
39
Ensemble de cuivres
31
Orchestre à Cordes
29
Orchestre de chambre
28
Ensemble Jazz
21
Ensemble de Percussions
11
Cloches
7
Batterie
6
Marimba
4
Jazz combo
3
Fanfare
1
Piano et Orchestre
1
2 Marimbas
1
Instrumentations suivantes
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AUTRES
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Two Dreams for solo Trombone and 8-part Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
45.81 €
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Ensemble de Percussions
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Antonio J
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Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Gordon Cherry
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SheetMusicPlus
Two Pieces for Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.863888 Composed by Jordan …
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.863888 Composed by Jordan Grigg. 20th Century,Concert,Standards. Score and parts. 33 pages. Jordan Grigg #3395683. Published by Jordan Grigg (A0.863888). https://www.youtube.com/watch?v=oVfPAXsk_Uo
$10.95
10.03 €
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Ensemble de Percussions
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Jordan Grigg
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Two Pieces for Percussion Ensemble
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Jordan Grigg
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SheetMusicPlus
8 1 Richter (Two Pianos and Percussion)
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.863016 Composed by Jordan …
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.863016 Composed by Jordan Grigg. Concert,Contemporary. Score and parts. 68 pages. Jordan Grigg #3385211. Published by Jordan Grigg (A0.863016).
$18.95
17.36 €
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Ensemble de Percussions
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Jordan Grigg
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8 1 Richter
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Jordan Grigg
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SheetMusicPlus
Four Forces (First movement) I. Strong Forces
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
274.85 €
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Ensemble de Percussions
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Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Four Forces (Second movement) II. Weak Forces
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
137.43 €
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Ensemble de Percussions
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
#
SheetMusicPlus
Another Place
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.939392 Composed by Adam Gr…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.939392 Composed by Adam Grim. 20th Century,Contemporary. Score and parts. 65 pages. Adam B. Grim #6862379. Published by Adam B. Grim (A0.939392). Another Place is a marimba quartet on two instruments with some accessory items like a mounted bass drum, cymbal, and wind chimes. The work is about 10.5 minutes long, and holds three distinct movements that begin with solemn rolls that slowly become more regimented and rhythmic. The second movement raises the bar and becomes very rhythmic and syncopated with a Reich-like approach of melody vs interlocking harmony. This climax brings a high dynamic level to the forefront of the instruments with interlocking impact points being contrasted to unison hits. The third movement takes this original melody and harmony to the next level by using changing time signatures and motivic ideas to maximize the powerful ending. Throughout there is a deep sense of color and texture that can be maximized by the ensemble in new and exciting ways with each performance. This has plenty of ink, but also leaves a lot to interpret and bring the ensemble’s voice forward. I hope you enjoy! This work won the Audience Award in the Rocky Mountain Music Composition Contest in 2022 as well as Second Prize overall. These international awards were judged by a panel of seven judges from around the world, but with the competition based out of Toronto, Canada.
$35.00
32.07 €
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Ensemble de Percussions
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Adam Grim
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Another Place
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Adam B. Grim
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SheetMusicPlus
Alexandriana for Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Hes…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Great’s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The music’s sectional nature parallels the library’s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the score’s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$9.99
9.15 €
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Ensemble de Percussions
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Dan Heslink
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Alexandriana for Percussion Ensemble
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Pharaoh Publications
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SheetMusicPlus
Gladiator
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1008862 Composed by Michai…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1008862 Composed by Michail Goleminov. 20th Century,Contemporary. Score and parts. 3 pages. Michail Goleminov #5302719. Published by Michail Goleminov (A0.1008862). Concert piece for two percussion players and electronics
$6.00
5.5 €
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Ensemble de Percussions
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Michail Goleminov
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Gladiator
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Michail Goleminov
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SheetMusicPlus
Gravity for Septet
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by Mohamm…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
15.57 €
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Ensemble de Percussions
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
The Man Who Laughs
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1025413 Composed by Jehad …
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1025413 Composed by Jehad Choate. 20th Century,Contemporary,Film/TV. Score and parts. 67 pages. Jehad Choate #4781401. Published by Jehad Choate (A0.1025413). The Man Who Laughs is a musical portrait of Batman’s greatest adversary, the Joker (Detective Comics). This piece draws inspiration from both comic book sources and live-action performances on film and television. It features five continuous sections:One Bad Day: (Page 1) A prelude showcasing a lush melodic theme that ascribes the derangement of a normal man to the dramatic events of one bad day.How I Got These Scars: (Page 10) Introduces additional thematic material at a frantically energized pace to contrive an identity from a mind fragmented by hitting rock bottom.Why So Serious: (Page 17) Punctuates the Joker’s aggressive resolutions with a reoccurring two note motif.A Dance with the Devil: (Page 33) A fleshed-out unity of previous materials in a romantic waltz-like style.Giggling in a Corner and Bleeding: (Page 47) A dynamic and provocative bout of hysteria that challenges the speed and dexterity of a player in the same way the Joker challenges the ideological resolve of Batman. By the end of this section, the audience might feel like they have been attacked by the Joker, influenced by him, or may have actually been the Joker all along.
$10.00
9.16 €
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Ensemble de Percussions
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the end of this section, the audience might feel like they have been attacked by the Joker, influenced by him, or may have actually been the Joker all along
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Jehad Choate
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The Man Who Laughs
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Jehad Choate
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SheetMusicPlus
Germain, An Opera in 4 Acts, INSTRUMENT PARTS 2 (STRINGS, HARP, TIMPANI and PERCUSSION)
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.730497 Composed by James N…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.730497 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 368 pages. James Nathaniel Holland #5021025. Published by James Nathaniel Holland (A0.730497). INDIVIDUAL INSTRUMENT PARTS 2 (2 of 2) STRINGS, HARP, TIMPANI, PERCUSSIONFull Orchestral Score (Concert Pitch), Vocal Score, Instrument Parts 1 (Woodwinds and Brass) all sold separatelyINDIVIDUAL INSTRUMENT PARTS 2 (2 of 2) STRINGS, HARP, TIMPANI, AND PERCUSSION Full Orchestral Score (Concert Pitch), Vocal Score, Instrument Parts 2 (Strings, Harp, and Percussion)OPERA SYNOPSIS:A mythical country, somewhere lost in time and space; two factions, the minority have and the majority have-not’s, are in constant violent conflict to rule the country. Germain, a young man with mysterious origins, and for neither side,by fate meets the the prime minister and hopes for personal love. But this is not to be a happy ending. The leader of the have-not’s takes this perfect opportunity to assassinate the PM.When the attempt fails, the blame falls on Germain and leads him to his imprisonment and eventual death.GERMAIN, A Dreamer (Lyric Baritone)CHERYL, A tavern owner and girlfriend to Talleyrand (Soprano, Coloratura)TALLEYRAND, Minister of District Thirteen, Secret leader of the Dissidents (Bass)ALEXANDER, The newly elected Prime Minister of Timbaksha (Tenor)TAMINA, Alexander’s wife (Soprano)NADINE, Minister of District Five (Alto)URCHIN, A Young Teen (Male or Female Voice)WALLACE, Minister of District Nine (Baritone)OFFICER (Baritone)CHORUS: DISSIDENT, GUESTS, SERVANTS, CROWD, OFFICERSComplete Instrumentation: picc, fl12, ob, eh, cl12, tensax, bsn, hrn12, tpt12, trm12, tba, timpani, perc, hrp, strgs
$75.95
69.58 €
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Ensemble de Percussions
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James Nathaniel Holland
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Germain, An Opera in 4 Acts, INSTRUMENT PARTS 2
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James Nathaniel Holland
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SheetMusicPlus
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