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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Movement
Non classifié
686
Piano & claviers
Piano seul
398
Orgue
42
Piano Trio: piano, violon, violoncelle
22
2 Pianos, 4 mains
20
1 Piano, 4 mains
18
Piano, Voix
8
Piano Quatuor: piano, violon, alto, violoncelle
5
Piano Facile
4
Clavecin
4
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano, Voix et Guitare
3
Orgue, Piano (duo)
2
1 Piano, 6 mains
1
Instruments en Do
1
Clavier
1
2 Pianos, 8 mains
1
Accompagnement Piano
1
+ 13 instrumentations
Retracter
Guitares
Guitare
45
2 Guitares (duo)
4
Guitare notes et tablatures
3
Ukulele
3
Basse electrique
1
Ensemble de guitares
1
4 Guitares (Quatuor)
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
56
Voix haute
4
Chorale SSAA
3
Chorale SSAATTBB
2
Chorale 3 parties
2
Chorale SSATB
1
Voix Tenor, Piano
1
Chorale TTBB
1
Voix Soprano, Piano
1
Voix Alto, Piano
1
+ 5 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
73
Quatuor de Saxophones: 4 saxophones
65
Flûte traversière et Piano
58
Clarinette et Piano
41
Quatuor de Clarinettes: 4 clarinettes
30
Clarinette
26
Ensemble de Clarinettes
26
Saxophone Alto et Piano
26
Flûte, Hautbois, Clarinette, Basson
24
2 Flûtes traversières (duo)
23
Flûte traversière
21
Hautbois, Piano (duo)
21
Quintette de Clarinettes: 5 clarinettes
18
Saxophone Soprano et Piano
16
Clarinette Basse, Piano
12
Quintette de Saxophone: 5 saxophones
11
Hautbois (partie séparée)
11
Ensemble de saxophones
10
Saxophone Tenor et Piano
9
Quatuor de Flûtes : 4 flûtes
8
Saxophone Alto
8
Cor anglais, Piano
5
Saxophone Baryton, Piano
5
Ensemble de Flûtes
4
3 Clarinettes (trio)
4
2 Clarinettes (duo)
4
Quintette de Flûte : 5 flûtes
3
Flûte, Hautbois, Clarinette (trio)
3
Clarinette, Basson, Piano (trio)
3
Flûte, Violon, Piano
3
Saxophone (partie séparée)
2
Trio de Flûtes: 3 flûtes
2
Flûte, Clarinette, Piano (trio)
2
Flûte et Guitare
2
Flûte, Alto et Piano
2
Flûte, Clarinette et Basson
2
Saxophone et Guitare
2
Hautbois, Flûte
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Clarinette, Guitare (duo)
1
3 Saxophones (trio)
1
Hautbois et Orchestre
1
Flûte à bec Tenor
1
Clarinette, Orgue
1
2 Saxophones, Piano
1
Saxophone
1
Flûte, Hautbois, Basson
1
5 Flûtes à bec
1
Flute (partie séparée)
1
Flûte, Hautbois, Piano (trio)
1
Flûte à Bec
1
Clarinette, Violoncelle (duo)
1
Saxophone et Orgue
1
2 Saxophones (duo)
1
Flûte, Saxophone (duo)
1
Hautbois, Guitare (duo)
1
Flûte, alto et harpe
1
Piccolo, Piano
1
Clarinette, Violon (duo)
1
Flûte à bec Alto
1
Saxophone Tenor
1
2 Hautbois (duo)
1
Clarinette, Basson (duo)
1
Flûte, Hautbois (duo)
1
Hautbois, Basson et Piano
1
Clarinette et Alto
1
+ 61 instrumentations
Retracter
Cuivres
Trombone et Piano
77
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
71
Ensemble de Trombones
41
Euphonium, Piano (duo)
38
Tuba et Piano
36
Cor
34
Trompette
33
Quatuor de Cuivres : 2 trompettes, trombone, tuba
31
Trompette, Piano
23
Cor et Piano
21
Trombone
15
Quatuor de cuivres: 4 trombones
12
Trompette (partie séparée)
8
Tuba
6
Cor anglais, Piano
5
Quatuor de cuivres: 4 cors
5
3 Trombones (trio)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Trombone basse
4
2 Euphoniums et 2 Tubas
4
4 Tubas
3
Ensemble de Trompettes
3
Euphonium
2
2 Cors (duo)
2
Trombone, Orgue
2
3 Euphoniums
2
Trombone basse et Piano
2
3 Tubas (trio)
1
Trombone et orchestre
1
Euphonium, Tuba (duo)
1
Ensemble de Cors
1
Trombone, Tuba (duo)
1
2 Trompettes (duo)
1
Trompette, Cor (duo)
1
Trio de Cuivres
1
Trompette, Tuba (duo)
1
2 Euphoniums (duo)
1
Quatuor de Cuivres
1
2 Tubas (duo)
1
Trompette, Trombone (duo)
1
+ 35 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
198
Violon et Piano
76
Violon
50
Violoncelle, Piano
46
Alto, Piano
20
Violon, Alto (duo)
17
Violon, Violoncelle (duo)
16
Trio à Cordes: violon, alto, violoncelle
13
Violoncelle
13
2 Violons (duo)
12
Alto seul
10
Harpe
5
2 Violoncelles (duo)
4
Contrebasse, Piano (duo)
4
Alto (partie séparée)
3
Ensemble d'Altos
2
Contre Basse
2
4 Violoncelles
2
Trio à Cordes: 3 violoncelles
2
Harpe, Flûte (duo)
2
2 Altos (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Trio à cordes: 3 violins
2
4 Contrebasses
1
Alto, Guitare (duo)
1
Alto, Violoncelle (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violon, Orgue
1
Violon, Guitare (duo)
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle, Orgue
1
Violon (partie séparée)
1
Violon, Clarinette, Piano (trio)
1
Harpe, Violon (duo)
1
Violoncelle, Contrebasse (duo)
1
Trio à Cordes: 2 violons, alto
1
Quatuor à cordes: 4 violons
1
Ensemble de Violons
1
Violoncelle , Guitare (duo)
1
+ 34 instrumentations
Retracter
Orchestre & Percussions
Orchestre
272
Orchestre à Cordes
93
Orchestre de chambre
81
Orchestre d'harmonie
78
Ensemble de cuivres
57
Ensemble Jazz
10
Ensemble de Percussions
8
Cloches
5
Fanfare
2
Batterie
2
Jazz combo
1
Vibraphone
1
Voix Mezzo-Soprano, Orchestre
1
Marimba
1
Orchestre, Violon
1
Piano et Orchestre
1
+ 11 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
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TROMPETTE
TUBA
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VIBRAPHONE
VIELLE A RO…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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METHODE : TECHNIQUES
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Ensemble de Percussions
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8 partitions trouvées
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1
Four Forces (First movement) I. Strong Forces
#
Ensemble de Percussions
#
AVANCÉ
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...
(+)
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
#
Ensemble de Percussions
#
AVANCÉ
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
(+)
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
Two Dreams for solo Trombone and 8-part Percussion Ensemble
#
Ensemble de Percussions
#
AVANCÉ
#
Antonio J
#
Two Dreams for solo Trombone a
#
Gordon Cherry
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #...
(+)
Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
Another Place
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Ensemble de Percussions
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AVANCÉ
#
Contemporain
#
Adam Grim
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Another Place
#
Adam B. Grim
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.939392 Composed by Adam Grim. 20th Century,Contemporary. Score and parts. 65 pages. Adam B. Grim #6862379. Publi...
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Percussion Ensemble - Level 5 - SKU: A0.939392 Composed by Adam Grim. 20th Century,Contemporary. Score and parts. 65 pages. Adam B. Grim #6862379. Published by Adam B. Grim (A0.939392). Another Place is a marimba quartet on two instruments with some accessory items like a mounted bass drum, cymbal, and wind chimes. The work is about 10.5 minutes long, and holds three distinct movements that begin with solemn rolls that slowly become more regimented and rhythmic. The second movement raises the bar and becomes very rhythmic and syncopated with a Reich-like approach of melody vs interlocking harmony. This climax brings a high dynamic level to the forefront of the instruments with interlocking impact points being contrasted to unison hits. The third movement takes this original melody and harmony to the next level by using changing time signatures and motivic ideas to maximize the powerful ending. Throughout there is a deep sense of color and texture that can be maximized by the ensemble in new and exciting ways with each performance. This has plenty of ink, but also leaves a lot to interpret and bring the ensemble’s voice forward. I hope you enjoy! This work won the Audience Award in the Rocky Mountain Music Composition Contest in 2022 as well as Second Prize overall. These international awards were judged by a panel of seven judges from around the world, but with the competition based out of Toronto, Canada.
$35.00
Tom Thumb Suite
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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Ryan J
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Tom Thumb Suite
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CWJ Music House Publications
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1022540 Composed by Ryan J. Williams. Contemporary. Score and parts. 52 pages. CWJ Music House Publications #632...
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Percussion Ensemble - Level 5 - SKU: A0.1022540 Composed by Ryan J. Williams. Contemporary. Score and parts. 52 pages. CWJ Music House Publications #6326405. Published by CWJ Music House Publications (A0.1022540). Tom Thumb Suite is a programmatic work based on the old folk tale of Tom Thumb. While each movement's title describes the story, the quartet includes program notes to give more detail - and can be optionally read as narration between movements. This suite will give percussionists the chance to explore the world of multi-percussion. While the quartet is centered on Xylophone, 2 Marimbas, and Vibraphone, each player is given the opportunity to use various other accessory instruments to help paint the picture.
$34.95
Terraqueous
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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Marshall Jones
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Terraqueous
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Marshall Jones
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1022509 Composed by Marshall Jones. Contemporary. Score and parts. 54 pages. Marshall Jones #2014111. Published ...
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Percussion Ensemble - Level 5 - SKU: A0.1022509 Composed by Marshall Jones. Contemporary. Score and parts. 54 pages. Marshall Jones #2014111. Published by Marshall Jones (A0.1022509). Each movement of Terraqueous is centered around a geological process. Orogeny-the formation of mountains. Glaciation--the forming of glaciers. Erosion and Stratification--the stripping away of material by wind and water that is then carried along and then piles up in layers. The audio clip is of the final movement.
$36.00
CLARINET CONCERTO (2019) for B-flat Clarinet and Orchestra (SCORE + PARTS)
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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Richard St
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CLARINET CONCERTO
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Richard St. Clair
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.939825 Composed by Richard St. Clair. 20th Century,Contemporary. Score and parts. 192 pages. Richard St. Clair #...
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Percussion Ensemble - Level 5 - SKU: A0.939825 Composed by Richard St. Clair. 20th Century,Contemporary. Score and parts. 192 pages. Richard St. Clair #4854581. Published by Richard St. Clair (A0.939825). This highly animated Concerto for solo B-flat Clarinet and Orchestra is in a single movement. Long solo passages alternate with fuller instrumentation, rising to a climactic finale. Duration: ca. 14'30. Score and complete set of Parts attached.
$500.00
Siege of Busanjin 1592
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Ensemble de Percussions
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AVANCÉ
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Tsoof Baras
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Siege of Busanjin 1592
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Tsoof Baras
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1013926 Composed by Tsoof Baras. Contemporary,Standards,World. Score and parts. 46 pages. Tsoof Baras #6662693. ...
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Percussion Ensemble - Level 5 - SKU: A0.1013926 Composed by Tsoof Baras. Contemporary,Standards,World. Score and parts. 46 pages. Tsoof Baras #6662693. Published by Tsoof Baras (A0.1013926). Players - 7Instrumentation - Bass Drums (x2), Bongos, Concert Toms (x8), Snare Drums (x2)The Siege of Busanjin was a battle fought at Busan between Japanese and Korean forces on April 14, 1592.Japanese forces surrounded the fort of Busan and within hours the Korean fort was decimated.This piece for drumming ensemble embodies the brutality and power of the Siege of Busanjin and draws inspiration from traditional Taiko drumming ensembles. Driving rhythms and large movements combine with extreme rhythmic precision to bring an enormous piece for drumming ensemble.
$70.00
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