Page d'accueil
Parcourir Librairie Musicale
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Nat
Non classifié
737
Piano & claviers
Piano seul
1 061
Piano, Voix
79
Orgue
55
2 Pianos, 4 mains
21
Accordéon
16
Piano, Voix et Guitare
16
Instruments en Do
6
1 Piano, 4 mains
6
Piano Facile
4
Piano Trio: piano, violon, violoncelle
4
Orgue, Trompette (duo)
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue, Piano (duo)
3
Clavecin
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Accompagnement Piano
1
+ 11 instrumentations
Retracter
Guitares
Guitare
174
Guitare notes et tablatures
33
2 Guitares (duo)
21
Basse electrique
17
3 Guitares (trio)
9
4 Guitares (Quatuor)
5
Ukulele
4
Piano, Guitare (duo)
3
Banjo
2
Mandoline, Guitare (duo)
2
Ensemble de guitares
2
Mandoline, Piano (duo)
1
Orchestre à Plectres
1
Ligne De Mélodie, (Paroles) et Accords
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
131
Chorale TTBB
45
Chorale SSAA
16
Voix Soprano, Piano
15
Chorale 3 parties
9
Chorale SSAATTBB
7
Voix haute
7
Voix Tenor, Piano
4
Voix basse, Piano
3
Voix Baryton, Piano
3
Voix Alto, Piano
2
Voix Mezzo-Soprano, Piano
2
Voix duo, Piano
2
Voix duo
1
Chorale Unison
1
Voix Baryton
1
Chorale
1
Voix moyenne, Piano
1
+ 13 instrumentations
Retracter
Vents
Saxophone
86
Flûte traversière
81
Flûte traversière et Piano
69
Clarinette
67
Clarinette et Piano
45
Ensemble de Clarinettes
34
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
31
Saxophone Alto et Piano
25
Hautbois, Piano (duo)
23
Quatuor de Saxophones: 4 saxophones
21
Saxophone Alto
19
Quatuor de Clarinettes: 4 clarinettes
18
2 Flûte à bec (duo)
16
Saxophone (partie séparée)
15
Flûte, Hautbois, Clarinette, Basson
15
Flûte à Bec, Piano
13
Saxophone Soprano et Piano
13
2 Flûtes traversières (duo)
11
Hautbois (partie séparée)
10
Ensemble de saxophones
9
Flute (partie séparée)
8
Saxophone Tenor
7
Quintette de Clarinettes: 5 clarinettes
7
Hautbois
7
3 Clarinettes (trio)
7
2 Saxophones (duo)
6
Saxophone Tenor et Piano
6
Clarinette (partie séparée)
6
Quintette de Saxophone: 5 saxophones
6
Flûte et Guitare
6
2 Clarinettes (duo)
5
Flûte à Bec
5
Quatuor de Flûtes : 4 flûtes
5
Flûte à bec Alto, Basse continue
5
3 Saxophones (trio)
4
Flûte à bec Alto, Piano
3
Saxophone Soprano
3
Ensemble de Flûtes
3
Clarinette Basse, Piano
3
Flûte, Clarinette (duo)
2
Flûte, Clarinette, Piano (trio)
2
Clarinette, Guitare (duo)
2
Saxophone Baryton, Piano
2
Cor anglais, Piano
2
Flûte à bec Tenor
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Violon, Piano
2
Trio de Flûtes: 3 flûtes
2
Flûte, Violoncelle, Piano (trio)
2
Flûte traversière, Basse continue
2
2 Saxophones, Piano
2
Flûte à bec Soprano
1
2 Flûtes, Basse continue
1
Saxophone Baryton
1
Flûte traversière, Orgue (duo)
1
Piccolo, Piano
1
Piccolo
1
Clarinette, Violon (duo)
1
4 Hautbois
1
Saxophone et Orgue
1
Hautbois, Basson (duo)
1
Flûte, Violoncelle, Guitare
1
Quintette de Flûte : 5 flûtes
1
Flûte, Saxophone (duo)
1
Clarinette, Basson (duo)
1
Flûte, Clarinette et Basson
1
Cor Anglais
1
2 Flûtes à bec, Piano
1
Ocarina
1
Clarinette, Violoncelle (duo)
1
Flûte, Hautbois, Piano (trio)
1
Quatuor de Flûtes à bec
1
3 Flûtes à bec (trio)
1
Flûte, Tuba (duo)
1
Hautbois, Guitare (duo)
1
+ 70 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
74
Trompette
38
Trombone et Piano
32
Trombone
30
Quatuor de Cuivres : 2 trompettes, trombone, tuba
29
Trompette, Piano
29
Cor
21
Cor et Piano
21
Tuba et Piano
19
Euphonium, Piano (duo)
15
Trompette (partie séparée)
10
Ensemble de Trombones
8
Tuba
8
Quatuor de cuivres: 4 trombones
7
Cor (partie séparée)
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Trombone (partie séparée)
5
Quatuor de Cuivres
4
2 Trombones (duo)
4
Ensemble de Cors
4
2 Euphoniums et 2 Tubas
4
Trombone basse et Piano
4
3 Trombones (trio)
3
Ensemble de Trompettes
2
Cor anglais, Piano
2
Quatuor de cuivres: 4 cors
2
Euphonium
2
Trombone, Tuba (duo)
2
3 Euphoniums
2
2 Trompettes (duo)
2
Tuba (partie séparée)
1
Trompette, Trombone (duo)
1
Trompette, Tuba (duo)
1
Cor et Harpe
1
2 Tubas (duo)
1
Euphonium, Tuba (duo)
1
Cor Anglais
1
Trombone basse
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
+ 34 instrumentations
Retracter
Cordes
Violon
144
Quatuor à cordes: 2 violons, alto, violoncelle
144
Violon et Piano
140
Violoncelle, Piano
78
Violoncelle
60
Alto seul
51
Alto, Piano
45
Harpe
28
Violon, Violoncelle (duo)
23
Violon, Alto (duo)
18
Violon, Guitare (duo)
16
Violoncelle , Guitare (duo)
14
2 Violons (duo)
8
2 Violoncelles (duo)
7
Trio à Cordes: violon, alto, violoncelle
7
Alto (partie séparée)
5
Contrebasse, Piano (duo)
5
Trio à Cordes: 2 violons, violoncelle
5
2 Altos (duo)
4
Trio à Cordes: 3 violoncelles
4
Contre Basse
4
4 Violoncelles
3
Trio à cordes: 3 violins
3
Ensemble de Violoncelles
2
Violoncelle, Contrebasse (duo)
2
Violon (partie séparée)
2
Harpe, Violon (duo)
2
Harpe, Flûte (duo)
2
Trio à Cordes: 2 violons, alto
2
Alto, Violoncelle (duo)
2
2 Harpes (duo)
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle, Orgue
1
Quatuor à cordes: 4 violons
1
4 Contrebasses
1
Violon, Clarinette, Piano (trio)
1
Violon, Basse continue
1
Violoncelle, Basse continue
1
Harpe, Violoncelle (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
2 Contrebasses (duo)
1
Alto et Harpe
1
Quatuor à cordes : 4 altos
1
+ 38 instrumentations
Retracter
Orchestre & Percussions
Orchestre
200
Orchestre à Cordes
80
Orchestre d'harmonie
78
Ensemble Jazz
55
Ensemble de cuivres
46
Orchestre de chambre
36
Batterie
29
Ensemble de Percussions
13
Fanfare
7
Cloches
6
Percussion (partie séparée)
5
Marimba
5
Jazz combo
5
Xylophone
1
Voix Mezzo-Soprano, Orchestre
1
Orchestre, Violon
1
Timbales (partie séparée)
1
Piano et Orchestre
1
Percussion
1
+ 14 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Editeurs
Artistes
Formation Musicale
Idées Cadeaux Partitions
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
13
Librairie Musicale
13
Matériel de Musique
18 987
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Nat
expert
Ensemble de Percussions
Partitions à imprimer
13 partitions trouvées
<
1
Four Forces (First movement) I. Strong Forces
#
Ensemble de Percussions
#
AVANCÉ
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...
(+)
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
#
Ensemble de Percussions
#
AVANCÉ
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
(+)
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
On the Wings of the Scarlet Messenger Opera Instrument Parts Part 2 of 2 (Strings, Harp, Timpani, Pe
#
Ensemble de Percussions
#
AVANCÉ
#
James Nathaniel Holland
#
On the Wings of the Scarlet Me
#
James Nathaniel Holland
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.730477 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 284 pages. James N...
(+)
Percussion Ensemble - Level 5 - SKU: A0.730477 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 284 pages. James Nathaniel Holland #4108107. Published by James Nathaniel Holland (A0.730477). On the Wings of the Scarlet Messenger by American composer James Nathaniel Holland. This is part 2 of 2 publications of the individual instrument parts for the opera. Full Score (in concert pitch), Piano Vocal Score, and Instruments Part 1 (woodwinds and brass) sold separately. The instrumental parts included in part 2 publication are (strings, harp, timpani and percussion) and this part can be used to enhance a production with the piano/vocal score. Opera synopsis: This 21st Century opera or musical drama is adapted from the classic novel of Henry James, On the Wings of a Dove except it is set in the mythical South Pacific island of Soon Rafa. Leads include soprano, mezzo soprano, tenor, and bass with chorus, Asian dance and minor roles. One of the few operas with a love duet between a soprano and bass. Great ensemble scenes. Great for university productions and young voices. Dramatic and beautiful orchestration. Yet to be premiered.YouTube Demo playlist presentation: https://www.youtube.com/playlist?list=PLEcbVsA36MCvHG_MTBdv7x2UNjwG27sMaComposer website: http://lacoronadelossantos.net/jamesnathanielholland.html
$48.95
Germain, An Opera in 4 Acts, INSTRUMENT PARTS 2 (STRINGS, HARP, TIMPANI and PERCUSSION)
#
Ensemble de Percussions
#
AVANCÉ
#
James Nathaniel Holland
#
Germain, An Opera in 4 Acts, I
#
James Nathaniel Holland
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.730497 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 368 pages. James N...
(+)
Percussion Ensemble - Level 5 - SKU: A0.730497 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 368 pages. James Nathaniel Holland #5021025. Published by James Nathaniel Holland (A0.730497). INDIVIDUAL INSTRUMENT PARTS 2 (2 of 2) STRINGS, HARP, TIMPANI, PERCUSSIONFull Orchestral Score (Concert Pitch), Vocal Score, Instrument Parts 1 (Woodwinds and Brass) all sold separatelyINDIVIDUAL INSTRUMENT PARTS 2 (2 of 2) STRINGS, HARP, TIMPANI, AND PERCUSSION Full Orchestral Score (Concert Pitch), Vocal Score, Instrument Parts 2 (Strings, Harp, and Percussion)OPERA SYNOPSIS:A mythical country, somewhere lost in time and space; two factions, the minority have and the majority have-not’s, are in constant violent conflict to rule the country. Germain, a young man with mysterious origins, and for neither side,by fate meets the the prime minister and hopes for personal love. But this is not to be a happy ending. The leader of the have-not’s takes this perfect opportunity to assassinate the PM.When the attempt fails, the blame falls on Germain and leads him to his imprisonment and eventual death.GERMAIN, A Dreamer (Lyric Baritone)CHERYL, A tavern owner and girlfriend to Talleyrand (Soprano, Coloratura)TALLEYRAND, Minister of District Thirteen, Secret leader of the Dissidents (Bass)ALEXANDER, The newly elected Prime Minister of Timbaksha (Tenor)TAMINA, Alexander’s wife (Soprano)NADINE, Minister of District Five (Alto)URCHIN, A Young Teen (Male or Female Voice)WALLACE, Minister of District Nine (Baritone)OFFICER (Baritone)CHORUS: DISSIDENT, GUESTS, SERVANTS, CROWD, OFFICERSComplete Instrumentation: picc, fl12, ob, eh, cl12, tensax, bsn, hrn12, tpt12, trm12, tba, timpani, perc, hrp, strgs
$75.95
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 2 (Strings, Harp, Timpani, Pe
#
Ensemble de Percussions
#
AVANCÉ
#
James Nathaniel Holland
#
The Satyricon, A Balletic Roma
#
James Nathaniel Holland
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.730494 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 326 pages. James Nathani...
(+)
Percussion Ensemble - Level 5 - SKU: A0.730494 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 326 pages. James Nathaniel Holland #4800780. Published by James Nathaniel Holland (A0.730494). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. INDIVIDUAL INSTRUMENT PARTS 2 (Strings, Harp, Timpani and Percussion). Piano Score, Full Orchestral Score, Individual Parts (Part 1) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$34.95
Le ruisseau d'imprévu // The stream..# ISRC 10254
#
Ensemble de Percussions
#
AVANCÉ
#
Celtique/Irlandais
#
Gaétane Poitras
#
Le ruisseau d'imprévu /
#
Réal Dubois
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1018803 Composed by Gaétane Poitras. Arranged by Gaétane Poitras & Réal Dubois & Imprevu Group. Celtic,...
(+)
Percussion Ensemble - Level 5 - SKU: A0.1018803 Composed by Gaétane Poitras. Arranged by Gaétane Poitras & Réal Dubois & Imprevu Group. Celtic,Contemporary,Folk,Musical/Show,Standards. Score and parts. 1 pages. Réal Dubois #2069273. Published by Réal Dubois (A0.1018803). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99
Les blues de fils de fermier d'imprévu // The farmer's son blues ..# ISRC 10261
#
Ensemble de Percussions
#
AVANCÉ
#
Celtique/Irlandais
#
Réal Dubois
#
Les blues de fils de fermier d
#
Réal Dubois
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1018804 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Cont...
(+)
Percussion Ensemble - Level 5 - SKU: A0.1018804 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Contemporary,Folk,Musical/Show,Standards. Score and parts. 1 pages. Réal Dubois #2069287. Published by Réal Dubois (A0.1018804). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99
Le Grand François d'imprévu // François the Great ..# ISRC 10257
#
Ensemble de Percussions
#
AVANCÉ
#
Celtique/Irlandais
#
Réal Dubois
#
Le Grand François d'imp
#
Réal Dubois
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1018802 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Cont...
(+)
Percussion Ensemble - Level 5 - SKU: A0.1018802 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Contemporary,Folk,Musical/Show,Standards. Score and parts. 1 pages. Réal Dubois #2069269. Published by Réal Dubois (A0.1018802). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99
Hommage à Gaby Buisson d'imprévu // Gaby Buisson breakdown.. # ISRC 10243
#
Ensemble de Percussions
#
AVANCÉ
#
Celtique/Irlandais
#
Réal Dubois
#
Hommage à Gaby Buisson
#
Réal Dubois
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1018790 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Cont...
(+)
Percussion Ensemble - Level 5 - SKU: A0.1018790 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Contemporary,Film/TV,Folk,Standards. Score and parts. 1 pages. Réal Dubois #2069239. Published by Réal Dubois (A0.1018790). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99
CLARINET CONCERTO (2019) for B-flat Clarinet and Orchestra (SCORE + PARTS)
#
Ensemble de Percussions
#
AVANCÉ
#
Contemporain
#
Richard St
#
CLARINET CONCERTO
#
Richard St. Clair
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.939825 Composed by Richard St. Clair. 20th Century,Contemporary. Score and parts. 192 pages. Richard St. Clair #...
(+)
Percussion Ensemble - Level 5 - SKU: A0.939825 Composed by Richard St. Clair. 20th Century,Contemporary. Score and parts. 192 pages. Richard St. Clair #4854581. Published by Richard St. Clair (A0.939825). This highly animated Concerto for solo B-flat Clarinet and Orchestra is in a single movement. Long solo passages alternate with fuller instrumentation, rising to a climactic finale. Duration: ca. 14'30. Score and complete set of Parts attached.
$500.00
One Hour to Madness
#
Ensemble de Percussions
#
AVANCÉ
#
Contemporain
#
Dan Heslink
#
 
#
One Hour to Madness
#
Pharaoh Publications
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.935385 Composed by Dan Heslink. Contemporary. Score and parts. 36 pages. Pharaoh Publications #5775261. Publishe...
(+)
Percussion Ensemble - Level 5 - SKU: A0.935385 Composed by Dan Heslink. Contemporary. Score and parts. 36 pages. Pharaoh Publications #5775261. Published by Pharaoh Publications (A0.935385). One Hour to Madness for percussion septet. by Dan Heslink From its opening motto to its bold closing summation, One Hour to Madness explores a high degree of musical energy. The title is loosely inspired by Walt Whitman’s marvelous poem, One Hour to Madness and Joy (Leaves of Grass). The music presents a dark and exciting expression couched in pervasive contrapuntal development. A high degree of dissonance is contrasted with the second theme’s clear Bb major tonality. The work’s contrapuntal nature is distilled into a fugato in the second half. Predominantly a mallet ensemble composition, scoring is for orchestra bells (2 mallets), xylophone (2 mallets), vibraphone (4 mallets), 3 marimbas (each with 2 mallets) and timpani. The timpani part is best performed on the standard set of 4 drums (23-24, 25-26, 28-29, 32-30). The marimba 1 part requires the standard range of 3 ½ or 4 octaves; the marimba 2 part can be executed on the standard 4-octave instrument by omitting a few octave doublings, or on a 5-octave instrument if one is available; marimba 3 requires a 5-octave instrument. The composer assigns a difficulty level of advanced. It will serve any concert or recital very well. Audiences and performers alike will enjoy the flashy passage work and musical impetus afforded by One Hour to Madness. Duration is 3:41. The composer, Dan Heslink, can be contacted at dan@dheslink.com.
$4.99
Alexandriana for Percussion Ensemble
#
Ensemble de Percussions
#
AVANCÉ
#
Dan Heslink
#
 
#
Alexandriana for Percussion En
#
Pharaoh Publications
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. P...
(+)
Percussion Ensemble - Level 5 - SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Great’s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The music’s sectional nature parallels the library’s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the score’s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$9.99
Las' Lap for Steel Band
#
Ensemble de Percussions
#
AVANCÉ
#
Tyler Swick
#
Las' Lap for Steel Band
#
Tin Can Publishing
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.890315 Composed by Tyler Swick. Jazz,Latin,World. Score and parts. 31 pages. Tin Can Publishing #2964223. Publis...
(+)
Percussion Ensemble - Level 5 - SKU: A0.890315 Composed by Tyler Swick. Jazz,Latin,World. Score and parts. 31 pages. Tin Can Publishing #2964223. Published by Tin Can Publishing (A0.890315). Selected by a national committee for PASIC 2017, Las' Lap is slang for the last dance of Carnival in Trinidad and Tobago. This composition follows the story of a young man trying to find his new love in the last dance before everyone goes home. https://www.youtube.com/watch?v=U-CfA-RJgXU
$50.00
<
1