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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
One
Non classifié
3 109
Piano & claviers
Piano seul
1 187
Piano, Voix
134
Orgue
66
Instruments en Do
36
1 Piano, 4 mains
27
Piano, Voix et Guitare
27
2 Pianos, 4 mains
15
Accordéon
10
Accompagnement Piano
7
Piano Trio: piano, violon, violoncelle
6
Piano Quatuor: piano, violon, alto, violoncelle
5
Orgue, Piano (duo)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Orgue, Trompette (duo)
3
Clavecin
3
Accordéon et Orchestre
2
Piano Quatuor: piano, 2 violons, violoncelle
2
2 Pianos, 8 mains
2
Concertina
1
Orgue et Orchestre
1
+ 15 instrumentations
Retracter
Guitares
Guitare
135
Guitare notes et tablatures
57
Basse electrique
44
2 Guitares (duo)
10
Ukulele
9
Dulcimer
5
Ligne De Mélodie, (Paroles) et Accords
4
Mandoline
3
4 Guitares (Quatuor)
3
Piano, Guitare (duo)
2
Mandoline, Piano (duo)
1
Orchestre à Plectres
1
Ensemble de guitares
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
246
Chorale TTBB
89
Chorale SSAA
45
Voix Baryton, Piano
29
Chorale 3 parties
23
Voix Soprano, Piano
20
Chorale SSAATTBB
15
Voix haute
13
Voix basse, Piano
12
Voix Tenor, Piano
8
Voix Alto, Piano
6
Voix duo
6
Chorale 2 parties
6
Voix moyenne, Piano
5
Voix duo, Piano
5
Chorale
3
Chorale Unison
3
Chorale SSATTB
3
Voix seule
2
Voix Tenor
2
Voix Soprano
2
Voix basse
1
Voix Baryton
1
Voix Mezzo-Soprano, Piano
1
+ 19 instrumentations
Retracter
Vents
Saxophone
3 398
Saxophone (partie séparée)
360
Quatuor de Saxophones: 4 saxophones
339
Saxophone Alto
322
Saxophone Tenor
226
Saxophone Alto et Piano
177
Ensemble de saxophones
162
Saxophone Soprano
138
Clarinette
133
Flûte traversière
128
Saxophone Soprano et Piano
109
Quintette de Saxophone: 5 saxophones
90
2 Saxophones (duo)
88
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
88
Saxophone Tenor et Piano
86
Flûte traversière et Piano
70
Flûte, Hautbois, Clarinette, Basson
66
Saxophone Baryton, Piano
49
3 Saxophones (trio)
48
Quatuor de Clarinettes: 4 clarinettes
46
Clarinette et Piano
39
Hautbois, Piano (duo)
26
Ensemble de Clarinettes
25
Hautbois (partie séparée)
23
2 Flûtes traversières (duo)
21
3 Clarinettes (trio)
15
Quintette de Clarinettes: 5 clarinettes
15
Ensemble de Flûtes
13
Quatuor de Flûtes : 4 flûtes
12
Flute (partie séparée)
9
2 Clarinettes (duo)
9
Hautbois
9
Clarinette (partie séparée)
7
Trio de Flûtes: 3 flûtes
6
2 Saxophones, Piano
5
Flûte à Bec
4
Flûte, Saxophone (duo)
4
Flûte et Guitare
4
Flûte, Violon, Piano
4
Saxophone, Clarinette (duo)
4
Clarinette, Violoncelle (duo)
3
Clarinette Basse, Piano
3
Saxophone Baryton
3
Saxophone et Guitare
3
Clarinette et Alto
3
Flûte, Violon
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Clarinette, Orgue
2
Flûte, Violoncelle, Piano (trio)
2
Quatuor de Flûtes à bec
2
Saxophone et Orgue
2
Flûte, Clarinette et Basson
2
Flûte, Alto et Piano
2
Flûte, Trombone (duo)
2
Cor Anglais
2
Clarinette, Guitare (duo)
2
2 Hautbois (duo)
2
Cor anglais, Piano
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Hautbois, Piano (trio)
2
Saxophone et violoncelle
2
Flûte à bec Soprano
2
Clarinette, Basson (duo)
1
Hautbois, Basson (duo)
1
Flûte à bec Tenor
1
Flûte à bec Alto, Piano
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Clarinette, Violon (trio)
1
Hautbois, trombone (duo)
1
Saxophone, Basson (duo)
1
Clarinette, Trombone (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Violoncelle
1
Ocarina
1
Piccolo
1
Flûte traversière, Basse continue
1
Hautbois, Clarinette (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Clarinette, Violon (duo)
1
Hautbois, Basson et Piano
1
Flûte, Clarinette (duo)
1
+ 76 instrumentations
Retracter
Cuivres
Trombone
1 289
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
684
Trombone (partie séparée)
316
Quatuor de Cuivres : 2 trompettes, trombone, tuba
266
Trombone et Piano
218
Ensemble de Trombones
152
Quatuor de cuivres: 4 trombones
138
Trompette
115
Tuba et Piano
56
Quatuor de Cuivres: 2 trompettes, Cor, trombone
48
Quatuor de Cuivres
48
2 Trombones (duo)
39
Euphonium, Piano (duo)
34
Trompette, Piano
26
Tuba
24
Cor et Piano
23
Cor
22
Trombone basse
21
Trompette, Trombone (duo)
16
Trompette (partie séparée)
15
3 Trombones (trio)
14
Quatuor de cuivres: 4 cors
13
Trombone basse et Piano
12
2 Euphoniums et 2 Tubas
11
Ensemble de Trompettes
10
Euphonium
8
Cor (partie séparée)
8
Trombone, Tuba (duo)
8
4 Tubas
7
Trombone, Orgue
7
2 Trompettes (duo)
6
Ensemble de Cors
6
2 Cors (duo)
6
Trombone et orchestre
4
Quatuor de cuivres: 2 trompettes, 2 trombones
4
Trompette, Saxophone (duo)
3
2 Trompettes, Clavier (piano ou orgue)
3
Instruments en Sib
2
Cor Anglais
2
Cor anglais, Piano
2
3 Euphoniums
2
Trompette, Trombone, Piano
2
Trombone, Cor (duo)
2
Quatuor de cuivres: 4 trompettes
1
Trompette, Cor (duo)
1
3 Tubas (trio)
1
Trombone, Alto (duo)
1
Trio de Cuivres
1
Trombone, Violon (duo)
1
2 Tubas (duo)
1
Cor et Orgue
1
+ 46 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
243
Violon et Piano
98
Violoncelle, Piano
71
Violon
52
Violoncelle
49
Harpe
34
Alto, Piano
32
Violon, Violoncelle (duo)
27
Trio à Cordes: violon, alto, violoncelle
25
Alto seul
24
2 Violons (duo)
16
Violon, Alto (duo)
13
2 Violoncelles (duo)
13
Trio à Cordes: 2 violons, violoncelle
13
Contre Basse
9
Harpe, Violon (duo)
9
Contrebasse, Piano (duo)
9
2 Altos (duo)
7
Harpe, Flûte (duo)
7
Alto, Violoncelle (duo)
6
Alto et Harpe
5
4 Violoncelles
4
Violoncelle, Contrebasse (duo)
4
Violoncelle , Guitare (duo)
4
Trio à cordes
3
Harpe, Violoncelle (duo)
3
Violon, Guitare (duo)
3
Ensemble de Violoncelles
3
Alto (partie séparée)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Trio à Cordes: 2 violons, alto
2
Trio à cordes: 3 violins
2
Piano Trio: Violon, Alto, Piano
2
4 Harpes
1
Violoncelle, Orchestre
1
Harpe, Trombone (duo)
1
Alto, Guitare (duo)
1
Quatuor à cordes : 4 altos
1
Violon, Orgue
1
Violoncelle, Orgue
1
Violon (partie séparée)
1
Trio à Cordes: 3 violoncelles
1
Harpe, Violon, Violoncelle
1
Violon, Clarinette, Piano (trio)
1
Alto, Orgue
1
+ 40 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
517
Orchestre
389
Ensemble Jazz
365
Ensemble de cuivres
196
Orchestre à Cordes
112
Orchestre de chambre
86
Batterie
71
Jazz combo
47
Fanfare
21
Ensemble de Percussions
18
Cloches
12
Marimba
9
Big band
8
Percussion
6
Percussion (partie séparée)
5
Vibraphone
4
Xylophone
3
Piano et Orchestre
3
2 Marimbas
1
Batterie (partie séparée)
1
Marimba et Orgue
1
Xylophone (partie séparée)
1
Caisse Claire
1
Quintette de Cuivres: autres combinaisons
1
+ 19 instrumentations
Retracter
Autres
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ACCORDEON
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AUTRES INST…
BALALAIKA
BANJO
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CORNEMUSE
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DULCIMER
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FLUTE
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FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
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LUTH, THEOR…
MANDOLINE
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PERCU. ORCH…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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CELTIQUE - IRISH - S…
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LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
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METAL - HARD
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METHODE : ETUDES
METHODE : TECHNIQUES
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POP ROCK - ROCK CLAS…
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Ensemble de Percussions
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1
Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Ensemble de Percussions
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AVANCÉ
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Antonio J
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Two Dreams for solo Trombone a
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Gordon Cherry
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #...
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Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
One Hour to Madness
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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Dan Heslink
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One Hour to Madness
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.935385 Composed by Dan Heslink. Contemporary. Score and parts. 36 pages. Pharaoh Publications #5775261. Publishe...
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Percussion Ensemble - Level 5 - SKU: A0.935385 Composed by Dan Heslink. Contemporary. Score and parts. 36 pages. Pharaoh Publications #5775261. Published by Pharaoh Publications (A0.935385). One Hour to Madness for percussion septet. by Dan Heslink From its opening motto to its bold closing summation, One Hour to Madness explores a high degree of musical energy. The title is loosely inspired by Walt Whitman’s marvelous poem, One Hour to Madness and Joy (Leaves of Grass). The music presents a dark and exciting expression couched in pervasive contrapuntal development. A high degree of dissonance is contrasted with the second theme’s clear Bb major tonality. The work’s contrapuntal nature is distilled into a fugato in the second half. Predominantly a mallet ensemble composition, scoring is for orchestra bells (2 mallets), xylophone (2 mallets), vibraphone (4 mallets), 3 marimbas (each with 2 mallets) and timpani. The timpani part is best performed on the standard set of 4 drums (23-24, 25-26, 28-29, 32-30). The marimba 1 part requires the standard range of 3 ½ or 4 octaves; the marimba 2 part can be executed on the standard 4-octave instrument by omitting a few octave doublings, or on a 5-octave instrument if one is available; marimba 3 requires a 5-octave instrument. The composer assigns a difficulty level of advanced. It will serve any concert or recital very well. Audiences and performers alike will enjoy the flashy passage work and musical impetus afforded by One Hour to Madness. Duration is 3:41. The composer, Dan Heslink, can be contacted at dan@dheslink.com.
$4.99
Portable Concerto for Trombone and Percussion "Telescopic daemon"　Op.181
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Ensemble de Percussions
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AVANCÉ
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Kohei　KONDO
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Portable Concerto for Trombone
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Kohei KONDO
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.886046 Composed by Kohei　KONDO. 20th Century,Contemporary,World. Score and parts. 44 pages. Kohei KONDO #...
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Percussion Ensemble - Level 5 - SKU: A0.886046 Composed by Kohei　KONDO. 20th Century,Contemporary,World. Score and parts. 44 pages. Kohei KONDO #5298961. Published by Kohei KONDO (A0.886046). Portable Concerto for Trombone and Percussion Telescopic daemon　Op.181for Trombone and three percussion playersComposed by Japanese composer Kohei KONDOCommissioned by Japan Century Symphony OrchestraPremiered in Toyonaka ,Osaka.pref. JAPANby Takashi KONDO,(Trombone) and menbers of Japan Century Orchestraon 21 Sep . 2019Duration : 13 min.
$9.00
One
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Ensemble de Percussions
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AVANCÉ
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Remco op den Dries
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One
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TmDrums
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.992544 Composed by Remco op den Dries. Standards. Score and parts. 20 pages. TmDrums #6664779. Published by TmDr...
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Percussion Ensemble - Level 5 - SKU: A0.992544 Composed by Remco op den Dries. Standards. Score and parts. 20 pages. TmDrums #6664779. Published by TmDrums (A0.992544).
$3.99
Four Forces (First movement) I. Strong Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
Jingle Bells Music Box (Percussion Ensemble)
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Ensemble de Percussions
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AVANCÉ
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Noël
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James Pierpoint
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Clark Cothern
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Jingle Bells Music Box
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Clark Cothern
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.823090 Composed by James Pierpoint. Arranged by Clark Cothern. Christmas,Folk,Traditional. Score and parts. 17 p...
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Percussion Ensemble - Level 5 - SKU: A0.823090 Composed by James Pierpoint. Arranged by Clark Cothern. Christmas,Folk,Traditional. Score and parts. 17 pages. Clark Cothern #2988497. Published by Clark Cothern (A0.823090). This percussion ensemble arrangement sounds like a music box and fuels the imagination. You can hear this arrangement on the album, A Small Ensemble Christmas by D.D.T. Brahms. This percussion ensemble (Glockenspiel, Marimba, Xylophone, Vibraphone) replicates an old fashioned music machine in which various instruments are triggered by a punched paper roll. This arrangement is challenging and will require advanced players. It's sure to be a hit at your Christmas concert.
$12.00
Alexandriana for Percussion Ensemble
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Ensemble de Percussions
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AVANCÉ
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Dan Heslink
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Alexandriana for Percussion En
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. P...
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Percussion Ensemble - Level 5 - SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Great’s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The music’s sectional nature parallels the library’s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the score’s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$9.99
Gravity for Septet
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Editio...
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Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
The Three-Minute Waltz - for mallet keyboard percussion trio
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Ensemble de Percussions
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AVANCÉ
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Classique
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Samuel Stokes
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The Three-Minute Waltz - for m
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SamuelStokesMusic.com
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.562082 Composed by Samuel Stokes. Concert,Contemporary. Score and parts. 16 pages. SamuelStokesMusic.com #519988...
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Percussion Ensemble - Level 5 - SKU: A0.562082 Composed by Samuel Stokes. Concert,Contemporary. Score and parts. 16 pages. SamuelStokesMusic.com #5199889. Published by SamuelStokesMusic.com (A0.562082). This fun and hilarious percussion trio is a show piece for the xylophone player with vibraphone and marimba parts playing an accompaniment role. The piece begins as a very simplistic waltz, but with each successive variation, the tempo increases and the xylophone part gets more and more technically challenging. A great show piece that is certain to keep the audience engaged. Learn more about the composer Samuel Stokes at https://www.SamuelStokesMusic.com
$6.99
The Man Who Laughs
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Ensemble de Percussions
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AVANCÉ
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the end of this section, the a
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Jehad Choate
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The Man Who Laughs
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Jehad Choate
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1025413 Composed by Jehad Choate. 20th Century,Contemporary,Film/TV. Score and parts. 67 pages. Jehad Choate #47...
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Percussion Ensemble - Level 5 - SKU: A0.1025413 Composed by Jehad Choate. 20th Century,Contemporary,Film/TV. Score and parts. 67 pages. Jehad Choate #4781401. Published by Jehad Choate (A0.1025413). The Man Who Laughs is a musical portrait of Batman’s greatest adversary, the Joker (Detective Comics). This piece draws inspiration from both comic book sources and live-action performances on film and television. It features five continuous sections:One Bad Day: (Page 1) A prelude showcasing a lush melodic theme that ascribes the derangement of a normal man to the dramatic events of one bad day.How I Got These Scars: (Page 10) Introduces additional thematic material at a frantically energized pace to contrive an identity from a mind fragmented by hitting rock bottom.Why So Serious: (Page 17) Punctuates the Joker’s aggressive resolutions with a reoccurring two note motif.A Dance with the Devil: (Page 33) A fleshed-out unity of previous materials in a romantic waltz-like style.Giggling in a Corner and Bleeding: (Page 47) A dynamic and provocative bout of hysteria that challenges the speed and dexterity of a player in the same way the Joker challenges the ideological resolve of Batman. By the end of this section, the audience might feel like they have been attacked by the Joker, influenced by him, or may have actually been the Joker all along.
$10.00
Terraqueous
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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Marshall Jones
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Terraqueous
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Marshall Jones
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1022509 Composed by Marshall Jones. Contemporary. Score and parts. 54 pages. Marshall Jones #2014111. Published ...
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Percussion Ensemble - Level 5 - SKU: A0.1022509 Composed by Marshall Jones. Contemporary. Score and parts. 54 pages. Marshall Jones #2014111. Published by Marshall Jones (A0.1022509). Each movement of Terraqueous is centered around a geological process. Orogeny-the formation of mountains. Glaciation--the forming of glaciers. Erosion and Stratification--the stripping away of material by wind and water that is then carried along and then piles up in layers. The audio clip is of the final movement.
$36.00
Fanfare for the Uncommon Student
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Ensemble de Percussions
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AVANCÉ
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David Berlin
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font: 12.0px Helvetica
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Fanfare for the Uncommon Stude
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David Berlin
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.958075 Composed by David Berlin. 20th Century,Graduation,Instructional,Standards. Score and parts. 44 pages. Dav...
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Percussion Ensemble - Level 5 - SKU: A0.958075 Composed by David Berlin. 20th Century,Graduation,Instructional,Standards. Score and parts. 44 pages. David Berlin #2988815. Published by David Berlin (A0.958075). P.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; color: #232323} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; color: #1255cc} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; color: #232323; min-height: 15.0px} span.s1 {text-decoration: underline} In collaboration with the Philadelphia Classical Symphony and director, Karl Middleman and Partners in Distance Learning, a music composition project was launched in 2005 for students in Pennsylvania. I created an instructional web site called HOW TO WRITE A FANFARE. Students from around the state worked through the program and sent us their final projects. The committee selected the best ones submitted and we brought the students and their families to Philadelphia where the Philadelphia Classical Symphony performed their pieces on a public concert. The web site is still on line and the student's pieces can be heard. at: http://tozier.net/dberlin/fanfare/index.htm/ Please feel free to use this website in conjunction with my printed score and recording for yourself, students or your circle of friends. This score and recording was my contribution to the concert. It is 90 seconds long at 120 BPM.
$3.99
Tom Thumb Suite
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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Ryan J
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Tom Thumb Suite
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CWJ Music House Publications
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1022540 Composed by Ryan J. Williams. Contemporary. Score and parts. 52 pages. CWJ Music House Publications #632...
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Percussion Ensemble - Level 5 - SKU: A0.1022540 Composed by Ryan J. Williams. Contemporary. Score and parts. 52 pages. CWJ Music House Publications #6326405. Published by CWJ Music House Publications (A0.1022540). Tom Thumb Suite is a programmatic work based on the old folk tale of Tom Thumb. While each movement's title describes the story, the quartet includes program notes to give more detail - and can be optionally read as narration between movements. This suite will give percussionists the chance to explore the world of multi-percussion. While the quartet is centered on Xylophone, 2 Marimbas, and Vibraphone, each player is given the opportunity to use various other accessory instruments to help paint the picture.
$34.95
Percussion Trio. No. 1 (Overture) - Score Only
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Ensemble de Percussions
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AVANCÉ
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Daniel Parker
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Percussion Trio. No. 1
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A & B Music Publishing
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1278444 Composed by Daniel Parker. 21st Century,Contemporary. 4 pages. A & B Music Publishing #870165. Published...
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Percussion Ensemble - Level 5 - SKU: A0.1278444 Composed by Daniel Parker. 21st Century,Contemporary. 4 pages. A & B Music Publishing #870165. Published by A & B Music Publishing (A0.1278444). Composition Title: Percussion Trio No. 1 (Overture)Composer: Daniel ParkerInstrumentation: Glockenspiel, Xylophone, MarimbaPage size: 9†x 12â€Engraving by: A & B Music PublishingYear: 2023© 2023 Daniel Parker.
$1.99
On the Wings of the Scarlet Messenger Opera Instrument Parts Part 2 of 2 (Strings, Harp, Timpani, Pe
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Ensemble de Percussions
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AVANCÉ
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James Nathaniel Holland
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On the Wings of the Scarlet Me
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James Nathaniel Holland
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.730477 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 284 pages. James N...
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Percussion Ensemble - Level 5 - SKU: A0.730477 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 284 pages. James Nathaniel Holland #4108107. Published by James Nathaniel Holland (A0.730477). On the Wings of the Scarlet Messenger by American composer James Nathaniel Holland. This is part 2 of 2 publications of the individual instrument parts for the opera. Full Score (in concert pitch), Piano Vocal Score, and Instruments Part 1 (woodwinds and brass) sold separately. The instrumental parts included in part 2 publication are (strings, harp, timpani and percussion) and this part can be used to enhance a production with the piano/vocal score. Opera synopsis: This 21st Century opera or musical drama is adapted from the classic novel of Henry James, On the Wings of a Dove except it is set in the mythical South Pacific island of Soon Rafa. Leads include soprano, mezzo soprano, tenor, and bass with chorus, Asian dance and minor roles. One of the few operas with a love duet between a soprano and bass. Great ensemble scenes. Great for university productions and young voices. Dramatic and beautiful orchestration. Yet to be premiered.YouTube Demo playlist presentation: https://www.youtube.com/playlist?list=PLEcbVsA36MCvHG_MTBdv7x2UNjwG27sMaComposer website: http://lacoronadelossantos.net/jamesnathanielholland.html
$48.95
Las' Lap for Steel Band
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Ensemble de Percussions
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AVANCÉ
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Tyler Swick
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Las' Lap for Steel Band
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Tin Can Publishing
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.890315 Composed by Tyler Swick. Jazz,Latin,World. Score and parts. 31 pages. Tin Can Publishing #2964223. Publis...
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Percussion Ensemble - Level 5 - SKU: A0.890315 Composed by Tyler Swick. Jazz,Latin,World. Score and parts. 31 pages. Tin Can Publishing #2964223. Published by Tin Can Publishing (A0.890315). Selected by a national committee for PASIC 2017, Las' Lap is slang for the last dance of Carnival in Trinidad and Tobago. This composition follows the story of a young man trying to find his new love in the last dance before everyone goes home. https://www.youtube.com/watch?v=U-CfA-RJgXU
$50.00
Germain, An Opera in 4 Acts, INSTRUMENT PARTS 2 (STRINGS, HARP, TIMPANI and PERCUSSION)
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Ensemble de Percussions
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AVANCÉ
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James Nathaniel Holland
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Germain, An Opera in 4 Acts, I
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James Nathaniel Holland
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.730497 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 368 pages. James N...
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Percussion Ensemble - Level 5 - SKU: A0.730497 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 368 pages. James Nathaniel Holland #5021025. Published by James Nathaniel Holland (A0.730497). INDIVIDUAL INSTRUMENT PARTS 2 (2 of 2) STRINGS, HARP, TIMPANI, PERCUSSIONFull Orchestral Score (Concert Pitch), Vocal Score, Instrument Parts 1 (Woodwinds and Brass) all sold separatelyINDIVIDUAL INSTRUMENT PARTS 2 (2 of 2) STRINGS, HARP, TIMPANI, AND PERCUSSION Full Orchestral Score (Concert Pitch), Vocal Score, Instrument Parts 2 (Strings, Harp, and Percussion)OPERA SYNOPSIS:A mythical country, somewhere lost in time and space; two factions, the minority have and the majority have-not’s, are in constant violent conflict to rule the country. Germain, a young man with mysterious origins, and for neither side,by fate meets the the prime minister and hopes for personal love. But this is not to be a happy ending. The leader of the have-not’s takes this perfect opportunity to assassinate the PM.When the attempt fails, the blame falls on Germain and leads him to his imprisonment and eventual death.GERMAIN, A Dreamer (Lyric Baritone)CHERYL, A tavern owner and girlfriend to Talleyrand (Soprano, Coloratura)TALLEYRAND, Minister of District Thirteen, Secret leader of the Dissidents (Bass)ALEXANDER, The newly elected Prime Minister of Timbaksha (Tenor)TAMINA, Alexander’s wife (Soprano)NADINE, Minister of District Five (Alto)URCHIN, A Young Teen (Male or Female Voice)WALLACE, Minister of District Nine (Baritone)OFFICER (Baritone)CHORUS: DISSIDENT, GUESTS, SERVANTS, CROWD, OFFICERSComplete Instrumentation: picc, fl12, ob, eh, cl12, tensax, bsn, hrn12, tpt12, trm12, tba, timpani, perc, hrp, strgs
$75.95
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