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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
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188
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149
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16
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14
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4
2 Pianos, 4 mains
3
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2
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2
1 Piano, 4 mains
1
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20
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13
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7
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1
Mandoline, Piano (duo)
1
Ukulele
1
2 Guitares (duo)
1
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Voix
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28
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5
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3
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3
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2
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2
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1
Voix duo
1
Voix Tenor, Piano
1
Voix haute
1
Chorale SSATTB
1
Voix duo, Piano
1
Voix basse, Piano
1
+ 8 instrumentations
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Vents
Saxophone
43
Clarinette
32
Flûte traversière
21
Quatuor de Saxophones: 4 saxophones
15
2 Flûtes traversières (duo)
14
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
13
Hautbois (partie séparée)
13
Quintette de Saxophone: 5 saxophones
7
Flûte traversière et Piano
7
Saxophone Alto et Piano
6
Saxophone Alto
6
Ensemble de Clarinettes
5
Flute (partie séparée)
4
Hautbois, Piano (duo)
4
Clarinette et Piano
4
Flûte, Hautbois, Clarinette, Basson
4
Saxophone Tenor
3
Saxophone Soprano et Piano
3
2 Saxophones (duo)
2
Quatuor de Flûtes : 4 flûtes
2
Saxophone Soprano
2
Quintette de Flûte : 5 flûtes
2
Saxophone et Orgue
2
Quintette de Clarinettes: 5 clarinettes
1
Saxophone, Clarinette (duo)
1
Flûte et Guitare
1
Flûte, Basson et Piano
1
Flûte, Violoncelle
1
Flûte, Violon, Piano
1
Flûte et Trio à cordes
1
Piccolo
1
Cor Anglais
1
Quatuor de Clarinettes: 4 clarinettes
1
Saxophone (partie séparée)
1
+ 29 instrumentations
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Trompette
27
Trombone
19
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
15
Trombone et Piano
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
13
Cor
10
Cor et Piano
8
Tuba et Piano
8
Ensemble de Trombones
6
Trompette, Piano
5
Euphonium, Piano (duo)
5
Quatuor de cuivres: 4 trombones
5
2 Trompettes (duo)
2
Trombone (partie séparée)
2
2 Trombones (duo)
2
Ensemble de Trompettes
2
Trombone basse et Piano
2
2 Euphoniums et 2 Tubas
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Tuba
1
Ensemble de Cors
1
Quatuor de Cuivres
1
Trombone basse
1
3 Trombones (trio)
1
Trompette (partie séparée)
1
Cor Anglais
1
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
34
Violon et Piano
26
Violon
9
Alto, Piano
9
2 Violons (duo)
7
Violoncelle, Piano
4
Harpe
3
2 Violoncelles (duo)
3
Violoncelle
3
Alto seul
3
Trio à Cordes: violon, alto, violoncelle
2
Ensemble d'Altos
2
Contre Basse
2
Violon, Alto (duo)
1
4 Harpes
1
Violon, Clarinette, Piano (trio)
1
Violoncelle, Orgue
1
Alto et Harpe
1
Violon, Violoncelle (duo)
1
Violoncelle, Contrebasse (duo)
1
Ensemble de Violons
1
2 Altos (duo)
1
Quatuor à cordes : 4 altos
1
+ 18 instrumentations
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Orchestre d'harmonie
92
Orchestre
49
Ensemble Jazz
16
Orchestre de chambre
12
Ensemble de cuivres
12
Batterie
9
Orchestre à Cordes
6
Cloches
4
Fanfare
3
Ensemble de Percussions
2
Piano et Orchestre
1
Jazz combo
1
Percussion (partie séparée)
1
+ 8 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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CORNET
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FLUTE DE PAN
FLUTE TRAVERSI…
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GUITARE LAP ST…
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MANDOLINE
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Ensemble de Percussions
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Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Ensemble de Percussions
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AVANCÉ
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Antonio J
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Two Dreams for solo Trombone a
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Gordon Cherry
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #...
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Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 2 (Strings, Harp, Timpani, Pe
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Ensemble de Percussions
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AVANCÉ
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James Nathaniel Holland
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The Satyricon, A Balletic Roma
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James Nathaniel Holland
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.730494 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 326 pages. James Nathani...
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Percussion Ensemble - Level 5 - SKU: A0.730494 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 326 pages. James Nathaniel Holland #4800780. Published by James Nathaniel Holland (A0.730494). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. INDIVIDUAL INSTRUMENT PARTS 2 (Strings, Harp, Timpani and Percussion). Piano Score, Full Orchestral Score, Individual Parts (Part 1) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$34.95
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