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8512
Piano, Voix
502
Orgue
294
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293
1 Piano, 4 mains
104
2 Pianos, 4 mains
98
Piano, Voix et Guitare
85
Piano Trio: piano, violon, violoncelle
78
Instruments en Do
66
Clavecin
37
Piano Quatuor: piano, violon, alto, violoncelle
27
Piano Facile
24
Piano Quintette: piano, 2 violons, alto, violoncelle
13
Orgue, Trompette (duo)
13
Accompagnement Piano
10
2 Pianos, 8 mains
9
Piano Quatuor: piano, 2 violons, violoncelle
7
Clavier
6
Ensemble d'Accordéons
4
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4
1 Piano, 6 mains
4
Accordéon et Orchestre
3
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2
2 Accordéons
2
Orgue et Orchestre
1
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1
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Guitare
876
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445
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257
2 Guitares (duo)
49
Ukulele
23
Ligne De Mélodie, (Paroles) et Accords
12
4 Guitares (Quatuor)
11
Mandoline
8
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7
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5
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4
Banjo
3
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2
Luth
2
Mandoline, Piano (duo)
2
3 Guitares (trio)
1
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1
Orchestre à Plectres
1
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861
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276
Chorale SSAA
156
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62
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56
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41
Chorale
24
Chorale SSAATTBB
24
Voix haute
15
Chorale 2 parties
13
Voix basse, Piano
13
Voix Tenor, Piano
12
Voix duo
10
Voix duo, Piano
9
Voix moyenne, Piano
8
Voix Mezzo-Soprano, Piano
5
Voix Alto, Piano
4
Chorale SSATB
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Chorale Unison
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1
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274
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146
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126
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Harpe
125
Violoncelle (partie séparée)
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2 Violons (duo)
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Contre Basse
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Trio à Cordes: 2 violons, violoncelle
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21
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Violoncelle, Contrebasse (duo)
19
Quintette à cordes: 2 violons, alto, violoncelle, basse
18
Violon (partie séparée)
18
4 Contrebasses
15
Harpe, Flûte (duo)
15
Trio à Cordes: 3 violoncelles
14
Trio à cordes: 3 violins
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Trio à cordes
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2 Contrebasses (duo)
8
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Quatuor à cordes : 4 altos
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5
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Harpe, Violoncelle (duo)
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Flûte, Contrebasse (duo)
2
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3 Harpes
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2 Altos, Piano
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4 Harpes
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413
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59
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42
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21
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16
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Big band
9
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Xylophone
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Marimba et Orgue
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Caisse Claire
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Four Forces (First movement) I. Strong Forces
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
276.24 €
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Ensemble de Percussions
#
Salvador Rojo Gamón
#
Four Forces
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Salvador Rojo-Gamon
#
SheetMusicPlus
Four Forces (Second movement) II. Weak Forces
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
138.12 €
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Ensemble de Percussions
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Two Dreams for solo Trombone and 8-part Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
46.04 €
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Ensemble de Percussions
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Antonio J
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Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Gordon Cherry
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SheetMusicPlus
Alexandriana for Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Hes…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Great’s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The music’s sectional nature parallels the library’s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the score’s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$9.99
9.2 €
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Ensemble de Percussions
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Dan Heslink
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Alexandriana for Percussion Ensemble
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Pharaoh Publications
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SheetMusicPlus
Gravity for Septet
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by Mohamm…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
15.64 €
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Ensemble de Percussions
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
Concerto a Capriccio (Concerto on a Lark) for Piano and Orchestra (Complete Full Score and Instrume
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.939795 Composed by Richard…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.939795 Composed by Richard St. Clair. 20th Century. Score and parts. 231 pages. Richard St. Clair #3896021. Published by Richard St. Clair (A0.939795). This 15-minute light-hearted piano concerto for full-size symphony orchestra was composed in sketch form in 1970 and the orchestration was finalized in 2018. Listeners will undoubtedly hear references to the neoclassical music of the earlier part of the 20th century, which was a major influence on the composer in the late 1960s and early 1970s. The full score and complete parts are for sale all contained on the provided PDF file, and a Finale-generated MP3 sound clip is provided here.
$60.00
55.25 €
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Ensemble de Percussions
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Richard St
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Concerto a Capriccio
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Richard St. Clair
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SheetMusicPlus
Las' Lap for Steel Band
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.890315 Composed by Tyler S…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.890315 Composed by Tyler Swick. Jazz,Latin,World. Score and parts. 31 pages. Tin Can Publishing #2964223. Published by Tin Can Publishing (A0.890315). Selected by a national committee for PASIC 2017, Las' Lap is slang for the last dance of Carnival in Trinidad and Tobago. This composition follows the story of a young man trying to find his new love in the last dance before everyone goes home. https://www.youtube.com/watch?v=U-CfA-RJgXU
$50.00
46.04 €
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Ensemble de Percussions
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Tyler Swick
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Las' Lap for Steel Band
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Tin Can Publishing
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SheetMusicPlus
Concerto for Violin and Percussions Op.110
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.885973 Composed by Kohei K…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.885973 Composed by Kohei KONDO. 20th Century,Contemporary,World. Score and parts. 30 pages. Kohei KONDO #37799. Published by Kohei KONDO (A0.885973). Composed by Japanese composer Kohei KONDOConcerto for Violin and Percussions Op.110 Solo Violin and 3 percussion players Premiered at Tokyo Opera City Recital Hall on 10th Nov. 2010 Violinï¼Kumi NAKAJIMA Percussionï¼Dotten Hakubutsukan 2nd performance at Xebec Hall (Kobe, Hyogo Pref. Japan) Violinï¼Kumi NAKAJIMA Percussionï¼Makoto NOMURA. Chika SURUTA. Yusuke KATAOKA European Premiere:Budapest (BFO Rehearsal Hall in Selmeci utca ) Budapest Festival Orchestra　The Sunday chamber music concerts Violinï¼Levente Szabo Percussionï¼Istvan Kurcsak, Boglarka Fabry, Gabor Pusztai (Members of Budapest Festival Orchestra) Duration : 12 min.YouTube: https://youtu.be/6cdsVtS37Bg Tokyo Opera City Recital Hall on 10th Nov. 2010 Violin/ Kumi NAKAJIMA Percussion/ Dotten Hakubutsukan This concerto is for violin solo and 3 percussion players. The concept is Portable concerto. Small percussion instruments and violin are portable. You can perform this portable violin concerto with original instrumentation in concert hall, salon, street, café, outdoor and various places. For performance or other use and more information. please visit koheikondo.com. http://koheikondo.com/
$8.00
7.37 €
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Ensemble de Percussions
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Kohei KONDO
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Concerto for Violin and Percussions Op.110
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Kohei KONDO
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SheetMusicPlus
Fanfare for the Uncommon Student
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.958075 Composed by David B…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.958075 Composed by David Berlin. 20th Century,Graduation,Instructional,Standards. Score and parts. 44 pages. David Berlin #2988815. Published by David Berlin (A0.958075). P.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; color: #232323} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; color: #1255cc} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; color: #232323; min-height: 15.0px} span.s1 {text-decoration: underline} In collaboration with the Philadelphia Classical Symphony and director, Karl Middleman and Partners in Distance Learning, a music composition project was launched in 2005 for students in Pennsylvania. I created an instructional web site called HOW TO WRITE A FANFARE. Students from around the state worked through the program and sent us their final projects. The committee selected the best ones submitted and we brought the students and their families to Philadelphia where the Philadelphia Classical Symphony performed their pieces on a public concert. The web site is still on line and the student's pieces can be heard. at: http://tozier.net/dberlin/fanfare/index.htm/ Please feel free to use this website in conjunction with my printed score and recording for yourself, students or your circle of friends. This score and recording was my contribution to the concert. It is 90 seconds long at 120 BPM.
$3.99
3.67 €
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Ensemble de Percussions
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David Berlin
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font: 12.0px Helvetica
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Fanfare for the Uncommon Student
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David Berlin
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SheetMusicPlus
Portable Concerto for Trombone and Percussion "Telescopic daemon"　Op.181
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.886046 Composed by Koheiã…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.886046 Composed by Kohei　KONDO. 20th Century,Contemporary,World. Score and parts. 44 pages. Kohei KONDO #5298961. Published by Kohei KONDO (A0.886046). Portable Concerto for Trombone and Percussion Telescopic daemon　Op.181for Trombone and three percussion playersComposed by Japanese composer Kohei KONDOCommissioned by Japan Century Symphony OrchestraPremiered in Toyonaka ,Osaka.pref. JAPANby Takashi KONDO,(Trombone) and menbers of Japan Century Orchestraon 21 Sep . 2019Duration : 13 min.
$9.00
8.29 €
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Ensemble de Percussions
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Kohei　KONDO
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Portable Concerto for Trombone and Percussion "Telescopic daemon"　Op.181
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Kohei KONDO
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SheetMusicPlus
Street Beats for Percussion Quartet
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.882386 Composed by David C…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.882386 Composed by David Chesky. Contemporary,Jazz. Score and parts. 207 pages. Pamaluc Music #18591. Published by Pamaluc Music (A0.882386). A highly energized work for percussion quartet that uses the rhythms of the streets of New York. Latin, Hip hop, jazz collides with modern 21st century harmony. Duration 12:00 min Percussion Quartet.
$14.98
13.79 €
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Ensemble de Percussions
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David Chesky
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Street Beats for Percussion Quartet
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Pamaluc Music
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SheetMusicPlus
CLARINET CONCERTO (2019) for B-flat Clarinet and Orchestra (SCORE + PARTS)
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.939825 Composed by Richard…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.939825 Composed by Richard St. Clair. 20th Century,Contemporary. Score and parts. 192 pages. Richard St. Clair #4854581. Published by Richard St. Clair (A0.939825). This highly animated Concerto for solo B-flat Clarinet and Orchestra is in a single movement. Long solo passages alternate with fuller instrumentation, rising to a climactic finale. Duration: ca. 14'30. Score and complete set of Parts attached.
$500.00
460.41 €
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Ensemble de Percussions
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Richard St
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CLARINET CONCERTO
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Richard St. Clair
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SheetMusicPlus
BIZET CARMEN SUITE FOR SMALL ORCHESTRA by Peyber Medina
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.866916 Composed by Georges…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.866916 Composed by Georges Bizet. Arranged by Peyber A. Medina H. Opera,Romantic Period. Score and parts. 121 pages. Peyber Medina #6057883. Published by Peyber Medina (A0.866916). This brilliant arrangement, adaptation and reorchestration by Peyber A. Medina H. of 4 pieces of the famous from the opera CARMEN by Georges BIZET, specially made for a reduced orchestra so the players can be recorded from home on this dark times of quarantine. Get here completely free the audio sample with the click in case you purchase the partitions and wanna recorded with your orchestra or chamber group, just you must to put this product link on your video or final work description at the end: http://bit.ly/CARMENCLICKThe pieces included here are:1. Prelude from the Act 4 (Entr'acte)2. Habanera (No. 5)3. Toreadores (Prélude)4. Gypsy Song (Chason Bohème)
$34.99
32.22 €
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Ensemble de Percussions
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Georges Bizet
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Peyber A
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BIZET CARMEN SUITE FOR SMALL ORCHESTRA by Peyber Medina
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Peyber Medina
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SheetMusicPlus
The Three-Minute Waltz - for mallet keyboard percussion trio
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.562082 Composed by Samuel …
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.562082 Composed by Samuel Stokes. Concert,Contemporary. Score and parts. 16 pages. SamuelStokesMusic.com #5199889. Published by SamuelStokesMusic.com (A0.562082). This fun and hilarious percussion trio is a show piece for the xylophone player with vibraphone and marimba parts playing an accompaniment role. The piece begins as a very simplistic waltz, but with each successive variation, the tempo increases and the xylophone part gets more and more technically challenging. A great show piece that is certain to keep the audience engaged. Learn more about the composer Samuel Stokes at https://www.SamuelStokesMusic.com
$6.99
6.44 €
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Ensemble de Percussions
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Samuel Stokes
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The Three-Minute Waltz - for mallet keyboard percussion trio
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SamuelStokesMusic.com
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SheetMusicPlus
Siege of Busanjin 1592
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1013926 Composed by Tsoof …
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1013926 Composed by Tsoof Baras. Contemporary,Standards,World. Score and parts. 46 pages. Tsoof Baras #6662693. Published by Tsoof Baras (A0.1013926). Players - 7Instrumentation - Bass Drums (x2), Bongos, Concert Toms (x8), Snare Drums (x2)The Siege of Busanjin was a battle fought at Busan between Japanese and Korean forces on April 14, 1592.Japanese forces surrounded the fort of Busan and within hours the Korean fort was decimated.This piece for drumming ensemble embodies the brutality and power of the Siege of Busanjin and draws inspiration from traditional Taiko drumming ensembles. Driving rhythms and large movements combine with extreme rhythmic precision to bring an enormous piece for drumming ensemble.
$70.00
64.46 €
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Ensemble de Percussions
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Tsoof Baras
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Siege of Busanjin 1592
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Tsoof Baras
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SheetMusicPlus
Another Place
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.939392 Composed by Adam Gr…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.939392 Composed by Adam Grim. 20th Century,Contemporary. Score and parts. 65 pages. Adam B. Grim #6862379. Published by Adam B. Grim (A0.939392). Another Place is a marimba quartet on two instruments with some accessory items like a mounted bass drum, cymbal, and wind chimes. The work is about 10.5 minutes long, and holds three distinct movements that begin with solemn rolls that slowly become more regimented and rhythmic. The second movement raises the bar and becomes very rhythmic and syncopated with a Reich-like approach of melody vs interlocking harmony. This climax brings a high dynamic level to the forefront of the instruments with interlocking impact points being contrasted to unison hits. The third movement takes this original melody and harmony to the next level by using changing time signatures and motivic ideas to maximize the powerful ending. Throughout there is a deep sense of color and texture that can be maximized by the ensemble in new and exciting ways with each performance. This has plenty of ink, but also leaves a lot to interpret and bring the ensemble’s voice forward. I hope you enjoy! This work won the Audience Award in the Rocky Mountain Music Composition Contest in 2022 as well as Second Prize overall. These international awards were judged by a panel of seven judges from around the world, but with the competition based out of Toronto, Canada.
$35.00
32.23 €
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Ensemble de Percussions
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Adam Grim
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Another Place
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Adam B. Grim
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SheetMusicPlus
For Romania [parts]
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.938431 Composed by Colin B…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.938431 Composed by Colin Bayliss. 20th Century,Folk. Score and parts. 65 pages. Colin Bayliss #14141. Published by Colin Bayliss (A0.938431). Set of parts.
$30.00
27.62 €
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Ensemble de Percussions
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Colin Bayliss
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For Romania [parts]
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Colin Bayliss
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SheetMusicPlus
Venom (Concerto for Percussion Ensemble) Score and Parts
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.863903 Composed by Jordan …
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.863903 Composed by Jordan Grigg. 20th Century,Concert,Standards. Score and parts. 325 pages. Jordan Grigg #3395717. Published by Jordan Grigg (A0.863903).
$30.50
28.08 €
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Ensemble de Percussions
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Jordan Grigg
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Venom
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Jordan Grigg
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SheetMusicPlus
Two Pieces for Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.863888 Composed by Jordan …
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.863888 Composed by Jordan Grigg. 20th Century,Concert,Standards. Score and parts. 33 pages. Jordan Grigg #3395683. Published by Jordan Grigg (A0.863888). https://www.youtube.com/watch?v=oVfPAXsk_Uo
$10.95
10.08 €
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Ensemble de Percussions
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Jordan Grigg
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Two Pieces for Percussion Ensemble
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Jordan Grigg
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SheetMusicPlus
VARIANTS (for piano and orchestra)
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.864030 Composed by Jordan …
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.864030 Composed by Jordan Grigg. Concert,Contemporary,Standards. Score and parts. 58 pages. Jordan Grigg #3628985. Published by Jordan Grigg (A0.864030).
$1.99
1.83 €
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Ensemble de Percussions
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Jordan Grigg
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VARIANTS
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Jordan Grigg
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SheetMusicPlus
SPORADICUS (for large percussion ensemble)
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.864038 Composed by Jordan …
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.864038 Composed by Jordan Grigg. Concert,Contemporary,Instructional,Standards. Score and parts. 38 pages. Jordan Grigg #3866931. Published by Jordan Grigg (A0.864038).
$32.95
30.34 €
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Ensemble de Percussions
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Jordan Grigg
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SPORADICUS
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Jordan Grigg
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SheetMusicPlus
Fanfare for French Horn Octet
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1029070 Composed by Jeffre…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1029070 Composed by Jeffrey L. Ramsay. Contemporary. Score and parts. 58 pages. Jeffrey L. Ramsay #4614947. Published by Jeffrey L. Ramsay (A0.1029070). Tribute to the Kennedy Center Horns.
$49.99
46.03 €
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Ensemble de Percussions
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Jeffrey L
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Fanfare for French Horn Octet
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Jeffrey L. Ramsay
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SheetMusicPlus
Zapateado by Pablo Sarasate for Percussion ensemble
Ensemble de Percussions
Marimba, Vibraphone, Percussion Ensemble, Marimba soloist, vibraphone, marimba 1, ma…
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Marimba, Vibraphone, Percussion Ensemble, Marimba soloist, vibraphone, marimba 1, marimba 2 - Advanced - Digital Download Composed by Pablo de Sarasate (1844-1908). Arranged by Igor Escalona. Romantic Period. Score, Set of Parts. 32 pages. Published by Igor Escalona
$9.99
9.2 €
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Ensemble de Percussions
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Pablo de Sarasate (1844-1908)
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Igor Escalona
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Zapateado by Pablo Sarasate for Percussion ensemble
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Igor Escalona
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SheetMusicPlus
Terraqueous
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1022509 Composed by Marsha…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1022509 Composed by Marshall Jones. Contemporary. Score and parts. 54 pages. Marshall Jones #2014111. Published by Marshall Jones (A0.1022509). Each movement of Terraqueous is centered around a geological process. Orogeny-the formation of mountains. Glaciation--the forming of glaciers. Erosion and Stratification--the stripping away of material by wind and water that is then carried along and then piles up in layers. The audio clip is of the final movement.
$36.00
33.15 €
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Ensemble de Percussions
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Marshall Jones
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Terraqueous
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Marshall Jones
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SheetMusicPlus
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