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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A SONG OF DURING
Non classifié
700
Piano & claviers
Piano seul
444
Piano Facile
291
Piano, Voix
148
Piano, Voix et Guitare
124
Instruments en Do
65
Orgue
29
Piano Trio: piano, violon, violoncelle
25
Accompagnement Piano
15
1 Piano, 4 mains
5
Piano Quatuor: piano, 2 violons, violoncelle
4
2 Pianos, 4 mains
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Ensemble d'Accordéons
1
2 Accordéons
1
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
23
Guitare
19
Ligne De Mélodie, (Paroles) et Accords
17
Ukulele
12
Basse electrique
7
Mandoline
6
Dulcimer
3
2 Guitares (duo)
1
Ensemble de guitares
1
Paroles et Accords
1
3 Guitares (trio)
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
233
Chorale 2 parties
77
Chorale 3 parties
69
Chorale Unison
50
Chorale TTBB
40
Voix duo, Piano
38
Chorale SSAA
27
Voix Soprano, Piano
23
Voix duo
11
Voix moyenne, Piano
5
Voix haute
5
Voix Baryton, Piano
3
Voix seule
2
Voix Alto, Piano
2
Chorale
1
Voix basse, Piano
1
Voix Tenor, Piano
1
+ 12 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
86
Clarinette et Piano
68
Quintette de Saxophone: 5 saxophones
65
2 Saxophones (duo)
63
Saxophone Alto et Piano
61
Flûte traversière et Piano
61
Saxophone Alto
52
Hautbois, Piano (duo)
48
Quatuor de Saxophones: 4 saxophones
44
Flûte, Hautbois, Clarinette, Basson
38
Saxophone Tenor et Piano
38
Flûte traversière
38
Quatuor de Clarinettes: 4 clarinettes
35
Saxophone Soprano et Piano
32
Hautbois (partie séparée)
29
2 Clarinettes (duo)
27
Saxophone Baryton, Piano
25
Clarinette
25
2 Flûtes traversières (duo)
23
Saxophone (partie séparée)
23
Ensemble De Flûte à bec
20
Saxophone Tenor
18
Saxophone, Clarinette (duo)
16
Ensemble de Clarinettes
15
2 Hautbois (duo)
15
Flûte, Clarinette (duo)
12
Quatuor de Flûtes à bec
12
Clarinette Basse, Piano
11
Clarinette, Trompette (duo)
10
Clarinette, Violon (duo)
10
Saxophone Soprano
10
Ensemble de saxophones
10
Quatuor de Flûtes : 4 flûtes
10
Cor anglais, Piano
9
Hautbois, Clarinette (duo)
9
Flûte, Violon
8
Hautbois, Basson (duo)
8
Quintette de Flûte : 5 flûtes
8
3 Saxophones (trio)
7
Quintette de Clarinettes: 5 clarinettes
7
Flûte, Violon, Piano
7
Hautbois
6
Clarinette et Alto
6
Ensemble de Flûtes
6
Flûte, Hautbois, Basson
6
Hautbois, Flûte
5
3 Clarinettes (trio)
5
Clarinette (partie séparée)
5
Flûte, Saxophone (duo)
5
Flûte, Clarinette et Basson
4
Flûte, Trompette (duo)
4
Flûte, Alto (duo)
4
2 Flûte à bec (duo)
3
Flute (partie séparée)
3
Flûte à bec Alto
2
Flûte, Violoncelle
2
Flûte, Basson et Piano
2
Cornemuse
2
5 Flûtes à bec
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Trio de Flûtes: 3 flûtes
2
Ocarina
2
2 Flûtes traversières, Piano
1
Piccolo, Piano
1
Flûte à bec Soprano, Piano
1
Clarinette, Violoncelle (duo)
1
Flûte et Guitare
1
Flûte à bec Soprano
1
Saxophone et Guitare
1
Harmonica
1
Saxophone
1
Flute, Cor (duo)
1
Flûte, Hautbois (duo)
1
Clarinette, Basson (duo)
1
2 Hautbois, Piano
1
Hautbois, Violoncelle
1
2 Clarinettes, Piano
1
Clarinette, Guitare (duo)
1
Cor anglais, Guitare (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette, Basson, Piano (trio)
1
+ 76 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
79
Quatuor de Cuivres : 2 trompettes, trombone, tuba
58
Trompette, Piano
49
Trombone et Piano
48
Trompette
46
Cor et Piano
32
Cor
28
Trombone
27
Tuba et Piano
22
2 Trompettes (duo)
21
Quatuor de Cuivres
21
2 Trombones (duo)
21
Tuba
18
Euphonium, Piano (duo)
12
Trompette, Saxophone (duo)
10
Ensemble de Trombones
9
Trompette, Trombone (duo)
9
Cor anglais, Piano
9
2 Cors (duo)
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Trompette (partie séparée)
8
Trombone (partie séparée)
5
Ensemble de Trompettes
5
2 Tubas (duo)
4
Quatuor de cuivres: 4 trombones
3
Trompette, Cor (duo)
2
Trombone, Tuba (duo)
2
2 Euphoniums (duo)
2
Trompette, Trombone, Piano
2
Cor (partie séparée)
2
2 Cors, Piano
1
Quatuor de cuivres: 4 trompettes
1
Clarinette, Cor (duo)
1
Tuba et Orgue
1
Ensemble de Cors
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Tuba (partie séparée)
1
3 Trombones (trio)
1
Cor anglais, Guitare (duo)
1
2 Euphoniums et 2 Tubas
1
+ 35 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
112
Violon et Piano
95
Violoncelle, Piano
69
Alto, Piano
59
Violon
55
Violoncelle
53
Trio à Cordes: violon, alto, violoncelle
39
Trio à Cordes: 2 violons, violoncelle
39
2 Violons (duo)
39
Violon, Violoncelle (duo)
39
Quintette à cordes: 2 violons, alto, violoncelle, basse
29
Alto seul
26
2 Violoncelles (duo)
22
Contre Basse
19
Contrebasse, Piano (duo)
17
2 Altos (duo)
14
Harpe
12
Violon, Alto (duo)
12
Alto (partie séparée)
10
Ensemble de Violons
7
2 Contrebasses (duo)
6
Ensemble d'Altos
5
Contrebasse (partie séparée)
4
Violon (partie séparée)
3
Flûte, Contrebasse (duo)
2
Piano Trio: Violon, Alto, Piano
2
2 Altos, Piano
2
Violoncelle , Guitare (duo)
2
Alto, Violoncelle (duo)
2
Trio à Cordes: 3 violoncelles
1
Violon, Clarinette, Piano (trio)
1
2 Violons, Piano
1
Violoncelle, Contrebasse (duo)
1
Trio à cordes: 3 violins
1
+ 29 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
173
Orchestre
43
Orchestre à Cordes
40
Ensemble de cuivres
39
Ensemble Jazz
20
Orchestre de chambre
13
Cloches
11
Ensemble de Percussions
5
Fanfare
5
Jazz combo
3
Vibraphone
2
Marimba
2
Quintette de Cuivres: autres combinaisons
1
Percussion (partie séparée)
1
+ 9 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMBONE
TROMPETTE
TUBA
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XYLOPHONE
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Vous avez sélectionné:
A SONG OF DURING
Ensemble de Percussions
Partitions à imprimer
5 partitions trouvées
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Edelweiss
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Ensemble de Percussions
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FACILE
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Comédie Musicale
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Film/TV
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Richard Rodgers
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John M
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Edelweiss
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Music Preparation Services
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.908406 Composed by Richard Rodgers. Arranged by John M. Licari. Broadway,Film/TV. Score and parts. 13 pages. Mus...
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Percussion Ensemble - Level 2 - SKU: A0.908406 Composed by Richard Rodgers. Arranged by John M. Licari. Broadway,Film/TV. Score and parts. 13 pages. Music Preparation Services #5196201. Published by Music Preparation Services (A0.908406). Edelweiss - Rodgers & Hammerstein (Percussion Ensemble)Arranged by John M. LicariMusic Preparation Serviceswww.musicprepservices.com Edelweiss is a show tune from the 1959 Rodgers and Hammerstein musical The Sound of Music. It is named after the edelweiss, a white flower found high in the Alps. The song was created for the 1959 Broadway production of The Sound of Music, as a song for the character Captain Georg von Trapp (originated by the performer Theodore Bikel). In the musical, Captain von Trapp and his family sing this song during the concert near the end of Act II, as a statement of Austrian patriotism in the face of the pressure put upon him to join the navy of Nazi Germany following the Anschluss (Nazi annexation of their homeland). It is also Captain von Trapp's subliminal goodbye to his beloved homeland, using the flower as a symbol of his loyalty to Austria. In the 1965 film adaptation, the song is also sung by the Captain earlier in the film when he rediscovers music with his children. It was the last song ever written by Oscar Hammerstein II, prior to his death in August, 1960. This arrangement is written for a percussion ensemble, featuring glockenspiel, marimba, snare, bass, triangle, tambourine, and timpani.
$12.99
Alexandriana for Percussion Ensemble
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Ensemble de Percussions
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AVANCÉ
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Dan Heslink
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Alexandriana for Percussion En
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. P...
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Percussion Ensemble - Level 5 - SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Great’s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The music’s sectional nature parallels the library’s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the score’s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$9.99
Quartet #3
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Ensemble de Percussions
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INTERMÉDIAIRE
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Jeff Tincher
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Quartet #3
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Jeff Tincher
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.584691 Composed by Jeff Tincher. Contemporary,Rock. Score and parts. 22 pages. Jeff Tincher #6019463. Published ...
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Percussion Ensemble - Level 3 - SKU: A0.584691 Composed by Jeff Tincher. Contemporary,Rock. Score and parts. 22 pages. Jeff Tincher #6019463. Published by Jeff Tincher (A0.584691). This composition begins with a 12/8 rock tempo. Although it is written in C, the composition is begins in D Minor. The Marimba keeps the 12/8 going while the other three become punctuations. The punctuation continues while the Glockenspiel plays the melody. At measure 15 the song moves into a 6/8 feel. At measure 34 the song returns to the original 12/8 feel. The composition then splits to where the Vibraphone takes on harmony in the 12/8 feel while the Glockenspiel and Xylophone take on a 6/8 countermelody. A short bridge is created by stacking the other 2 on top of the Vibraphone and Marimba 12/8 feel. Then it splits again to where the Xylophone stays with the Vibraphone and Marimba pattern and the Glockenspiel goes off on it's own. During this time the Glockenspiel folds in the 6/8 melody, creating a pleasant conflict. The song D.C.'s to the original 12/8 content. Hear the full version of composition on Jeff Tincher's For Percussion Quartet CD. Duration = 6:14. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
The Hammer & Anvil
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Ensemble de Percussions
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INTERMÉDIAIRE
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Jake Garratt
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The Hammer & Anvil
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J Garratt Composer
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.1029072 Composed by Jake Garratt. Contemporary,Folk,Standards,World. Score and parts. 1 pages. J Garratt Compose...
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Percussion Ensemble - Level 3 - SKU: A0.1029072 Composed by Jake Garratt. Contemporary,Folk,Standards,World. Score and parts. 1 pages. J Garratt Composer #4615943. Published by J Garratt Composer (A0.1029072). 'The Hammer & Anvil' is the piece that adorns the balustrade of the band stand in Parade Gardens, Bath, UK. The band stand was forged by the National Heritage Ironwork Group as a gift to the city during their 2018 'BathIron' festival. The piece is written for 2 treble clef parts and a bass clef part and can be performed by any group of instruments. For the original performance it was performed on 2 Bb Clarinets and a Bass Clarinet.About the piece:'The Hammer & Anvil' is derived from the melody of an English folk song about a blacksmith (ironworker) which has been adapted and augmented to be used as a melodic foundation throughout the piece, similar to an isorhythm in medieval compositions. The piece is in two sections: the A section where the folk melody is confined to the bass and the B section where the melody is split between all three parts. A repeated rhythmic motif, representative of an ironworker using his hammer and anvil, is used to accompany and/or decorate this melody.
$2.99
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A SONG OF DURING
