English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
3
Partitions
Numériques
8
Librairie
Musicale
66
Matériel
de Musique
256
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
821
PIANO & CLAVIERS
Piano, Voix
4683
Piano seul
547
Piano, Voix et Guitare
55
Piano Facile
47
Orgue
33
Accordéon
10
Instruments en Do
10
2 Pianos, 4 mains
9
Orgue, Piano (duo)
4
Piano Trio: piano, violon, violoncelle
4
Accompagnement Piano
3
Piano Quatuor: piano, violon, alto, violoncelle
3
1 Piano, 4 mains
3
1 Piano, 6 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Orgue, Trompette (duo)
1
Piano grosses notes
1
Clavecin
1
Clavier
1
Instrumentations suivantes
Retracter
GUITARES
Guitare
232
Guitare notes et tablatures
151
Piano, Guitare (duo)
112
2 Guitares (duo)
41
Mandoline
24
Basse electrique
19
Banjo
17
Ukulele
17
Dulcimer
7
4 Guitares (Quatuor)
3
Ligne De Mélodie, (Paroles) et Accords
2
Ensemble de guitares
1
Guitare Pedal Steel
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
205
Voix seule
165
Chorale 3 parties
67
Voix duo, Piano
46
Chorale 2 parties
14
Chorale Unison
12
Voix haute
11
Chorale TTBB
7
Voix Soprano, Piano
4
Voix basse, Piano
3
Voix basse
3
Chorale SSAA
3
Voix Baryton, Piano
3
Voix duo
2
Voix Tenor, Piano
2
Voix Alto, Piano
1
Voix, Guitare
1
Instrumentations suivantes
Retracter
VENTS
Hautbois, Piano (duo)
208
Flûte traversière et Piano
207
Clarinette et Piano
194
Saxophone Alto et Piano
157
Saxophone Tenor et Piano
133
Flûte et Guitare
116
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
64
Quatuor de Saxophones: 4 saxophones
60
2 Saxophones (duo)
53
Flûte, Hautbois, Clarinette, Basson
47
Quatuor de Clarinettes: 4 clarinettes
46
Quintette de Saxophone: 5 saxophones
45
Flûte traversière
30
Clarinette
26
2 Flûtes traversières (duo)
24
2 Clarinettes (duo)
24
Harmonica
15
Hautbois (partie séparée)
14
Flûte, Hautbois, Clarinette (trio)
13
Saxophone Soprano et Piano
13
Quatuor de Flûtes : 4 flûtes
10
Saxophone Baryton, Piano
9
2 Flûte à bec (duo)
9
Ensemble de Clarinettes
9
Saxophone Alto
7
Cor anglais, Piano
7
Trio de Flûtes: 3 flûtes
7
Flûte à bec Soprano
5
3 Saxophones (trio)
5
Ensemble de saxophones
4
Flûte, Hautbois, Basson
4
3 Clarinettes (trio)
4
Quatuor de Flûtes à bec
4
Quintette de Clarinettes: 5 clarinettes
4
2 Clarinettes, Basson
3
Ensemble de Flûtes
3
Quintette de Flûte : 5 flûtes
3
Clarinette Basse, Piano
3
5 Flûtes à bec
2
Saxophone Tenor
2
Flûte, Violon et Violoncelle
2
Flûte à bec Soprano, Piano
2
Flûte à bec Alto
2
Saxophone
2
Flûte, Clarinette, Cor, Basson (Quartet)
1
Saxophone (partie séparée)
1
Flûte, Violon
1
Flûte, Clarinette (duo)
1
Ensemble de Hautbois
1
Clarinette, Basson (duo)
1
Flûte, Violon, Piano
1
Flûte, Clarinette et Basson
1
Flûte et Quatuor à Cordes
1
Flûte, Violoncelle
1
Flûte à Bec
1
3 Flûtes à bec (trio)
1
Saxophone, Clarinette (duo)
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Saxophone (duo)
1
Hautbois, Basson (duo)
1
Hautbois, Guitare (duo)
1
Clarinette, Harpe (duo)
1
Flûte irlandaise
1
Piccolo, Piano
1
4 Hautbois
1
Instrumentations suivantes
Retracter
CUIVRES
Trombone et Piano
154
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
101
Trompette
93
Trompette, Piano
73
Ensemble de Trompettes
47
2 Trompettes (duo)
23
Quatuor de Cuivres : 2 trompettes, trombone, tuba
22
Trombone
20
Cor et Piano
16
Trompette (partie séparée)
12
Euphonium, Piano (duo)
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Cor anglais, Piano
7
Quatuor de cuivres: 4 trombones
5
Ensemble de Cors
5
Tuba et Piano
5
Ensemble de Trombones
4
Trombone (partie séparée)
3
Quatuor de cuivres: 4 cors
3
Quatuor de cuivres: 4 trompettes
3
2 Cors (duo)
2
Trompette, Trombone (duo)
2
Cor
2
3 Trompettes (trio)
2
2 Trombones (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Tubas (duo)
1
Trompette, Cor (duo)
1
Trombone, Cor (duo)
1
Trio de Cuivres
1
Quatuor de Cuivres
1
4 Tubas
1
3 Tubas (trio)
1
3 Cors (trio)
1
Instrumentations suivantes
Retracter
CORDES
Alto, Piano
184
Violon et Piano
172
Violoncelle, Piano
154
Quatuor à cordes: 2 violons, alto, violoncelle
108
Violon
49
2 Violons (duo)
27
Violoncelle
24
Trio à Cordes: violon, alto, violoncelle
16
Harpe
15
Violon, Violoncelle (duo)
12
Alto (partie séparée)
11
Alto seul
10
2 Altos (duo)
5
Violon, Alto (duo)
4
Alto, Violoncelle (duo)
3
Contrebasse, Piano (duo)
3
Violoncelle , Guitare (duo)
2
Trio à cordes
2
2 Violoncelles (duo)
2
Quatuor à cordes: 4 violons
2
Trio à Cordes: 3 violoncelles
2
Violon (partie séparée)
1
Trio à cordes: 3 altos
1
Violoncelle, Contrebasse (duo)
1
Autoharp
1
Violon, Basse continue
1
Violoncelle, Orgue
1
Violon, Guitare (duo)
1
Harpe et Piano
1
Trio à cordes: 3 violins
1
Harpe, Flûte (duo)
1
Contre Basse
1
Quatuor à cordes : 4 altos
1
4 Contrebasses
1
Ensemble de Violoncelles
1
Alto, Guitare (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
191
Ensemble de cuivres
49
Orchestre
48
Orchestre à Cordes
39
Batterie
33
Ensemble Jazz
26
Orchestre de chambre
20
Cloches
15
Ensemble de Percussions
8
Fanfare
7
Percussion
5
Jazz combo
3
Cajon
2
Caisse Claire
1
Bongos
1
Bodhran
1
Marimba
1
Quatuor à Vent : 4 instruments à vents
1
Instrumentations suivantes
Retracter
AUTRES
Théorie de la musique
2
Formation musicale - Solfège
1
Vous avez sélectionné:
AST Publications
Ensemble de Percussions
Partitions à imprimer
8 partitions trouvées
<
1
Alexandriana for Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Hes…
(+)
Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Great’s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The music’s sectional nature parallels the library’s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the score’s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$9.99
8.95 €
#
Ensemble de Percussions
#
Dan Heslink
#
 
#
Alexandriana for Percussion Ensemble
#
Pharaoh Publications
#
SheetMusicPlus
Silent Night Prelude for percussion octet
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz X…
(+)
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. Pharaoh Publications #5363007. Published by Pharaoh Publications (A0.935383). Silent Night Prelude for Percussion Octet arr. by Dan Heslink This work is based on the well-loved Christmas carol, composed in 1818 by Franz Xaver Gruber. This theme is so popular that it was declared an intangible cultural heritage by UNESCO in 2011. And the version sung by Bing Crosby in 1935 is the fourth best-selling single recording of all-time. It’s sure to motivate your audience close to Christmas. The Prelude begins with a brisk tempo. Although notated in 3, as is customary in more modern renditions (the original theme was notated in 6), the tempo must be fast enough that two measures of 3 create a binary pairing (like 6/4 in two). It may be necessary to slightly slow down the roll speed to avoid a frenetic sound. The difficulty level is easy. There are no changes of key, and the timpani part requires only two drums (Bb, F) with no tuning changes. The vibe part could be played with two mallets, but might execute more comfortably with three. The other keyboard parts use only two mallets each. The expression of this beautiful tune will be greatly enhanced by exaggerating the contrasts of dynamics. Accompaniment and ornamental figures must at all times be sublimated to the familiar theme. At the last strain, players should sing the well-known words in order to lead the audience or congregation in group singing. It would be helpful for the conductor to turn and face the audience at this point. This closing passage may be repeated for any number of sung verses. Use a smooth, relaxed stroke to elicit as much legato as possible. At points a continuous arpeggio accompaniment is divided among the instruments. Care must be taken to keep the sixteenth note speed consistent. The opening runs should be performed half-pedal on the vibes for clarity. Prelude on Silent Night would serve equally well in recital or in a church service. Duration is 3:10. The arranger, Dan Heslink, can be contacted at dan@dheslink.com
$4.99
4.47 €
#
Ensemble de Percussions
#
Franz Xaver Gruber
#
Dan Heslink
#
 
#
Silent Night Prelude for percussion octet
#
Pharaoh Publications
#
SheetMusicPlus
Celebrations for Percussion Ensemble Octet
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.1075547 Composed by Brian …
(+)
Percussion Ensemble - Level 3 - Digital Download SKU: A0.1075547 Composed by Brian Monroe. 20th Century,Instructional. Score and parts. 48 pages. BLM Music Publications (https://brianmonroemusic.com) #679741. Published by BLM Music Publications (https://brianmonroemusic.com) (A0.1075547). Celebrations is a mixed percussion ensemble octet utilizing both keyboard and non keyboard percussion instruments. It was written in memory of Ohio Band Director, Dan Meeks. In life we celebrate many occasions: birthdays, holidays, vacations, winning seasons, winning the lottery, anniversaries, marriages and births, just to name a few. But at times of loss we can also celebrate those who have left an indelible mark on us. Parents, mentors and teachers fit into this category. This piece is written to celebrate learning and though who guided us on our path. Specifically this piece is dedicated in memory of Dan Meeks, a teacher, band director, percussionist, husband and dad who touched so many lives teaching and guiding his family, friends and students through part of their lives. We are forever in debt to people like Dan and celebrate them. Dan would often say, Just Have Fun! This piece is written with that joy and love of life in mind. Thanks Dan, you always made it fun. Parts: Part 1: Bells (w/hard plastic mallets) Part 2: Xylophone & Crotales (or Bells) (w/medium plastic mallets) Part 3: Vibraphone (w/medium cord mallets) Part 4: Marimba 1: (w/medium yard mallets) Part 5: Marimba 2: if possible 4.5 or 5 octave play lower notes. (w/medium yard mallets) Part 6: Percussion 1: Snare Drum & Sleighbells Part 7: Bass Drum, Gong, Suspended Cymbal & Triangle Part 8: Timpani.
$15.00
13.43 €
#
Ensemble de Percussions
#
Brian Monroe
#
Celebrations for Percussion Ensemble Octet
#
BLM Music Publications
#
SheetMusicPlus
Christmas Calypso for Percussion Sextet
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Hes…
(+)
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
4.47 €
#
Ensemble de Percussions
#
Dan Heslink
#
Christmas Calypso for Percussion Sextet
#
Pharaoh Publications
#
SheetMusicPlus
Christmas Calypso for Marimba Quartet
Ensemble de Percussions
Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Chri…
(+)
Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
4.47 €
#
Ensemble de Percussions
#
Dan Heslink
#
Christmas Calypso for Marimba Quartet
#
Pharaoh Publications
#
SheetMusicPlus
Asian Symmetries
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.935379 Composed by Dan Hes…
(+)
Percussion Ensemble - Level 3 - Digital Download SKU: A0.935379 Composed by Dan Heslink. Contemporary,World. Score and parts. 30 pages. Pharaoh Publications #4978359. Published by Pharaoh Publications (A0.935379). Asian Symmetries by Dan Heslink Asian Symmetries is a fanciful work which draws loosely from the musical procedures and sonic preferences of Indonesian and other Asian musical styles. It is scored for three percussionists, each with their own battery of instruments. Gamelan-like impressions might be inferred from the cyclical nature of its rhythm, using metal plates like cymbals and gongs to mark large units of rhythmic time. Also evocative are the faster moving elaborations and a preponderance of metallophones in the instrumentation. The work is medium to difficult in its demands. There are quick changes of instrument, planned to be manageable but requiring some attention to logistics Each player’s performance station must remain stationary, with all instruments in reach without moving the performer’s position. Percussion I and Percussion III players must set up next to each other so that they may share the tenor drum. A selection of mallets that allows different striking surfaces to sound good without undue picking up and setting down of mallets is suggested. Changes of meter and tempo occur, and an odd meter section sporting measures in 12/8, 6/8, 11/8 may require some additional attention. The instrumentation is selected to approximate Asian sounds with common western instruments. Performance time is 6:28. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$4.99
4.47 €
#
Ensemble de Percussions
#
Dan Heslink
#
 
#
Asian Symmetries
#
Pharaoh Publications
#
SheetMusicPlus
One Hour to Madness
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.935385 Composed by Dan Hes…
(+)
Percussion Ensemble - Level 5 - Digital Download SKU: A0.935385 Composed by Dan Heslink. Contemporary. Score and parts. 36 pages. Pharaoh Publications #5775261. Published by Pharaoh Publications (A0.935385). One Hour to Madness for percussion septet. by Dan Heslink From its opening motto to its bold closing summation, One Hour to Madness explores a high degree of musical energy. The title is loosely inspired by Walt Whitman’s marvelous poem, One Hour to Madness and Joy (Leaves of Grass). The music presents a dark and exciting expression couched in pervasive contrapuntal development. A high degree of dissonance is contrasted with the second theme’s clear Bb major tonality. The work’s contrapuntal nature is distilled into a fugato in the second half. Predominantly a mallet ensemble composition, scoring is for orchestra bells (2 mallets), xylophone (2 mallets), vibraphone (4 mallets), 3 marimbas (each with 2 mallets) and timpani. The timpani part is best performed on the standard set of 4 drums (23-24, 25-26, 28-29, 32-30). The marimba 1 part requires the standard range of 3 ½ or 4 octaves; the marimba 2 part can be executed on the standard 4-octave instrument by omitting a few octave doublings, or on a 5-octave instrument if one is available; marimba 3 requires a 5-octave instrument. The composer assigns a difficulty level of advanced. It will serve any concert or recital very well. Audiences and performers alike will enjoy the flashy passage work and musical impetus afforded by One Hour to Madness. Duration is 3:41. The composer, Dan Heslink, can be contacted at dan@dheslink.com.
$4.99
4.47 €
#
Ensemble de Percussions
#
Dan Heslink
#
 
#
One Hour to Madness
#
Pharaoh Publications
#
SheetMusicPlus
Rush
Ensemble de Percussions
Percussion Ensemble - Digital Download SKU: A0.1019788 Composed by Rennard Stafford…
(+)
Percussion Ensemble - Digital Download SKU: A0.1019788 Composed by Rennard Stafford. Contemporary. Score and parts. 6 pages. Tempo X Percussion and Publications #5771611. Published by Tempo X Percussion and Publications (A0.1019788). A battery Drumline piece built for high energy and fast paced action. Great for stadium groovin and show competitions. .
$8.99
8.05 €
#
Ensemble de Percussions
#
Rennard Stafford
#
Rush
#
Tempo X Percussion and Publications
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale