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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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LIVRES
LUTH
MANDOLINE
MARIMBA
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ORCHESTRE
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After - Piano solo
Non classifié
396
Piano & claviers
Orgue
49
Instruments en Do
15
Accordéon
9
Clavecin
1
Orgue, Trompette (duo)
1
Guitares
Guitare
150
Guitare notes et tablatures
93
Guitare (partie séparée)
10
Paroles et Accords
5
Basse electrique
5
Dulcimer
5
Ukulele
4
Mandoline
3
2 Guitares (duo)
2
Ligne De Mélodie, (Paroles) et Accords
2
Guitare Pedal Steel
1
Banjo
1
+ 7 instrumentations
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Voix
Chorale SATB
66
Chorale 3 parties
16
Chorale TTBB
16
Voix seule
12
Chorale SSAA
10
Chorale Unison
6
Voix duo
4
Chorale 2 parties
4
Voix Baryton
1
Voix basse
1
Soli, choeur mixte et accompagnement
1
Voix Soprano
1
+ 7 instrumentations
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Vents
Flûte traversière
113
Clarinette
77
Saxophone Alto
70
Saxophone (partie séparée)
51
Saxophone Tenor
39
Hautbois (partie séparée)
31
Hautbois
20
Flûte, Hautbois, Clarinette, Basson
15
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
15
Clarinette, Guitare (duo)
14
3 Saxophones (trio)
13
Quatuor de Saxophones: 4 saxophones
13
Flûte et Guitare
11
Quintette de Saxophone: 5 saxophones
10
Quatuor de Clarinettes: 4 clarinettes
9
2 Saxophones (duo)
8
3 Clarinettes (trio)
8
Quintette de Clarinettes: 5 clarinettes
7
Quatuor de Flûtes : 4 flûtes
7
Flute (partie séparée)
7
2 Clarinettes (duo)
6
Ensemble de Clarinettes
6
Saxophone
5
Flûte à Bec
5
Quintette de Flûte : 5 flûtes
5
Flûte à bec Soprano
5
Saxophone Soprano
4
Ensemble de Flûtes
4
Quatuor de Flûtes à bec
3
Trio de Flûtes: 3 flûtes
3
Ensemble de saxophones
3
Flûte à bec Alto
3
Saxophone Baryton
2
Ocarina
2
Cornemuse
2
Cor anglais, Guitare (duo)
2
2 Flûte à bec (duo)
2
Clarinette (partie séparée)
2
Flûte, Hautbois, Clarinette (trio)
2
Ensemble de Hautbois
1
2 Hautbois (duo)
1
2 Flûtes traversières (duo)
1
Saxophone et Orgue
1
Flûte traversière, Orgue (duo)
1
Saxophone et Guitare
1
Flûte, Hautbois, Basson
1
Instruments en Mib
1
Clarinette, Orgue
1
Piccolo
1
Clarinette, Basson (duo)
1
Ensemble De Flûte à bec
1
Flûte, Clarinette (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
+ 48 instrumentations
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Cuivres
Trompette
85
Trombone
69
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
49
Cor
36
Ensemble de Trompettes
35
Trompette (partie séparée)
27
Trombone (partie séparée)
25
Tuba
23
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Cor (partie séparée)
6
Tuba (partie séparée)
5
2 Trombones (duo)
4
Trompette, Trombone (duo)
4
2 Cors (duo)
4
Quatuor de cuivres: 4 trombones
3
Quatuor de cuivres: 4 cors
3
Instruments en Sib
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Quatuor de cuivres: 4 trompettes
2
Trompette, Cor (duo)
2
3 Trompettes (trio)
2
2 Trompettes (duo)
2
Cor anglais, Guitare (duo)
2
Quatuor de Cuivres
2
2 Tubas (duo)
2
Instruments en Fa
2
Ensemble de Trombones
2
Bass Clef Instruments
2
3 Trombones (trio)
2
3 Tubas (trio)
1
Cor et Orgue
1
Euphonium, Tuba (duo)
1
3 Cors (trio)
1
Ensemble de Cors
1
Trompette, Orchestre
1
Ensemble de Tubas
1
Euphonium
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Euphoniums et 2 Tubas
1
+ 34 instrumentations
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Cordes
Violon
116
Violoncelle
86
Alto seul
57
Harpe
43
Quatuor à cordes: 2 violons, alto, violoncelle
31
Contre Basse
26
2 Violons (duo)
9
Violon, Violoncelle (duo)
7
Contrebasse (partie séparée)
6
Alto (partie séparée)
6
Trio à Cordes: violon, alto, violoncelle
6
Violon, Guitare (duo)
6
Violoncelle , Guitare (duo)
4
2 Violoncelles (duo)
4
Violon, Alto (duo)
4
2 Altos (duo)
3
Violon (partie séparée)
3
Trio à Cordes: 2 violons, violoncelle
3
Alto, Guitare (duo)
2
Quatuor à cordes : 4 altos
1
Quatuor à cordes: 4 violons
1
Violon, Orgue
1
Trio à cordes: 3 violins
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à cordes: 3 altos
1
Trio à Cordes: 3 violoncelles
1
Harpe, Flûte (duo)
1
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Orchestre & Percussions
Orchestre d'harmonie
110
Ensemble Jazz
74
Orchestre
41
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32
Fanfare
23
Orchestre de chambre
15
Ensemble de cuivres
12
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9
Jazz combo
8
Batterie (partie séparée)
5
Ensemble de Percussions
4
Vibraphone
4
Cloches
3
Percussion (partie séparée)
3
Percussion
2
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2
2 Xylophones
2
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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Vous avez sélectionné:
After - Piano solo
Ensemble de Percussions
Partitions à imprimer
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Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Ensemble de Percussions
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AVANCÉ
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Antonio J
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Two Dreams for solo Trombone a
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Gordon Cherry
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #...
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Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
The Escape (medium/big percussion ensemble)
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Frits Renting
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The Escape
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Frits_Renting
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SheetMusicPlus
Percussion Ensemble Bass Marimba,Chimes,Cymbals,Drum Set,Low Drum,Quad Toms,Shaker,Suspended Cymbal,Tam Tam,Tambourine,Timpani,Tom Tom,Tubular Bells,Vibraphone,...
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Percussion Ensemble Bass Marimba,Chimes,Cymbals,Drum Set,Low Drum,Quad Toms,Shaker,Suspended Cymbal,Tam Tam,Tambourine,Timpani,Tom Tom,Tubular Bells,Vibraphone,Xylophone - Level 4 - SKU: A0.1274188 Composed by Frits Renting. Film/TV. 51 pages. Frits_Renting #866319. Published by Frits_Renting (A0.1274188). Side note: This version is for medium/big percussion ensemblesEN:This composition was written for one of the parts of the D exam by Frits Renting. The starting point of the composition was: film music. Inspired by well-known works by Hans Zimmer, Brian Tyler, John Williams and works by De Efteling. The composition starts in a fairly small composition in which, with the help of crescendos and several instruments, it works towards a strong, but above all open and cheerful part. This is followed by a short untuned percussion solo. After this, theme A is closed in a calm, non-violent manner. Immediately theme B comes in which is built up through crescendos and multiple instruments over time. Theme B also comes to a quiet end afterwards. After this theme A and B return at the same time, which builds up and closes in a grandiose way.NL:Deze compositie is geschreven voor één van de onderdelen van het D examen van Frits Renting. Het uitgangsdoel van de compositie was: filmmuziek. Geïnspireerd door bekende werken van Hans Zimmer, Brian Tyler, John Williams en werken van De Efteling. De compositie begint in een vrij kleine samenstelling waarbij, met behulp van crescendo's en meerdere instrumenten, het zich toewerkt naar een sterk, maar vooral open en vrolijk gedeelte. Dit wordt opgevolgd door een korte ongestemde slagwerk solo. Hierna wordt thema A op een rustige, geweldloze manier afgesloten. Direct komt thema B binnenvallen wat word opgebouwd door middel van crescendo's en meerdere instrumenten in loop van de tijd. Ook komt thema B daarna tot rustig einde. Hierna komen thema A en B tegelijkertijd terug wat zich opbouwt en op een grandioze manier, zich afsluit.
$80.00
En Rêve for Percussion Ensemble
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Ensemble de Percussions
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FACILE
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Contemporain
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Anders Wall
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I felt like I was in France
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En Rêve for Percussion En
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WallofSound
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.1028124 Composed by Anders Wall. 20th Century,Contemporary. Score and parts. 23 pages. WallofSound #3374791. Pub...
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Percussion Ensemble - Level 2 - SKU: A0.1028124 Composed by Anders Wall. 20th Century,Contemporary. Score and parts. 23 pages. WallofSound #3374791. Published by WallofSound (A0.1028124). En Rêve, In Dream, was conceived when I studied composition for Tobias Broström. Every day I was commuting from Skurup to Båstad and every day I was struck by Båstads almost continental beauty; I felt like I was in France. Cobble stone roads, houses with towers and that mountain ridge close to the ocean...One day on the train, I ran into three French girls on holiday.Patiently they listened to my ideas and kindly helped me translate the tempo markings to French. The piece begins with us falling to sleep. The marimbas rocks us slowly In Dream.After sudden movements in the vibraphone we are happily strolling on the cobble stones, sun shining and children riding their bikes across the streets not noticing the rocky ride.Bells chime in the distance and the world – or the dream – vanish. As sudden as it started it is gone.The dissonance of the beginning is now gone and our sleep is peaceful and calm - or is it..? Originally a solo piece for Marimba dedicated to Kasper Grøn.Thanks to Camille, Carole, Raphaëlle for the help with the French.
$10.00
Rasputin
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Ensemble de Percussions
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INTERMÉDIAIRE
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Boney M
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S Welburn
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Rasputin
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S J Welburn
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.984525 By Boney M. By Frank Farian, Fred Jay, and George Reyam. Arranged by S Welburn. Dance,Disco. Score and pa...
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Percussion Ensemble - Level 3 - SKU: A0.984525 By Boney M. By Frank Farian, Fred Jay, and George Reyam. Arranged by S Welburn. Dance,Disco. Score and parts. 41 pages. S J Welburn #4634143. Published by S J Welburn (A0.984525). Arrangement of the 1978 hit single, by German / Caribbean Euro-Disco group Boney M. Taken from their third album Nightflight to Venus, the song was released in August of 1978 and reached No.1 in 5 countries, and peaked at No.2 in the UK.A cover of the song was released in 2007, by Finnish Folk Metal band Turisas. After years of playing it as part of their live shows, they decided to put it to record as a special edition EP in the wake of the success of their second full length album.KEY: G MinorDIFFICULTY: IntermediateThe piece makes use of several repeated rhythmic motifs, so once familiarised it is relatively easy to master. In a couple of spots their are short solo passages, but on the whole instruments work together in their subsections and are little exposed.
$19.95
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