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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
After All This
Non classifié
1 285
Piano & claviers
Piano seul
639
Piano, Voix
231
Piano Facile
120
Piano, Voix et Guitare
111
Orgue
66
Instruments en Do
48
Accompagnement Piano
23
1 Piano, 4 mains
16
Piano Trio: piano, violon, violoncelle
12
2 Pianos, 4 mains
9
Piano Quatuor: piano, violon, alto, violoncelle
5
Accordéon
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano grosses notes
3
Piano (partie séparée)
3
Orgue, Trompette (duo)
2
Orgue, Piano (duo)
2
1 Piano, 6 mains
1
Clavier
1
Clavecin
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 16 instrumentations
Retracter
Guitares
Guitare
63
Guitare notes et tablatures
45
Ligne De Mélodie, (Paroles) et Accords
10
Ukulele
6
Basse electrique
6
Mandoline
5
Guitare (partie séparée)
4
2 Guitares (duo)
4
2 Mandolines (duo)
2
Dulcimer
2
Piano, Guitare (duo)
1
2 Ukuleles
1
Banjo
1
Guitare, Orchestre
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
293
Chorale 3 parties
81
Chorale TTBB
49
Chorale SSAA
33
Chorale Unison
28
Chorale 2 parties
25
Voix Soprano, Piano
12
Voix Alto, Piano
8
Voix duo
8
Voix haute
5
Voix seule
4
Voix Tenor, Piano
4
Chorale SSAATTBB
3
Voix Soprano
3
Voix duo, Piano
3
Soli, choeur mixte et accompagnement
2
Voix Baryton, Piano
2
Chorale SSATTB
2
Voix moyenne, Piano
1
Chorale SSATB
1
Voix Mezzo-Soprano, Piano
1
Voix Tenor
1
Chorale SSAB a cappella
1
+ 18 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
141
Flûte traversière et Piano
89
Quatuor de Saxophones: 4 saxophones
82
Quintette de Saxophone: 5 saxophones
79
2 Saxophones (duo)
78
Clarinette et Piano
73
Hautbois, Piano (duo)
63
Saxophone Alto et Piano
61
Quatuor de Clarinettes: 4 clarinettes
51
2 Clarinettes (duo)
47
Flûte, Hautbois, Clarinette, Basson
46
Saxophone Soprano et Piano
43
Clarinette
40
Quatuor de Flûtes : 4 flûtes
36
2 Flûtes traversières (duo)
35
Flûte traversière
31
Saxophone, Clarinette (duo)
31
Saxophone Tenor et Piano
28
Flûte, Clarinette (duo)
22
Saxophone Baryton, Piano
21
Clarinette, Violon (duo)
20
Ensemble de Flûtes
20
Saxophone (partie séparée)
19
2 Hautbois (duo)
19
Ensemble de saxophones
18
3 Saxophones (trio)
17
Cor anglais, Piano
17
Hautbois
16
Ensemble de Clarinettes
16
Clarinette, Trompette (duo)
13
Clarinette Basse, Piano
13
Quintette de Clarinettes: 5 clarinettes
12
Hautbois, Clarinette (duo)
12
3 Clarinettes (trio)
11
Saxophone Alto
11
Flûte, Saxophone (duo)
11
Quintette de Flûte : 5 flûtes
11
Flûte, Violon
11
Hautbois, Basson (duo)
10
Harmonica
10
Hautbois, Flûte
10
2 Flûte à bec (duo)
10
Clarinette et Alto
9
Flûte, Trompette (duo)
8
Flûte, Alto (duo)
7
Trio de Flûtes: 3 flûtes
7
Clarinette, Guitare (duo)
7
Hautbois (partie séparée)
6
Hautbois, Clarinette, Basson (trio d'anches)
5
Flûte, Alto et Piano
5
Flûte et Guitare
5
Quatuor de Flûtes à bec
5
Flute (partie séparée)
4
Ocarina
4
Saxophone Tenor
4
Flûte à Bec
4
Flûte, Clarinette et Basson
3
Flûte à bec Alto
3
Clarinette, Basson (duo)
3
Flûte à bec Soprano
3
Clarinette (partie séparée)
2
Saxophone Soprano
2
Saxophone et Guitare
2
5 Flûtes à bec
2
Cor anglais, Guitare (duo)
2
3 Flûtes à bec (trio)
2
Flûte, Violon et Violoncelle
2
Saxophone Baryton
2
Flûte, Violoncelle
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Violon, Piano
2
Flûte à bec Soprano, Piano
2
Ensemble De Flûte à bec
1
Hautbois, Harpe
1
Piccolo, Piano
1
Flûte traversière, Basse continue
1
Hautbois, Guitare (duo)
1
Flûte à bec Alto, Piano
1
Clarinette Basse
1
Saxophone
1
Clarinette, Violoncelle (duo)
1
Ensemble de Hautbois
1
Flûte irlandaise
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois, Basson et Piano
1
Clarinette, Harpe (duo)
1
2 Saxophones, Piano
1
+ 83 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
157
Quatuor de Cuivres : 2 trompettes, trombone, tuba
77
Trompette
49
Cor et Piano
47
Trombone et Piano
47
Trompette, Piano
45
Ensemble de Trompettes
39
Tuba et Piano
29
Cor
27
Quatuor de Cuivres
26
Euphonium, Piano (duo)
22
Trombone
20
Trompette, Saxophone (duo)
20
2 Trombones (duo)
19
Tuba
18
2 Trompettes (duo)
18
Trompette (partie séparée)
18
Cor anglais, Piano
17
Ensemble de Trombones
15
Trombone (partie séparée)
14
Trompette, Trombone (duo)
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
Cor (partie séparée)
8
Tuba (partie séparée)
6
Quatuor de cuivres: 4 trombones
6
2 Cors (duo)
5
Quatuor de cuivres: 4 trompettes
4
3 Trompettes (trio)
3
Quatuor de cuivres: 4 cors
3
4 Tubas
3
Cor anglais, Guitare (duo)
2
Ensemble de Cors
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
3 Trombones (trio)
2
2 Tubas (duo)
1
Cor, Violoncelle (duo)
1
Trombone basse
1
2 Euphoniums et 2 Tubas
1
Euphonium, Tuba (duo)
1
+ 34 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
191
Violon et Piano
122
Alto, Piano
83
Violoncelle, Piano
67
Harpe
51
Violoncelle
44
Violon
43
Violon, Violoncelle (duo)
33
2 Violons (duo)
33
Quintette à cordes: 2 violons, alto, violoncelle, basse
28
Alto seul
28
2 Violoncelles (duo)
27
Contrebasse, Piano (duo)
25
Violon, Alto (duo)
23
2 Altos (duo)
20
Trio à Cordes: violon, alto, violoncelle
19
Contre Basse
16
Trio à Cordes: 2 violons, violoncelle
16
Violon (partie séparée)
8
Contrebasse (partie séparée)
7
Ensemble d'Altos
5
Ensemble de Violons
5
4 Violoncelles
4
Violon, Guitare (duo)
4
Alto (partie séparée)
4
Trio à cordes: 3 altos
3
Trio à cordes: 3 violins
3
Harpe, Voix
3
Trio à Cordes: 3 violoncelles
3
2 Contrebasses (duo)
2
Quatuor à cordes: 4 violons
2
Alto, Violoncelle (duo)
2
Harpe, Violon (duo)
2
Violon, Clarinette, Piano (trio)
2
Quatuor à cordes : 4 altos
2
2 Altos, Piano
1
Harpe, Flûte (duo)
1
Violoncelle , Guitare (duo)
1
Violon, Basse continue
1
4 Contrebasses
1
+ 35 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
584
Orchestre
125
Orchestre à Cordes
80
Ensemble Jazz
67
Ensemble de cuivres
60
Orchestre de chambre
38
Fanfare
34
Cloches
28
Batterie
13
Marimba
7
Ensemble de Percussions
6
Vibraphone
5
Jazz combo
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Batterie (partie séparée)
3
Percussion (partie séparée)
3
2 Xylophones
2
Orchestre, Violon
2
Piano et Orchestre
1
+ 14 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
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Note4Piano
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Vous avez sélectionné:
After All This
Ensemble de Percussions
Partitions à imprimer
6 partitions trouvées
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1
Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Ensemble de Percussions
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AVANCÉ
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Antonio J
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Two Dreams for solo Trombone a
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Gordon Cherry
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #...
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Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
The Escape (medium/big percussion ensemble)
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Frits Renting
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The Escape
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Frits_Renting
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SheetMusicPlus
Percussion Ensemble Bass Marimba,Chimes,Cymbals,Drum Set,Low Drum,Quad Toms,Shaker,Suspended Cymbal,Tam Tam,Tambourine,Timpani,Tom Tom,Tubular Bells,Vibraphone,...
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Percussion Ensemble Bass Marimba,Chimes,Cymbals,Drum Set,Low Drum,Quad Toms,Shaker,Suspended Cymbal,Tam Tam,Tambourine,Timpani,Tom Tom,Tubular Bells,Vibraphone,Xylophone - Level 4 - SKU: A0.1274188 Composed by Frits Renting. Film/TV. 51 pages. Frits_Renting #866319. Published by Frits_Renting (A0.1274188). Side note: This version is for medium/big percussion ensemblesEN:This composition was written for one of the parts of the D exam by Frits Renting. The starting point of the composition was: film music. Inspired by well-known works by Hans Zimmer, Brian Tyler, John Williams and works by De Efteling. The composition starts in a fairly small composition in which, with the help of crescendos and several instruments, it works towards a strong, but above all open and cheerful part. This is followed by a short untuned percussion solo. After this, theme A is closed in a calm, non-violent manner. Immediately theme B comes in which is built up through crescendos and multiple instruments over time. Theme B also comes to a quiet end afterwards. After this theme A and B return at the same time, which builds up and closes in a grandiose way.NL:Deze compositie is geschreven voor één van de onderdelen van het D examen van Frits Renting. Het uitgangsdoel van de compositie was: filmmuziek. Geïnspireerd door bekende werken van Hans Zimmer, Brian Tyler, John Williams en werken van De Efteling. De compositie begint in een vrij kleine samenstelling waarbij, met behulp van crescendo's en meerdere instrumenten, het zich toewerkt naar een sterk, maar vooral open en vrolijk gedeelte. Dit wordt opgevolgd door een korte ongestemde slagwerk solo. Hierna wordt thema A op een rustige, geweldloze manier afgesloten. Direct komt thema B binnenvallen wat word opgebouwd door middel van crescendo's en meerdere instrumenten in loop van de tijd. Ook komt thema B daarna tot rustig einde. Hierna komen thema A en B tegelijkertijd terug wat zich opbouwt en op een grandioze manier, zich afsluit.
$80.00
Gravity for Septet
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Editio...
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Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
The Lament of Tou-Her 竇娥冤
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Ensemble de Percussions
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Contemporain
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Ma Shui Long 馬水é¾
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The Lament of Tou-Her 竇
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SpringAutumnmusic
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SheetMusicPlus
Percussion Ensemble - SKU: A0.961994 Composed by Ma Shui Long 馬水é¾. 20th Century,Contemporary. Score and parts. 20 pages. SpringAutumnmusi...
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Percussion Ensemble - SKU: A0.961994 Composed by Ma Shui Long 馬水é¾. 20th Century,Contemporary. Score and parts. 20 pages. SpringAutumnmusic #48525. Published by SpringAutumnmusic (A0.961994). Introduction:The Lament of Tou-Ehr, for Suona, Timpani, Percussion, and Chorus 　　This work was composed for a Chinese dance drama Snow Festival. The drama was based on an extremely touching story about a lady named Doue E, and was written by the author Guan Hanqing during the Yuan Dynasty. It is divided into three sections in a cyclic form, with one theme. The instrumentation includes voices for male and female, suona (Chinese cornet), there are more than ten traditional Chinese percussions are used, such as the wind gong, large and small luo (as used in Beijing opera), and the Chinese clapper, Paiban. The sound of suona indicates the lady Dou E with her battle cry and strong faith. The music begins after lady Dou E’s faint narrative. ※The Lament of Tou-Ehr was commissioned by the Neo Classical Music Group. The dance was arranged by Fon-xuei Liu, with orchestra and chorus conducted by the composer, Shui-long Ma himself. It was recorded by the Yun-de Company, and premiered at the Taiwan National Dr. Sun Yat-sen Memorial Hall in April 1981. 《竇娥冤》本曲改編自「舞劇雪ç¥ã€ï¼Œå–æ自ä¸åœ‹å…ƒä»£æˆ²æ›²ä¸é—œæ¼¢å¿çš„作å“-「感天動地竇娥冤ã€ã€‚æœ¬æ›²ç•¥åˆ†ä¸‰æ®µï¼Œé€£æ¨‚ç« å½¢å¼ï¼Œæ¨‚曲çµæ§‹ç‚ºä¸€è²«æ€§çš„主題延展。作曲者在編制上使用人è²(男女混è²)ã€å—©å¶ï¼Œä»¥åŠå多件傳統擊樂器，如風鑼ã€å¹³åŠ‡å¤§å°é‘¼ã€æ‹æ¿ç‰ç‰ã€‚在整曲進行ä¸ï¼Œå‡¡æ˜¯æœ‰ç«‡å¨¥å‡ºç¾ä¹‹è™•ï¼Œå—©å¶ä¹Ÿå°‡éš¨ä¹‹å¥å‡ºï¼Œé‚£æ˜¯å¤©ç†çš„å¶å–Šã€ç²¾ç¥žä¿¡å¿µä¹‹æ‰€åœ¨ã€‚全曲在一段竇娥幽幽的é“白之後，å¾å¾å±•é–‹ã€‚※本曲為新å¤å…¸æ¨‚團委託創作之作å“，由舞蹈家劉鳳å¸ç·¨èˆžã€é¦¬æ°´é¾æŒ‡æ®æ¨‚團與人è²ã€éŸ»å¾·éŒ„音公å¸éŒ„音，於1980å¹´4月在å°åŒ—國父紀念館舉行世界首演。 .
$14.99
Noff
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Tsoof Baras
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Noff
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Tsoof Baras
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.1018155 Composed by Tsoof Baras. Contemporary,Spiritual,Standards,World. Score and parts. 12 pages. Tsoof Baras ...
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Percussion Ensemble - Level 4 - SKU: A0.1018155 Composed by Tsoof Baras. Contemporary,Spiritual,Standards,World. Score and parts. 12 pages. Tsoof Baras #6662691. Published by Tsoof Baras (A0.1018155). Players - 4Instrumentation - Harmonic Whirlies. This piece uses Harmonic Whirlies or Whippy Tubes with the following harmonic series: Low B, C, D, E, F, G, A and High C, E and A. See - Sarah Hopkins' Harmonic Whirlies‘Noff’ is a chorale for Harmonic Whirlies. I named this piece after my younger sister Noff, whose name means ‘a beautiful view’.The piece was written for SoundStruck in 2016, for their performance at the Australian Percussion Gathering.In this composition, each player represents a set of notes in a specific harmonic series associated with their whirlies. Together, the ensemble creates harmony and resonates within the space.This piece is beautiful when performed in large auditoriums, churches or halls.
$65.00
Moonlight - Beautiful Insanity (Elijah Jones/ Various)
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Ensemble de Percussions
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INTERMÉDIAIRE
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Elijah Jones, Razilee Blackmon
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Moonlight - Beautiful Insanity
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Elijah Jones
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.930451 Composed by Elijah Jones, Razilee Blackmon. Contemporary,Dance,Pop. Score and parts. 7 pages. Elijah Jone...
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Percussion Ensemble - Level 3 - SKU: A0.930451 Composed by Elijah Jones, Razilee Blackmon. Contemporary,Dance,Pop. Score and parts. 7 pages. Elijah Jones #6036119. Published by Elijah Jones (A0.930451). Meaning - You feel trapped and alone, you realize there is no way to escape and soon you feel you must give up entirely. Moonlight is about that light you have to hold onto when you know your already lost in the dark. I wrote this song after running around with my best friend in town. There were nights, such as Halloween when we nearly got lost but had to find away to get back home, that was the symbolization to the song.
$7.99
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