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PIANO & CLAVIERS
Piano grosses notes
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Orgue
1475
Piano seul
963
Piano, Voix
721
Piano Facile
308
Piano, Voix et Guitare
167
Clavier
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Instruments en Do
45
Accordéon
39
2 Pianos, 4 mains
23
Piano Trio: piano, violon, violoncelle
19
1 Piano, 4 mains
17
Accompagnement Piano
5
Piano Quatuor: piano, violon, alto, violoncelle
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Ensemble de Pianos
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Piano (partie séparée)
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Orgue, Trompette (duo)
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1 Piano, 6 mains
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GUITARES
Ukulele
265
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141
Mandoline
71
Guitare notes et tablatures
53
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19
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9
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7
2 Guitares (duo)
6
3 Guitares (trio)
3
Banjo
3
Ensemble de guitares
2
Guitare (partie séparée)
2
4 Guitares (Quatuor)
2
Dulcimer
1
Piano, Guitare (duo)
1
Guitare, Violon, Violoncelle (trio)
1
Cithare
1
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VOIX
Chorale SATB
377
Chorale 3 parties
57
Chorale Unison
38
Voix Alto, Piano
37
Chorale 2 parties
29
Voix Tenor
25
Voix Soprano
23
Voix Baryton, Piano
21
Chorale SSAA
20
Chorale TTBB
17
Voix Soprano, Piano
11
Voix duo, Piano
7
Voix duo
5
Voix haute
3
Voix Tenor, Piano
2
Voix moyenne, Piano
2
Soli, choeur mixte et accompagnement
2
Voix Mezzo-Soprano, Piano
2
Voix basse, Piano
1
Chorale SSATB
1
Chorale SSAATTBB
1
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VENTS
2 Saxophones (duo)
137
Ocarina
109
Clarinette et Piano
87
Clarinette
84
Flûte traversière et Piano
83
Hautbois, Piano (duo)
82
Quatuor de Saxophones: 4 saxophones
73
Flûte traversière
70
2 Clarinettes (duo)
70
2 Flûtes traversières (duo)
65
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
58
Saxophone Alto
57
Saxophone, Clarinette (duo)
56
Flûte, Hautbois, Clarinette, Basson
46
Saxophone Alto et Piano
45
Saxophone Tenor et Piano
40
Ensemble de saxophones
39
Quintette de Saxophone: 5 saxophones
39
Hautbois
38
Flûte à bec Soprano
38
Hautbois (partie séparée)
37
Saxophone (partie séparée)
35
Clarinette, Violon (duo)
34
Saxophone Tenor
33
2 Hautbois (duo)
32
Flûte, Clarinette (duo)
30
Saxophone Soprano et Piano
30
Clarinette, Trompette (duo)
29
Hautbois, Clarinette (duo)
26
Saxophone Baryton, Piano
25
3 Saxophones (trio)
23
Quatuor de Clarinettes: 4 clarinettes
22
Hautbois, Flûte
22
Flûte, Violon
20
Hautbois, Basson (duo)
19
Clarinette et Alto
17
Flûte, Saxophone (duo)
16
Cor anglais, Piano
16
Quatuor de Flûtes : 4 flûtes
14
3 Clarinettes (trio)
14
Quintette de Clarinettes: 5 clarinettes
14
Flûte, Trompette (duo)
13
Ensemble de Clarinettes
12
Clarinette Basse, Piano
12
Flûte, Alto (duo)
11
Trio de Flûtes: 3 flûtes
11
Clarinette, Basson (duo)
8
Ensemble de Flûtes
7
Flûte à bec Alto
7
2 Flûte à bec (duo)
6
Flûte à Bec
6
Saxophone Soprano
5
Flûte, Hautbois, Basson
4
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4
Hautbois, Violoncelle
4
Saxophone Baryton
4
Clarinette (partie séparée)
4
Flûte, Clarinette, Cor, Basson (Quartet)
3
Quintette de Flûte : 5 flûtes
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Flute (partie séparée)
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Hautbois, Clarinette, Basson (trio d'anches)
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Cor Anglais
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Flûte à bec Tenor
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Harmonica
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Flûte, Violon, Violoncelle et Piano
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Saxophone
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Cor anglais, Guitare (duo)
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2 Clarinettes, Piano
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Hautbois, Guitare (duo)
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Flûte traversière, Orchestre
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1
Hautbois, violon (duo)
1
Flute, harpe et violon
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Flûte, Violoncelle
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Piccolo, Piano
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Cornemuse
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Flûte, Violoncelle, Guitare
1
Flûte, Basson et Piano
1
Flûte et Trio à cordes
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Flûte, Violon et Violoncelle
1
Flûte irlandaise
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Saxophone et Guitare
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CUIVRES
Trompette
74
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
70
Trompette, Piano
67
Trombone et Piano
64
Cor et Piano
56
Tuba
54
Trombone
53
Cor
44
Quatuor de Cuivres : 2 trompettes, trombone, tuba
43
2 Trombones (duo)
39
Trompette, Saxophone (duo)
36
Quatuor de Cuivres: 2 trompettes, Cor, trombone
32
2 Trompettes (duo)
32
Tuba et Piano
24
Quatuor de Cuivres
23
Trompette, Trombone (duo)
21
Euphonium, Piano (duo)
20
Quatuor de cuivres: 4 trombones
19
2 Cors (duo)
18
Cor anglais, Piano
16
Trombone (partie séparée)
10
Trompette (partie séparée)
10
Ensemble de Trompettes
7
Ensemble de Trombones
6
2 Tubas (duo)
4
Quatuor de cuivres: 4 cors
4
Trompette, Cor (duo)
3
Quatuor de cuivres: 4 trompettes
3
Cor (partie séparée)
3
Trombone basse
2
2 Euphoniums (duo)
2
Trombone basse et Piano
2
Cor Anglais
2
Ensemble de Cors
2
Trio de Cuivres
2
3 Trombones (trio)
2
2 Cors, Piano
1
Euphonium
1
Tuba (partie séparée)
1
Trompette, Harpe
1
Trombone, Orgue
1
Cor et Orgue
1
Cor anglais, Guitare (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor et Harpe
1
Cor et Basson (duo)
1
4 Tubas
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Cor, Violoncelle (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
208
Violon, Violoncelle (duo)
126
Violoncelle
94
Violon
92
Violon et Piano
92
Violoncelle, Piano
72
Trio à Cordes: 2 violons, violoncelle
67
Alto, Piano
58
Violon, Alto (duo)
50
2 Violoncelles (duo)
49
2 Violons (duo)
44
Contre Basse
36
Alto seul
35
Harpe
34
2 Altos (duo)
33
Trio à Cordes: violon, alto, violoncelle
32
Contrebasse, Piano (duo)
30
Quintette à cordes: 2 violons, alto, violoncelle, basse
21
Alto, Violoncelle (duo)
11
Alto (partie séparée)
10
2 Harpes (duo)
5
Violoncelle , Guitare (duo)
4
Violon (partie séparée)
4
Trio à cordes: 3 violins
4
Quatuor à cordes : 4 altos
4
Trio à Cordes: 3 violoncelles
4
4 Violoncelles
3
Ensemble d'Altos
2
Trio à Cordes: 2 violons, alto
2
Alto et Harpe
2
Contrebasse (partie séparée)
2
Violon, Guitare (duo)
2
2 Altos, Piano
2
Trio à cordes: 3 altos
2
2 Contrebasses (duo)
2
Ensemble de Violons
2
Quatuor à cordes: 4 violons
2
Harpe, Flûte (duo)
2
Harpe, Voix
2
Piano Trio: Violon, Alto, Piano
2
4 Harpes
1
Violon, Clarinette, Piano (trio)
1
Violon, Basson (duo)
1
Alto et Basson
1
Violoncelle (partie séparée)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violoncelle, Orgue
1
Harpe, Violon (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
472
Orchestre
83
Orchestre à Cordes
59
Ensemble Jazz
29
Ensemble de cuivres
23
Orchestre de chambre
21
Jazz combo
11
Cloches
7
Ensemble de Percussions
4
Fanfare
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Vibraphone et Marimba
1
Percussion (partie séparée)
1
Batterie (partie séparée)
1
Ensemble d'École
1
Piano et Orchestre
1
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AUTRES
Vous avez sélectionné:
All Over the World
Ensemble de Percussions
Partitions à imprimer
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Alexandriana for Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Hes…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Great’s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The music’s sectional nature parallels the library’s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the score’s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$9.99
9.02 €
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Ensemble de Percussions
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Dan Heslink
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Alexandriana for Percussion Ensemble
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Pharaoh Publications
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SheetMusicPlus
Another Place
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.939392 Composed by Adam Gr…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.939392 Composed by Adam Grim. 20th Century,Contemporary. Score and parts. 65 pages. Adam B. Grim #6862379. Published by Adam B. Grim (A0.939392). Another Place is a marimba quartet on two instruments with some accessory items like a mounted bass drum, cymbal, and wind chimes. The work is about 10.5 minutes long, and holds three distinct movements that begin with solemn rolls that slowly become more regimented and rhythmic. The second movement raises the bar and becomes very rhythmic and syncopated with a Reich-like approach of melody vs interlocking harmony. This climax brings a high dynamic level to the forefront of the instruments with interlocking impact points being contrasted to unison hits. The third movement takes this original melody and harmony to the next level by using changing time signatures and motivic ideas to maximize the powerful ending. Throughout there is a deep sense of color and texture that can be maximized by the ensemble in new and exciting ways with each performance. This has plenty of ink, but also leaves a lot to interpret and bring the ensemble’s voice forward. I hope you enjoy! This work won the Audience Award in the Rocky Mountain Music Composition Contest in 2022 as well as Second Prize overall. These international awards were judged by a panel of seven judges from around the world, but with the competition based out of Toronto, Canada.
$35.00
31.61 €
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Ensemble de Percussions
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Adam Grim
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Another Place
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Adam B. Grim
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SheetMusicPlus
Start Over Soca
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.939357 Composed by Adam Gr…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.939357 Composed by Adam Grim. Concert,World. Score and parts. 15 pages. Adam B. Grim #2885497. Published by Adam B. Grim (A0.939357). Start Over Soca is a soca that features the quick hands of the lead players. Many notes are repeated to create a falling or rising effect. The moving bass line will surely sound solid and the cellos and double seconds will have a fun time with the short features they get in the transition sections of the piece. In the middle, there is a false ending, which starts the beginning over again and plays a modified finale (Hence the Start Over Soca).
$35.00
31.61 €
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Ensemble de Percussions
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Adam Grim
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Start Over Soca
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Adam B. Grim
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SheetMusicPlus
Two Dreams for solo Trombone and 8-part Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
45.16 €
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Ensemble de Percussions
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Antonio J
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Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Gordon Cherry
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SheetMusicPlus
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