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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
All We Have
Non classifié
1 097
Piano & claviers
Piano seul
1 225
Piano Facile
542
Piano, Voix
401
Piano, Voix et Guitare
199
Instruments en Do
68
Accompagnement Piano
67
Orgue
53
1 Piano, 4 mains
22
Piano Trio: piano, violon, violoncelle
11
Piano grosses notes
6
Piano (partie séparée)
5
2 Pianos, 4 mains
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Accordéon
2
Clavecin
2
Orgue, Piano (duo)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Ligne De Mélodie, Piano
1
Orgue, Trompette (duo)
1
+ 14 instrumentations
Retracter
Guitares
Guitare notes et tablatures
70
Guitare
39
Ligne De Mélodie, (Paroles) et Accords
10
Basse electrique
9
Ukulele
6
Paroles et Accords
5
Guitare (partie séparée)
4
4 Guitares (Quatuor)
3
Piano, Guitare (duo)
3
2 Guitares (duo)
3
Banjo
2
3 Guitares (trio)
1
Mandoline, Guitare (duo)
1
+ 8 instrumentations
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Voix
Chorale SATB
301
Chorale 3 parties
97
Chorale 2 parties
34
Chorale Unison
33
Chorale TTBB
24
Voix Tenor, Piano
18
Voix duo, Piano
16
Voix seule
14
Voix Soprano, Piano
12
Voix Alto, Piano
11
Voix duo
7
Chorale
7
Pack Instrumental pour Chorale
7
Chorale SSAA
6
Voix Tenor
4
Voix haute
4
Voix moyenne, Piano
2
Chorale SSATTB
2
Voix basse, Piano
1
Voix Soprano
1
Chorale SSAB, Piano
1
+ 16 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
91
Quatuor de Clarinettes: 4 clarinettes
59
Flûte traversière et Piano
57
Quatuor de Saxophones: 4 saxophones
57
Quintette de Saxophone: 5 saxophones
55
Hautbois, Piano (duo)
49
Clarinette et Piano
49
Flûte traversière
47
Clarinette
46
Saxophone Alto et Piano
43
Quatuor de Flûtes : 4 flûtes
41
Saxophone (partie séparée)
38
Saxophone Soprano et Piano
38
Flûte, Hautbois, Clarinette, Basson
38
Saxophone Tenor et Piano
36
Saxophone Alto
35
Hautbois (partie séparée)
31
Saxophone
28
2 Saxophones (duo)
26
Saxophone Baryton, Piano
24
2 Flûtes traversières (duo)
24
Saxophone Tenor
22
2 Clarinettes (duo)
17
Ensemble de Clarinettes
16
Flûte à Bec
15
Hautbois
13
Cor anglais, Piano
12
Cor Anglais
12
Quintette de Clarinettes: 5 clarinettes
10
Flûte, Clarinette (duo)
10
Ensemble de saxophones
10
Ensemble de Flûtes
9
Hautbois, Basson (duo)
7
Clarinette, Trompette (duo)
6
Quatuor de Flûtes à bec
6
3 Saxophones (trio)
6
Saxophone, Clarinette (duo)
6
3 Clarinettes (trio)
6
Clarinette, Violon (duo)
6
Clarinette Basse, Piano
6
Clarinette, Basson (duo)
5
Trio de Flûtes: 3 flûtes
5
Saxophone Baryton
4
2 Flûtes traversières, Piano
4
Saxophone Soprano
4
Flûte, Clarinette, Piano (trio)
4
Flûte, Violon, Piano
4
Flute (partie séparée)
4
2 Clarinettes, Piano
3
Flûte, Saxophone (duo)
3
Flûte, Trompette (duo)
3
Clarinette et Alto
3
2 Hautbois (duo)
3
Quintette de Flûte : 5 flûtes
3
Hautbois, Clarinette (duo)
3
Flûte à bec Soprano, Piano
3
Flûte, Alto (duo)
2
Flûte à bec Tenor
2
Flûte à bec Alto, Piano
2
Flûte, Violon et Violoncelle
2
Clarinette (partie séparée)
2
Flute, harpe et violon
2
Flûte à bec Soprano
2
Hautbois, Flûte
2
Clarinette, Violoncelle (duo)
2
Ocarina
2
Flûte, Violoncelle
2
Flûte, Clarinette et Basson
2
Flûte, Violoncelle, Piano (trio)
2
Ensemble De Flûte à bec
1
Piccolo, Piano
1
Flûte, Violoncelle, Guitare
1
Flûte, trombone et piano
1
Flûte, Clarinette, Violon (trio)
1
Ensemble à vent
1
2 Cors Anglais Et Pianoforte
1
Flûte et Guitare
1
Flûte, Alto et Piano
1
Hautbois, Guitare (duo)
1
Clarinette, Harpe (duo)
1
Flûte, Violon
1
2 Flûtes traversières, Harpe
1
Clarinette, Violoncelle, Piano (trio)
1
Harmonica
1
Flûte à Bec, Piano
1
Flûte, Hautbois (duo)
1
Saxophone et Orgue
1
+ 82 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
64
Trompette, Piano
47
Quatuor de Cuivres : 2 trompettes, trombone, tuba
47
Trompette
46
Trombone
43
Cor
36
Trombone et Piano
34
Tuba
33
Cor et Piano
32
Quatuor de Cuivres
23
Tuba et Piano
20
Quatuor de cuivres: 4 trombones
20
Trompette (partie séparée)
15
2 Trombones (duo)
14
2 Trompettes (duo)
13
Cor anglais, Piano
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
Cor Anglais
12
Trombone (partie séparée)
11
Euphonium, Piano (duo)
8
Trompette, Trombone (duo)
8
Trio de Cuivres
8
Quatuor de cuivres: 4 cors
8
2 Cors (duo)
8
Ensemble de Trombones
7
Ensemble de Trompettes
7
Euphonium
6
Trompette, Saxophone (duo)
6
Trompette, violon (duo)
3
2 Tubas (duo)
3
Cor (partie séparée)
3
Bass Clef Instruments
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trompette, Cor (duo)
2
2 Euphoniums et 2 Tubas
2
Trompette, Violoncelle et Piano
1
Quatuor de cuivres: 4 trompettes
1
Euphonium, Tuba (duo)
1
Tuba (partie séparée)
1
2 Cors Anglais Et Pianoforte
1
3 Trombones (trio)
1
2 Trompettes, Clavier (piano ou orgue)
1
4 Tubas
1
Trombone basse et Piano
1
+ 39 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
173
Violon et Piano
79
Violoncelle, Piano
57
Violon
57
Alto, Piano
46
Harpe
41
Violon, Violoncelle (duo)
37
Violoncelle
34
Trio à Cordes: violon, alto, violoncelle
31
Alto seul
28
2 Violons (duo)
28
Contre Basse
23
Violon, Alto (duo)
23
Contrebasse, Piano (duo)
22
2 Altos (duo)
16
Alto (partie séparée)
14
2 Violoncelles (duo)
13
Quintette à cordes: 2 violons, alto, violoncelle, basse
12
Trio à Cordes: 2 violons, violoncelle
12
Alto, Violoncelle (duo)
10
Violon (partie séparée)
8
Violoncelle, Contrebasse (duo)
6
Contrebasse (partie séparée)
6
4 Violoncelles
6
Harpe, Voix
6
Ensemble de Violons
4
Ensemble d'Altos
4
2 Harpes (duo)
4
2 Contrebasses (duo)
4
Trio à cordes: 3 violins
3
Piano Trio: Violon, Alto, Piano
2
Quatuor à cordes : 4 altos
2
Violoncelle (partie séparée)
2
Quatuor à cordes: 4 violons
2
Trio à Cordes: 3 violoncelles
2
4 Contrebasses
2
2 Violons, Piano
1
Harpe, Violoncelle (duo)
1
Trio à Cordes: 2 violons, alto
1
Trio à cordes: 3 altos
1
Trio à cordes
1
Harpe, Flûte (duo)
1
Violon, Trompette et Piano
1
+ 38 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
263
Orchestre
64
Orchestre à Cordes
57
Ensemble de cuivres
46
Cloches
39
Ensemble Jazz
35
Ensemble de Percussions
15
Orchestre de chambre
14
Fanfare
9
Jazz combo
8
Marimba
4
Batterie
3
Percussion
3
Timbales (partie séparée)
2
Percussion (partie séparée)
2
Batterie (partie séparée)
2
Piano et Orchestre
1
2 Marimbas
1
Orchestre, Violon
1
Instrumentation Flexible
1
Xylophone, Piano
1
+ 16 instrumentations
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CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
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FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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ORGUE
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PARTITIONS …
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PERCU. ORCH…
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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COUNTRY
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ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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REGGAE
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Vous avez sélectionné:
All We Have
Ensemble de Percussions
Partitions à imprimer
15 partitions trouvées
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1
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
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Ensemble de Percussions
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Sl...
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Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
ANGELS WE HAVE HEARD ON HIGH - MALLET QUARTET
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Noël
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Glen Poehlmann
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ANGELS WE HAVE HEARD ON HIGH -
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arrangements by GPoehlmann
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.806873 Arranged by Glen Poehlmann. Christian,Christmas,Sacred. Score and parts. 7 pages. Arrangements by GPoehlm...
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Percussion Ensemble - Level 4 - SKU: A0.806873 Arranged by Glen Poehlmann. Christian,Christmas,Sacred. Score and parts. 7 pages. Arrangements by GPoehlmann #6103035. Published by arrangements by GPoehlmann (A0.806873). ANGELS WE HAVE HEARD ON HIGH - MALLET QUARTETSuggested instrumentation: 1. Bells 2. Bells 3. Marimba 4. Vibraphone29 measures. Performance Time approx. 2:00. Medium Difficult (Grade 3+)Key: F - G - Ab - A. Meter: 12/8 - 9/8 - 15/8.PDF parts included: Score, Mallet 1, Mallet 2, Mallet 3, Mallet 4.
$4.95
Halloween dances for percussion
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Halloween
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Jannes Jacobs
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Halloween dances for percussio
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Jannes Jacobs
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.1012113 Composed by Jannes Jacobs. Contemporary,Halloween. Score and parts. 50 pages. Jannes Jacobs #3569427. Pu...
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Percussion Ensemble - Level 4 - SKU: A0.1012113 Composed by Jannes Jacobs. Contemporary,Halloween. Score and parts. 50 pages. Jannes Jacobs #3569427. Published by Jannes Jacobs (A0.1012113). When you close your eyes you can see the skeletons dancing and witches flying around. The composer wanted to show a different side of the monsters than we have in our imagination.
$15.00
Splashed Out
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Ensemble de Percussions
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DÉBUTANT
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Contemporain
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Jayne Groves, Matt Moore
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Splashed Out
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M Moore & J Groves
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SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.862019 Composed by Jayne Groves, Matt Moore. Contemporary. Score and parts. 18 pages. M Moore & J Groves #601864...
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Percussion Ensemble - Level 1 - SKU: A0.862019 Composed by Jayne Groves, Matt Moore. Contemporary. Score and parts. 18 pages. M Moore & J Groves #6018647. Published by M Moore & J Groves (A0.862019). Players: 4-20 | Duration: 2:50For some time our students have been requesting that we write a second chair piece. Finally, we have obliged with Splashed Out, a follow up piece to Double Stacked (2011).This splashy performance piece, inspired by the genre and rhythms of Reggaeton can be played by ensembles of 4-20 players and is also suitable as a whole class item.RequirementsChair 1 – two plastic chairs per playerChair 2 – two plastic chairs per playerLow Drum – one low drum per player (floor tom or bass drum)Splash cymbals – 3 contrasting splash cymbals for one player Doubling:Chairs 1 & 2 may be doubled multiple times.The low drum may be doubled at a proportion of 1 low drum to 4 chairsThe splash part is a solo part and should not be doubled.
$35.46
Christmas Calypso for Percussion Sextet
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Ensemble de Percussions
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FACILE
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Noël
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Dan Heslink
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Christmas Calypso for Percussi
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. P...
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Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Christmas Calypso for Marimba Quartet
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Ensemble de Percussions
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Noël
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Dan Heslink
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Christmas Calypso for Marimba
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published b...
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Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Gravity for Septet
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Editio...
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Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
What Universe Lies Within
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Brandon Nelson
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What Universe Lies Within
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Brandon Nelson
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.912929 Composed by Brandon Nelson. Concert,Contemporary. Score and parts. 8 pages. Brandon Nelson #2907437. Publ...
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Percussion Ensemble - Level 4 - SKU: A0.912929 Composed by Brandon Nelson. Concert,Contemporary. Score and parts. 8 pages. Brandon Nelson #2907437. Published by Brandon Nelson (A0.912929). For percussion duo. Required instruments: bells, vibraphone, xylophone, temple blocks, suspended cymbals (3 sizes). General programming. Advanced Intermediate level.Commissioned by Chris Nadeau for CAn-Duo. Premiered at Colorado State University, October 16, 2016.It is common knowledge that the universe we see is composed of tiny particles known as atoms. For much of scientific history, it was thought that atoms were made up of three indivisible particles: protons, neutrons, and electrons.Thanks to contemporary advances in physics, we now know that these particles are, in fact, made up of much smaller particles and that these constituents sometimes behave in ways that confound what we thought we knew of the physical universe.In this piece, I have portrayed one type of these subatomic particles, the quark. There are six types (or flavors) of quark: up, down, charm, strange, top, and bottom. These are differentiated by the type of charge they carry and their masses.The first movement is Strange Quark. This flavor has a negative charge and is relatively light. Much like the particle, this movement often behaves in unusual ways.Top Quark, the second movement, portrays the quark flavor that is by far the heaviest. Slow and massive, this particle allowed for the study of the famous Higgs boson.The final movement, Up Quark, is light and decays quickly, much like this particle that contributes to both protons and neutrons.The universe is indeed a wonder to behold and its scale is hardly comprehensible to the human mind. And yet, it is becoming increasingly apparent that there exists an entire universe yet to uncover in the most infinitesimal pieces of matter. It is my hope that the wonder and mystery this inspires be conveyed through this piece of music.
$9.99
Quad Christmas Quarts - Four Christmas Percussion Quartets
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Ensemble de Percussions
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FACILE
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Noël
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Traditional Christmas
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Kevin A
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Quad Christmas Quarts - Four C
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Kevin Worley
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.923869 Composed by Traditional Christmas. Arranged by Kevin A. Worley. Christmas. Score and parts. 50 pages. Kev...
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Percussion Ensemble - Level 2 - SKU: A0.923869 Composed by Traditional Christmas. Arranged by Kevin A. Worley. Christmas. Score and parts. 50 pages. Kevin Worley #3436521. Published by Kevin Worley (A0.923869). 1-God Rest Ye Merry, Gentlemen (2:10). 2-Away in a Manger (2:00). 3-Angels We Have Heard on High (2:20). 4-Deck the Halls (2:10). One of my favorite music school memories is, at Christmas Time, the percussion ensemble loading up the university truck and heading to the local shopping center to play Christmas carols for the shoppers. The arrangements we played were rarely meant for percussion ensemble, so it was often a challenging and interesting experience. With that in mind, I arranged these four carols with the same instrumentation and similar percussion toy sets to help smooth things. 1 Glockenspiel, 1 Vibraphone, 1 Marimba, 1 trap kit. Arrangements and parts vary from beginner to early intermediate.
$11.99
Four Forces (First movement) I. Strong Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
Waltz No.3 "A Campus Burlesque"
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Ensemble de Percussions
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INTERMÉDIAIRE
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Contemporain
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Zachary M
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Waltz No.3 "A Campus Burl
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Zach Robinson
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.1024088 Composed by Zachary M. Robinson. 20th Century. Score and parts. 30 pages. Zach Robinson #1919711. Publis...
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Percussion Ensemble - Level 3 - SKU: A0.1024088 Composed by Zachary M. Robinson. 20th Century. Score and parts. 30 pages. Zach Robinson #1919711. Published by Zach Robinson (A0.1024088). Burlesque is a literary, dramatic, or musical work intended to cause laughter by caricaturing the manner or spirit of seriousness, or by ludicrous treatment of a subject. This is a waltz based around how I view my undergraduate studies and of the money and time I have spent, despite my high academic standing. It ends solemnly, yet also longingly to suggests that I hope college will eventually get harder and I will actually learn what I have set out to... We can all dream can't we.
$30.99
Celebrations for Percussion Ensemble Octet
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Ensemble de Percussions
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INTERMÉDIAIRE
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Brian Monroe
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Celebrations for Percussion En
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BLM Music Publications
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.1075547 Composed by Brian Monroe. 20th Century,Instructional. Score and parts. 48 pages. BLM Music Publications ...
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Percussion Ensemble - Level 3 - SKU: A0.1075547 Composed by Brian Monroe. 20th Century,Instructional. Score and parts. 48 pages. BLM Music Publications (https://brianmonroemusic.com) #679741. Published by BLM Music Publications (https://brianmonroemusic.com) (A0.1075547). Celebrations is a mixed percussion ensemble octet utilizing both keyboard and non keyboard percussion instruments. It was written in memory of Ohio Band Director, Dan Meeks. In life we celebrate many occasions: birthdays, holidays, vacations, winning seasons, winning the lottery, anniversaries, marriages and births, just to name a few. But at times of loss we can also celebrate those who have left an indelible mark on us. Parents, mentors and teachers fit into this category. This piece is written to celebrate learning and though who guided us on our path. Specifically this piece is dedicated in memory of Dan Meeks, a teacher, band director, percussionist, husband and dad who touched so many lives teaching and guiding his family, friends and students through part of their lives. We are forever in debt to people like Dan and celebrate them. Dan would often say, Just Have Fun! This piece is written with that joy and love of life in mind. Thanks Dan, you always made it fun. Parts: Part 1: Bells (w/hard plastic mallets) Part 2: Xylophone & Crotales (or Bells) (w/medium plastic mallets) Part 3: Vibraphone (w/medium cord mallets) Part 4: Marimba 1: (w/medium yard mallets) Part 5: Marimba 2: if possible 4.5 or 5 octave play lower notes. (w/medium yard mallets) Part 6: Percussion 1: Snare Drum & Sleighbells Part 7: Bass Drum, Gong, Suspended Cymbal & Triangle Part 8: Timpani.
$15.00
Moonlight - Beautiful Insanity (Elijah Jones/ Various)
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Ensemble de Percussions
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INTERMÉDIAIRE
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Elijah Jones, Razilee Blackmon
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Moonlight - Beautiful Insanity
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Elijah Jones
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.930451 Composed by Elijah Jones, Razilee Blackmon. Contemporary,Dance,Pop. Score and parts. 7 pages. Elijah Jone...
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Percussion Ensemble - Level 3 - SKU: A0.930451 Composed by Elijah Jones, Razilee Blackmon. Contemporary,Dance,Pop. Score and parts. 7 pages. Elijah Jones #6036119. Published by Elijah Jones (A0.930451). Meaning - You feel trapped and alone, you realize there is no way to escape and soon you feel you must give up entirely. Moonlight is about that light you have to hold onto when you know your already lost in the dark. I wrote this song after running around with my best friend in town. There were nights, such as Halloween when we nearly got lost but had to find away to get back home, that was the symbolization to the song.
$7.99
Come To Me
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Bjork Gudmundsdottir
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David R
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Come To Me
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Bluesilhouettes Music
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.1350568 Composed by Bjork Gudmundsdottir. Arranged by David R. Peoples. Classical,Contemporary,Pop,Rock. 87 page...
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Percussion Ensemble - Level 4 - SKU: A0.1350568 Composed by Bjork Gudmundsdottir. Arranged by David R. Peoples. Classical,Contemporary,Pop,Rock. 87 pages. Bluesilhouettes Music #935388. Published by Bluesilhouettes Music (A0.1350568). If you had a day, and all you listened to was Björk, you’d have a fascinating day. The experience would be marked by a kaleidoscope of varying styles from pop, avant-garde, or jazz. Is it mainstream - probably not. But, the artist is definitely recognizable (as a name), appearing across multiple genres. As a source of background to her song ‘Come to Me,’ I borrowed a palindromic idea exploited by Radiohead in their ‘Pyramid song...’ if we truly expand a swing feel to a twelve-eight meter and extend the pattern across two measures - the eighth notes would provide a total of twenty-four possibilities - and as in this work you get four, five, six, five, four a palindrome on 45654 that (when added) equals twenty-four.This version is not a cover. Fragments of musical elements are translated into the ensemble. While occasionally exhibiting moments of dance, the composition evolves into a more profound expression, capitalizing on the musical possibilities of a percussion ensemble. This arrangement was crafted for the University of North Georgia’s percussion ensemble, directed by Dr. Steven Walker.Full mock-up digital audio: available here
$34.99
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