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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
All We Know
Non classifié
739
Piano & claviers
Piano seul
950
Piano Facile
427
Piano, Voix
253
Piano, Voix et Guitare
87
Accompagnement Piano
52
Orgue
36
Instruments en Do
26
Piano Trio: piano, violon, violoncelle
10
1 Piano, 4 mains
7
Piano Quatuor: piano, violon, alto, violoncelle
5
Piano grosses notes
4
Piano Quatuor: piano, 2 violons, violoncelle
2
2 Pianos, 4 mains
2
Piano (partie séparée)
2
Orgue, Piano (duo)
1
+ 10 instrumentations
Retracter
Guitares
Mandoline
69
Guitare notes et tablatures
31
Guitare
22
Ligne De Mélodie, (Paroles) et Accords
17
Basse electrique
10
Ukulele
7
Guitare (partie séparée)
3
Paroles et Accords
3
4 Guitares (Quatuor)
2
Dulcimer
2
Banjo
1
Piano, Guitare (duo)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
198
Chorale 3 parties
59
Chorale Unison
23
Chorale TTBB
22
Voix Tenor, Piano
19
Voix Alto, Piano
18
Chorale 2 parties
18
Chorale SSAA
17
Voix Soprano, Piano
13
Voix seule
6
Voix Tenor
6
Voix haute
4
Chorale
2
Voix basse, Piano
1
Voix Soprano
1
Chorale SSATB
1
Soli, choeur mixte et accompagnement
1
Voix basse
1
Chorale SSAB, Piano
1
Voix moyenne, Piano
1
Voix duo
1
Voix Baryton, Piano
1
+ 17 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
103
Quatuor de Saxophones: 4 saxophones
72
Quintette de Saxophone: 5 saxophones
60
2 Saxophones (duo)
54
Flûte traversière et Piano
52
Quatuor de Clarinettes: 4 clarinettes
44
Clarinette et Piano
43
Saxophone Alto et Piano
42
Hautbois, Piano (duo)
41
Clarinette
40
Saxophone Tenor et Piano
35
Quatuor de Flûtes : 4 flûtes
35
Flûte traversière
33
Saxophone Baryton, Piano
31
Saxophone Soprano et Piano
28
Saxophone Alto
28
Quintette de Flûte : 5 flûtes
28
Saxophone (partie séparée)
27
Saxophone Tenor
25
3 Saxophones (trio)
24
2 Flûte à bec (duo)
21
2 Clarinettes (duo)
20
Quintette de Clarinettes: 5 clarinettes
20
Hautbois (partie séparée)
18
Cor anglais, Piano
17
2 Flûtes traversières (duo)
16
Flûte à bec Soprano
15
Ensemble de saxophones
15
Cor Anglais
13
Flûte à bec Alto
13
Ensemble de Clarinettes
11
Flûte, Hautbois, Clarinette, Basson
11
Clarinette (partie séparée)
10
Flûte, Clarinette (duo)
10
2 Hautbois (duo)
10
Harmonica
10
Hautbois
9
Saxophone Soprano
8
Saxophone Baryton
8
Clarinette, Basson (duo)
7
Trio de Flûtes: 3 flûtes
7
Ensemble de Flûtes
7
Saxophone, Clarinette (duo)
7
Piccolo, Piano
6
Hautbois, Basson (duo)
6
3 Clarinettes (trio)
6
Flûte à Bec
6
Hautbois, Clarinette (duo)
5
Ensemble De Flûte à bec
5
Flûte, Hautbois (duo)
5
Flûte à bec Soprano, Piano
4
3 Flûtes à bec (trio)
4
Piccolo
4
Quatuor de Flûtes à bec
4
Clarinette, Violon (duo)
4
Ocarina
4
Clarinette et Alto
3
Clarinette, Trompette (duo)
3
Clarinette Basse, Piano
3
Hautbois, Flûte
3
Flûte, Hautbois, Basson
3
Flute (partie séparée)
3
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Clarinette et Basson
2
Flûte, Alto (duo)
2
Flûte à bec Alto, Piano
2
Flûte, Hautbois, Piano (trio)
2
Instruments en Mib
2
Flûte, Trompette (duo)
2
4 Hautbois
2
2 Saxophones, Piano
2
Flûte, Saxophone (duo)
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Violon
2
Flûte, Clarinette, Piano (trio)
1
3 Hautbois
1
Flûte irlandaise
1
Clarinette, Trombone (duo)
1
Flûte à bec Tenor
1
Cor anglais et Harpe (duo)
1
5 Flûtes à bec
1
+ 76 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
67
Trompette, Piano
44
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
37
Trombone et Piano
36
Trompette
36
Cor et Piano
35
Tuba et Piano
32
Trombone
30
Cor
25
Ensemble de Trombones
23
Tuba
21
2 Trombones (duo)
18
Cor anglais, Piano
17
2 Trompettes (duo)
14
Trombone (partie séparée)
13
Quatuor de cuivres: 4 trombones
13
Cor Anglais
13
Trompette (partie séparée)
12
Trompette, Trombone (duo)
11
2 Cors (duo)
10
Quatuor de Cuivres
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Trompette, Saxophone (duo)
6
Quatuor de cuivres: 4 cors
6
Trompette, Cor (duo)
6
Trombone, Tuba (duo)
5
Cor (partie séparée)
5
3 Trombones (trio)
4
Quatuor de cuivres: 4 trompettes
4
Euphonium, Piano (duo)
4
Ensemble de Trompettes
3
2 Tubas (duo)
3
Bass Clef Instruments
3
Trompette, Tuba (duo)
2
Tuba (partie séparée)
2
Trombone, Cor (duo)
2
Trombone basse
2
Trombone basse et Piano
2
Euphonium, Tuba (duo)
1
Instruments en Sib
1
3 Trompettes (trio)
1
Tuba et Orgue
1
4 Tubas
1
Trompette, Euphonium (duo)
1
Trio de Cuivres
1
Ensemble de Cors
1
3 Tubas (trio)
1
Cor anglais et Harpe (duo)
1
3 Cors (trio)
1
2 Euphoniums et 2 Tubas
1
+ 45 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
87
Violon et Piano
52
Violoncelle, Piano
44
Violon
43
Alto, Piano
41
Violoncelle
30
Trio à Cordes: violon, alto, violoncelle
27
Contrebasse, Piano (duo)
25
Harpe
22
Alto seul
22
Violon, Violoncelle (duo)
20
Contre Basse
18
2 Violons (duo)
17
2 Violoncelles (duo)
16
2 Altos (duo)
13
Violon, Alto (duo)
13
Alto (partie séparée)
10
4 Violoncelles
8
Trio à Cordes: 3 violoncelles
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Trio à Cordes: 2 violons, violoncelle
5
Violon (partie séparée)
5
Alto, Violoncelle (duo)
5
Trio à cordes: 3 violins
5
Trio à cordes: 3 altos
5
Harpe, Voix
5
Ensemble d'Altos
4
Contrebasse (partie séparée)
4
Quatuor à cordes: 4 violons
4
Ensemble de Violons
4
Harpe, Flûte (duo)
4
Quatuor à cordes : 4 altos
4
Violoncelle, Contrebasse (duo)
4
Piano Trio: Violon, Alto, Piano
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Violon, Guitare (duo)
2
2 Harpes (duo)
2
Alto et Harpe
1
4 Contrebasses
1
Trio à Cordes: 2 violons, alto
1
+ 35 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
107
Ensemble de cuivres
42
Orchestre
38
Orchestre à Cordes
25
Fanfare
20
Ensemble Jazz
13
Cloches
11
Ensemble de Percussions
7
Orchestre de chambre
6
Jazz combo
5
Percussion (partie séparée)
2
Batterie (partie séparée)
2
Piano et Orchestre
1
Xylophone, Piano
1
2 Marimbas
1
+ 10 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
All We Know
Ensemble de Percussions
Partitions à imprimer
7 partitions trouvées
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1
We Are Santa's Elves
#
Ensemble de Percussions
#
INTERMÉDIAIRE
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Contemporain
#
Johnny Marks
#
Brian Monroe
#
#
We Are Santa's Elves
#
BLM Music Publications
#
SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.1012657 Composed by Johnny Marks. Arranged by Brian Monroe. Contemporary. Score and parts. 21 pages. BLM Music P...
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Percussion Ensemble - Level 3 - SKU: A0.1012657 Composed by Johnny Marks. Arranged by Brian Monroe. Contemporary. Score and parts. 21 pages. BLM Music Publications (https://brianmonroemusic.com) #6853369. Published by BLM Music Publications (https://brianmonroemusic.com) (A0.1012657). This is a great arrangement of the well known Johnny Marks tune from Rudolph the Red Nosed Reindeer. Scored for 10 players, it can be played with just mallets alone.....6 parts. Parts include: Bells, Xylophone, Vibraphone, and 3 Marimbas (Playable on 2 instruments), Snare Drum (with Triangle & Woodblock), Sleighbells and Timpani.
$15.00
Four Forces (First movement) I. Strong Forces
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Ensemble de Percussions
#
AVANCÉ
#
Salvador Rojo Gamón
#
Four Forces
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Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...
(+)
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
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Ensemble de Percussions
#
AVANCÉ
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
Christmas Calypso for Percussion Sextet
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Ensemble de Percussions
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FACILE
#
Noël
#
Dan Heslink
#
Christmas Calypso for Percussi
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Pharaoh Publications
#
SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. P...
(+)
Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Christmas Calypso for Marimba Quartet
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Ensemble de Percussions
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Noël
#
Dan Heslink
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Christmas Calypso for Marimba
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published b...
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Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
What Universe Lies Within
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Brandon Nelson
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What Universe Lies Within
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Brandon Nelson
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.912929 Composed by Brandon Nelson. Concert,Contemporary. Score and parts. 8 pages. Brandon Nelson #2907437. Publ...
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Percussion Ensemble - Level 4 - SKU: A0.912929 Composed by Brandon Nelson. Concert,Contemporary. Score and parts. 8 pages. Brandon Nelson #2907437. Published by Brandon Nelson (A0.912929). For percussion duo. Required instruments: bells, vibraphone, xylophone, temple blocks, suspended cymbals (3 sizes). General programming. Advanced Intermediate level.Commissioned by Chris Nadeau for CAn-Duo. Premiered at Colorado State University, October 16, 2016.It is common knowledge that the universe we see is composed of tiny particles known as atoms. For much of scientific history, it was thought that atoms were made up of three indivisible particles: protons, neutrons, and electrons.Thanks to contemporary advances in physics, we now know that these particles are, in fact, made up of much smaller particles and that these constituents sometimes behave in ways that confound what we thought we knew of the physical universe.In this piece, I have portrayed one type of these subatomic particles, the quark. There are six types (or flavors) of quark: up, down, charm, strange, top, and bottom. These are differentiated by the type of charge they carry and their masses.The first movement is Strange Quark. This flavor has a negative charge and is relatively light. Much like the particle, this movement often behaves in unusual ways.Top Quark, the second movement, portrays the quark flavor that is by far the heaviest. Slow and massive, this particle allowed for the study of the famous Higgs boson.The final movement, Up Quark, is light and decays quickly, much like this particle that contributes to both protons and neutrons.The universe is indeed a wonder to behold and its scale is hardly comprehensible to the human mind. And yet, it is becoming increasingly apparent that there exists an entire universe yet to uncover in the most infinitesimal pieces of matter. It is my hope that the wonder and mystery this inspires be conveyed through this piece of music.
$9.99
Moonlight - Beautiful Insanity (Elijah Jones/ Various)
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Ensemble de Percussions
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INTERMÉDIAIRE
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Elijah Jones, Razilee Blackmon
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Moonlight - Beautiful Insanity
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Elijah Jones
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.930451 Composed by Elijah Jones, Razilee Blackmon. Contemporary,Dance,Pop. Score and parts. 7 pages. Elijah Jone...
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Percussion Ensemble - Level 3 - SKU: A0.930451 Composed by Elijah Jones, Razilee Blackmon. Contemporary,Dance,Pop. Score and parts. 7 pages. Elijah Jones #6036119. Published by Elijah Jones (A0.930451). Meaning - You feel trapped and alone, you realize there is no way to escape and soon you feel you must give up entirely. Moonlight is about that light you have to hold onto when you know your already lost in the dark. I wrote this song after running around with my best friend in town. There were nights, such as Halloween when we nearly got lost but had to find away to get back home, that was the symbolization to the song.
$7.99
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