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Non classifié
796
Piano & claviers
Piano, Voix
536
Piano seul
531
Piano, Voix et Guitare
206
Piano Facile
166
Accompagnement Piano
31
Instruments en Do
31
1 Piano, 4 mains
21
Orgue
18
Piano Trio: piano, violon, violoncelle
12
2 Pianos, 4 mains
7
Piano (partie séparée)
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Accordéon
1
Piano grosses notes
1
Ligne De Mélodie, Piano
1
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Guitares
Guitare
40
Guitare notes et tablatures
37
Mandoline
9
Ukulele
9
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8
Basse electrique
7
Guitare (partie séparée)
6
Banjo
3
2 Guitares (duo)
3
Paroles et Accords
2
3 Guitares (trio)
1
Piano, Guitare (duo)
1
Mandoline, Guitare (duo)
1
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Chorale SATB
171
Chorale 3 parties
48
Chorale TTBB
34
Chorale Unison
19
Chorale 2 parties
19
Chorale SSAA
14
Voix Soprano, Piano
9
Voix Tenor, Piano
7
Voix duo, Piano
6
Voix duo
6
Voix Alto, Piano
4
Voix Baryton, Piano
3
Voix Tenor
3
Chorale
2
Voix basse, Piano
2
Voix haute
1
+ 11 instrumentations
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Vents
Flûte traversière et Piano
86
Hautbois, Piano (duo)
67
Clarinette et Piano
61
Saxophone Alto et Piano
60
2 Saxophones (duo)
54
Clarinette
54
Saxophone (partie séparée)
44
Quatuor de Saxophones: 4 saxophones
41
Flûte traversière
38
Hautbois (partie séparée)
36
Saxophone Tenor et Piano
33
Flûte, Hautbois, Clarinette, Basson
33
2 Clarinettes (duo)
32
Saxophone Alto
32
Saxophone Tenor
29
2 Flûtes traversières (duo)
28
Quintette de Saxophone: 5 saxophones
26
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
23
Saxophone Soprano et Piano
23
Flûte, Clarinette (duo)
23
Flûte à Bec
22
Quatuor de Clarinettes: 4 clarinettes
20
Saxophone Baryton, Piano
19
Ensemble de Clarinettes
17
Saxophone, Clarinette (duo)
16
Ensemble de Flûtes
15
Hautbois
13
Flûte, Violon, Piano
13
2 Hautbois (duo)
12
Clarinette, Violon (duo)
11
Ensemble de saxophones
11
Flûte à bec Soprano
10
Cor anglais, Piano
10
3 Clarinettes (trio)
9
Hautbois, Flûte
8
Hautbois, Basson (duo)
7
Clarinette Basse, Piano
7
2 Flûte à bec (duo)
6
Hautbois, Clarinette (duo)
6
Flûte, Violon
5
Clarinette, Trompette (duo)
5
Quintette de Clarinettes: 5 clarinettes
5
Clarinette et Alto
5
Ocarina
4
Harmonica
4
Quatuor de Flûtes : 4 flûtes
4
Quintette de Flûte : 5 flûtes
4
Flûte, Saxophone (duo)
4
Flûte, Violoncelle
4
Flûte à bec Alto, Piano
3
Clarinette, Basson (duo)
3
Flûte et Guitare
3
Clarinette (partie séparée)
3
3 Saxophones (trio)
3
Flûte à bec Alto
3
Clarinette, Guitare (duo)
2
Flûte, Clarinette et Basson
2
Flute (partie séparée)
2
Quatuor de Flûtes à bec
2
Flûte, Trompette (duo)
2
Saxophone Soprano
2
Piccolo, Piano
2
Flûte à bec Alto, Basse continue
2
Flûte irlandaise
1
Flûte, Hautbois, Basson
1
Saxophone et Orgue
1
Flûte à Bec, Piano
1
Flûte à bec Tenor
1
Flûte à bec Soprano, Piano
1
Flûte, Alto (duo)
1
Saxophone et Guitare
1
3 Flûtes à bec (trio)
1
Instruments en Mib
1
Cor Anglais
1
Trio de Flûtes: 3 flûtes
1
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Cuivres
Trombone et Piano
55
Quatuor de Cuivres : 2 trompettes, trombone, tuba
45
Trompette, Piano
42
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
38
Trompette
36
Cor et Piano
34
Trombone
21
Trombone (partie séparée)
21
Cor
18
Quatuor de cuivres: 4 trombones
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Tuba et Piano
13
Trompette (partie séparée)
12
Trompette, Saxophone (duo)
12
Euphonium, Piano (duo)
12
Tuba
12
Ensemble de Trombones
11
Cor anglais, Piano
10
2 Trompettes (duo)
9
2 Trombones (duo)
9
Quatuor de Cuivres
8
Euphonium
7
Ensemble de Trompettes
6
2 Cors (duo)
6
Cor (partie séparée)
5
Trompette, Trombone (duo)
5
Tuba (partie séparée)
3
Trio de Cuivres
2
2 Tubas (duo)
2
Cor, Violoncelle (duo)
1
Instruments en Sib
1
Bass Clef Instruments
1
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1
2 Euphoniums et 2 Tubas
1
Trompette, Violoncelle (duo)
1
Tuba et Orgue
1
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1
Cor Anglais
1
Cornet et orchestre
1
Cor et Basson (duo)
1
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
176
Violon et Piano
134
Violon, Violoncelle (duo)
119
Violoncelle
88
Violoncelle, Piano
80
Violon
77
Alto, Piano
72
Trio à Cordes: 2 violons, violoncelle
69
2 Violons (duo)
37
Alto seul
36
Violon, Alto (duo)
36
2 Violoncelles (duo)
34
Trio à Cordes: violon, alto, violoncelle
29
Harpe
22
Alto, Violoncelle (duo)
15
2 Altos (duo)
14
Alto (partie séparée)
11
Contrebasse, Piano (duo)
10
Contre Basse
10
Violon (partie séparée)
8
Trio à cordes
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Contrebasse (partie séparée)
6
Ensemble de Violons
4
2 Harpes (duo)
3
2 Contrebasses (duo)
2
Violoncelle (partie séparée)
2
4 Violoncelles
2
Violon, Guitare (duo)
2
Ensemble d'Altos
2
Harpe, Flûte (duo)
2
Violoncelle , Guitare (duo)
1
Quatuor à cordes: 4 violons
1
Autoharp
1
Quatuor à cordes : 4 altos
1
Trio à Cordes: 3 violoncelles
1
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209
Orchestre
50
Ensemble Jazz
37
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35
Orchestre de chambre
24
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17
Jazz combo
16
Cloches
12
Xylophone
9
Xylophone, Piano
9
Ensemble de Percussions
4
Batterie (partie séparée)
3
Percussion (partie séparée)
3
Fanfare
3
Batterie
2
Marimba
1
2 Marimbas
1
2 Xylophones
1
Percussion
1
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ALTO
AUTOHARPE
BANJO
BASSE
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CHORALE - CHAN…
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At Home
Ensemble de Percussions
Partitions à imprimer
4 partitions trouvées
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Don't Worry, Be Happy
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Ensemble de Percussions
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INTERMÉDIAIRE
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Jazz
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Bobby McFerrin
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Ricardo Matosinhos
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Don't Worry, Be Happy
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Ricardo Matosinhos
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ri...
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Percussion Ensemble - Level 3 - SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ricardo Matosinhos #5723941. Published by Ricardo Matosinhos (A0.899162). This is a well known piece by Bobby McFerrin. Here presented on a music arrangement for unconventional music instruments. The arrangement allows flexibility, so this piece can be performed using tuned bottles (25cl, 33cl and 75cl), lip whistle, finger snaps, complemented with xylophones and optionally with voices to sing the lyrics too. This arrangement was made during the 2020 quarantine, when the world was shutdown due to a world virus pandemic. Some of the music students didn’t have their music instruments at home, so this arrangement came up to fill that gap and it is perfect to keep doing music with the available option of instruments.On each rehearsal letter, you can play optional improvisations, while keeping the voices 5-8. These improvisations can be easily done using the C major pentatonic scale or the note ranges presented on the right, that even include Eâ™ and Bâ™. If played using lip whistle, bendings will be possible too. This arrangement presents 8 voices and an alternative solution for voice 8, that makes it easier to be performed as it is the place where bottles are divided between the players. There is also an optional bass line to complement voice eight one octave bellow. In order to keep it simple, neither dynamics or articulations were included and the notes were represented always in the middle octave in G clef. The correct pitch ranges are presented in the performance notes.The amount of water will change the pitch differently depending if you are blowing or doing percussion on a bottle. When blowing, the more water you use, the higher the pitch will be, but while doing percussions more water means lower pitch. A good option, in order to save time during rehearsals, is to fill the bottles with water, marking the level with a pen, and then filling the bottle with the desired amount of hot wax instead of water. This way, when the wax cools down you can have a tuned bottle without requiring to tune it again every single rehearsal. Please note that the bottles should be made of glass and that different aspects change the performance. For percussion, straight bottles are better to tune as the curves in the bottles tend to produce unstable pitches. The extreme notes of the range might not be available in every single bottle, so you might need to try some alternatives. For example the high A is available in some beer bottles, while the low G is available in larger 75cl bottles of champaign. Last but not least, this piece should always be played according to Bobby’s motto: dont worry, be happy!I had lots of fun while doing this arrangement, now it’s your time to have fun while performing it!Ricardo Matosinhoshttp://www.ricardomatosinhos.com
$14.99
BIZET CARMEN SUITE FOR SMALL ORCHESTRA by Peyber Medina
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Ensemble de Percussions
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AVANCÉ
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Opera
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Classique
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Georges Bizet
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Peyber A
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BIZET CARMEN SUITE FOR SMALL O
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Peyber Medina
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.866916 Composed by Georges Bizet. Arranged by Peyber A. Medina H. Opera,Romantic Period. Score and parts. 121 pa...
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Percussion Ensemble - Level 5 - SKU: A0.866916 Composed by Georges Bizet. Arranged by Peyber A. Medina H. Opera,Romantic Period. Score and parts. 121 pages. Peyber Medina #6057883. Published by Peyber Medina (A0.866916). This brilliant arrangement, adaptation and reorchestration by Peyber A. Medina H. of 4 pieces of the famous from the opera CARMEN by Georges BIZET, specially made for a reduced orchestra so the players can be recorded from home on this dark times of quarantine. Get here completely free the audio sample with the click in case you purchase the partitions and wanna recorded with your orchestra or chamber group, just you must to put this product link on your video or final work description at the end: http://bit.ly/CARMENCLICKThe pieces included here are:1. Prelude from the Act 4 (Entr'acte)2. Habanera (No. 5)3. Toreadores (Prélude)4. Gypsy Song (Chason Bohème)
$34.99
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
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Ensemble de Percussions
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Sl...
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Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
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