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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
BJE Music
Non classifié
542
Piano & claviers
Piano seul
3 188
Piano, Voix
2 287
1 Piano, 4 mains
41
Piano, Voix et Guitare
21
Piano Facile
16
Orgue
13
2 Pianos, 4 mains
8
Piano Trio: piano, violon, violoncelle
7
Accompagnement Piano
6
Instruments en Do
5
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Clavecin
1
Fake Book
1
+ 9 instrumentations
Retracter
Guitares
Guitare
25
Guitare notes et tablatures
7
2 Guitares (duo)
3
3 Guitares (trio)
2
4 Guitares (Quatuor)
2
Basse electrique
1
Dobro
1
Mandoline
1
Ukulele
1
Mandoline, Guitare (duo)
1
Banjo
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
837
Chorale 2 parties
14
Chorale 3 parties
14
Chorale TTBB
13
Voix duo, Piano
6
Chorale Unison
6
Voix Soprano, Piano
4
Chorale SSAA
3
Voix moyenne, Piano
3
Voix seule
2
Voix duo
2
Chorale
2
Voix Baryton, Piano
2
Chorale SSATTB
1
Voix Mezzo-Soprano, Piano
1
Voix basse, Piano
1
Voix haute
1
Voix Tenor
1
+ 13 instrumentations
Retracter
Vents
Flûte, Hautbois, Clarinette, Basson
21
Saxophone Alto et Piano
17
Flûte traversière et Piano
17
Quatuor de Clarinettes: 4 clarinettes
16
Clarinette et Piano
16
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Saxophone Soprano et Piano
12
Flûte traversière
10
Quatuor de Saxophones: 4 saxophones
10
Ensemble de Clarinettes
9
2 Flûtes traversières (duo)
8
Quintette de Saxophone: 5 saxophones
7
Hautbois, Piano (duo)
7
2 Saxophones (duo)
6
2 Clarinettes (duo)
6
Saxophone Tenor et Piano
5
Saxophone Alto
5
Saxophone Tenor
5
Quatuor de Flûtes : 4 flûtes
5
Ensemble de saxophones
5
Saxophone Soprano
4
Clarinette
4
Ensemble de Flûtes
4
2 Hautbois (duo)
4
Ocarina
3
Trio de Flûtes: 3 flûtes
3
Quintette de Clarinettes: 5 clarinettes
3
Quintette de Flûte : 5 flûtes
2
2 Clarinettes, Piano
2
3 Clarinettes (trio)
2
Flûte, Violon, Piano
2
Flûte, Hautbois, Piano (trio)
2
3 Saxophones (trio)
2
Flûte, Violoncelle
1
Clarinette, Violoncelle (duo)
1
2 Flûte à bec (duo)
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Hautbois, Basson
1
Quatuor de Flûtes à bec
1
Flûte et Guitare
1
Harmonica
1
Ensemble De Flûte à bec
1
2 Saxophones, Piano
1
Clarinette Basse, Piano
1
+ 39 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
22
Trompette
17
Quatuor de Cuivres : 2 trompettes, trombone, tuba
13
Trompette, Piano
11
Trombone et Piano
9
2 Trombones (duo)
7
2 Cors (duo)
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
2 Trompettes (duo)
6
Quatuor de cuivres: 4 cors
5
Tuba et Orgue
4
2 Tubas (duo)
4
Trombone
4
Tuba et Piano
3
Cor et Piano
3
Ensemble de Trombones
2
Ensemble de Trompettes
2
3 Trompettes (trio)
2
Euphonium
1
Quatuor de Cuivres
1
3 Trombones (trio)
1
Trompette, Trombone (duo)
1
Cor (partie séparée)
1
Quatuor de cuivres: 4 trombones
1
+ 19 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
42
Violon et Piano
24
Harpe
13
Violon
13
Violoncelle, Piano
11
Trio à Cordes: violon, alto, violoncelle
9
Alto, Piano
9
Violoncelle
9
2 Violons (duo)
8
Violon (partie séparée)
6
2 Violoncelles (duo)
5
2 Altos (duo)
5
Contrebasse (partie séparée)
3
Ensemble de Violons
2
Contre Basse
2
Violon, Alto (duo)
2
Violoncelle (partie séparée)
2
Alto seul
2
Alto (partie séparée)
2
Violon, Violoncelle (duo)
2
Autoharp
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à Cordes: 2 violons, violoncelle
1
Trio à Cordes: 3 violoncelles
1
Alto, Violoncelle (duo)
1
Piano Trio: Violon, Alto, Piano
1
+ 21 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
261
Orchestre
108
Orchestre à Cordes
49
Ensemble de cuivres
43
Orchestre de chambre
18
Ensemble de Percussions
6
Ensemble Jazz
4
Batterie
2
Percussion (partie séparée)
1
Jazz combo
1
Marimba
1
Piano et Orchestre
1
Cloches
1
Conga
1
+ 9 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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FLUTE DE PAN
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FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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Vous avez sélectionné:
BJE Music
Ensemble de Percussions
Partitions à imprimer
6 partitions trouvées
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1
Gravity for Septet
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Editio...
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Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
Christmas Calypso for Percussion Sextet
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Ensemble de Percussions
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FACILE
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Noël
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Dan Heslink
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Christmas Calypso for Percussi
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. P...
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Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Christmas Calypso for Marimba Quartet
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Ensemble de Percussions
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Noël
#
Dan Heslink
#
Christmas Calypso for Marimba
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Pharaoh Publications
#
SheetMusicPlus
Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published b...
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Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 2 (Strings, Harp, Timpani, Pe
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Ensemble de Percussions
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AVANCÉ
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James Nathaniel Holland
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The Satyricon, A Balletic Roma
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James Nathaniel Holland
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.730494 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 326 pages. James Nathani...
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Percussion Ensemble - Level 5 - SKU: A0.730494 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 326 pages. James Nathaniel Holland #4800780. Published by James Nathaniel Holland (A0.730494). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. INDIVIDUAL INSTRUMENT PARTS 2 (Strings, Harp, Timpani and Percussion). Piano Score, Full Orchestral Score, Individual Parts (Part 1) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$34.95
New Resources
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Ensemble de Percussions
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Contemporain
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Andrew Ardizzoia
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New Resources
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Heartland Marimba
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SheetMusicPlus
Percussion Ensemble - SKU: A0.1099614 Composed by Andrew Ardizzoia. Contemporary. Score and parts. 57 pages. Heartland Marimba #703447. Published by Hea...
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Percussion Ensemble - SKU: A0.1099614 Composed by Andrew Ardizzoia. Contemporary. Score and parts. 57 pages. Heartland Marimba #703447. Published by Heartland Marimba (A0.1099614). New Resources is an exploration of the compositional techniques commonly found in African drumming. A simple four-bar pattern is subjected to a number of processes and permutations, creating increasingly complex polyrhythms and a sense of large-scale acceleration. These passages, which are played on wood instruments, are interrupted by shorter sections that involve skin and metal timbres. Composed in 1999, New Resources is one of the few pieces from my undergraduate that still sees the light of day. In 2004, my collaborative partner Lisa Rie used the music to accompany a dance piece entitled Delta Eco, which celebrates the rich flora and fauna of California’s San Joaquin River Delta. New Resources has had performances throughout California and Arizona, and in 2005 it was played by William Moersch and the University of Illinois Percussion Ensemble. ~A.A.
$33.00
Waltz No.3 "A Campus Burlesque"
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Ensemble de Percussions
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INTERMÉDIAIRE
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Contemporain
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Zachary M
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Waltz No.3 "A Campus Burl
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Zach Robinson
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.1024088 Composed by Zachary M. Robinson. 20th Century. Score and parts. 30 pages. Zach Robinson #1919711. Publis...
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Percussion Ensemble - Level 3 - SKU: A0.1024088 Composed by Zachary M. Robinson. 20th Century. Score and parts. 30 pages. Zach Robinson #1919711. Published by Zach Robinson (A0.1024088). Burlesque is a literary, dramatic, or musical work intended to cause laughter by caricaturing the manner or spirit of seriousness, or by ludicrous treatment of a subject. This is a waltz based around how I view my undergraduate studies and of the money and time I have spent, despite my high academic standing. It ends solemnly, yet also longingly to suggests that I hope college will eventually get harder and I will actually learn what I have set out to... We can all dream can't we.
$30.99
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