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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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AFRICAIN
AMERICANA
ASIE
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
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FOLKLORE - TRADITION…
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KLEZMER - JUIVE
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Musicnotes
Note4Piano
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SheetMusicPlus
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Virtualsheetmusic
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Ventes
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A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
2764
PIANO & CLAVIERS
Piano Facile
1694
Piano seul
909
Piano, Voix
800
Instruments en Do
329
Piano grosses notes
180
Accompagnement Piano
135
Piano, Voix et Guitare
89
Piano Trio: piano, violon, violoncelle
67
Orgue
58
1 Piano, 4 mains
40
2 Pianos, 4 mains
31
Piano Quatuor: piano, violon, alto, violoncelle
19
Accordéon
8
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano (partie séparée)
3
1 Piano, 6 mains
2
2 Accordéons
1
Accordéon, Voix
1
Clavier
1
Ligne De Mélodie, Piano
1
Instrumentations suivantes
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GUITARES
Guitare
180
Guitare notes et tablatures
156
Basse electrique
50
Ukulele
48
Ligne De Mélodie, (Paroles) et Accords
33
Banjo
18
2 Guitares (duo)
15
Dulcimer
7
Guitare (partie séparée)
6
Mandoline
6
Ensemble de guitares
5
4 Guitares (Quatuor)
5
3 Guitares (trio)
3
Piano, Guitare (duo)
3
2 Ukuleles
2
Luth
1
Dobro
1
Guitare Pedal Steel
1
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VOIX
Chorale SATB
258
Chorale 3 parties
133
Chorale 2 parties
103
Voix Soprano, Piano
61
Voix Tenor, Piano
56
Voix Alto, Piano
53
Chorale Unison
46
Voix Baryton, Piano
45
Chorale TTBB
31
Chorale SSAA
28
Voix duo, Piano
10
Voix seule
5
Voix haute
4
Chorale SSATBB
2
Chorale
1
Voix, Guitare
1
Chorale SSATB
1
Voix duo
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
255
Hautbois, Piano (duo)
245
Clarinette et Piano
238
2 Saxophones (duo)
237
Clarinette
236
Flûte traversière
220
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
188
Saxophone Alto et Piano
186
Quatuor de Saxophones: 4 saxophones
185
Flûte, Hautbois, Clarinette, Basson
170
Quintette de Saxophone: 5 saxophones
163
Saxophone Tenor et Piano
129
Saxophone Alto
126
Saxophone Soprano et Piano
107
Hautbois (partie séparée)
98
Saxophone Baryton, Piano
97
Saxophone (partie séparée)
96
2 Clarinettes (duo)
91
Saxophone Tenor
91
Hautbois
79
2 Flûtes traversières (duo)
76
Saxophone
72
3 Saxophones (trio)
67
2 Hautbois (duo)
60
Hautbois, Basson (duo)
48
Flûte, Clarinette (duo)
46
2 Flûte à bec (duo)
43
Saxophone Baryton
41
Saxophone Soprano
39
Clarinette, Basson (duo)
36
Cor anglais, Piano
33
Quatuor de Clarinettes: 4 clarinettes
32
Hautbois, Clarinette (duo)
32
Flûte, Violoncelle
29
Flûte à bec Soprano
27
Clarinette Basse, Piano
26
Flûte à Bec
25
Clarinette, Violoncelle (duo)
25
Hautbois, Violoncelle
25
Cor Anglais
23
Ensemble de Clarinettes
23
Clarinette, Violon (duo)
21
Trio de Flûtes: 3 flûtes
21
Quatuor de Flûtes : 4 flûtes
19
Flûte, Hautbois (duo)
19
Quatuor de Flûtes à bec
18
Flûte à bec Alto
17
Flûte, Clarinette et Basson
17
3 Clarinettes (trio)
17
Quintette de Flûte : 5 flûtes
16
Ensemble de saxophones
16
Flûte, Alto (duo)
15
Clarinette et Alto
14
Flûte, Violon
14
Hautbois et alto (duo)
13
Flûte, Trombone (duo)
13
Hautbois, violon (duo)
13
Flûte, Hautbois, Basson
12
Flûte, Hautbois, Clarinette (trio)
12
Ensemble de Flûtes
11
Clarinette (partie séparée)
10
3 Flûtes à bec (trio)
10
Flûte, Hautbois, Piano (trio)
10
Flûte, Violon, Piano
9
Flûte, Clarinette, Cor, Basson (Quartet)
8
Quintette de Clarinettes: 5 clarinettes
7
Clarinette Basse
6
Piccolo, Piano
6
Hautbois, Flûte
6
Ensemble De Flûte à bec
5
Flûte, Basson et Piano
5
5 Flûtes à bec
5
Flute (partie séparée)
5
Clarinette, Basson, Piano (trio)
4
Clarinette, Alto et Piano (trio)
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte, Alto et Piano
4
4 Hautbois
4
Hautbois, trombone (duo)
4
Harmonica
4
Clarinette, Trombone (duo)
4
Clarinette, Tuba
4
Flûte irlandaise
4
Clarinette, Violoncelle, Piano (trio)
4
Clarinette, Contrebasse (duo)
4
Flûte, Clarinette, Piano (trio)
3
Hautbois, Basson et Piano
3
Hautbois, Clarinette et Piano (Trio)
3
Hautbois, Violoncelle et Piano
3
Flûte, Violoncelle, Piano (trio)
3
Flûte à bec Alto, Piano
3
Flûte, Tuba (duo)
2
Flûte, Trompette (duo)
2
2 Flûtes traversières, Piano
2
Ensemble de Hautbois
2
3 Hautbois
2
Clarinette, Trompette (duo)
2
Flûte à bec Soprano, Piano
2
Flûte à bec Tenor
2
Flûte et Guitare
2
Hautbois, Trompette (duo)
2
2 Saxophones, Piano
2
Flûte à Bec, Piano
1
Flûte et Trio à cordes
1
Hautbois, Violon, Piano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
2 Clarinettes, Piano
1
Piccolo
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Clarinette, Harpe (duo)
1
2 Hautbois, Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Ensemble à vent
1
Flûte, Violon, Violoncelle et Piano
1
Instrumentations suivantes
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CUIVRES
Trompette, Piano
220
Trompette
211
Trombone et Piano
203
Cor et Piano
187
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
176
Trombone
154
Cor
138
Tuba et Piano
128
Tuba
117
Quatuor de Cuivres
94
2 Trombones (duo)
92
2 Trompettes (duo)
68
2 Cors (duo)
67
Quatuor de Cuivres: 2 trompettes, Cor, trombone
60
Quatuor de Cuivres : 2 trompettes, trombone, tuba
54
Trompette, Trombone (duo)
42
Trompette (partie séparée)
35
Cor anglais, Piano
33
Trombone (partie séparée)
28
2 Tubas (duo)
28
Cor Anglais
23
Euphonium, Piano (duo)
21
Trompette, Cor (duo)
20
Tuba et Orgue
20
Quatuor de cuivres: 4 trombones
17
Quatuor de cuivres: 4 trompettes
15
Quatuor de cuivres: 4 cors
14
Ensemble de Trompettes
13
Ensemble de Trombones
12
Trombone, Cor (duo)
12
3 Trombones (trio)
12
Cor, Violoncelle (duo)
11
Euphonium
10
Cor (partie séparée)
9
Trompette, Tuba (duo)
9
2 Euphoniums (duo)
9
3 Tubas (trio)
9
Trombone, Tuba (duo)
8
Trompette, Basson (duo)
7
Cor et Basson (duo)
7
Ensemble de Cors
7
4 Tubas
7
Trombone basse et Piano
5
Tuba (partie séparée)
5
Cor, Tuba (duo)
5
Trompette, Violoncelle (duo)
5
Trombone basse
4
3 Cors (trio)
4
Trompette, Trombone, Piano
4
Trio de Cuivres
3
Euphonium, Tuba (duo)
3
3 Trompettes (trio)
3
2 Euphoniums et 2 Tubas
2
Trompette, violon (duo)
1
4 Euphoniums
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Trombone, Violon (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
730
Violon et Piano
360
Violon
292
Violoncelle, Piano
272
Violoncelle
257
Alto, Piano
250
Contrebasse, Piano (duo)
234
Contre Basse
231
Quintette à cordes: 2 violons, alto, violoncelle, basse
203
Alto seul
177
Harpe
171
Violon, Violoncelle (duo)
128
Trio à Cordes: violon, alto, violoncelle
124
2 Violons (duo)
111
2 Violoncelles (duo)
90
2 Altos (duo)
75
4 Violoncelles
52
Violon, Alto (duo)
50
Violon (partie séparée)
48
Alto, Violoncelle (duo)
44
Trio à cordes: 3 violins
43
Trio à Cordes: 2 violons, violoncelle
43
Contrebasse (partie séparée)
41
Alto (partie séparée)
37
Trio à Cordes: 3 violoncelles
31
Violon, Basson (duo)
30
2 Contrebasses (duo)
29
Trio à cordes: 3 altos
22
Quatuor à cordes : 4 altos
19
Violoncelle, Contrebasse (duo)
19
Quatuor à cordes: 4 violons
19
Piano Trio: Violon, Alto, Piano
13
Violon, Guitare (duo)
11
Trio à Cordes: 2 violons, alto
10
Alto et Basson
10
Violoncelle (partie séparée)
9
2 Harpes (duo)
6
Violon, Clarinette, Piano (trio)
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Flûte, Contrebasse (duo)
5
2 Violons, Piano
4
Ensemble de Violons
4
Harpe, Flûte (duo)
3
Violon, Tuba (duo)
2
3 Contrebasses
2
Harpe (partie séparée)
2
Violoncelle, Basse continue
2
Ensemble d'Altos
2
4 Harpes
2
Violon, Violoncelle, Clarinette
2
2 Violoncelles, Piano
2
Violoncelle , Guitare (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Autoharp
1
4 Contrebasses
1
2 Altos, Piano
1
Trio à cordes
1
Harpe, Violon (duo)
1
Harpe, Violoncelle (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
818
Orchestre à Cordes
499
Cloches
189
Orchestre
147
Orchestre de chambre
62
Ensemble Jazz
42
Batterie
32
Marimba
28
Ensemble de cuivres
22
Xylophone, Piano
19
Xylophone
17
Ensemble de Percussions
14
Percussion (partie séparée)
10
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
6
Percussion
6
Fanfare
6
Batterie (partie séparée)
3
2 Xylophones
3
Caisse Claire
2
Jazz combo
1
Vibraphone
1
Instrumentation Flexible
1
2 Caisses Claires (duo)
1
Piano et Orchestre
1
Bongos
1
Orchestre, Violon
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Begin to Ring
Ensemble de Percussions
Partitions à imprimer
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Somebody That I Used To Know - Score Only
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.956281 By Gotye Featuring …
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.956281 By Gotye Featuring Kimbra. By Luiz Bonfa and Walter De Backer. Arranged by Jared V. Robertson. Pop. Score and parts. 30 pages. Jared V. Robertson #6232785. Published by Jared V. Robertson (A0.956281). This arrangement of Somebody That I Used to Know for flexi-instrumentation percussion ensemble and optional cello is suitable for beginner to intermediate level players, with the inclusion of a very simple auxiliary percussion part. Parts sold separately. Please contact me by e-mail with information about any planned readings, performances and/or recordings: jaredv.robertson@yahoo.com
$13.00
11.89 €
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Ensemble de Percussions
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Gotye Featuring Kimbra
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Jared V
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Somebody That I Used To Know - Score Only
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Jared V. Robertson
#
SheetMusicPlus
Somebody That I Used To Know
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.956282 By Gotye Featuring …
(+)
Percussion Ensemble - Level 2 - Digital Download SKU: A0.956282 By Gotye Featuring Kimbra. By Luiz Bonfa and Walter De Backer. Arranged by Jared V. Robertson. Pop. Score and parts. 25 pages. Jared V. Robertson #6232787. Published by Jared V. Robertson (A0.956282). This arrangement of Somebody That I Used to Know for flexi-instrumentation percussion ensemble and optional cello is suitable for beginner to intermediate level players, with the inclusion of a very simple auxiliary percussion part. Full score sold separately. Please contact me by e-mail with information about any planned readings, performances and/or recordings: jaredv.robertson@yahoo.com
$13.00
11.89 €
#
Ensemble de Percussions
#
Gotye Featuring Kimbra
#
Jared V
#
Somebody That I Used To Know
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Jared V. Robertson
#
SheetMusicPlus
When The River Meets The Sea
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.984036 Composed by Andrew …
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.984036 Composed by Andrew Charles Naylor and Roma Connie Waterman. Arranged by Jilly Cooke. Contemporary. Score and parts. 72 pages. Jilly Paige Cooke #5797561. Published by Jilly Paige Cooke (A0.984036). Paul Williams's beloved tune from the Jim Henson Company's timeless Christmas special Emmet Otter's Jug-Band Christmas is now available as an arrangement for percussion ensemble!Originally performed in December 2019 by the University of Iowa School of Music's percussion studio, under the direction of Dr. Dan Moore, this lively, jazzy arrangement was lovingly crafted by Iowa Percussion's own Jilly Cooke, a music education major who was a junior at the time of this arrangement's premiere. As a lifelong fan of the Muppets (and a promising aspiring puppeteer herself), Cooke cleverly weaves in numerous references to various tunes and styles that have influenced her musical preferences and career (with notes in the score to bring out these musical quotes). Beginning with a faithful adaptation of the original gospel-waltz ballad feel from the TV special, the arrangement swiftly transitions into a toe-tapping, New Orleans-style second-line groove with a solo section and a witty trade-off section in the middle.Instrumentation of 8 players includes: Vibraphone 1 (preferably includes E3), Vibraphone 2, Marimba 1/Accordion (optional use of amplified Melodica), Marimba 2 (preferably includes F2), Bass Marimba (premiere performance used Bass MalletKAT, optional use of Bass Guitar and/or Keyboard Patch), Piano, Drum Set, and Auxiliary Percussion (includes Mark Tree, Suspended Cymbal, Triangle, and important gospel-style Tambourine).
$24.99
22.85 €
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Ensemble de Percussions
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Andrew Charles Naylor and Roma Connie Waterman
#
Jilly Cooke
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When The River Meets The Sea
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Jilly Paige Cooke
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SheetMusicPlus
CLOG DANCE from 'La Fille mal Gardee'
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.793569 Composed by Ferdina…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.793569 Composed by Ferdinand Herold. Arranged by Brian Hardy - Bacchus Quartet. Classical,Instructional,Standards. Score and parts. 45 pages. Brian Hardy #3259147. Published by Brian Hardy (A0.793569). I wrote this version for the Lincolnshire Music Service 'Massed Strings Project' which brought together 300 young string players of all abilities from progressing beginners to advanced students. We teamed up with some of our friends from the percussion department to create a memorable performance enjoyed by students, teachers and audience alike.4 violin parts, 3 viola, 4 cello, 2 bass, percussion, glock and optional piano. Ideal encore piece for school concerts.Also to find 'IN THE HALL OF THE MOUNTAIN KING' visit sheetmusicplus.com/publishers/bacchusquartet/5331.
$19.99
18.28 €
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Ensemble de Percussions
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Ferdinand Herold
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Brian Hardy - Bacchus Quartet
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CLOG DANCE from 'La Fille mal Gardee'
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Brian Hardy
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SheetMusicPlus
Two Dreams for solo Trombone and 8-part Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
45.71 €
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Ensemble de Percussions
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Antonio J
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Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Gordon Cherry
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SheetMusicPlus
The COVID Awakening
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.939390 Composed by Adam Gr…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.939390 Composed by Adam Grim. 20th Century,Concert,Standards. Score and parts. 50 pages. Adam B. Grim #6210963. Published by Adam B. Grim (A0.939390). The COVID Awakening is a marimba quartet for two 5.0 octave instruments. This piece is inspired by minimalism and minimalist compositional techniques combined with layering found in West African drumming, though it is not the only source of this specific technique. It was written during the beginning of the summer of 2020, when the Coronavirus, COVID-19, had started its grips on the United States in the forms of illness, death, and economic and emotional distress. This piece reflects on these early feelings of quarantines and sheltering in place, and using the techniques listed above the listeners are pulled in to listen between the notes. These reflections are found not in the music itself, but is different with every listen. The listeners’ ears will venture as they wish, and make this piece new with every performance, even though the notes and rhythms never change. Instrumentation: Two 5.0 octave marimbas, though only one marimba needs to be the full range. Marimba 1 can be a much smaller instrument if necessary. I’d suggest using rubber/latex mallets. Unless the performance is in a reasonably dry hall, this articulation and tone benefit does wonders for this piece. Each player needs only 2 mallets.
$25.00
22.86 €
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Ensemble de Percussions
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Adam Grim
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The COVID Awakening
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Adam B. Grim
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SheetMusicPlus
Another Place
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.939392 Composed by Adam Gr…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.939392 Composed by Adam Grim. 20th Century,Contemporary. Score and parts. 65 pages. Adam B. Grim #6862379. Published by Adam B. Grim (A0.939392). Another Place is a marimba quartet on two instruments with some accessory items like a mounted bass drum, cymbal, and wind chimes. The work is about 10.5 minutes long, and holds three distinct movements that begin with solemn rolls that slowly become more regimented and rhythmic. The second movement raises the bar and becomes very rhythmic and syncopated with a Reich-like approach of melody vs interlocking harmony. This climax brings a high dynamic level to the forefront of the instruments with interlocking impact points being contrasted to unison hits. The third movement takes this original melody and harmony to the next level by using changing time signatures and motivic ideas to maximize the powerful ending. Throughout there is a deep sense of color and texture that can be maximized by the ensemble in new and exciting ways with each performance. This has plenty of ink, but also leaves a lot to interpret and bring the ensemble’s voice forward. I hope you enjoy! This work won the Audience Award in the Rocky Mountain Music Composition Contest in 2022 as well as Second Prize overall. These international awards were judged by a panel of seven judges from around the world, but with the competition based out of Toronto, Canada.
$35.00
32 €
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Ensemble de Percussions
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Adam Grim
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Another Place
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Adam B. Grim
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SheetMusicPlus
Quartet #9
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.584697 Composed by Jeff Ti…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.584697 Composed by Jeff Tincher. Contemporary. Score and parts. 52 pages. Jeff Tincher #6019477. Published by Jeff Tincher (A0.584697). This composition is a Bolero in 12/8. It begins with the initial rhythm that is played throughout the piece. The piece begins at ppp and increases in volume as each instrument plays the melody section. As each instrument enters, it forms a round of the same melody. The bridge begins with the continuing rhythm with each instrument adding their own note with the same rhythm until the complete quartet is playing the same rhythm in a chord. The bridge leads to the climax section where the initial rhythm continues with the third instrument imitates a tympani while the upper two instruments play the melody in harmony at fff volume. The finale is a repeat of the layering bridge to a single accented chord. Hear the full version of composition on Jeff Tincher's For Percussion Quartet CD. Duration = 6:43. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$12.99
11.88 €
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Ensemble de Percussions
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Jeff Tincher
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Quartet #9
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Jeff Tincher
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SheetMusicPlus
Silent Night Prelude for percussion octet
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz X…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. Pharaoh Publications #5363007. Published by Pharaoh Publications (A0.935383). Silent Night Prelude for Percussion Octet arr. by Dan Heslink This work is based on the well-loved Christmas carol, composed in 1818 by Franz Xaver Gruber. This theme is so popular that it was declared an intangible cultural heritage by UNESCO in 2011. And the version sung by Bing Crosby in 1935 is the fourth best-selling single recording of all-time. It’s sure to motivate your audience close to Christmas. The Prelude begins with a brisk tempo. Although notated in 3, as is customary in more modern renditions (the original theme was notated in 6), the tempo must be fast enough that two measures of 3 create a binary pairing (like 6/4 in two). It may be necessary to slightly slow down the roll speed to avoid a frenetic sound. The difficulty level is easy. There are no changes of key, and the timpani part requires only two drums (Bb, F) with no tuning changes. The vibe part could be played with two mallets, but might execute more comfortably with three. The other keyboard parts use only two mallets each. The expression of this beautiful tune will be greatly enhanced by exaggerating the contrasts of dynamics. Accompaniment and ornamental figures must at all times be sublimated to the familiar theme. At the last strain, players should sing the well-known words in order to lead the audience or congregation in group singing. It would be helpful for the conductor to turn and face the audience at this point. This closing passage may be repeated for any number of sung verses. Use a smooth, relaxed stroke to elicit as much legato as possible. At points a continuous arpeggio accompaniment is divided among the instruments. Care must be taken to keep the sixteenth note speed consistent. The opening runs should be performed half-pedal on the vibes for clarity. Prelude on Silent Night would serve equally well in recital or in a church service. Duration is 3:10. The arranger, Dan Heslink, can be contacted at dan@dheslink.com
$4.99
4.56 €
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Ensemble de Percussions
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Franz Xaver Gruber
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Dan Heslink
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Silent Night Prelude for percussion octet
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Pharaoh Publications
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SheetMusicPlus
Quartet #3
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.584691 Composed by Jeff Ti…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.584691 Composed by Jeff Tincher. Contemporary,Rock. Score and parts. 22 pages. Jeff Tincher #6019463. Published by Jeff Tincher (A0.584691). This composition begins with a 12/8 rock tempo. Although it is written in C, the composition is begins in D Minor. The Marimba keeps the 12/8 going while the other three become punctuations. The punctuation continues while the Glockenspiel plays the melody. At measure 15 the song moves into a 6/8 feel. At measure 34 the song returns to the original 12/8 feel. The composition then splits to where the Vibraphone takes on harmony in the 12/8 feel while the Glockenspiel and Xylophone take on a 6/8 countermelody. A short bridge is created by stacking the other 2 on top of the Vibraphone and Marimba 12/8 feel. Then it splits again to where the Xylophone stays with the Vibraphone and Marimba pattern and the Glockenspiel goes off on it's own. During this time the Glockenspiel folds in the 6/8 melody, creating a pleasant conflict. The song D.C.'s to the original 12/8 content. Hear the full version of composition on Jeff Tincher's For Percussion Quartet CD. Duration = 6:14. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
11.88 €
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Ensemble de Percussions
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Jeff Tincher
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Quartet #3
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Jeff Tincher
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SheetMusicPlus
Sleeping In
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.942610 Composed by Luke He…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.942610 Composed by Luke Henson. Jazz,Pop,World. Score and parts. 42 pages. Luke Henson #3866911. Published by Luke Henson (A0.942610). This great steelband composition, inspired by the music of Andy and Jeff Narell, will leave any audience humming and tapping their feet! It begins with a simple, yet infectious, bass and cello groove which gradually builds up to include the entire band. The intro then shifts into a catchy, laid-back verse, a call-and-response chorus, and a solo section. An intense bridge brings us right back to the original melody, followed by a satisfying outro. It would make a great recording and performance piece or any advanced steelpan ensemble.
$29.99
27.42 €
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Ensemble de Percussions
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Luke Henson
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Sleeping In
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Luke Henson
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SheetMusicPlus
Gravity for Septet
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by Mohamm…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
15.53 €
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Ensemble de Percussions
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
The Jungle, A Drumline DItty
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.1337166 Composed by Wyatt …
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.1337166 Composed by Wyatt Lare. Arranged by Wyatt Lare. 21st Century. 2 pages. Wyatt Lare #922014. Published by Wyatt Lare (A0.1337166). This Percussion ensemble is for school marching bands that want to feature the drumline during the football games. You can repeat for as many times as you want, or jump back to the beginning then keep playing it until the director or drum major gives a signal to cut it off.
$20.00
18.28 €
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Ensemble de Percussions
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Wyatt Lare
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Wyatt Lare
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The Jungle, A Drumline DItty
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Wyatt Lare
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SheetMusicPlus
The Jungle, A Drumline DItty
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.1337783 By Wyatt Lare. By …
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.1337783 By Wyatt Lare. By Wyatt Lare. 21st Century. 2 pages. Wyatt Lare #923526. Published by Wyatt Lare (A0.1337783). This Percussion ensemble is for school marching bands that want to feature the drumline during the football games. You can repeat for as many times as you want, or jump back to the beginning then keep playing it until the director or drum major gives a signal to cut it off.
$20.00
18.28 €
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Ensemble de Percussions
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Wyatt Lare
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The Jungle, A Drumline DItty
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Wyatt Lare
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SheetMusicPlus
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