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COR ANGLAIS
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CORNET
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
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GUITARE PED…
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HAUTBOIS
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MANDOLINE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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1027
PIANO & CLAVIERS
Piano Trio: piano, violon, violoncelle
60
1 Piano, 4 mains
56
Accompagnement Piano
47
Piano, Voix et Guitare
19
Piano Quatuor: piano, violon, alto, violoncelle
18
Piano seul
17
2 Pianos, 4 mains
16
Piano Quatuor: piano, 2 violons, violoncelle
7
Piano, Voix
6
Piano Facile
5
Orgue
5
Piano Quintette: piano, 2 violons, alto, violoncelle
3
1 Piano, 6 mains
3
Instruments en Do
2
2 Pianos, 8 mains
1
Clavier
1
Orgue, Trompette (duo)
1
Instrumentations suivantes
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GUITARES
2 Guitares (duo)
39
Guitare
25
Guitare notes et tablatures
14
4 Guitares (Quatuor)
8
2 Dulcimers (duo)
8
Basse electrique
8
Ensemble de guitares
5
Ukulele
4
Mandoline, Guitare (duo)
3
Piano, Guitare (duo)
2
Mandoline
2
2 Ukuleles
2
3 Guitares (trio)
1
Ligne De Mélodie, (Paroles) et Accords
1
Instrumentations suivantes
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VOIX
Chorale 2 parties
37
Chorale SATB
35
Chorale 3 parties
15
Voix duo, Piano
7
Chorale Unison
3
Chorale TTBB
3
Chorale SSAA
1
Voix duo
1
Instrumentations suivantes
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VENTS
2 Saxophones (duo)
327
2 Clarinettes (duo)
201
2 Flûtes traversières (duo)
152
Quintette de Saxophone: 5 saxophones
52
2 Hautbois (duo)
39
Clarinette, Violon (duo)
35
Flûte, Clarinette (duo)
35
Flûte, Hautbois, Clarinette, Basson
33
Clarinette, Trompette (duo)
31
Quatuor de Saxophones: 4 saxophones
30
Saxophone, Clarinette (duo)
29
Flûte et Guitare
24
Ensemble de saxophones
23
Hautbois, Basson (duo)
19
Flûte traversière et Piano
18
Flûte, Violon
18
Clarinette et Alto
18
Hautbois, Clarinette (duo)
18
Flûte, Alto (duo)
18
Hautbois, Piano (duo)
14
Flûte, Saxophone (duo)
14
Flûte, Hautbois (duo)
13
Clarinette et Piano
11
Hautbois, violon (duo)
11
Quatuor de Clarinettes: 4 clarinettes
11
Cor anglais, Piano
10
Flûte, Trompette (duo)
10
2 Flûte à bec (duo)
10
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
Quatuor de Flûtes : 4 flûtes
7
Flûte, Violon, Piano
7
Saxophone Soprano et Piano
6
Saxophone Tenor et Piano
5
Saxophone Alto et Piano
5
Ensemble de Clarinettes
5
3 Saxophones (trio)
4
Flûte, Clarinette, Piano (trio)
4
Ensemble De Flûte à bec
4
Quatuor de Flûtes à bec
4
3 Clarinettes (trio)
3
Clarinette, Tuba
2
Ocarina
2
Clarinette, Basson (duo)
2
Hautbois, Flûte
2
Flûte à bec Tenor
2
Flûte à bec Soprano
2
Clarinette, Guitare (duo)
2
Quintette de Flûte : 5 flûtes
2
Quintette de Clarinettes: 5 clarinettes
1
Saxophone Alto
1
Flûte, Violoncelle
1
Hautbois, Clarinette et Piano (Trio)
1
Saxophone et Orgue
1
2 Flûtes traversières, Piano
1
Cor Anglais
1
Cor anglais et Harpe (duo)
1
Flûte traversière
1
Flûte, Basson et Piano
1
Trio de Flûtes: 3 flûtes
1
Saxophone (partie séparée)
1
Clarinette
1
Clarinette, Harpe (duo)
1
Hautbois (partie séparée)
1
Flûte à bec Soprano, Piano
1
2 Clarinettes, Piano
1
Flûte, Violon et Violoncelle
1
Ensemble de Flûtes
1
3 Flûtes à bec (trio)
1
Clarinette, Violoncelle (duo)
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
128
Quatuor de Cuivres : 2 trompettes, trombone, tuba
115
Quatuor de Cuivres: 2 trompettes, Cor, trombone
42
2 Trombones (duo)
39
2 Trompettes (duo)
38
Trompette, Trombone (duo)
20
2 Cors (duo)
20
Trompette, Saxophone (duo)
17
Trombone et Piano
15
Quatuor de Cuivres
15
Cor anglais, Piano
10
3 Trombones (trio)
8
Trompette, Piano
7
Trompette, Tuba (duo)
4
Euphonium, Tuba (duo)
4
Cor et Piano
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Euphonium, Piano (duo)
3
Clarinette, Cor (duo)
3
Trombone (partie séparée)
3
2 Euphoniums (duo)
3
2 Euphoniums et 2 Tubas
2
Ensemble de Trombones
2
Trio de Cuivres
2
2 Tubas (duo)
2
Tuba et Piano
2
Trombone, Orgue
2
Trombone, Tuba (duo)
2
Cor
1
Trompette, Cor (duo)
1
Cor Anglais
1
Cor (partie séparée)
1
Cor anglais et Harpe (duo)
1
Tuba
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone
1
Euphonium
1
Quatuor de cuivres: 4 cors
1
Trompette, Violoncelle (duo)
1
Ensemble de Trompettes
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
217
2 Violons (duo)
119
Violon et Piano
101
Violon, Violoncelle (duo)
93
2 Violoncelles (duo)
74
Violoncelle, Piano
66
2 Altos (duo)
59
Violon, Alto (duo)
37
Alto, Violoncelle (duo)
36
Trio à Cordes: violon, alto, violoncelle
32
Harpe
31
Trio à Cordes: 2 violons, violoncelle
31
2 Harpes (duo)
21
Alto, Piano
20
Violon, Guitare (duo)
17
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
Violoncelle
12
Contrebasse, Piano (duo)
6
2 Contrebasses (duo)
5
Violon
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Violoncelle, Contrebasse (duo)
4
Violoncelle , Guitare (duo)
4
4 Violoncelles
3
2 Violons, Piano
3
Piano Trio: Violon, Alto, Piano
2
Harpe, Violon, Violoncelle
2
Trio à Cordes: 3 violoncelles
2
Harpe, Flûte (duo)
2
Harpe et Piano
1
Harpe, Voix
1
Violon, Clarinette, Piano (trio)
1
Alto, Guitare (duo)
1
Quatuor à cordes: 4 violons
1
Violon, Basson (duo)
1
2 Violoncelles, Piano
1
Alto seul
1
Violon (partie séparée)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
109
Ensemble de cuivres
82
Orchestre à Cordes
56
Orchestre
48
Ensemble Jazz
26
Fanfare
23
Cloches
15
Orchestre de chambre
14
Ensemble de Percussions
10
Jazz combo
5
Vibraphone et Marimba
1
Piano et Orchestre
1
Xylophone, Piano
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Both parts are Level 2
SheetMusicPlus
Partitions à imprimer
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Confused - Snare Drum - Percussion
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.1031402 Composed by Adrian…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.1031402 Composed by Adrian Esmerio. Contemporary. Score and parts. 1 pages. Adrian Esmerio #3257905. Published by Adrian Esmerio (A0.1031402). 1 - Easy to learn sheet music. Learn and Challenge your friends!2 - Drum to Music. Drum to your favorite song while trying to enjoy both3 - Perform it. Don't let any note fall out of place, keep it in the pocket4 - Change it up, Suite your needs. This is just a guideline, add your own personality
$2.33
2.11 €
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Ensemble de Percussions
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Adrian Esmerio
#
Confused - Snare Drum - Percussion
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Adrian Esmerio
#
SheetMusicPlus
Duel for 2 Marching Percussionists
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.939385 Composed by Adam Gr…
(+)
Percussion Ensemble - Level 3 - Digital Download SKU: A0.939385 Composed by Adam Grim. Contemporary. Score and parts. 17 pages. Adam B. Grim #6200499. Published by Adam B. Grim (A0.939385). The Duel for 2 Marching Percussionists was written in 2015 and premiered at Ohio Northern University. It features two players, each with a number of marching percussion (drumline) instruments in front of them. Both players use a snare drum and mounted cymbal while one player plays 5 tonal bass drums and the other plays the tenors (for 5 drums). It is for advanced high school or college level players, and is very entertaining to watch. It includes stick tricks and moves that are neat to see and do. All the tricks are fairly well known, so you could easily see them on YouTube. If not, then contact me directly and I would be happy to explain!
$15.00
13.6 €
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Ensemble de Percussions
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Adam Grim
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Duel for 2 Marching Percussionists
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Adam B. Grim
#
SheetMusicPlus
33 Tears (for percussion trio)
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.977040 Composed by Paul Sa…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.977040 Composed by Paul SanGregory. Contemporary. Score and parts. 18 pages. Distant Engraver Music #3539349. Published by Distant Engraver Music (A0.977040). (For this piece, both score and parts are included in a single PDF file.)This quietly beautiful music began as a simple piano piece in memory of the composer’s late wife. Because her ‘English’ name, Sansan, sounds like the number 33 in Mandarin Chinese, the piece is based on the numbers 3, 33 and various multiples of them. The numbers were used to shape all aspects of the music, but in performance the piece still flows simply and naturally. It is technically not difficult for performers, but they do need good ears for color and balance, and they must work carefully as an ensemble. Instrumentation:Perc. 1: vibraphone and crotales (or glockenspiel)Perc. 2: vibraphonePerc. 3: Marimba (with low C)
$8.00
7.25 €
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Ensemble de Percussions
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Paul SanGregory
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33 Tears
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Distant Engraver Music
#
SheetMusicPlus
Christmas Calypso for Percussion Sextet
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Hes…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
4.52 €
#
Ensemble de Percussions
#
Dan Heslink
#
Christmas Calypso for Percussion Sextet
#
Pharaoh Publications
#
SheetMusicPlus
Christmas Calypso for Marimba Quartet
Ensemble de Percussions
Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Chri…
(+)
Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
4.52 €
#
Ensemble de Percussions
#
Dan Heslink
#
Christmas Calypso for Marimba Quartet
#
Pharaoh Publications
#
SheetMusicPlus
Celebrations for Percussion Ensemble Octet
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.1075547 Composed by Brian …
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.1075547 Composed by Brian Monroe. 20th Century,Instructional. Score and parts. 48 pages. BLM Music Publications (https://brianmonroemusic.com) #679741. Published by BLM Music Publications (https://brianmonroemusic.com) (A0.1075547). Celebrations is a mixed percussion ensemble octet utilizing both keyboard and non keyboard percussion instruments. It was written in memory of Ohio Band Director, Dan Meeks. In life we celebrate many occasions: birthdays, holidays, vacations, winning seasons, winning the lottery, anniversaries, marriages and births, just to name a few. But at times of loss we can also celebrate those who have left an indelible mark on us. Parents, mentors and teachers fit into this category. This piece is written to celebrate learning and though who guided us on our path. Specifically this piece is dedicated in memory of Dan Meeks, a teacher, band director, percussionist, husband and dad who touched so many lives teaching and guiding his family, friends and students through part of their lives. We are forever in debt to people like Dan and celebrate them. Dan would often say, Just Have Fun! This piece is written with that joy and love of life in mind. Thanks Dan, you always made it fun. Parts: Part 1: Bells (w/hard plastic mallets) Part 2: Xylophone & Crotales (or Bells) (w/medium plastic mallets) Part 3: Vibraphone (w/medium cord mallets) Part 4: Marimba 1: (w/medium yard mallets) Part 5: Marimba 2: if possible 4.5 or 5 octave play lower notes. (w/medium yard mallets) Part 6: Percussion 1: Snare Drum & Sleighbells Part 7: Bass Drum, Gong, Suspended Cymbal & Triangle Part 8: Timpani.
$15.00
13.6 €
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Ensemble de Percussions
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Brian Monroe
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Celebrations for Percussion Ensemble Octet
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BLM Music Publications
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SheetMusicPlus
Four Forces (First movement) I. Strong Forces
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
272.01 €
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Ensemble de Percussions
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Four Forces (Second movement) II. Weak Forces
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
136.01 €
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Ensemble de Percussions
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua …
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.53 €
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Ensemble de Percussions
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion
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Slide Ride
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SheetMusicPlus
Flamingo
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.711524 By Kenshi Yonezu. B…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.711524 By Kenshi Yonezu. By Kenshi Yonezu. Arranged by Tsuyoshi Yoroiguma. Contemporary. Score and parts. 35 pages. Tsuyoshi Yoroiguma #6117231. Published by Tsuyoshi Yoroiguma (A0.711524). Kenshi Yonezu is a one of the most popular song artist in Japan.The music he composed contains both Japanese nostalgia and brand new pop taste.So this arrangement will be a very unique program for your brass ensemble.Good players of vibraphone and drums are needed to perform this music.Instrumentation (7 players) : 2 Bb Trumpets / Trombone / Euphonium / Tuba / Vibraphone / DrumsPDF file includes 14 pages of score and 21 pages of parts.Playing time is 4min 20sec.
$38.50
34.91 €
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Ensemble de Percussions
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Kenshi Yonezu
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Tsuyoshi Yoroiguma
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Flamingo
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Tsuyoshi Yoroiguma
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SheetMusicPlus
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