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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
CADENZA
Sheetmusicplus
Non classifié
3 766
Piano & claviers
Piano seul
230
Piano Facile
105
Piano, Voix
96
Piano, Voix et Guitare
65
Piano Trio: piano, violon, violoncelle
33
1 Piano, 4 mains
12
Piano Quatuor: piano, 2 violons, violoncelle
12
Orgue
5
Instruments en Do
2
Piano (partie séparée)
2
Orgue, Trompette (duo)
2
Accompagnement Piano
1
Clavecin
1
2 Pianos, 4 mains
1
Accordéon
1
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
42
Guitare
11
Guitare (partie séparée)
4
Ukulele
2
2 Guitares (duo)
1
Mandoline
1
Dulcimer
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
11
Chorale 3 parties
5
Chorale SSAA
4
Chorale TTBB
4
Voix duo
3
Voix Soprano, Piano
2
Chorale 2 parties
2
Voix basse, Piano
1
+ 3 instrumentations
Retracter
Vents
Hautbois, Piano (duo)
155
Flûte, Violon
150
Hautbois, Clarinette (duo)
143
Clarinette, Violon (duo)
142
Flûte, Clarinette (duo)
141
Hautbois, violon (duo)
141
Flûte traversière et Piano
140
Flûte, Trompette (duo)
139
Clarinette
133
Saxophone Soprano et Piano
130
Clarinette et Piano
122
Flûte traversière
109
2 Clarinettes (duo)
108
Hautbois (partie séparée)
99
Saxophone, Clarinette (duo)
98
2 Flûtes traversières (duo)
96
Saxophone (partie séparée)
96
Flûte, Violoncelle
95
Flûte, Hautbois (duo)
95
Hautbois, Trompette (duo)
95
Saxophone, Violon (duo)
92
Clarinette, Basson (duo)
91
Clarinette, Violoncelle (duo)
90
2 Hautbois (duo)
83
Clarinette, Trombone (duo)
71
Hautbois, Basson (duo)
62
Hautbois, Violoncelle
61
Flûte, Trombone (duo)
59
2 Saxophones (duo)
55
Hautbois, Flûte
50
Saxophone, Basson (duo)
45
Flûte, Hautbois, Clarinette, Basson
41
Saxophone Alto et Piano
37
Flûte, Violoncelle, Piano (trio)
28
Saxophone et violoncelle
28
Hautbois
28
Saxophone Soprano
25
Hautbois, trombone (duo)
25
Saxophone Alto
24
Saxophone Tenor et Piano
21
Flûte, Basson et Piano
21
Saxophone Baryton, Piano
19
Saxophone Tenor
17
Cor anglais, Piano
16
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
14
Quatuor de Saxophones: 4 saxophones
13
Cor Anglais
11
3 Clarinettes (trio)
7
Clarinette, Violoncelle, Piano (trio)
6
Flûte, Clarinette et Basson
6
Quatuor de Clarinettes: 4 clarinettes
6
Clarinette Basse, Piano
5
2 Clarinettes, Basson
5
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte, Hautbois, Basson
4
Flûte, Hautbois, Clarinette (trio)
3
Saxophone et Orgue
3
Flûte, Violon et Violoncelle
3
2 Saxophones, Piano
2
Hautbois, Violoncelle et Piano
2
Quatuor de Flûtes : 4 flûtes
2
Flute (partie séparée)
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Quintette de Saxophone: 5 saxophones
2
Trio de Flûtes: 3 flûtes
2
Ensemble de saxophones
2
Quintette de Flûte : 5 flûtes
1
Flûte, Clarinette, Violon (trio)
1
3 Hautbois
1
Quintette de Clarinettes: 5 clarinettes
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Piccolo, Piano
1
Clarinette, Orgue
1
Ocarina
1
2 Clarinettes, Piano
1
Clarinette Basse
1
Flûte et Trio à cordes
1
Flûte, Clarinette, Piano (trio)
1
Flûte traversière, Orgue (duo)
1
2 Cors Anglais Et Pianoforte
1
+ 75 instrumentations
Retracter
Cuivres
Trombone et Piano
154
Trompette, Saxophone (duo)
151
Trombone, violoncelle (duo)
132
Trompette
122
Trompette, Piano
114
Cor et Piano
102
Cor
93
2 Trompettes (duo)
92
2 Trombones (duo)
91
Trompette, Basson (duo)
90
Trompette, violon (duo)
89
Trombone
87
2 Cors (duo)
85
Trompette, Trombone (duo)
67
Trombone, Violon (duo)
61
Cor, Violoncelle (duo)
54
Tuba
51
Trombone, Cor (duo)
36
Trompette, Violoncelle (duo)
32
Cor et Basson (duo)
28
Trombone, Alto (duo)
27
Tuba et Piano
26
Trompette (partie séparée)
20
Cor anglais, Piano
16
Cor Anglais
11
Trombone (partie séparée)
9
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Trompette, Tuba (duo)
8
Tuba et Orgue
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
2 Tubas (duo)
6
Quatuor de cuivres: 4 trombones
6
Trombone, Tuba (duo)
5
Quatuor de Cuivres
5
Euphonium, Piano (duo)
3
Tuba (partie séparée)
2
Cor (partie séparée)
2
Trombone basse
2
Quatuor de cuivres: 4 cors
2
4 Tubas
1
Euphonium, Tuba (duo)
1
Trompette, Cor (duo)
1
Euphonium
1
3 Trombones (trio)
1
Trombone, Orgue
1
2 Cors Anglais Et Pianoforte
1
+ 42 instrumentations
Retracter
Cordes
Violon et Piano
172
Violon
169
Alto, Violoncelle (duo)
159
Violoncelle, Piano
157
Alto, Piano
147
Violoncelle
138
Violon, Violoncelle (duo)
114
2 Violons (duo)
104
Alto seul
101
Alto et Basson
95
2 Violoncelles (duo)
89
Violon, Basson (duo)
83
2 Altos (duo)
81
Quatuor à cordes: 2 violons, alto, violoncelle
38
Alto (partie séparée)
20
Trio à Cordes: violon, alto, violoncelle
11
Violon, Alto (duo)
10
Contre Basse
9
4 Violoncelles
6
Harpe
5
Trio à cordes: 3 altos
4
Trio à Cordes: 2 violons, violoncelle
4
Violoncelle, Contrebasse (duo)
4
Quatuor à cordes: 4 violons
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Contrebasse, Piano (duo)
3
Violon (partie séparée)
2
Harpe, Flûte (duo)
2
Trio à Cordes: 3 violoncelles
2
Trio à Cordes: 2 violons, alto
2
Contrebasse (partie séparée)
2
Trio à cordes: 3 violins
2
Harpe, Violon (duo)
2
Violon, Tuba (duo)
1
Alto et orchestre
1
Quatuor à cordes : 4 altos
1
Violon, Guitare (duo)
1
Alto, Orgue
1
Violoncelle , Guitare (duo)
1
2 Violoncelles, Piano
1
Violoncelle, Orgue
1
+ 36 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
43
Orchestre de chambre
33
Orchestre
30
Ensemble de cuivres
29
Orchestre à Cordes
27
Ensemble Jazz
14
Piano et Orchestre
4
Ensemble de Percussions
3
Batterie (partie séparée)
2
Cloches
1
Batterie
1
Orchestre, Violon
1
Xylophone, Piano
1
+ 8 instrumentations
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HAUTBOIS
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LUTH, THEOR…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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PIANO
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Beethoven - Ode to Joy (for Boomwhackers)
#
Ensemble de Percussions
#
DÉBUTANT
#
Classique
#
Ludwig van Beethoven
#
Cadenza Editions
#
Beethoven - Ode to Joy
#
Cadenza Editions
#
SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.570115 Composed by Ludwig van Beethoven. Arranged by Cadenza Editions. Children,Classical,Holiday,Romantic Perio...
(+)
Percussion Ensemble - Level 1 - SKU: A0.570115 Composed by Ludwig van Beethoven. Arranged by Cadenza Editions. Children,Classical,Holiday,Romantic Period. Score and parts. 1 pages. Cadenza Editions #4301191. Published by Cadenza Editions (A0.570115). Beethoven - Ninth Symphony - Ode to Joy (for Boomwhackers).
$4.99
Four Forces (First movement) I. Strong Forces
#
Ensemble de Percussions
#
AVANCÉ
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...
(+)
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
#
Ensemble de Percussions
#
AVANCÉ
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
(+)
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
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