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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Common
Non classifié
1 193
Piano & claviers
Piano seul
328
Instruments en Do
223
Piano, Voix
139
Piano Facile
84
Piano, Voix et Guitare
74
Orgue
60
1 Piano, 4 mains
10
Piano Trio: piano, violon, violoncelle
8
Accompagnement Piano
7
Piano Quatuor: piano, violon, alto, violoncelle
7
Accordéon
4
Orgue, Trompette (duo)
2
Clavecin
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano (partie séparée)
1
Orgue, Piano (duo)
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
113
Guitare
57
Ukulele
25
Dulcimer
15
Mandoline
14
Basse electrique
9
Ligne De Mélodie, (Paroles) et Accords
7
Banjo
5
Paroles et Accords
4
2 Guitares (duo)
3
3 Guitares (trio)
2
2 Dulcimers (duo)
1
Piano, Guitare (duo)
1
Mandoline, Guitare (duo)
1
Ensemble de Ukulélés
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
268
Chorale 2 parties
67
Chorale 3 parties
64
Pack Instrumental pour Chorale
48
Chorale Unison
40
Chorale TTBB
21
Voix duo, Piano
18
Voix duo
11
Chorale SSAA
9
Voix seule
6
Chorale
6
Voix haute
5
Voix Soprano, Piano
4
Soli, choeur mixte et accompagnement
1
Voix Tenor
1
Voix moyenne, Piano
1
Voix Alto, Piano
1
Voix Mezzo-Soprano, Piano
1
+ 13 instrumentations
Retracter
Vents
Flûte traversière et Piano
49
Clarinette et Piano
49
Quatuor de Saxophones: 4 saxophones
40
Ensemble de saxophones
39
Saxophone Alto et Piano
37
Quatuor de Clarinettes: 4 clarinettes
35
Hautbois, Piano (duo)
35
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
35
Flûte, Hautbois, Clarinette, Basson
28
Quintette de Saxophone: 5 saxophones
28
Flûte traversière
27
Saxophone Soprano et Piano
26
Saxophone Tenor et Piano
26
Ensemble de Clarinettes
18
2 Saxophones (duo)
18
Clarinette
18
2 Flûtes traversières (duo)
17
Saxophone Alto
15
2 Clarinettes (duo)
11
Saxophone Baryton, Piano
11
Quatuor de Flûtes : 4 flûtes
9
Saxophone (partie séparée)
8
Ensemble de Flûtes
8
Hautbois (partie séparée)
8
Saxophone Tenor
7
Cor anglais, Piano
7
Flûte, Clarinette (duo)
7
3 Saxophones (trio)
7
Clarinette (partie séparée)
7
Clarinette Basse, Piano
6
Ocarina
6
Trio de Flûtes: 3 flûtes
5
3 Clarinettes (trio)
5
2 Hautbois (duo)
5
Harmonica
5
Quintette de Flûte : 5 flûtes
4
Saxophone et Harpe
4
Saxophone, Clarinette (duo)
3
Flûte, Hautbois, Clarinette (trio)
3
Flûte, Violon, Piano
3
Flute (partie séparée)
3
Clarinette, Violon (duo)
2
Clarinette et Alto
2
Clarinette, Trompette (duo)
2
Hautbois, Basson (duo)
2
Flûte à bec Soprano
2
Hautbois
2
Flûte, Violon
2
3 Flûtes à bec (trio)
2
Saxophone Soprano
2
Clarinette, Guitare (duo)
2
Saxophone
2
Saxophone et Guitare
2
5 Flûtes à bec
1
Flûte à bec Alto, Piano
1
Flûte, Saxophone (duo)
1
Flûte, Alto (duo)
1
Flûte, Trombone (duo)
1
Hautbois, Violoncelle
1
Clarinette, Harpe (duo)
1
Clarinette, Tuba
1
Flûte à bec Alto
1
Flûte, Trompette (duo)
1
Instruments en Mib
1
Flûte, Violon et Violoncelle
1
Piccolo
1
Cor Anglais
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Quatuor de Flûtes à bec
1
Hautbois, Flûte
1
2 Flûte à bec (duo)
1
Hautbois, Harpe
1
Quintette de Clarinettes: 5 clarinettes
1
Hautbois, Clarinette (duo)
1
Clarinette, Contrebasse (duo)
1
Flûte, Clarinette, Piano (trio)
1
Cor anglais et Harpe (duo)
1
Clarinette, Trombone (duo)
1
+ 73 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
71
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
54
Trompette
38
Trombone et Piano
35
Trompette, Piano
28
Cor et Piano
24
Trombone
15
Trompette (partie séparée)
13
Quatuor de Cuivres
13
Ensemble de Trombones
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
Euphonium, Piano (duo)
11
2 Trompettes (duo)
10
Tuba et Piano
10
Cor
8
Ensemble de Trompettes
8
Cor anglais, Piano
7
2 Trombones (duo)
7
Trombone (partie séparée)
6
Quatuor de cuivres: 4 cors
5
2 Cors (duo)
5
Cor (partie séparée)
4
Ensemble de Cors
4
Quatuor de cuivres: 4 trombones
3
Trompette, Trombone (duo)
3
Trompette, Cor (duo)
3
Trompette, Saxophone (duo)
2
Tuba
2
Cor et Harpe
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trio de Cuivres
2
Trombone basse et Piano
1
Trompette, Harpe
1
Euphonium
1
Cor Anglais
1
2 Tubas (duo)
1
Tuba et Orgue
1
Bass Clef Instruments
1
4 Tubas
1
3 Trombones (trio)
1
Tuba (partie séparée)
1
3 Trompettes (trio)
1
Instruments en Sib
1
Cor anglais et Harpe (duo)
1
+ 39 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
90
Violon et Piano
62
Violoncelle, Piano
46
Alto, Piano
39
Harpe
37
Trio à Cordes: violon, alto, violoncelle
28
Violon
27
Violoncelle
24
2 Violons (duo)
15
Violon (partie séparée)
12
Violon, Violoncelle (duo)
11
2 Harpes (duo)
11
Trio à Cordes: 2 violons, violoncelle
10
2 Violoncelles (duo)
10
Piano Trio: Violon, Alto, Piano
7
Contrebasse (partie séparée)
7
Violon, Alto (duo)
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Alto seul
6
Ensemble d'Altos
5
Ensemble de Violons
5
Harpe, Flûte (duo)
4
Contrebasse, Piano (duo)
4
Contre Basse
4
2 Altos (duo)
4
Violoncelle (partie séparée)
4
Harpe, Violon (duo)
3
Violon, Guitare (duo)
3
Flûte, Contrebasse (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Alto (partie séparée)
3
Violoncelle , Guitare (duo)
3
Quatuor à cordes: 4 violons
2
Violoncelle, Contrebasse (duo)
2
Trio à Cordes: 3 violoncelles
2
Alto, Guitare (duo)
1
Violon, Basson (duo)
1
Harpe, Violoncelle (duo)
1
Harpe, Trombone (duo)
1
Violon, Basse continue
1
Trio à cordes: 3 altos
1
4 Violoncelles
1
Alto et Harpe
1
Trio à cordes: 3 violins
1
+ 39 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
398
Orchestre à Cordes
73
Orchestre
37
Ensemble de cuivres
33
Cloches
31
Orchestre de chambre
27
Ensemble Jazz
16
Ensemble de Percussions
14
Instrumentation Flexible
7
Batterie
7
Percussion (partie séparée)
6
Fanfare
5
Marimba
4
Ensemble d'École
3
Timbales (partie séparée)
3
Jazz combo
2
Vibraphone
1
Batterie (partie séparée)
1
+ 13 instrumentations
Retracter
Autres
Théorie de la musique
1
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
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Vous avez sélectionné:
Common
Ensemble de Percussions
Partitions à imprimer
14 partitions trouvées
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1
Fanfare for the Uncommon Student
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Ensemble de Percussions
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AVANCÉ
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David Berlin
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font: 12.0px Helvetica
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Fanfare for the Uncommon Stude
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David Berlin
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.958075 Composed by David Berlin. 20th Century,Graduation,Instructional,Standards. Score and parts. 44 pages. Dav...
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Percussion Ensemble - Level 5 - SKU: A0.958075 Composed by David Berlin. 20th Century,Graduation,Instructional,Standards. Score and parts. 44 pages. David Berlin #2988815. Published by David Berlin (A0.958075). P.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; color: #232323} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; color: #1255cc} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; color: #232323; min-height: 15.0px} span.s1 {text-decoration: underline} In collaboration with the Philadelphia Classical Symphony and director, Karl Middleman and Partners in Distance Learning, a music composition project was launched in 2005 for students in Pennsylvania. I created an instructional web site called HOW TO WRITE A FANFARE. Students from around the state worked through the program and sent us their final projects. The committee selected the best ones submitted and we brought the students and their families to Philadelphia where the Philadelphia Classical Symphony performed their pieces on a public concert. The web site is still on line and the student's pieces can be heard. at: http://tozier.net/dberlin/fanfare/index.htm/ Please feel free to use this website in conjunction with my printed score and recording for yourself, students or your circle of friends. This score and recording was my contribution to the concert. It is 90 seconds long at 120 BPM.
$3.99
Jack-Rabbit Run
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Ensemble de Percussions
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Zachary M
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Jack-Rabbit Run
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Zach Robinson
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SheetMusicPlus
Percussion Ensemble - SKU: A0.1024086 Composed by Zachary M. Robinson. Contemporary,Folk,Jazz. Score and parts. 38 pages. Zach Robinson #1909953. Publis...
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Percussion Ensemble - SKU: A0.1024086 Composed by Zachary M. Robinson. Contemporary,Folk,Jazz. Score and parts. 38 pages. Zach Robinson #1909953. Published by Zach Robinson (A0.1024086). This is an original composition by composer Zachary M. Robinson. It is a sweet little piece is based on time spent in the South and Mid-West of the United States. The piece takes it's name from American Black-tailed Jackrabbit which is common throughout much of the American continent. The piece is envisioned to be cartoonish and distinctly American sounding. Though the subject matter is light-hearted, the piece can be challenging at times. Though, it is extremely fun to play and to listen to.
$49.99
What Universe Lies Within
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
#
Brandon Nelson
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What Universe Lies Within
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Brandon Nelson
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.912929 Composed by Brandon Nelson. Concert,Contemporary. Score and parts. 8 pages. Brandon Nelson #2907437. Publ...
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Percussion Ensemble - Level 4 - SKU: A0.912929 Composed by Brandon Nelson. Concert,Contemporary. Score and parts. 8 pages. Brandon Nelson #2907437. Published by Brandon Nelson (A0.912929). For percussion duo. Required instruments: bells, vibraphone, xylophone, temple blocks, suspended cymbals (3 sizes). General programming. Advanced Intermediate level.Commissioned by Chris Nadeau for CAn-Duo. Premiered at Colorado State University, October 16, 2016.It is common knowledge that the universe we see is composed of tiny particles known as atoms. For much of scientific history, it was thought that atoms were made up of three indivisible particles: protons, neutrons, and electrons.Thanks to contemporary advances in physics, we now know that these particles are, in fact, made up of much smaller particles and that these constituents sometimes behave in ways that confound what we thought we knew of the physical universe.In this piece, I have portrayed one type of these subatomic particles, the quark. There are six types (or flavors) of quark: up, down, charm, strange, top, and bottom. These are differentiated by the type of charge they carry and their masses.The first movement is Strange Quark. This flavor has a negative charge and is relatively light. Much like the particle, this movement often behaves in unusual ways.Top Quark, the second movement, portrays the quark flavor that is by far the heaviest. Slow and massive, this particle allowed for the study of the famous Higgs boson.The final movement, Up Quark, is light and decays quickly, much like this particle that contributes to both protons and neutrons.The universe is indeed a wonder to behold and its scale is hardly comprehensible to the human mind. And yet, it is becoming increasingly apparent that there exists an entire universe yet to uncover in the most infinitesimal pieces of matter. It is my hope that the wonder and mystery this inspires be conveyed through this piece of music.
$9.99
Dance of the Wind-Up Toys
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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James Siddons
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Dance of the Wind-Up Toys
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James Siddons Music and Writings
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.972638 Composed by James Siddons. 20th Century,Concert,Contemporary. Score and parts. 14 pages. James Siddons Mu...
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Percussion Ensemble - Level 4 - SKU: A0.972638 Composed by James Siddons. 20th Century,Concert,Contemporary. Score and parts. 14 pages. James Siddons Music and Writings #3025013. Published by James Siddons Music and Writings (A0.972638). Dance of the Wind-Up Toys is for one clarinet in Bb, one cello, percussionist(s), and mime dancer(s). This work may be performed by instruments only; the percussion part being performed by one, two, or three performers.If a mime performer, or one or more dancers, also perform, the instrumental ensemble must be on the stage with them. The mime or dancer(s) enter the stage at measure 20 and either 1) perform until the end (m. 91), or 2) perform from m. 20 to m. 41, then leave the stage, and then return at m. 67. Costumes: the instrumentalists may be in costume as well as the performers, if desired. See the title page for suggestions. This piece is meant to be energetic, theatrical, and fun to perform as well as to watch.Program Note Dance of the Wind-Up Toys was composed in April-May 1968, when composer James Siddons was 19 years old. It was inspired by mime performers as well as the mechanical toys common in the early twentieth century.
$10.00
Sapphire (Full Score)
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Ensemble de Percussions
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INTERMÉDIAIRE
#
Methodes
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Ben Calkins
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Sapphire
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Ben Calkins
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.1028381 Composed by Ben Calkins. Instructional. Score and parts. 11 pages. Ben Calkins #3493833. Published by Be...
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Percussion Ensemble - Level 3 - SKU: A0.1028381 Composed by Ben Calkins. Instructional. Score and parts. 11 pages. Ben Calkins #3493833. Published by Ben Calkins (A0.1028381). Why play Sapphire?Sapphire can be used my mallet percussion/ front ensembles to warm up. It includes sections that require 4 mallets for both block and arpeggiated chords. Many other common pit instruments have parts as well.Who would want this piece? Mallet percussion ensembles, probably marching band groups would get the most use from this piece. About Me:This is my first piece I have ever published. I have written several others but I finally made something I felt comfortable posting. I just bought Finale v25 and can't wait to continue writing more music for front ensemble/ piano in the future. I'm also in a small band and I may post our arrangements here too if the copyrights are okay.
$1.99
Sapphire (Parts)
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Ensemble de Percussions
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Methodes
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Ben Calkins
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Sapphire
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Ben Calkins
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SheetMusicPlus
Percussion Ensemble - SKU: A0.1028382 Composed by Ben Calkins. Instructional. Score and parts. 12 pages. Ben Calkins #3493837. Published by Ben Calkins ...
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Percussion Ensemble - SKU: A0.1028382 Composed by Ben Calkins. Instructional. Score and parts. 12 pages. Ben Calkins #3493837. Published by Ben Calkins (A0.1028382). Why play Sapphire?Sapphire can be used my mallet percussion/ front ensembles to warm up. It includes sections that require 4 mallets for both block and arpeggiated chords. Many other common pit instruments have parts as well.Who would want this piece? Mallet percussion ensembles, probably marching band groups would get the most use from this piece. About Me:This is my first piece I have ever published. I have written several others but I finally made something I felt comfortable posting. I just bought Finale v25 and can't wait to continue writing more music for front ensemble/ piano in the future. I'm also in a small band and I may post our arrangements here too if the copyrights are okay.
$1.99
Asian Symmetries
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Ensemble de Percussions
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INTERMÉDIAIRE
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Dan Heslink
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Asian Symmetries
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.935379 Composed by Dan Heslink. Contemporary,World. Score and parts. 30 pages. Pharaoh Publications #4978359. Pu...
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Percussion Ensemble - Level 3 - SKU: A0.935379 Composed by Dan Heslink. Contemporary,World. Score and parts. 30 pages. Pharaoh Publications #4978359. Published by Pharaoh Publications (A0.935379). Asian Symmetries by Dan Heslink Asian Symmetries is a fanciful work which draws loosely from the musical procedures and sonic preferences of Indonesian and other Asian musical styles. It is scored for three percussionists, each with their own battery of instruments. Gamelan-like impressions might be inferred from the cyclical nature of its rhythm, using metal plates like cymbals and gongs to mark large units of rhythmic time. Also evocative are the faster moving elaborations and a preponderance of metallophones in the instrumentation. The work is medium to difficult in its demands. There are quick changes of instrument, planned to be manageable but requiring some attention to logistics Each player’s performance station must remain stationary, with all instruments in reach without moving the performer’s position. Percussion I and Percussion III players must set up next to each other so that they may share the tenor drum. A selection of mallets that allows different striking surfaces to sound good without undue picking up and setting down of mallets is suggested. Changes of meter and tempo occur, and an odd meter section sporting measures in 12/8, 6/8, 11/8 may require some additional attention. The instrumentation is selected to approximate Asian sounds with common western instruments. Performance time is 6:28. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$4.99
The Entertainer for Percussion
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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Zachary Broyles
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The Entertainer for Percussion
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Big Boi Noise Productions
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.963608 Composed by Scott Joplin. Arranged by Zachary Broyles. 20th Century,Ragtime. Score and parts. 26 pages. B...
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Percussion Ensemble - Level 4 - SKU: A0.963608 Composed by Scott Joplin. Arranged by Zachary Broyles. 20th Century,Ragtime. Score and parts. 26 pages. Big Boi Noise Productions #5756287. Published by Big Boi Noise Productions (A0.963608). You'll be sure to entertain your audience with this classic ragtime piano piece arranged for Percussion ensemble! Introduce your players to common ragtime motifs, and allow them to develop their ability to play complex rhythms.
$10.00
Four Forces (First movement) I. Strong Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
Chicken and a Biscuit
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Ensemble de Percussions
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FACILE
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Tsoof Baras
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Chicken and a Biscuit
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Tsoof Baras
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.1013921 Composed by Tsoof Baras. Standards. Score and parts. 42 pages. Tsoof Baras #6332907. Published by Tsoof ...
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Percussion Ensemble - Level 2 - SKU: A0.1013921 Composed by Tsoof Baras. Standards. Score and parts. 42 pages. Tsoof Baras #6332907. Published by Tsoof Baras (A0.1013921). Players - 6Instrumentation - Snare Drum, 4 Concert Toms, Kick DrumChicken and a Biscuit is a phrase used as a teaching tool for one of the most common drum fills in funk and reggae music. The piece draws inspiration from traditional drumming styles such as Samba and West African Djembe drumming. It also pays homage to great percussion composers, John Parker and Tania Savage, who have created drumming pieces that are the staple of high school percussion music in Brisbane, Australia.As always, the aim is that the ensemble has fun and enjoys the groove. Coming from a long background of Latin and African drumming styles, the piece was written with heavy emphasis on feeling the rhythm and hearing all the parts lock in.
$45.00
Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Ensemble de Percussions
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AVANCÉ
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Antonio J
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Two Dreams for solo Trombone a
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Gordon Cherry
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #...
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Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
Alexandriana for Percussion Ensemble
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Ensemble de Percussions
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AVANCÉ
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Dan Heslink
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Alexandriana for Percussion En
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. P...
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Percussion Ensemble - Level 5 - SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Great’s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The music’s sectional nature parallels the library’s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the score’s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$9.99
New Resources
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Ensemble de Percussions
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Contemporain
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Andrew Ardizzoia
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New Resources
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Heartland Marimba
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SheetMusicPlus
Percussion Ensemble - SKU: A0.1099614 Composed by Andrew Ardizzoia. Contemporary. Score and parts. 57 pages. Heartland Marimba #703447. Published by Hea...
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Percussion Ensemble - SKU: A0.1099614 Composed by Andrew Ardizzoia. Contemporary. Score and parts. 57 pages. Heartland Marimba #703447. Published by Heartland Marimba (A0.1099614). New Resources is an exploration of the compositional techniques commonly found in African drumming. A simple four-bar pattern is subjected to a number of processes and permutations, creating increasingly complex polyrhythms and a sense of large-scale acceleration. These passages, which are played on wood instruments, are interrupted by shorter sections that involve skin and metal timbres. Composed in 1999, New Resources is one of the few pieces from my undergraduate that still sees the light of day. In 2004, my collaborative partner Lisa Rie used the music to accompany a dance piece entitled Delta Eco, which celebrates the rich flora and fauna of California’s San Joaquin River Delta. New Resources has had performances throughout California and Arizona, and in 2005 it was played by William Moersch and the University of Illinois Percussion Ensemble. ~A.A.
$33.00
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