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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Conception - Conductor Score
Sheetmusicplus
Non classifié
101
Piano & claviers
Piano seul
128
Piano Facile
47
Piano, Voix
21
Piano, Voix et Guitare
13
Orgue
9
2 Pianos, 4 mains
8
1 Piano, 4 mains
3
Piano Trio: piano, violon, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Instruments en Do
1
Piano (partie séparée)
1
2 Pianos, 8 mains
1
+ 8 instrumentations
Retracter
Guitares
4 Guitares (Quatuor)
1
Ensemble de guitares
1
Guitare notes et tablatures
1
Voix
Chorale SATB
15
Chorale 3 parties
4
Chorale SSAA
1
Chorale SSATTB
1
Chorale TTBB
1
Vents
Hautbois, Piano (duo)
11
Saxophone Alto et Piano
6
Clarinette et Piano
4
Flûte traversière et Piano
3
Clarinette
3
Quatuor de Clarinettes: 4 clarinettes
2
2 Clarinettes (duo)
2
Quatuor de Flûtes : 4 flûtes
2
2 Flûtes traversières, Piano
2
Saxophone Soprano et Piano
2
Saxophone Tenor et Piano
1
Flûte, Saxophone (duo)
1
Flûte et Guitare
1
2 Saxophones (duo)
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Saxophone Baryton, Piano
1
Hautbois (partie séparée)
1
+ 12 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Cor et Piano
3
Trompette, Piano
3
Trombone et Piano
2
2 Trompettes (duo)
1
Trombone basse et Piano
1
2 Trombones (duo)
1
2 Cors (duo)
1
Trompette
1
+ 5 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
10
Violoncelle, Piano
9
2 Violoncelles (duo)
8
Alto, Piano
4
Trio à Cordes: violon, alto, violoncelle
2
Violon, Alto (duo)
2
Piano Trio: Violon, Alto, Piano
2
2 Altos (duo)
1
Harpe, Flûte (duo)
1
Harpe
1
Violon, Guitare (duo)
1
Contrebasse, Piano (duo)
1
2 Violons (duo)
1
Violon
1
Violon, Clarinette, Piano (trio)
1
+ 10 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
27
Orchestre
18
Orchestre à Cordes
17
Orchestre de chambre
17
Ensemble de Percussions
6
Ensemble de cuivres
6
Cloches
4
Fanfare
2
Ensemble Jazz
2
Batterie
1
+ 5 instrumentations
Retracter
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Crtitères actifs :
Conception - Conductor Score
SheetMusicPlus
Partitions à imprimer
6 partitions trouvées
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1
Alexandriana for Percussion Ensemble
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Ensemble de Percussions
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AVANCÉ
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Dan Heslink
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Alexandriana for Percussion En
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. P...
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Percussion Ensemble - Level 5 - SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Great’s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The music’s sectional nature parallels the library’s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the score’s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$9.99
Gravity for Septet
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Editio...
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Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
Nuevo Nueve ( New Nine )
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Ensemble de Percussions
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FACILE
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Frank Pugh
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Nuevo Nueve
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Frank Pugh
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.942726 Composed by Frank Pugh. Standards. Score and parts. 24 pages. Frank Pugh #6018905. Published by Frank Pug...
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Percussion Ensemble - Level 2 - SKU: A0.942726 Composed by Frank Pugh. Standards. Score and parts. 24 pages. Frank Pugh #6018905. Published by Frank Pugh (A0.942726). I wrote Nuevo-Nueve for an ensemble of nine new first-time percussion students. Nuevo meaning new or different, and Nueve meaning nine, seemed to be a good title for the piece. Going along with the concept of nine, the song is written in nine bar phrases and has a total of 99 measures as well. It uses simple and repetitive patterns to introduce students to the instruments that are utilized in the piece. Out of the nine students that I originally wrote it for, six were wind players and the other three had never read music. They had great success with it (and a lot of fun, too!). The first four parts are all listed as generic mallet parts, and all work pretty well with whatever mallet instruments that you have available. Part 3 and 4 double each other, but part 4 is in bass clef. They are written on the same sheet. If you have the equipment for it, I recommend the following instrumentation: Part 1: bells or marimba Part 2: vibraphone Part 3: marimba Part 4: (optional, bass clef, doubles part 3): bass guitar, keyboard, or mallet controller Part 5: hi-hat cymbal, suspended cymbal, mounted tambourine Part 6: guiro, castanets, maracas, two pitched toms Part 7: drum set Part 8: suspended cymbal, china cymbal, splash cymbal, triangle Part 9: concert bass drum, cabasaBe sure to check out my other small ensemble arrangements here on Sheet Music Plus, and thanks for taking a look!
$11.99
Up the Body and Down the Page
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Tsoof Baras
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Up the Body and Down the Page
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Tsoof Baras
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.1013929 Composed by Tsoof Baras. Concert,Contemporary,Instructional,Standards. Score and parts. 16 pages. Tsoof ...
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Percussion Ensemble - Level 4 - SKU: A0.1013929 Composed by Tsoof Baras. Concert,Contemporary,Instructional,Standards. Score and parts. 16 pages. Tsoof Baras #6663587. Published by Tsoof Baras (A0.1013929). Players - 4Instrumentation - Body Percussion‘Up the Body and Down the Page’ is a body percussion piece for percussion quartet. This piece involves the playing of one’s body as an instrument. For musicians, this piece is short, easy to setup, exciting for the crowd, a bit of a workout, fun to play and a challenge.My aim for this piece was to emulate the concept of ‘seeing sounds’ by only creating sound in the light. It was a challenge to get the lighting effect that provided us with a sharp difference between light and dark.Because it is such a physical piece, I would encourage the performers to add in choreography and to exercise the power of choice in terms of sticking (‘handings’ and ‘footings’) and the choice between standing and sitting. The performers may also experiment with visual mediums like talcum powder and other sound choices like using toy hammers instead of hands and choosing extremely thick shoes.
$45.00
SLAP!
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Tsoof Baras
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SLAP!
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Tsoof Baras
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.1013930 Composed by Tsoof Baras. Concert,Contemporary,Instructional,Standards. Score and parts. 17 pages. Tsoof ...
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Percussion Ensemble - Level 4 - SKU: A0.1013930 Composed by Tsoof Baras. Concert,Contemporary,Instructional,Standards. Score and parts. 17 pages. Tsoof Baras #6663589. Published by Tsoof Baras (A0.1013930). Players - 4Instrumentation - Body PercussionSLAP! is a Body Percussion piece written for percussion quartet, composed for SoundStruck Percussion. The parts can be doubled or tripled as the director sees fit and the performers are encouraged to add a bit of theatricality and movement.This piece involves the playing of one’s body as an instrument. The concept of body percussion explores the use of a very versatile percussion instrument that you play every day. For musicians, this piece is short, easy to setup, exciting for the crowd, a bit of a workout, fun to play and a challenge.
$45.00
Concerto for Violin and Percussions Op.110
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Ensemble de Percussions
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AVANCÉ
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Kohei KONDO
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Concerto for Violin and Percus
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Kohei KONDO
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.885973 Composed by Kohei KONDO. 20th Century,Contemporary,World. Score and parts. 30 pages. Kohei KONDO #37799. ...
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Percussion Ensemble - Level 5 - SKU: A0.885973 Composed by Kohei KONDO. 20th Century,Contemporary,World. Score and parts. 30 pages. Kohei KONDO #37799. Published by Kohei KONDO (A0.885973). Composed by Japanese composer Kohei KONDOConcerto for Violin and Percussions Op.110 Solo Violin and 3 percussion players Premiered at Tokyo Opera City Recital Hall on 10th Nov. 2010 Violinï¼Kumi NAKAJIMA Percussionï¼Dotten Hakubutsukan 2nd performance at Xebec Hall (Kobe, Hyogo Pref. Japan) Violinï¼Kumi NAKAJIMA Percussionï¼Makoto NOMURA. Chika SURUTA. Yusuke KATAOKA European Premiere:Budapest (BFO Rehearsal Hall in Selmeci utca ) Budapest Festival Orchestra　The Sunday chamber music concerts Violinï¼Levente Szabo Percussionï¼Istvan Kurcsak, Boglarka Fabry, Gabor Pusztai (Members of Budapest Festival Orchestra) Duration : 12 min.YouTube: https://youtu.be/6cdsVtS37Bg Tokyo Opera City Recital Hall on 10th Nov. 2010 Violin/ Kumi NAKAJIMA Percussion/ Dotten Hakubutsukan This concerto is for violin solo and 3 percussion players. The concept is Portable concerto. Small percussion instruments and violin are portable. You can perform this portable violin concerto with original instrumentation in concert hall, salon, street, café, outdoor and various places. For performance or other use and more information. please visit koheikondo.com. http://koheikondo.com/
$8.00
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Conception - Conductor Score