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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Der King
Non classifié
4 330
Piano & claviers
Piano seul
2 458
Piano Facile
751
Piano, Voix
689
Instruments en Do
419
Piano, Voix et Guitare
364
Orgue
142
Accordéon
75
Accompagnement Piano
45
1 Piano, 4 mains
44
Piano Trio: piano, violon, violoncelle
33
2 Pianos, 4 mains
21
Piano Quatuor: piano, violon, alto, violoncelle
10
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Clavecin
3
Orgue, Piano (duo)
3
Piano (partie séparée)
2
Piano grosses notes
2
1 Piano, 6 mains
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Orgue, Trompette (duo)
1
Clavier
1
2 Pianos, 8 mains
1
+ 17 instrumentations
Retracter
Guitares
Guitare
474
Guitare notes et tablatures
414
Ukulele
368
Mandoline
275
Basse electrique
159
Ligne De Mélodie, (Paroles) et Accords
56
Paroles et Accords
20
2 Guitares (duo)
14
4 Guitares (Quatuor)
14
Dulcimer
14
Ensemble de guitares
7
Piano, Guitare (duo)
7
3 Guitares (trio)
5
Guitare (partie séparée)
4
Banjo
4
2 Ukuleles
3
2 Dulcimers (duo)
2
Basse électrique (partie séparée)
1
+ 13 instrumentations
Retracter
Voix
Voix seule
706
Chorale SATB
701
Chorale 3 parties
246
Chorale 2 parties
148
Chorale TTBB
125
Chorale Unison
89
Chorale SSAA
80
Pack Instrumental pour Chorale
79
Voix Soprano, Piano
63
Voix duo, Piano
34
Voix Alto, Piano
34
Voix Tenor, Piano
30
Chorale
18
Voix duo
18
Voix moyenne, Piano
11
Voix Baryton, Piano
9
Voix haute
8
Voix Mezzo-Soprano, Piano
4
Voix Soprano
4
Voix Tenor
4
Voix basse, Piano
3
Voix, Guitare
1
Chorale SSAATTBB
1
Chorale SSAB, Piano
1
Chorale SSATB
1
Chorale SATBB
1
Soli, choeur mixte et accompagnement
1
Voix Soprano, Orchestre
1
Chorale SSATTB
1
+ 24 instrumentations
Retracter
Vents
Flûte à Bec
1 267
Saxophone
753
Flûte traversière
528
Clarinette
451
Flûte à bec Soprano
342
Ocarina
278
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
237
Flûte à bec Alto
237
2 Saxophones (duo)
221
Flûte traversière et Piano
220
Quatuor de Saxophones: 4 saxophones
201
Quintette de Saxophone: 5 saxophones
199
Saxophone Alto
196
Clarinette et Piano
196
Hautbois, Piano (duo)
158
Saxophone Alto et Piano
141
2 Flûtes traversières (duo)
138
Saxophone Tenor
137
Flûte, Hautbois, Clarinette, Basson
133
2 Flûte à bec (duo)
133
Saxophone Tenor et Piano
101
2 Clarinettes (duo)
85
Saxophone Soprano et Piano
85
Hautbois
84
Quatuor de Clarinettes: 4 clarinettes
80
Hautbois (partie séparée)
74
Saxophone (partie séparée)
74
Saxophone Baryton, Piano
74
Harmonica
69
Quatuor de Flûtes à bec
61
Ensemble de saxophones
55
Quatuor de Flûtes : 4 flûtes
54
Flûte à bec Alto, Piano
49
3 Saxophones (trio)
44
Saxophone Soprano
43
Ensemble De Flûte à bec
39
Quintette de Clarinettes: 5 clarinettes
36
2 Hautbois (duo)
33
Ensemble de Clarinettes
32
Ensemble de Flûtes
27
Cor anglais, Piano
27
3 Clarinettes (trio)
26
Flûte à bec Tenor
26
Quintette de Flûte : 5 flûtes
25
Flûte, Violon, Piano
25
Trio de Flûtes: 3 flûtes
24
Clarinette Basse, Piano
24
Saxophone Baryton
23
Flûte, Hautbois, Clarinette (trio)
22
5 Flûtes à bec
22
3 Flûtes à bec (trio)
22
Saxophone, Clarinette (duo)
21
Flûte, Clarinette (duo)
21
Clarinette, Violon (duo)
19
Hautbois, Basson (duo)
17
Flûte et Guitare
14
Flûte à bec Soprano, Piano
14
Flute (partie séparée)
12
Flûte, Violon
11
Clarinette et Alto
11
Flûte à Bec, Piano
11
Clarinette, Basson (duo)
10
Clarinette (partie séparée)
9
Hautbois, Clarinette, Basson (trio d'anches)
9
Hautbois, Clarinette (duo)
8
Hautbois, Flûte
7
Hautbois, Violoncelle
7
Clarinette Basse
7
Flûte, Clarinette et Basson
7
Flûte, Trompette (duo)
6
Clarinette, Violoncelle (duo)
6
Flûte, Violoncelle
5
Flûte, Saxophone (duo)
5
Flûte, Alto (duo)
5
Clarinette, Guitare (duo)
5
Clarinette, Trompette (duo)
4
Flûte, Clarinette, Piano (trio)
4
2 Saxophones, Piano
4
Flûte, Hautbois (duo)
4
Flûte, Violoncelle, Piano (trio)
4
Cor Anglais
4
Flute, harpe et violon
4
Piccolo, Piano
3
Hautbois, Guitare (duo)
3
Hautbois et alto (duo)
3
Flûte, Violon et Violoncelle
3
Flûte, Trombone (duo)
3
3 Hautbois
3
Hautbois, violon (duo)
3
Flûte, Harpe et Violoncelle
2
Clarinette, Contrebasse (duo)
2
Flûte, Hautbois, Basson
2
Clarinette, Trombone (duo)
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Flûte, Basson et Piano
2
Clarinette, Violoncelle, Piano (trio)
1
Flûte à bec, Guitare (duo)
1
Flûte, Hautbois, Piano (trio)
1
Flûte à bec Alto, Basse continue
1
Piccolo
1
2 Flûtes à bec, Piano
1
Flûte, trombone et piano
1
Clarinette, trompette et piano
1
Clarinette, Tuba
1
Clarinette, Harpe (duo)
1
4 Hautbois
1
Cornemuse
1
Ensemble de Hautbois
1
Flûte irlandaise
1
Clarinette, Basson, Piano (trio)
1
Saxophone et Orgue
1
Flûte, Tuba (duo)
1
Flûte, Violon, Violoncelle et Piano
1
+ 108 instrumentations
Retracter
Cuivres
Trompette
411
Trombone
354
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
293
Trompette, Piano
146
Quatuor de Cuivres : 2 trompettes, trombone, tuba
143
Cor
135
Trombone et Piano
131
Cor et Piano
114
Tuba
98
Tuba et Piano
93
Quatuor de Cuivres: 2 trompettes, Cor, trombone
73
Ensemble de Trompettes
51
2 Trompettes (duo)
48
Euphonium, Piano (duo)
41
2 Trombones (duo)
40
Quatuor de Cuivres
33
Quatuor de cuivres: 4 trombones
31
2 Cors (duo)
30
Cor anglais, Piano
27
Euphonium
26
Trompette (partie séparée)
23
Ensemble de Trombones
23
Trombone (partie séparée)
17
Trompette, Trombone (duo)
16
Ensemble de Cors
15
2 Tubas (duo)
14
Trompette, Saxophone (duo)
14
Trio de Cuivres
12
Quatuor de cuivres: 4 cors
10
Quatuor de cuivres: 4 trompettes
8
Tuba et Orgue
4
Cor (partie séparée)
4
Trompette, Basson (duo)
4
4 Tubas
4
2 Euphoniums et 2 Tubas
4
Cor Anglais
4
Tuba (partie séparée)
3
Euphonium, Tuba (duo)
3
Trompette, Cor (duo)
3
3 Cors (trio)
3
3 Trompettes (trio)
3
Cor, Violoncelle (duo)
2
3 Trombones (trio)
2
3 Tubas (trio)
2
Instruments en Sib
2
Trombone basse et Piano
2
Bass Clef Instruments
1
Trombone, Tuba (duo)
1
Euphonium Ou Saxhorn Et Piano
1
Trombone, Violon (duo)
1
Cor et Orgue
1
Trompette, Violoncelle (duo)
1
Cor et Basson (duo)
1
Trombone, Cor (duo)
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Trompette, Tuba (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone, Orgue
1
+ 53 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
511
Violon
496
Violon et Piano
295
Violoncelle
288
Alto seul
253
Violoncelle, Piano
183
Alto, Piano
167
Contre Basse
88
Trio à Cordes: violon, alto, violoncelle
87
Quintette à cordes: 2 violons, alto, violoncelle, basse
85
Contrebasse, Piano (duo)
81
2 Violons (duo)
70
Violon, Violoncelle (duo)
62
Harpe
56
2 Violoncelles (duo)
43
2 Altos (duo)
36
Violon, Alto (duo)
34
Trio à Cordes: 2 violons, violoncelle
28
Alto (partie séparée)
21
Violon (partie séparée)
17
Alto, Violoncelle (duo)
15
2 Contrebasses (duo)
14
2 Harpes (duo)
14
4 Violoncelles
11
Trio à cordes: 3 violins
11
Trio à Cordes: 3 violoncelles
9
Harpe, Voix
8
Quatuor à cordes: 4 violons
8
Harpe, Violon (duo)
7
Trio à Cordes: 2 violons, alto
6
Contrebasse (partie séparée)
6
Ensemble de Violons
6
Ensemble d'Altos
6
Violoncelle , Guitare (duo)
5
Trio à cordes: 3 altos
5
Violoncelle, Contrebasse (duo)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Violoncelle (partie séparée)
5
Quatuor à cordes : 4 altos
4
Violon, Basson (duo)
4
Alto et Basson
4
Ensemble de Violoncelles
3
Piano Trio: Violon, Alto, Piano
3
Violon, Clarinette, Piano (trio)
3
Violon, Guitare (duo)
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
3
Flûte, Contrebasse (duo)
2
Harpe, Flûte (duo)
2
4 Harpes
2
Violoncelle, Basse continue
2
2 Altos, Piano
1
Alto et Harpe
1
4 Contrebasses
1
Harpe, Quatuor à cordes
1
Alto, Guitare (duo)
1
2 Violons, Piano
1
Violon, Tuba (duo)
1
Harpe, Violon, Violoncelle
1
+ 53 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
576
Orchestre
261
Orchestre à Cordes
192
Ensemble Jazz
177
Batterie
130
Ensemble de cuivres
77
Cloches
73
Orchestre de chambre
60
Jazz combo
43
Fanfare
26
Ensemble de Percussions
21
Marimba
12
Xylophone, Piano
11
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
10
Percussion (partie séparée)
9
Xylophone
4
2 Xylophones
3
Vibraphone, Piano
3
Batterie (partie séparée)
3
Caisse Claire
2
Instrumentation Flexible
2
Timbales
2
Vibraphone
2
Piano et Orchestre
2
Orchestre, Violon
1
Percussion
1
Ensemble d'École
1
Quintette de Cuivres: autres combinaisons
1
+ 23 instrumentations
Retracter
Autres
Théorie de la musique
1
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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UKULELE
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VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
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NOËL
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OPERA
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Vous avez sélectionné:
Der King
Ensemble de Percussions
Partitions à imprimer
21 partitions trouvées
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1
In the Hall of the Ancient King
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.968167 Composed by Lawrenc…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.968167 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Score and parts. 10 pages. Lawrence H Underwood #6255167. Published by Lawrence H Underwood (A0.968167). All the pieces in the Mix & Match Ensemble Series were written so that not only like instruments may perform together, but virtually any combination of dissimilar instruments can join together successfully in chamber groups. All of these original compositions are of sufficient length to meet the requirements of solo & ensemble contests and festivals.Each piece in the series has been arranged for and can be performed by any combination of flute, oboe, bassoon, clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, French horn, trumpet (baritone - treble clef), trombone, euphonium/baritone - bass clef, tuba, mallet percussion, violin, viola, cello, and bass.
$5.99
5.52 €
#
Ensemble de Percussions
#
Lawrence H
#
In the Hall of the Ancient King
#
Lawrence H Underwood
#
SheetMusicPlus
Four Forces (First movement) I. Strong Forces
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
276.57 €
#
Ensemble de Percussions
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Four Forces (Second movement) II. Weak Forces
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
138.29 €
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Ensemble de Percussions
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Asian Symmetries
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.935379 Composed by Dan Hes…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.935379 Composed by Dan Heslink. Contemporary,World. Score and parts. 30 pages. Pharaoh Publications #4978359. Published by Pharaoh Publications (A0.935379). Asian Symmetries by Dan Heslink Asian Symmetries is a fanciful work which draws loosely from the musical procedures and sonic preferences of Indonesian and other Asian musical styles. It is scored for three percussionists, each with their own battery of instruments. Gamelan-like impressions might be inferred from the cyclical nature of its rhythm, using metal plates like cymbals and gongs to mark large units of rhythmic time. Also evocative are the faster moving elaborations and a preponderance of metallophones in the instrumentation. The work is medium to difficult in its demands. There are quick changes of instrument, planned to be manageable but requiring some attention to logistics Each player’s performance station must remain stationary, with all instruments in reach without moving the performer’s position. Percussion I and Percussion III players must set up next to each other so that they may share the tenor drum. A selection of mallets that allows different striking surfaces to sound good without undue picking up and setting down of mallets is suggested. Changes of meter and tempo occur, and an odd meter section sporting measures in 12/8, 6/8, 11/8 may require some additional attention. The instrumentation is selected to approximate Asian sounds with common western instruments. Performance time is 6:28. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$4.99
4.6 €
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Ensemble de Percussions
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Dan Heslink
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Asian Symmetries
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Pharaoh Publications
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SheetMusicPlus
Alexandriana for Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Hes…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Great’s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The music’s sectional nature parallels the library’s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the score’s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$9.99
9.21 €
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Ensemble de Percussions
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Dan Heslink
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Alexandriana for Percussion Ensemble
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Pharaoh Publications
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SheetMusicPlus
Stand By Me
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.891147 By Ben E. King. By …
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.891147 By Ben E. King. By Ben E. King, Jerry Leiber, and Mike Stoller. Arranged by Shelly Davis. 20th Century,Contemporary,Film/TV,Pop,Rock. Score and parts. 8 pages. Shelly Davis #4354845. Published by Shelly Davis (A0.891147). Older elementary students will have a blast playing this 50's smooth rock tune on their favorite percussion instrument, Boomwhackers. Arranged in three parts: Melody, Harmony, and Bass, this song is sure to be a favorite among your students and an audience pleaser at your concert.Each part is written within the C4-C5 octave range (Middle C to Treble C on the Treble Staff). Tricky rhythm patterns are easily taught by rote and auditory recognition.
$12.99
11.98 €
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Ensemble de Percussions
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Ben E
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Shelly Davis
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Stand By Me
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Shelly Davis
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SheetMusicPlus
Ex's & Oh's
Ensemble de Percussions
Percussion Ensemble Mallet Percussion - Level 4 - Digital Download By Elle King. By D…
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Percussion Ensemble Mallet Percussion - Level 4 - Digital Download By Elle King. By Dave Bassett and Tanner Schneider. Arranged by Doug Edwards. Contemporary. Score and parts. 16 pages. Doug Edwards #5713057. Published by Doug Edwards
$14.99
13.82 €
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Ensemble de Percussions
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Elle King
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Ex's & Oh's
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Doug Edwards
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SheetMusicPlus
Gravity for Septet
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by Mohamm…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
15.66 €
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Ensemble de Percussions
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
Zona Centro (Downtown)
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1029902 Composed by Luis C…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1029902 Composed by Luis Carlos Diaz. Arranged by Luis Carlos Diaz. 20th Century,Contemporary,Hip-Hop,World. Score and parts. 119 pages. Azdi #5983083. Published by azdi (A0.1029902). Downtown area Musical work, for chamber orchestra, which recreates the atmospheres experienced when walking through the streets of the downtown area of ​​my city (Tijuana). Using the popular urban rhythms that can be heard live, performed by all the city's musicians, such as: Rap hip hop). The most popular and booming genre among young people in this city in particular and throughout Mexico in general. Jazz, which since the 1960s has been played on the legendary Av. Revolución. Aztec Dance (Mexica) that is still practiced by various circles of the city and the country, preserving ancient cultures. Reggae. Music of conscience and positive message, which is the most listened to and performed by numerous local and independent bands from the northern border. Divided into three parts, it begins with a melody or main theme, such as the bass line used on rap tracks, played first by the trombone, the double bass, and later also by the other instruments, on a rhythmic basis in the section of percussions with a characteristic rhythm of rap music at a speed of 90 bpm.
$33.00
30.42 €
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Ensemble de Percussions
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Luis Carlos Diaz
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Luis Carlos Diaz
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Zona Centro
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azdi
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SheetMusicPlus
Don't Worry, Be Happy
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.899162 By Bobby McFerrin. …
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ricardo Matosinhos #5723941. Published by Ricardo Matosinhos (A0.899162). This is a well known piece by Bobby McFerrin. Here presented on a music arrangement for unconventional music instruments. The arrangement allows flexibility, so this piece can be performed using tuned bottles (25cl, 33cl and 75cl), lip whistle, finger snaps, complemented with xylophones and optionally with voices to sing the lyrics too. This arrangement was made during the 2020 quarantine, when the world was shutdown due to a world virus pandemic. Some of the music students didn’t have their music instruments at home, so this arrangement came up to fill that gap and it is perfect to keep doing music with the available option of instruments.On each rehearsal letter, you can play optional improvisations, while keeping the voices 5-8. These improvisations can be easily done using the C major pentatonic scale or the note ranges presented on the right, that even include Eâ™ and Bâ™. If played using lip whistle, bendings will be possible too. This arrangement presents 8 voices and an alternative solution for voice 8, that makes it easier to be performed as it is the place where bottles are divided between the players. There is also an optional bass line to complement voice eight one octave bellow. In order to keep it simple, neither dynamics or articulations were included and the notes were represented always in the middle octave in G clef. The correct pitch ranges are presented in the performance notes.The amount of water will change the pitch differently depending if you are blowing or doing percussion on a bottle. When blowing, the more water you use, the higher the pitch will be, but while doing percussions more water means lower pitch. A good option, in order to save time during rehearsals, is to fill the bottles with water, marking the level with a pen, and then filling the bottle with the desired amount of hot wax instead of water. This way, when the wax cools down you can have a tuned bottle without requiring to tune it again every single rehearsal. Please note that the bottles should be made of glass and that different aspects change the performance. For percussion, straight bottles are better to tune as the curves in the bottles tend to produce unstable pitches. The extreme notes of the range might not be available in every single bottle, so you might need to try some alternatives. For example the high A is available in some beer bottles, while the low G is available in larger 75cl bottles of champaign. Last but not least, this piece should always be played according to Bobby’s motto: dont worry, be happy!I had lots of fun while doing this arrangement, now it’s your time to have fun while performing it!Ricardo Matosinhoshttp://www.ricardomatosinhos.com
$14.99
13.82 €
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Ensemble de Percussions
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Bobby McFerrin
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Ricardo Matosinhos
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Don't Worry, Be Happy
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Ricardo Matosinhos
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SheetMusicPlus
Closer
Ensemble de Percussions
Percussion Ensemble - Digital Download SKU: A0.741288 By The Chainsmokers. By Andre…
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Percussion Ensemble - Digital Download SKU: A0.741288 By The Chainsmokers. By Andrew Taggart, Ashley Frangipane, Frederic Kennett, Isaac Slade, Joseph King, and Shaun Frank. Arranged by Nico Mendoza. Pop. Score and parts. 33 pages. Nico Mendoza #2951671. Published by Nico Mendoza (A0.741288). The Chainsmoker's hit song Closer arranged for 2 Synthesizers, Bells, Xylophone, 2 Vibraphones, 2 Marimbas , 2 Auxiliary Percussion, Bass Guitar, and Drum Set.
$40.00
36.88 €
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Ensemble de Percussions
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The Chainsmokers
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Nico Mendoza
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Closer
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Nico Mendoza
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SheetMusicPlus
Closer - Score Only
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1304637 By The Chainsmoker…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1304637 By The Chainsmokers. By Andrew Taggart, Ashley Frangipane, Frederic Kennett, Isaac Slade, Joseph King, and Shaun Frank. Arranged by Josh Ball. 21st Century,Pop. 1 pages. The BeatCave #894077. Published by The BeatCave (A0.1304637). Color-coded Top 40 chart for use with Boomwhackers, Xylophones, Keyboards, and all pitched percussion instruments.
$4.99
4.6 €
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Ensemble de Percussions
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The Chainsmokers
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Josh Ball
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Closer - Score Only
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The BeatCave
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SheetMusicPlus
Lujon
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.835880 By Joe Chindamo. By…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.835880 By Joe Chindamo. By Henry Mancini. Arranged by Paul Burnell. Contemporary. Score and parts. 11 pages. Paul Burnell #6487209. Published by Paul Burnell (A0.835880). Lujon, by Henry Mancini, arranged by Paul Burnell for percussion quartet.Duration 2:30Download comprises both score and parts.VibraphoneMarimba*GuiroCabasa, Bongos* If a Lujon, or electronic equivalent, is available it may optionally be used to play the pattern from the beginning in the marimba part, with the marimba taking over between rehearsal letters A-B and C-E.This arrangement retains the key of the original composition.Programme note:'Lujon' (also known as 'Slow Hot Wind') is a composition by US composer Henry Mancini (1924 - 1994). A recording of the piece was included on Mancini's 1961 album 'Mr. Lucky Goes Latin'. The title comes from the lujon percussion instrument invented by William Loughborough and which is played on the album recording. The lujon derived its name from 'John Lewis' - the American jazz pianist who bought the first instrument from Loughborough.
$12.99
11.98 €
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Ensemble de Percussions
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Joe Chindamo
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Paul Burnell
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Lujon
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Paul Burnell
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SheetMusicPlus
Fake Love
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.870498 By Drake. By Adam K…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.870498 By Drake. By Adam King Feeney, Anderson Hernandez, Aubrey Graham, and Brittany Hazzard. Arranged by Ryan Jonker. Hip-Hop,R & B. Score and parts. 16 pages. Ryan Jonker #3433807. Published by Ryan Jonker (A0.870498). Click here to watch and listen to the score: https://youtu.be/K1atAcL7ZhIThis is a simple and fun percussion arrangement of Fake Love by Drake. Glockenspiel, 2 Vibraphones, 2 Marimbas, Drumset, and Toms. Enjoy!Contact the arranger with any questions: ryanjonkermusic@gmail.comhttp://www.ryanjonkermusic.com
$19.99
18.43 €
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Ensemble de Percussions
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Drake
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Ryan Jonker
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Fake Love
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Ryan Jonker
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SheetMusicPlus
En Rêve for Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.1028124 Composed by Anders…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.1028124 Composed by Anders Wall. 20th Century,Contemporary. Score and parts. 23 pages. WallofSound #3374791. Published by WallofSound (A0.1028124). En Rêve, In Dream, was conceived when I studied composition for Tobias Broström. Every day I was commuting from Skurup to Båstad and every day I was struck by Båstads almost continental beauty; I felt like I was in France. Cobble stone roads, houses with towers and that mountain ridge close to the ocean...One day on the train, I ran into three French girls on holiday.Patiently they listened to my ideas and kindly helped me translate the tempo markings to French. The piece begins with us falling to sleep. The marimbas rocks us slowly In Dream.After sudden movements in the vibraphone we are happily strolling on the cobble stones, sun shining and children riding their bikes across the streets not noticing the rocky ride.Bells chime in the distance and the world – or the dream – vanish. As sudden as it started it is gone.The dissonance of the beginning is now gone and our sleep is peaceful and calm - or is it..? Originally a solo piece for Marimba dedicated to Kasper Grøn.Thanks to Camille, Carole, Raphaëlle for the help with the French.
$10.00
9.22 €
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Ensemble de Percussions
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Anders Wall
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I felt like I was in France
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En Rêve for Percussion Ensemble
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WallofSound
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SheetMusicPlus
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 2 (Strings, Harp, Timpani, Pe
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.730494 Composed by James N…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.730494 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 326 pages. James Nathaniel Holland #4800780. Published by James Nathaniel Holland (A0.730494). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. INDIVIDUAL INSTRUMENT PARTS 2 (Strings, Harp, Timpani and Percussion). Piano Score, Full Orchestral Score, Individual Parts (Part 1) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$34.95
32.22 €
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Ensemble de Percussions
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James Nathaniel Holland
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The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 2
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James Nathaniel Holland
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SheetMusicPlus
Mimi`s Dream
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.889421 Composed by Luis An…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.889421 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 37 pages. Luis Anjos Teixeira #3516025. Published by Luis Anjos Teixeira (A0.889421). „Mimi`s Dream is a piece for a mixed group of about 18 musicians. Pan flute, soprano recorder 1, soprano recorder 2, alto flute, tenor recorder, bass recorder, bass flute, Bells, tubular bells, chimes, percussion, drumset, Harp, celesta, double bass, BW tubes, It is a flexible piece and very easy for some of the performers, so it can be played by a mixed group of beginners, middle and advanced musicians altogether. Entirely dedicated to Mimi the Stray Queen Cat, that adopted me and my Wife for her Family. The score was written on Finale. The sound file was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina, and to Stray Queen Mimi plus all my Feline Family. Thank you for all the Love and Compassion. Love Forever. Luis Anjos Teixeira
$22.22
20.48 €
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Ensemble de Percussions
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Luis Anjos Teixeira
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Mimi`s Dream
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Luis Anjos Teixeira
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SheetMusicPlus
The Gloucestershire Wassail for Percussion Octet
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.923874 Composed by Traditi…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.923874 Composed by Traditional Christmas. Arranged by Kevin A. Worley. Christmas,Classical. Score and parts. 26 pages. Kevin Worley #3517537. Published by Kevin Worley (A0.923874). The Gloucestershire Wassail for Percussion Octet (2:15) Wassail is a beverage of hot mulled cider, drunk traditionally as an integral part of wassailing, a Medieval Christmastide English drinking ritual. This is a somewhat obscure English Christmastime wassailing song that has a lovely melody and works well with a bouncy, percussive style. Octet, score and all parts.
$4.99
4.6 €
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Ensemble de Percussions
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Traditional Christmas
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Kevin A
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The Gloucestershire Wassail for Percussion Octet
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Kevin Worley
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SheetMusicPlus
D 'n C
Ensemble de Percussions
Percussion Ensemble - Level 1 - Digital Download SKU: A0.797630 Composed by Jeremy …
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.797630 Composed by Jeremy Barnett. 20th Century,Contemporary,Instructional,Rock,World. Score and parts. 16 pages. Jeremy Barnett #6305157. Published by Jeremy Barnett (A0.797630). This short and groovy work is ideal for your junior/beginner ensemble. Players will love the modern melodies and interlocking patterns, as well as be challenged by syncopated rhythms and stick coordination. Each player is individually showcased, and the parts are simple enough that non-percussionists can join the ensemble too. All parts can be easily doubled to allow more musicians to join in.P. 1 - glockenspielP. 2 - xylophoneP. 3 - timpaniP. 4 - snare drum + tambourineP. 5 - bass drum + triangle.
$14.00
12.91 €
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Ensemble de Percussions
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Jeremy Barnett
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D 'n C
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Jeremy Barnett
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SheetMusicPlus
Up the Body and Down the Page
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1013929 Composed by Tsoof …
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1013929 Composed by Tsoof Baras. Concert,Contemporary,Instructional,Standards. Score and parts. 16 pages. Tsoof Baras #6663587. Published by Tsoof Baras (A0.1013929). Players - 4Instrumentation - Body Percussion‘Up the Body and Down the Page’ is a body percussion piece for percussion quartet. This piece involves the playing of one’s body as an instrument. For musicians, this piece is short, easy to setup, exciting for the crowd, a bit of a workout, fun to play and a challenge.My aim for this piece was to emulate the concept of ‘seeing sounds’ by only creating sound in the light. It was a challenge to get the lighting effect that provided us with a sharp difference between light and dark.Because it is such a physical piece, I would encourage the performers to add in choreography and to exercise the power of choice in terms of sticking (‘handings’ and ‘footings’) and the choice between standing and sitting. The performers may also experiment with visual mediums like talcum powder and other sound choices like using toy hammers instead of hands and choosing extremely thick shoes.
$45.00
41.49 €
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Ensemble de Percussions
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Tsoof Baras
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Up the Body and Down the Page
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Tsoof Baras
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SheetMusicPlus
In the Night (for percussion ensemble-sextet)
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.995511 Composed by James M…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.995511 Composed by James M. Johnson. Contemporary,Latin,World. Score and parts. 36 pages. Myles Music James Johnson #3562065. Published by Myles Music James Johnson (A0.995511). In the Night was premiered during the 2017concert season by the Southern Utah University Percussion Ensemble, under the direction Dr. Lynn Vartan A beautiful piece that creates calm, exciting and energetic energy! Great for any concert program! Level: advanced high school, college students and beyond!Score comes with performance and program notes! for a quick viewing please visit either the website listed above or you tube channel.https://www.youtube.com/watch?v=mmP1pI-AELU&t=5sPlease report your performance to me. I can be reached at: jamesjohnsonfrankie@outlook.comIMPORTANT!Support creators by not illegally copying music. If you enjoy ANY piece please support and purchase.Thanks and happy music making!
$45.00
41.49 €
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Ensemble de Percussions
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James M
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In the Night
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Myles Music James Johnson
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SheetMusicPlus
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