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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Des\'ree
Non classifié
3 221
Piano & claviers
Piano seul
2 993
Piano Facile
634
Piano, Voix
501
Orgue
282
Piano, Voix et Guitare
245
Accordéon
190
Instruments en Do
118
Piano Trio: piano, violon, violoncelle
52
1 Piano, 4 mains
51
Accompagnement Piano
39
2 Pianos, 4 mains
36
Piano Quatuor: piano, violon, alto, violoncelle
9
Orgue, Piano (duo)
8
Clavecin
8
Orgue, Trompette (duo)
7
1 Piano, 6 mains
7
Piano grosses notes
3
Piano (partie séparée)
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Accordéon, Voix
1
Clavier
1
2 Pianos, 8 mains
1
+ 17 instrumentations
Retracter
Guitares
Guitare
657
Basse electrique
312
Guitare notes et tablatures
235
Ukulele
76
Ligne De Mélodie, (Paroles) et Accords
28
Mandoline
22
Paroles et Accords
22
Dulcimer
16
Banjo
16
2 Guitares (duo)
15
Piano, Guitare (duo)
14
4 Guitares (Quatuor)
11
Guitare (partie séparée)
6
Ukulele Baryton
6
3 Guitares (trio)
4
2 Dulcimers (duo)
3
Ensemble de guitares
3
Guitare, Quatuor à cordes
2
Guitare Pedal Steel
1
Orchestre à Plectres
1
+ 15 instrumentations
Retracter
Voix
Chorale SATB
738
Chorale 3 parties
324
Voix seule
214
Chorale Unison
107
Chorale 2 parties
98
Pack Instrumental pour Chorale
78
Chorale TTBB
61
Chorale SSAA
41
Voix Soprano, Piano
22
Chorale
18
Voix duo
16
Voix duo, Piano
15
Voix Alto, Piano
15
Voix haute
11
Voix Baryton, Piano
11
Voix moyenne, Piano
4
Chorale SSAATTBB
2
Voix Tenor, Piano
2
Chorale SSATTB
1
Male Voice
1
Voix Soprano
1
Voix Tenor
1
Chorale SSAB, Piano
1
Soli, choeur mixte et accompagnement
1
Chorale SSATB
1
Voix, Guitare
1
+ 21 instrumentations
Retracter
Vents
Saxophone
1 169
Clarinette
663
Flûte traversière
658
Flûte traversière et Piano
314
2 Flûtes traversières (duo)
207
3 Clarinettes (trio)
152
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
134
2 Saxophones (duo)
129
Clarinette et Piano
123
Quatuor de Saxophones: 4 saxophones
120
Quatuor de Clarinettes: 4 clarinettes
111
Saxophone Alto et Piano
103
Trio de Flûtes: 3 flûtes
98
Hautbois, Piano (duo)
98
Hautbois
98
Flûte à Bec
96
Saxophone Alto
88
Flûte, Hautbois, Clarinette, Basson
84
Saxophone Tenor et Piano
84
Quatuor de Flûtes : 4 flûtes
81
Saxophone Tenor
80
2 Clarinettes (duo)
67
Flûte à bec Soprano
63
Quintette de Saxophone: 5 saxophones
60
Saxophone (partie séparée)
53
3 Saxophones (trio)
45
Saxophone Soprano et Piano
44
Flûte et Guitare
37
Hautbois (partie séparée)
37
Flûte, Clarinette (duo)
35
Ensemble de saxophones
32
Saxophone Baryton, Piano
31
Ensemble de Clarinettes
30
Hautbois, Basson (duo)
30
Saxophone, Clarinette (duo)
27
Clarinette, Violon (duo)
25
Flûte, Violon
23
2 Hautbois (duo)
22
Quintette de Clarinettes: 5 clarinettes
22
Quatuor de Flûtes à bec
22
Flûte, Violon, Piano
21
Hautbois, Flûte
19
Cor anglais, Piano
18
Clarinette, Guitare (duo)
16
Ensemble de Flûtes
15
Hautbois, Clarinette (duo)
15
Clarinette Basse, Piano
15
Flûte à bec Soprano, Piano
15
Quintette de Flûte : 5 flûtes
14
3 Flûtes à bec (trio)
14
Ocarina
14
2 Flûte à bec (duo)
14
Flûte, Hautbois, Clarinette (trio)
14
Clarinette, Violoncelle (duo)
12
Saxophone Soprano
12
Clarinette, Trompette (duo)
12
Clarinette, Basson (duo)
12
Clarinette (partie séparée)
12
Flûte, Clarinette, Piano (trio)
11
Flûte, Violoncelle
11
Harmonica
10
Flûte, Trompette (duo)
9
Flûte, Alto (duo)
9
Flûte, Saxophone (duo)
9
Clarinette et Alto
9
Flûte, Basson et Piano
9
Cor anglais, Guitare (duo)
8
Hautbois, Clarinette, Basson (trio d'anches)
8
Flûte à bec Alto
7
2 Flûtes traversières, Piano
7
Flûte, Hautbois (duo)
6
Flûte, Violoncelle, Piano (trio)
6
Flûte, Violon et Violoncelle
6
Flute (partie séparée)
6
Flûte, Clarinette et Basson
6
Flûte à Bec, Piano
6
Saxophone et Guitare
5
Flûte, Trombone (duo)
5
2 Saxophones, Piano
4
Flûte, trombone et piano
3
Flute, harpe et violon
3
Flûte à bec Tenor
3
2 Clarinettes, Basson
3
Flûte irlandaise
3
Flûte, Hautbois, Piano (trio)
3
Flûte, Hautbois, Basson
3
2 Clarinettes, Piano
3
Flûte, Harpe et Violoncelle
3
Clarinette, trompette et piano
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Clarinette, Violoncelle, Piano (trio)
2
Ensemble de Hautbois
2
Flûte, Tuba (duo)
2
Hautbois, Violoncelle
2
Hautbois, violon (duo)
2
Flûte à bec Alto, Piano
2
Clarinette, Harpe (duo)
2
Hautbois, Guitare (duo)
2
Flûte, Violon, Violoncelle et Piano
2
5 Flûtes à bec
2
Flûte de Pan
1
Hautbois, Harpe
1
Piccolo, Piano
1
Piccolo
1
4 Hautbois
1
Flûte, Alto et Piano
1
Saxophone et Orgue
1
2 Cors Anglais Et Pianoforte
1
Saxophone Baryton
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Clarinette, Violon (trio)
1
Clarinette Basse
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte, Violoncelle, Guitare
1
Ensemble De Flûte à bec
1
Flûte et Trio à cordes
1
Saxophone, Violon (duo)
1
2 Hautbois, 2 Cors et 2 Bassons
1
Flûte et Quatuor à Cordes
1
Cor anglais et Harpe (duo)
1
+ 115 instrumentations
Retracter
Cuivres
Trompette
525
Trombone
466
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
141
Quatuor de Cuivres : 2 trompettes, trombone, tuba
95
Trombone et Piano
88
Trompette, Piano
84
Cor
61
Cor et Piano
48
Euphonium
41
Tuba
40
Quatuor de Cuivres
36
2 Trompettes (duo)
34
Tuba et Piano
33
2 Trombones (duo)
33
Euphonium, Piano (duo)
29
Trombone (partie séparée)
29
Trompette, Trombone (duo)
28
Trompette (partie séparée)
27
Quatuor de Cuivres: 2 trompettes, Cor, trombone
25
Trompette, Saxophone (duo)
24
Quatuor de cuivres: 4 trombones
21
Ensemble de Trombones
21
2 Cors (duo)
20
Cor anglais, Piano
18
Ensemble de Trompettes
15
2 Tubas (duo)
12
Trio de Cuivres
11
Quatuor de cuivres: 4 cors
10
3 Trompettes (trio)
10
Cor anglais, Guitare (duo)
8
3 Trombones (trio)
8
Ensemble de Cors
7
Quatuor de cuivres: 4 trompettes
7
Euphonium, Tuba (duo)
6
4 Tubas
6
Cor (partie séparée)
6
Trombone basse
5
Bass Clef Instruments
4
Trompette, violon (duo)
4
Cor, Violoncelle (duo)
4
Cor, Tuba (duo)
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
2 Euphoniums (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Tuba (partie séparée)
3
Trompette, Cor (duo)
3
Trompette, Trombone, Piano
3
2 Trompettes, Clavier (piano ou orgue)
3
Trombone basse et Piano
3
3 Euphoniums
2
3 Cors (trio)
2
3 Tubas (trio)
1
Tuba et Orgue
1
2 Cors Anglais Et Pianoforte
1
Ensemble de Tubas
1
Trombone et orchestre
1
2 Euphoniums et 2 Tubas
1
2 Trombones, Piano
1
Trompette, Violoncelle (duo)
1
Trombone, Cor (duo)
1
Cor anglais et Harpe (duo)
1
+ 56 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
2 141
Violon
775
Trio à Cordes: violon, alto, violoncelle
587
Violoncelle
449
Alto seul
376
Violon et Piano
255
Trio à cordes: 3 violins
240
Quintette à cordes: 2 violons, alto, violoncelle, basse
138
Trio à Cordes: 2 violons, violoncelle
117
Violoncelle, Piano
109
Alto, Piano
108
Harpe
106
Violon, Violoncelle (duo)
93
2 Violons (duo)
69
Trio à Cordes: 3 violoncelles
68
Violon, Alto (duo)
53
2 Violoncelles (duo)
46
2 Altos (duo)
41
Contre Basse
39
Quatuor à cordes: 4 violons
32
Violon (partie séparée)
27
4 Violoncelles
26
Trio à cordes: 3 altos
23
2 Harpes (duo)
19
Contrebasse, Piano (duo)
19
Trio à Cordes: 2 violons, alto
16
Quatuor à cordes : 4 altos
16
Violon, Guitare (duo)
14
Contrebasse (partie séparée)
14
Alto (partie séparée)
14
Trio à cordes
14
Violoncelle, Contrebasse (duo)
11
Alto, Violoncelle (duo)
10
Harpe, Flûte (duo)
10
Harpe et Piano
9
Quintette à cordes: 2 violons, 2 altos, violoncelle
9
2 Contrebasses (duo)
8
Ensemble de Violons
8
Piano Trio: Violon, Alto, Piano
7
Violoncelle , Guitare (duo)
7
Ensemble d'Altos
6
Flûte, Contrebasse (duo)
5
Violon, Clarinette, Piano (trio)
5
Harpe, Voix
5
Alto, Guitare (duo)
5
4 Contrebasses
4
Harpe, Violoncelle (duo)
3
Violoncelle (partie séparée)
3
Violon, Violoncelle, Clarinette
2
Harpe et mandoline
2
2 Violoncelles, Piano
2
Violon, Basson (duo)
1
Alto et Basson
1
Harpe, Violon (duo)
1
4 Harpes
1
Autoharp
1
Ensemble de Violoncelles
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
2 Violons, Piano
1
Harpe, Quatuor à cordes
1
+ 55 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
1 187
Orchestre d'harmonie
913
Batterie
404
Orchestre
370
Ensemble Jazz
164
Ensemble de cuivres
120
Cloches
92
Jazz combo
70
Fanfare
60
Orchestre de chambre
59
Ensemble de Percussions
36
Marimba
10
Percussion
9
Percussion (partie séparée)
7
Vibraphone
4
Batterie (partie séparée)
3
Orchestre, Violon
2
Xylophone, Piano
2
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
Xylophone
1
3 Percussions
1
+ 17 instrumentations
Retracter
Autres
Formation musicale - Solfège
6
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
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SheetMusicPlus
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Vous avez sélectionné:
Des\'ree
Ensemble de Percussions
Partitions à imprimer
36 partitions trouvées
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1
26
<Mallet Trio> Laideronnette,impératrice des pagodes from Ma Mère l'Oye
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Ensemble de Percussions
#
INTERMÉDIAIRE/AVANCÉ
#
Maurice Ravel
#
Tsuyoshi Yoroiguma
#
<Mallet Trio> Laideronne
#
Tsuyoshi Yoroiguma
#
SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.711307 Composed by Maurice Ravel. Arranged by Tsuyoshi Yoroiguma. 20th Century,Concert,Standards,World. Score an...
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Percussion Ensemble - Level 4 - SKU: A0.711307 Composed by Maurice Ravel. Arranged by Tsuyoshi Yoroiguma. 20th Century,Concert,Standards,World. Score and parts. 13 pages. Tsuyoshi Yoroiguma #4413649. Published by Tsuyoshi Yoroiguma (A0.711307). This music is famous as a French piano work in 20th century. This arrangement is for three mallet players. Instrumentation : 2 Glockens / Vibraphone / optional 1or 2 GongsThis is a very unique program for mallet ensemble. Audience will be enchanted to an exotic sound.PDF file includes 7pages of score and 6 pages of parts.
$17.00
Street Beats for Percussion Quartet
#
Ensemble de Percussions
#
AVANCÉ
#
David Chesky
#
Street Beats for Percussion Qu
#
Pamaluc Music
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.882386 Composed by David Chesky. Contemporary,Jazz. Score and parts. 207 pages. Pamaluc Music #18591. Published ...
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Percussion Ensemble - Level 5 - SKU: A0.882386 Composed by David Chesky. Contemporary,Jazz. Score and parts. 207 pages. Pamaluc Music #18591. Published by Pamaluc Music (A0.882386). A highly energized work for percussion quartet that uses the rhythms of the streets of New York. Latin, Hip hop, jazz collides with modern 21st century harmony. Duration 12:00 min Percussion Quartet.
$14.98
Nutcracker Nuggets - Three Percussion Quartets from The Nutcracker Suite
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Ensemble de Percussions
#
INTERMÉDIAIRE
#
Noël
#
Peter Ilyich Tchaikovsky
#
Kevin A
#
Nutcracker Nuggets - Three Per
#
Kevin Worley
#
SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.923880 Composed by Peter Ilyich Tchaikovsky. Arranged by Kevin A. Worley. Christmas. Score and parts. 48 pages. ...
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Percussion Ensemble - Level 3 - SKU: A0.923880 Composed by Peter Ilyich Tchaikovsky. Arranged by Kevin A. Worley. Christmas. Score and parts. 48 pages. Kevin Worley #4897129. Published by Kevin Worley (A0.923880). Quartet for Percussion Ensemble. Three dances from The Nutcracker Suite. 1) Dance of the Reed Flutes. 2) Dance of the Sugar Plum Fairly. 3) Russian Dance. Fairly straight forward adaptations of some personal favorites from the ballet classic. Structure is altered slightly. Intermediate keyboard percussion parts with a modest percussion toys accompaniment.
$9.99
Dance of the Reed Flutes for Percussion Quartet
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Ensemble de Percussions
#
INTERMÉDIAIRE
#
Noël
#
Peter Ilyich Tchaikovsky
#
Kevin A
#
Dance of the Reed Flutes for P
#
Kevin Worley
#
SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.923878 Composed by Peter Ilyich Tchaikovsky. Arranged by Kevin A. Worley. Christmas. Score and parts. 18 pages. ...
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Percussion Ensemble - Level 3 - SKU: A0.923878 Composed by Peter Ilyich Tchaikovsky. Arranged by Kevin A. Worley. Christmas. Score and parts. 18 pages. Kevin Worley #4896969. Published by Kevin Worley (A0.923878). Quartet for Percussion Ensemble. Part of Nutcracker Nuggets - Three Percussion Quartets from The Nutcracker Suite. A fairly straight forward adaptation of the ballet classic with its structure altered slightly. Intermediate keyboard percussion parts with a modest percussion toys accompaniment.
$3.99
Trio for Three Marimbas
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Ensemble de Percussions
#
David Garner
#
Trio for Three Marimbas
#
David Garner Music
#
SheetMusicPlus
Percussion Ensemble - SKU: A0.947356 Composed by David Garner. 20th Century,Contemporary,Jazz. Score and parts. 68 pages. David Garner Music #2888289. P...
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Percussion Ensemble - SKU: A0.947356 Composed by David Garner. 20th Century,Contemporary,Jazz. Score and parts. 68 pages. David Garner Music #2888289. Published by David Garner Music (A0.947356). Trio for Three Marimbas (two mallets) Three movements for three marimbas. I. Sidestep, II. Canon for the Imam, III. Splinters. Duration c. 12:00
$15.00
Kookaburra (kookaburra Sits In The Old Gum Tree)
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Ensemble de Percussions
#
DÉBUTANT
#
Marion Sinclair
#
Fiona Hickie
#
Kookaburra
#
Fiona Alice Hickie
#
SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.738263 Composed by Marion Sinclair. Arranged by Fiona Hickie. Contemporary,Folk,Instructional,Multicultural,Worl...
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Percussion Ensemble - Level 1 - SKU: A0.738263 Composed by Marion Sinclair. Arranged by Fiona Hickie. Contemporary,Folk,Instructional,Multicultural,World. Score and parts. 26 pages. Fiona Alice Hickie #6232675. Published by Fiona Alice Hickie (A0.738263). An arrangement of Kookaburra for the primary/elementary school music class. It includes sheet music and teaching resources. It is for voice, soprano xylophone, and 2 alto xylophone parts. A tambourine is also used in the round.•Song: Melody and sheet music for the instrumental parts.
$12.99
Free Fallin'
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Ensemble de Percussions
#
DÉBUTANT
#
Rock
#
John Mayer
#
Stephen Lawhorne
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Free Fallin'
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StevoPanMan
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SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.1016549 By John Mayer. By Jeff Lynne and Tom Petty. Arranged by Stephen Lawhorne. Pop,Rock. Score and parts. 27 ...
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Percussion Ensemble - Level 1 - SKU: A0.1016549 By John Mayer. By Jeff Lynne and Tom Petty. Arranged by Stephen Lawhorne. Pop,Rock. Score and parts. 27 pages. StevoPanMan #5725959. Published by StevoPanMan (A0.1016549). A relatively easy steel band arrangement of this classic song. BONUS: Lead 1 can be played on the Jumbie Jam if your ensemble includes those instruments. Also great for combined concerts with elementary groups. Arranged for: Lead 1/Jumbie Jam, Lead 2, Doubles, Guitar/Cello, Bass Pans, Electric Bass and Drum Set.
$25.00
<Mallet Trio> Petit Poucet from Ma Mère l'Oye
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Maurice Ravel
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Tsuyoshi Yoroiguma
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<Mallet Trio> Petit Pouc
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Tsuyoshi Yoroiguma
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.711624 Composed by Maurice Ravel. Arranged by Tsuyoshi Yoroiguma. 20th Century,Children,Concert,Standards. Score...
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Percussion Ensemble - Level 4 - SKU: A0.711624 Composed by Maurice Ravel. Arranged by Tsuyoshi Yoroiguma. 20th Century,Children,Concert,Standards. Score and parts. 12 pages. Tsuyoshi Yoroiguma #6517955. Published by Tsuyoshi Yoroiguma (A0.711624). This is a famous French piano music by Maurice Ravel arranged for three mallet players. Instrumentation: 2 Glockens / Vibraphone / 2 Gongs(optional)※Two Gongs can be used if you need.※If two Gongs (different pitches) are not available, you can use only one gong.PDF file includes 6 pages of score and 6 pages of parts.Playing time is 2 min 40 sec.If you hope to your program better, please try to add <Mallet Trio> Laideronnette,impératrice des pagodes from Ma Mère l'Oye (S0.553437).
$18.00
Four Forces (First movement) I. Strong Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Ensemble de Percussions
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AVANCÉ
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Antonio J
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Two Dreams for solo Trombone a
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Gordon Cherry
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #...
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Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
When The River Meets The Sea
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Andrew Charles Naylor and Roma
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Jilly Cooke
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When The River Meets The Sea
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Jilly Paige Cooke
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.984036 Composed by Andrew Charles Naylor and Roma Connie Waterman. Arranged by Jilly Cooke. Contemporary. Score ...
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Percussion Ensemble - Level 4 - SKU: A0.984036 Composed by Andrew Charles Naylor and Roma Connie Waterman. Arranged by Jilly Cooke. Contemporary. Score and parts. 72 pages. Jilly Paige Cooke #5797561. Published by Jilly Paige Cooke (A0.984036). Paul Williams's beloved tune from the Jim Henson Company's timeless Christmas special Emmet Otter's Jug-Band Christmas is now available as an arrangement for percussion ensemble!Originally performed in December 2019 by the University of Iowa School of Music's percussion studio, under the direction of Dr. Dan Moore, this lively, jazzy arrangement was lovingly crafted by Iowa Percussion's own Jilly Cooke, a music education major who was a junior at the time of this arrangement's premiere. As a lifelong fan of the Muppets (and a promising aspiring puppeteer herself), Cooke cleverly weaves in numerous references to various tunes and styles that have influenced her musical preferences and career (with notes in the score to bring out these musical quotes). Beginning with a faithful adaptation of the original gospel-waltz ballad feel from the TV special, the arrangement swiftly transitions into a toe-tapping, New Orleans-style second-line groove with a solo section and a witty trade-off section in the middle.Instrumentation of 8 players includes: Vibraphone 1 (preferably includes E3), Vibraphone 2, Marimba 1/Accordion (optional use of amplified Melodica), Marimba 2 (preferably includes F2), Bass Marimba (premiere performance used Bass MalletKAT, optional use of Bass Guitar and/or Keyboard Patch), Piano, Drum Set, and Auxiliary Percussion (includes Mark Tree, Suspended Cymbal, Triangle, and important gospel-style Tambourine).
$24.99
Alexandriana for Percussion Ensemble
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Ensemble de Percussions
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AVANCÉ
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Dan Heslink
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Alexandriana for Percussion En
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. P...
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Percussion Ensemble - Level 5 - SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Great’s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The music’s sectional nature parallels the library’s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the score’s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$9.99
RC "Cola"
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Ensemble de Percussions
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INTERMÉDIAIRE
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Mark McCafferty
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RC "Cola"
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Mark McCafferty
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.929010 Composed by Mark McCafferty. Folk,Instructional,Standards. Score and parts. 7 pages. Mark McCafferty #305...
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Percussion Ensemble - Level 3 - SKU: A0.929010 Composed by Mark McCafferty. Folk,Instructional,Standards. Score and parts. 7 pages. Mark McCafferty #3050871. Published by Mark McCafferty (A0.929010). Use this streetbeat cadence to move your band and drumline around. Great for parades, and really gets the crowd moving! www.mccaffertypercussion.com
$5.00
Judex (From Mors et Vita)
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Ensemble de Percussions
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INTERMÉDIAIRE
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Charles Francois Gounod
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Flávio Régis Cunha
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Judex
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Flavio Regis Cunha
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.597220 Composed by Charles Francois Gounod. Arranged by Flávio Régis Cunha. Concert,Contemporary,Romantic ...
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Percussion Ensemble - Level 3 - SKU: A0.597220 Composed by Charles Francois Gounod. Arranged by Flávio Régis Cunha. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and parts. 43 pages. Flavio Regis Cunha #4592917. Published by Flavio Regis Cunha (A0.597220). Mors et vita is an oratorio in three parts by Charles Gounod premiered at the Birmingham Festival in 1885. It was conceived as a sequel to La rédemption (1882). The 1886 Paris premiere again featured Jean Baptiste Faure. Gounod considered this oratorio, and its predecessor La rédemption (1882) as his greatest achievements. This arrangement is designed for a double string orchestra, harp and percussion. The sonority obtained from this arrangement is unique in its conception and can be very well received by the public. Lacking original woodwinds and brasses from Gounod's score, the string orchestra will be an excellent choice for performing in concerts, recitals, funerals and church preludes.Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunha
$40.00
Agnus Dei by Josquin Des Prez - Percussion, Standard/Percussion;Standard
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Ensemble de Percussions
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Renaissance
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Musique Sacrée
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Josquin Des Prez
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Agnus Dei
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Musicnotes
Josquin Des Pres - Agnus Dei - "Missa L'Homme Arme"Three Voices Out of One" Digital Sheetmusic - instantly downloadable sheet music plus an ...
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Josquin Des Pres - Agnus Dei - "Missa L'Homme Arme"Three Voices Out of One" Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Percussion Ensemble, instruments: Vibraphone;Snare Drum 1;Snare Drum 2; 1 pages -- Renaissance~~Sacred
$5.25
Believer - Score Only
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Ensemble de Percussions
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DÉBUTANT
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Rock
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Imagine Dragons
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Edna J
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Believer - Score Only
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Bloom Musicnotes
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SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.836253 By Imagine Dragons. By Ben McKee, Dan Reynolds, Daniel Platzman, Justin Tranter, Mattias Larsson, Robin F...
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Percussion Ensemble - Level 1 - SKU: A0.836253 By Imagine Dragons. By Ben McKee, Dan Reynolds, Daniel Platzman, Justin Tranter, Mattias Larsson, Robin Fredriksson, and Wayne Sermon. Arranged by Edna J. Bloom. Rock. 6 pages. Bloom Musicnotes #6361783. Published by Bloom Musicnotes (A0.836253). This arrangement of Believer by Imagine Dragons in A minor is crafted in JUMBO floating alphanotes. Note colors match the color of popular classroom instruments such as melody bells and boomwhackers. The large font is easily seen from a distance, and the colors allow instrumentalists to easily follow the melodic contour. This download includes TWO formats: stemmed shows rhythmic grouping and stemless provides abundant white space. The three line staff acts a s a general guide for pitch movement. Lyrics for two verses and the chorus are written below the staff. .
$4.99
Sonata for Percussion
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Richard Montalto
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Sonata for Percussion
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Maximal Music
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.597622 Composed by Richard Montalto. Contemporary. Score and parts. 58 pages. Maximal Music #4800535. Published ...
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Percussion Ensemble - Level 4 - SKU: A0.597622 Composed by Richard Montalto. Contemporary. Score and parts. 58 pages. Maximal Music #4800535. Published by Maximal Music (A0.597622). The three-movement Sonata for Percussion was composed in 2019. Solos for marimba (Movement 1 - Intro) and xylophone (Movement 3) are featured. Movement titles are I. Episodes, II. Layers, III. Dances. Performance time is approximately 11 minutes.
$30.00
[Thomas] Pythagoras and the Four Hammers
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Ensemble de Percussions
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Contemporain
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Andrew Thomas
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[Thomas] Pythagoras and the Fo
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American Composers Alliance Inc.
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SheetMusicPlus
Percussion Ensemble - SKU: A0.952823 Composed by Andrew Thomas. 20th Century. Score and parts. 89 pages. American Composers Alliance Inc. #4624335. Publ...
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Percussion Ensemble - SKU: A0.952823 Composed by Andrew Thomas. 20th Century. Score and parts. 89 pages. American Composers Alliance Inc. #4624335. Published by American Composers Alliance Inc. (A0.952823). A work inspired by a story by Albert Seay about Pythagoras discovering harmonic ratios, scored for percussion quartet. PDF download includes score and parts.Perc. 1: snare drum, mark tree, maracas, gourd, anvil, sizzle cymbal, brake drum, claves, orchestral bells.Perc. 2: 2 bongos, 4 timbales, claves, high gong, tubular chimes, xylophone, mark tree.Perc. 3: field drum (sounding G), castanet, vibraslap, gourd, medium gong, medium cymbal, 1 timpani, vibraphone.Perc. 4: bass drum, kick drum, maracas, triangle, marimba.
$29.95
Christmas Calypso for Percussion Sextet
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Ensemble de Percussions
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FACILE
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Noël
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Dan Heslink
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Christmas Calypso for Percussi
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. P...
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Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Christmas Calypso for Marimba Quartet
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Ensemble de Percussions
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Noël
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Dan Heslink
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Christmas Calypso for Marimba
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published b...
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Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Dance of the Wind-Up Toys
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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James Siddons
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Dance of the Wind-Up Toys
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James Siddons Music and Writings
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.972638 Composed by James Siddons. 20th Century,Concert,Contemporary. Score and parts. 14 pages. James Siddons Mu...
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Percussion Ensemble - Level 4 - SKU: A0.972638 Composed by James Siddons. 20th Century,Concert,Contemporary. Score and parts. 14 pages. James Siddons Music and Writings #3025013. Published by James Siddons Music and Writings (A0.972638). Dance of the Wind-Up Toys is for one clarinet in Bb, one cello, percussionist(s), and mime dancer(s). This work may be performed by instruments only; the percussion part being performed by one, two, or three performers.If a mime performer, or one or more dancers, also perform, the instrumental ensemble must be on the stage with them. The mime or dancer(s) enter the stage at measure 20 and either 1) perform until the end (m. 91), or 2) perform from m. 20 to m. 41, then leave the stage, and then return at m. 67. Costumes: the instrumentalists may be in costume as well as the performers, if desired. See the title page for suggestions. This piece is meant to be energetic, theatrical, and fun to perform as well as to watch.Program Note Dance of the Wind-Up Toys was composed in April-May 1968, when composer James Siddons was 19 years old. It was inspired by mime performers as well as the mechanical toys common in the early twentieth century.
$10.00
Judex (from Mors et Vita)
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Ensemble de Percussions
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INTERMÉDIAIRE
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Charles Francois Gounod
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Flávio Régis Cunha
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Judex
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Flavio Regis Cunha
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.597224 Composed by Charles Francois Gounod. Arranged by Flávio Régis Cunha. Concert,Contemporary,Romantic ...
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Percussion Ensemble - Level 3 - SKU: A0.597224 Composed by Charles Francois Gounod. Arranged by Flávio Régis Cunha. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and parts. 47 pages. Flavio Regis Cunha #4595365. Published by Flavio Regis Cunha (A0.597224). Mors et vita is an oratorio in three parts by Charles Gounod premiered at the Birmingham Festival in 1885. It was conceived as a sequel to La rédemption (1882). The 1886 Paris premiere again featured Jean Baptiste Faure. Gounod considered this oratorio, and its predecessor La rédemption (1882) as his greatest achievements. JUDEX is a part of this important work and now you have it in a friendlier tonality (G) than the original written by Gounod (the key of Gb). The music remains unchanged. It is a beautiful work, very accessible and suitable for concerts openings, service preludes, recitals. It is an important work of the orchestral repertoire and your orchestra needs to play it at some point along the way. You and your orchestra will enjoy playing this work of unique beauty.Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunha
$40.00
Bucket O'Braidy
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Ensemble de Percussions
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DÉBUTANT
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Edna J
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Bucket O'Braidy
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Bloom Musicnotes
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SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.836179 Composed by Edna J. Bloom. Celtic,Children,Holiday,Instructional. Score and parts. 3 pages. Bloom Musicno...
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Percussion Ensemble - Level 1 - SKU: A0.836179 Composed by Edna J. Bloom. Celtic,Children,Holiday,Instructional. Score and parts. 3 pages. Bloom Musicnotes #4330549. Published by Bloom Musicnotes (A0.836179). Bucket O'Braidy provides buckets o'fun for upper elementary to intermediate study of compound meter. The scoring is very adaptable: body percussion, boomwhackers, bucket drums, drumline, mallets, piano, and more. Catchy nonsense lyrics boost success. Repeated patterns are easily recognized and lend themselves to study of form. Three note positions on the staff can denote where to strike a drum, which tube to whack, or other actions. Permission granted to copy for all students of ONE instructor. .
$6.00
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