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Ensemble de Percussions
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Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua …
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.57 €
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Ensemble de Percussions
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion
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Slide Ride
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SheetMusicPlus
Don't Worry, Be Happy
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.899162 By Bobby McFerrin. …
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ricardo Matosinhos #5723941. Published by Ricardo Matosinhos (A0.899162). This is a well known piece by Bobby McFerrin. Here presented on a music arrangement for unconventional music instruments. The arrangement allows flexibility, so this piece can be performed using tuned bottles (25cl, 33cl and 75cl), lip whistle, finger snaps, complemented with xylophones and optionally with voices to sing the lyrics too. This arrangement was made during the 2020 quarantine, when the world was shutdown due to a world virus pandemic. Some of the music students didn’t have their music instruments at home, so this arrangement came up to fill that gap and it is perfect to keep doing music with the available option of instruments.On each rehearsal letter, you can play optional improvisations, while keeping the voices 5-8. These improvisations can be easily done using the C major pentatonic scale or the note ranges presented on the right, that even include Eâ™ and Bâ™. If played using lip whistle, bendings will be possible too. This arrangement presents 8 voices and an alternative solution for voice 8, that makes it easier to be performed as it is the place where bottles are divided between the players. There is also an optional bass line to complement voice eight one octave bellow. In order to keep it simple, neither dynamics or articulations were included and the notes were represented always in the middle octave in G clef. The correct pitch ranges are presented in the performance notes.The amount of water will change the pitch differently depending if you are blowing or doing percussion on a bottle. When blowing, the more water you use, the higher the pitch will be, but while doing percussions more water means lower pitch. A good option, in order to save time during rehearsals, is to fill the bottles with water, marking the level with a pen, and then filling the bottle with the desired amount of hot wax instead of water. This way, when the wax cools down you can have a tuned bottle without requiring to tune it again every single rehearsal. Please note that the bottles should be made of glass and that different aspects change the performance. For percussion, straight bottles are better to tune as the curves in the bottles tend to produce unstable pitches. The extreme notes of the range might not be available in every single bottle, so you might need to try some alternatives. For example the high A is available in some beer bottles, while the low G is available in larger 75cl bottles of champaign. Last but not least, this piece should always be played according to Bobby’s motto: dont worry, be happy!I had lots of fun while doing this arrangement, now it’s your time to have fun while performing it!Ricardo Matosinhoshttp://www.ricardomatosinhos.com
$14.99
13.7 €
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Ensemble de Percussions
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Bobby McFerrin
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Ricardo Matosinhos
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Don't Worry, Be Happy
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Ricardo Matosinhos
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SheetMusicPlus
DON´T FEAR THE PIEPER / MORE COWBELL (Don´t Fear The Reaper)
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.859997 Composed by Timm Pi…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.859997 Composed by Timm Pieper. Contemporary. Score and parts. 12 pages. Marchingmusic.de #6295721. Published by marchingmusic.de (A0.859997). This cowbell extravaganza is based on „Don‘t Fear The Reaper as performed by Blue Öyster Cult / written by Buck Dharma Arrangement & add. Compositions by Timm PieperPlayable with 7-22 Players (or even more).The Sheet music comes with detailed information and tipps about cowbell choice, movements and playing techniques (in english). It also contains information about possible numbers of players and how to split the parts.Score, Set of Parts and Performance Video are included.
$29.95
27.38 €
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Ensemble de Percussions
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Timm Pieper
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add
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DON´T FEAR THE PIEPER / MORE COWBELL
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marchingmusic.de
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SheetMusicPlus
Don't Stop Believin'
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.941723 By Journey. By Jona…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.941723 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Derrick Crawford. Rock. Score and parts. 23 pages. Derrick Crawford #3880337. Published by Derrick Crawford (A0.941723). Don't Stop Believin', arranged for percussion ensemble. Marimba 1 and 2 can be played on the same marimba. Note durations that are a quarter note or longer for Marimba 2 may be rolled, if desired.
$20.00
18.28 €
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Ensemble de Percussions
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Journey
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Derrick Crawford
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Don't Stop Believin'
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Derrick Crawford
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SheetMusicPlus
Pure Imagination
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.888598 Composed by Anthony…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.888598 Composed by Anthony Newley and Leslie Bricusse. Arranged by Ian Marshall. Film/TV. Score and parts. 23 pages. Ian Marshall #5200271. Published by Ian Marshall (A0.888598). Pure Imagination for Percussion QuintetIntermediate LevelDuration: 3 minutes 40 secondsInstrumentation: Bells, Xylophone, Vibraphone, Marimba 1 (Treble), and Marimba 2 (Bass)This beautiful arrangement from the movie Willy Wonka and the Chocolate Factory will have your intermediate percussionists playing together musically in no time. More advanced techniques like 4-mallet grip (vibe soloist), vibraphone pedaling/dampening and correct marimba roll speed will be important to achieve the best possible sound. Both marimba parts can be played on the same instrument and the bass part (Marimba 2) will fit on a 4.3 octave marimba.If you have any questions/concerns, please don't hesitate to contact me at imarshall18@gmail.com
$15.00
13.71 €
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Ensemble de Percussions
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Anthony Newley and Leslie Bricusse
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Ian Marshall
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Pure Imagination
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Ian Marshall
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SheetMusicPlus
Gravity for Septet
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by Mohamm…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
15.53 €
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Ensemble de Percussions
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
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